Rise Of The MonsterVerse

While cinematic universes based on superheroes have fallen out of favor and other attempts at creating different kinds of cinematic universes have faltered, the MonsterVerse has actually thrived lately. Just look at the unexpected success of Godzilla x Kong: The New Empire, which when released last week earned much more in the box office than originally projected. Given the success of the latest MonsterVerse film, another sequel is warranted but to date there are not any concrete plans for more films or TV shows. Expect that to change shortly.

The success of the MonsterVerse surprised many people because a lot of attention in the past was given to the superhero film franchises which were more successful. However, as we all know, the superhero film franchises have struggled lately, which created a void for other film franchises to fill, hence the rise of the MonsterVerse. For some time, it was thought that creating a film franchise not related to superheroes was impossible, but the MonsterVerse proved the naysayers wrong.

Originally, the first film in the MonsterVerse, the 2014 American reboot Godzilla was not intended to launch a cinematic universe. Yet, a few years later the birth of the MonsterVerse was confirmed with 2017’s Kong: Skull Island, which was set in the 1970s while Godzilla was set in modern times. But both films featured the secretive Monarch organization which studied the titans or kaijus that were appearing in the world. Cementing Kong: Skull Island as the second film of the franchise was its post-credits scene which teased Godzilla and other giant kaijus from the Toho Studios Godzilla films.

The next entry in the MonsterVerse was Godzilla: King of the Monsters in 2019, which was a true kaiju epic featuring favorite Toho kaijus like Mothra, Rodan and King Ghidorah along with new and interesting titans. Sure, critics hated the film and it only performed so-so in the box office, but Godzilla: King of the Monsters struck a nerve with fans who where enthralled with the worldbuilding and the explosive monster scenes.

The next logical MonsterVerse film had to be one where King Kong fought Godzilla, which excited many fans. Godzilla v Kong was released on streaming at the same time as it was released in theaters in 2021 due to the COVID-19 pandemic, but it made a lot more money than people expected and was well received. It was the culmination that many eagerly anticipated ever since Godzilla was teased in Kong: Skull Island.

Due to the success of Godzilla v Kong, the MonsterVerse expanded into streaming with two TV shows: the animated Skull Island and the live-action MonsterVerse prequel/sequel to Godzilla, Monarch: Legacy of Monsters. Both TV projects received positive reactions and helped with the worldbuilding of the MonsterVerse as events from the TV shows were referenced in Godzilla x Kong: The New Empire.

Of course, this brings valid complaints about having to watch previous films or TV shows in order to fully understand what is going on. But does the plot really matter? Sure, the scripts of the films are an issue, especially with the more recent entries and there will come a time when fans will tire of the monsters fighting and want to see some more meat in the scripts. But this is possible as seen with Godzilla, which was a more grounded and mature film. Fans back then griped about the somber tone of Godzilla and the lack of monster action, but it turns out they were not ready for such a film and clamored for the big kaiju battles that dominate the films now. Monarch: Legacy of Monsters was also a more level-headed project that explored the background of Monarch and took time to get us to care about the characters. Perhaps the next MonsterVerse film should find a way to showcase these characters, even though part of the TV show is set in the past.

So, why did the MonsterVerse succeed as a franchise where others failed? Part of it has to do with the fact that even though the films and TV show feature spectacular special effects, their budgets are modest compared to the superhero blockbusters. This makes it easier for them to be profitable even if the box office returns are not as outstanding. It’s actually remarkable given that the battles and scenes with titans are the highlights of these films. Also, unlike some other film franchises, the MonsterVerse took time to properly set up its world. Legendary Pictures, the film studio behind the MonsterVerse, did not at first set out to create a film franchise and even when it did, the set up was natural. This method also created demand, after Godzilla: King of the Monsters many fans demanded to see Godzilla go up against his rival, Kong. A King Kong versus Godzilla film was not rushed out but carefully teased. This was not the case with Batman v Superman: Dawn of Justice. To Legendary Pictures’ credit, they are giving fans what they want which is basically big kaiju fights and scenes with topnotch special effects.

As great as things are for the MonsