Jurassic World Dominates The Summer

irex rules

For the third weekend in a row Jurassic World is the box office champion having beaten off challenges from Inside Out and Ted 2. To date the film has earned $500 million in North America (and over $1.2 billion worldwide) making it the biggest film hit of the year, which is an amazing feat considering it’s the fourth film in a disregarded franchise.

Think about it. Of the three Jurassic Park films, only the first one is considered a classic, while the two that followed are seen as inferior, even though Steven Spielberg, the director of the first film, helmed the second one. The last film, Jurassic Park III, came out fourteen years ago and is a weak entry in the series. With such diminishing returns, the amount of time since Jurassic Park III came out and the thin credentials of Jurassic World’s director, Colin Trevorrow, not much was expected of the fourth film.

In fact, when the trailers first started making their way through the Internet, many kept snarking about how fake the dinosaurs looked and how dumb the idea was that the film had trained Velociraptors. The Summer of 2015 was supposed to belong to Avengers: Age of Ultron, remember that film? Well, to say that Jurassic World defied expectations is a gross understatement.

The question is why is it so successful? There are many reasons and theories. There’s nostalgia for the first film, which has endured for all this time and broken gyronow the second film has come around to being recognized as a worthwhile sequel. So the public appetite was there for more adventures at Isla Nublar. Another reason has to do with the universal (no pun intended) appeal of dinosaurs. Out of a crowded summer schedule filled with superheroes and explosions, the sight of majestic and deadly dinosaurs was welcomed by those wanting something different. This leads to another reason; maybe the public is getting tired of superhero films. Avengers: Age of Ultron was over-marketed just like last year’s The Amazing Spider-Man 2, and although it was a huge success it didn’t match the original film in terms of quality and box office returns. The likely culprit for that has to do with that film’s merits and word of mouth. Then that leads to a final point, the word of mouth about Jurassic World and weaker-than-expected competition gave the film legs.

irex rampageBut the underlining reason for its success is that it’s a downright fun and well-made film. Jurassic World doesn’t have any pretensions and it isn’t a perfect film, but it accomplishes what it was supposed to do, being thrilling and entertaining. The textbook example of a summer film. Some may think it’s too early to declare Jurassic World the King of the Summer, but consider what’s left; Terminator: Genisys, Fantastic Four, Pixels. Seriously, can anyone expect these films to fire the imagination? Maybe Ant-Man and Minions will be contenders, but as of now Jurassic World rules the summer!

Waldermann Rivera

 

Jaws: The Film That Changed The Summers

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Forty years ago, on June 20 to be exact, Jaws premiered in theaters and forever changed the summer film environment. Before Jaws came along and scared recreational swimmers out of the waters, summer film schedules were filled with lightweight, forgettable fare. Most often they were aimed at children who needed something to do in the summer. The theaters were terrific time killers and babysitters for parents so off the little ones went. Though there have been big hit films that were released during summers none of them had the effect that Jaws had.

Based on the eponymous novel by Peter Benchley, Jaws was a one of Steven Spielberg’s earliest films and a breakout hit for the then-young director. A nature/horror film, Jaws was about a New England beach community being terrorized by a monstrous great white shark that decided to use the sleepy town’s popular beach for a feeding ground. The novel was terrifying enough, but the film brought the visceral horror of the shark to vivid life and stating that it was a huge hit is an understatement.

brody v shark

As someone who was around when the film first came out, I can testify that the film was a genuine blockbuster. There were literal lines of anxious moviegoers that went around blocks waiting to see this film. In this day and age of multiplexes that jam several theaters with the same film, this is unheard of. Sure, there would be a line, but usually that would be on opening weekends and they hardly snake around blocks like in the old days.

As with many films since, Jaws tapped into the public consciousness in a certain way and the film had a distinct impact past the movie theaters. Unfortunately, it wasn’t so positive. Aside from the ripoff horror/nature films that followed (Grizzly, Orca, Tentacles, etc.), sharks received a very bad reputation and people went out of their way to hunt down and kill the aquatic predators, bringing down their population. People were terrified of going into the water. Their overactive imaginations kept playing scenarios of them becoming shark attack victims. This fear still persists today, but it’s more balanced as we celebrate Jaws’ 4oth anniversary.

Jaws is so revered thanks to the skills of Steven Spielberg who assembled a topnotch team both in front and behind jaws castthe camera. Who can forget the stellar performances by Roy Scheider as Sheriff Brody, the everyman law officer out of his element? Or Richard Dreyfuss as Hooper the hippie marine biologist who clashed with Quint, the salty fisherman so terrifically played by Robert Shaw? The conversations and arguments between the three are beloved and often copied and honored by other films. The line uttered by Brody when he first sights the humongous shark “You’re gonna need a bigger boat” is beyond legendary.

That scene itself sold the film for me as a youngster. I actually screamed and ripped up my popcorn bag when the shark first popped it’s mechanical head out of the water as Brody was shoveling chum into the water. I never expected to see the shark because I thought that all that would be shown was just a fin. Yes, the shark is an obvious fake, but no one cares. Spielberg, stuck with malfunctioning shark robots, was forced to make do with less and it worked. So when the shark finally appears in the gripping final act, we the audience are both relieved at having finally seen the white terror and invigorated by the music, the editing and camera work. Again, Spielberg is rightfully credited for using John Williams, who came up with the famous film score, Verna Fields for the crisp editing and Bill Butler for the beautiful cinematography.

chum

It’s hard to imagine how the film would’ve turned out if another director was used. And remember the film was so plagued with problems that Spielberg was almost fired. It’s a good thing that didn’t happen.

With Jaws’ success (it was the number one movie of all time until Star Wars came along), film studios realized what a gold mine the summer season was and soon enough we began to see the big-event films coming out in the summer. That pattern is still in effect today and will likely stay that way for a long time. Some snobs may decry this and proclaim that these blockbusters are for empty-headed masses. They’ve tried to blame Jaws for this, but they overlook the fact that Jaws is simply a great, edge-of-your-seat adventure film. That is why it has endured and I’m thankful because without Jaws we wouldn’t have so many memorable summer films.

Waldermann Rivera

 

 

 

Jurassic World Proves That The Jurassic Park Series Isn’t Extinct

JW poster Jurassic World is what a great summer film should be! After the disappointments of Avengers: Age of Ultron and Tomorrowland, Jurassic World comes roaring along and shows everyone the meaning of the term summer blockbuster. It’s everything that a film of its type is supposed to be: exciting, awe-inspiring, adventurous, and sprinkled enough with messages to go with the popcorn. It’s rather amazing to think that the fourth film in a franchise would reinvigorate it especially when the last film in the franchise, Jurassic Park III, signaled that the film series had run its course. Jurassic World takes place over twenty years after the first Jurassic Park. That failed dinosaur theme park from the first film has been reborn as the mega successful Jurassic World. Yet, despite the park’s popularity, the owners are concerned with keeping the park profitable. To remedy this, some bonehead comes up with the idea of genetically creating new species of dinosaurs as if regular dinosaurs weren’t spectacular enough for the masses. mosasuarActually this train of thought is bored easily. A case in point is when two of the film’s young characters Gray Mitchell (Ty Simpkins) and his older brother Zack (Nick Robinson) visit the park. In one valid in the film. One observation made by the film is that our society is rather fickle and scene they’re at an aquatic stadium similar to what we find in SeaWorld. The star attraction is a huge Mosasaurus , while Gray is excited to see this gigantic leviathan chomping on shark bait, Zack is distracted with his smartphone. That is so true with many people today, they’re only interested in what’s next. And it’s this mentality that leads to disaster in Jurassic World. The two siblings could’ve been your typical annoying kid characters, but they actually work. Through them, we empathize with their wonder and vulnerability. One of the best moments is early in the film when Gray first enters the park. The famous John Williams score adds to the rousing feeling as he takes in sweeping views of the world-class resort. We don’t see any dinosaurs but the scene is supposed to evoke the joy and wonder that a young child has when first panicvisiting a theme park. Think about it, when first entering these parks, a visitor doesn’t automatically see the star attractions, but the visitor is mesmerized by the architecture and the promise of what’s to come. Director Colin Treverrow is able to convey this POV and makes us wish the park actually existed. Later, when the boys are imperiled by rampaging dinosaurs we feel their fear. Some of those tension-soaked moments come close to rivaling what Steven Spielberg accomplished with the early Jurassic Park films. Even though he can’t capture Steven Spielberg’s magic touch with the camera, he gives it his all. irex pteros Anyway, to keep enticing visitors the park’s owners have a new dinosaur created in their labs, the Indominus rex. It’s a mean, pale, towering behemoth that is a Tyrannosaurus rex and Velociraptor mix on steroids. As in the first film, the scientists meddled with nature and in trying to make cooler dinosaurs created a nightmare. The I-rex turns out to be unusually intelligent and lethal. Demonstrating this is how it’s able to use camouflage and trickery to enable an escape from its compound. Once it breaks free, it goes on a sadistic killing spree and murders dinosaurs and humans alike for sport. This isn’t your typical dinosaur running amok. The Indominus rex is one of the best dinosaur creations ever seen on film and is certain to be regarded as a classic monster. By the way it so easily outwitted and outfought humans, it was hard to be certain that the good guys would win. Plus, the film allowed time to have the characters and audience mourn for a dying sauropod, an unfortunate victim of the I-rex. It was a good touch. raptor whisperer However, even though the Indominus rex seems unbeatable, the park’s ace in the hole is Owen Grady (Chris Pratt), an expert Velociraptor handler. He is hands down the best and most interesting character. Grady is cool, savvy, and of course, no one in charge listens to him. Often, he knocks heads with the park’s operations manager Claire Dearing (Bryce Dallas Howard), who is the Mitchell boys’ aunt. She is the typical corporate shill that only cares about profits. But she changes her ways as the film progresses and she grady and co.finds out that the new dinosaur is out of control and her lost nephews are in harm’s way. The banter between her and Grady was surprisingly funny in a cornball, cliché-ridden way but it was funny at times. There was this scene where she and Grady are tracking the boys and she’s running around the jungle in a business suit and high heels (and it’s film miracle that she is able to outrun dinosaurs in the heels). To show that she is willing to get rough to find the boys, Dearing hysterically adjusts her suit by rolling up the sleeves and loosening her jacket. Some may find all this eye rolling but it worked. The film is chock full of implausibilities like Dearing’s high-heel jungle sprints. Consider that the park’s owner (Irrfan Khan) is the only person capable of flying a helicopter and as CEO is allowed to take part in an assault of the I-rex. Then there is unbelievable fact that the boys are able to jumpstart a jeep left rotting for twenty years with old gasoline! Or how about cell phones and radios that never work when they’re needed? Adding to this is InGen security expert Josh Hoskin’s (Vincent D’Onofrio) outlandish idea to weaponize Velociraptors. These are not guard dogs but unpredictable wild animals as he soon finds out. Still it was an interesting subplot about the military applications of genetically created dinosaurs. This could be a direction that a sequel can explore. raptor dogs One of Jurassic World’s best features were naturally the Velociraptors that Grady handled. Through hard work, he has limited control over the dinosaurs, but it’s precarious. Nevertheless, one fist-pumping moment is when he takes off in a motorcycle at night to hunt the I-rex and the raptors join him like a pack of dogs. Unfortunately, it all backfired for the humans because being that the Indominus rex was part raptor it was able to assume an alpha role and had the raptors attack the human hunters. But despite their betrayal, the raptors, led by one called Blue, in the end turn on the I-rex in the climax. And boy was that one epic battle, especially when Dearing unleashes a Tyrannosaurus rex to join in the fray. It was a tribute to those epic kaiju films where monsters like Godzilla, teamed up with Rodan and others to fight Ghidorah. That fight had one of the film’s final messages which was by working together two different parties were able to survive. Jurassic World is a great gem of a surprise. It may not be in the same league as the Spielberg films, but it’s a tremendously enjoyable romp that shows that the world of Jurassic Park still has much to offer viewers. José Soto  

In Defense Of The Lost World: Jurassic Park

stegosaurisNow that Jurassic World has been released, there’s been increased interest in the past Jurassic Park films. It’s a common consensus that the first Jurassic Park film is a timeless classic and that Jurassic Park III is an inferior entry in the film franchise. The first sequel The Lost World: Jurassic Park is constantly lambasted by many critics and fans as being another disappointing sequel that can’t compare to the original. Personally, I disagree with this common assessment, The Lost World: Jurassic Park was a terrific summer thrill ride that has so much merit.

This doesn’t mean that this film is as good as Jurassic Park. No, the original film is superior because of it explored many themes about man and nature. Then what cemented its status among film classics was its then-groundbreaking fx. The Lost World: Jurassic Park doesn’t have such lofty themes although there are some and its fx may now seem like old hat. But the film delivered the goods in being a grand adventure film with relatable characters and intense action scenes.

Let’s examine that closer. The film, like the Michael Crichton novel it’s based on, focused on Ian Malcolm malcolm and others(Jeff Goldblum), the slightly eccentric scientist who accurately predicted that bringing dinosaurs to life was a bad idea. Malcolm was one of the most endearing characters from the first film thanks to Goldblum’s performance and once again he shines as the scientist. This time, he is asked to go to another dinosaur-infested island off the coast of Costa Rica to rescue his girlfriend Sarah Harding (Julianne Moore). She was shown to be a very capable scientist who could take care of herself. Other new and memorable characters included photographer Nick Van Owen (Vince Vaughn), big game hunter Roland Tembo (Pete Postlethwaite), and Peter Ludlow (Arliss Howard). One thing that was interesting is that with Ludlow this film had a true villain that lasted for most of the film. Ludlow was John Hammond’s (Richard Attenborough) greedy nephew who wanted to exploit the dinosaurs to create his own theme park.

hunting dinos

In light of all the controversy parks like SeaWorld are going through with alleged neglect and abuse charges with their animals, this animal exploitation theme is explored fully in this film. Stressing this point are the distressing moments when herds of frightened dinosaurs are hunted and captured by Ludlow’s team. This animal conservation motif was the overriding message in this film. It may not be as complex or profound as chaos theory, but it is still a valid point.

However, this film didn’t get bogged down and or come off as too preachy with its message about leaving nature alone. That was because the film was adorned with exciting sequences where humans are threatened by dinosaurs. trailer attackChiefly, a couple of Tyrannosaurus rexes who hunt the humans after Ludlow has their infant T-rex captured. There’s this chilling and captivating moment when Malcolm and his companions are trapped in a trailer that the t-rexes attack. It was just as terrifying as when the Tyrannosaurus first appeared in the foreboding rain in the original Jurassic Park. Another scene worth mentioning is when the same dinosaurs creep up on Ludlow’s camp at night and the frantic fleeing of the humans that followed. It was very gripping and full of dark humor. A case in point is when a T-rex steps on a hunter and the squashed human is stuck on the animal’s paw as it pursues other humans. This chase scene led to a return appearance of the dangerous Velociraptors that made their mark in the original. The followup scenes where the raptors use the tall grass to close in on the hunters evoked the terror that director Steven Spielberg so expertly showed in Jaws.

trex attack bus

But the big highlight for me with this film had to do with its last act. Many people deride the moment when a captured Tyrannosaurus rex escapes into the streets of San Diego, but it was great! It was a clear tribute to the old Willis O’Brien classic The Lost World and more recent kaiju films. The images of the T-rex rampaging through a crowded street, attacking a city bus and eating hapless people still bring a smile to my face. Spielberg knew what would please fans and their inner youth who would revel in the spectacle of rampaging dinosaurs in our cities. It may be a tacked-on final act, but it was downright entertaining!

Putting aside these compliments, The Lost World: Jurassic Park does have its faults, which I won’t go into here. It’s worth noting that while it’s not as good as the original this sequel had many features that improved upon the first Jurassic Park. It was more thrilling, had more dinosaurs and naturally had better fx. Maybe it’s time everyone gave this film a second look and see why it’s a fun film.

Lewis T. Grove

 

 

Interstellar & Its Emotional Core

interstellar poster

Interstellar may be director Christopher Nolan’s most ambitious work to date. Is it his best? Maybe, it truly depends on any viewer’s taste. Regardless of one’s viewpoint, Interstellar is probably Nolan’s most emotional film rivaling The Dark Knight.

One criticism of Christopher Nolan as a director is that sometimes his films feel emotionally distant even though he tries very hard to connect audiences with his characters. This time, Nolan is able to make that connection thanks in large part to Matthew McConaughy’s sincere performance. Playing Cooper, a former astronaut turned corn farmer, McConaughy’s work is gripping and deep and he is able to keep his scenes from being too kitschy. The emotions he displays strike a perfect note.

 

INTERSTELLARIn an unspecified future, the Earth is slowly dying. Various crops like wheat and okra have gone extinct as pervasive dust strangles the world. As crops die off, humanity spirals towards extinction with dust invading everything. Dreams are long gone, replaced by a practical need to grow more food and to just survive. As a widowed farmer, Cooper longs for the days when humanity strived for the stars and a sense of adventure.

Eventually he meets an old colleague, Prof. Brand (Michael Caine) and his daughter Amelia (Anne Hathaway). They are part of the remnants of NASA and a secret mission to return INTERSTELLARto the stars. Fifty years earlier, a wormhole appeared near Saturn and several manned missions were sent into the wormhole since the wormhole leads to other habitable worlds. Brand hopes that these worlds can be colonized in order to save humanity. Cooper is recruited to join Amelia and other astronauts to voyage through the wormhole and follow up on data provided by earlier explorers on three potential worlds for colonization.

In the run up to Cooper leaving Earth and his children, Interstellar is the typical well-plotted-though-a bit-distant Nolan film. Yes, there are the teary scenes from his daughter Murphy (Mackenzie Foy) and subtle disparaging remarks from his father-in-law (John Lithgow) about Cooper leaving his children behind without a guarantee of returning. These scenes do work but one has to wonder how Steven Spielberg (who was attached to the film originally) would’ve handled them. They probably would’ve had more emotional punch or they might’ve been overly sentimental.

INTERSTELLAR

Interstellar does pick up in leaps and bounds the moment Cooper and the crew of the spaceship Endurance first plunge into the wormhole. These moments are gasp inducing and afterwards a sense of danger and wonder is felt throughout the rest of the film. Nolan is also able to inject a feeling of moroseness and loss, especially when the effects of time dilation are noticed. Even more ominous are the moments when the Endurance crew explore two worlds. They seem genuinely alien and uninviting, and add a feeling of foreboding and lost time. Meanwhile, in the short time that he’s exploring, Cooper’s children have grown into adulthood and Murphy (now played by Jessica Chastain) has joined the project by assisting Prof. Brand as the old man struggles with a gravitational equation to allow humanity to leave Earth. As this is going on, the film engages the viewers even more and more.  Moments of high tension and eye-popping wonder fill the theater screen. The only drawbacks to Interstellar at this point are some pacing and narrative issues, as well as expository dialogue that flies by quickly. It dares audiences to keep up with  verbal examinations of quantum physics and other modern scientific concepts. The payoff though is huge.

black holeThat is because final part of Interstellar is unforgettable and daringly thought-provoking with mind-twisting moments. Nolan skillfully presents some far out concepts of physics and the nature of time and other dimensions that calls to mind Kubrick’s work in 2001: A Space Odyssey. But Nolan departs from Kubrick in that while he is as analytical as Kubrick, the core of this film isn’t stark nor cold. Rather, Interstellar embraces human emotion as it rails against the cold, harsh nature of science and physics. Not only that, the film goes beyond and explores some ethical and philosophical concepts about species survival, love and the human connection. As a sci-fi epic, Interstellar is a sweeping, magnificent, though flawed, endeavor that pushes boundaries.

José Soto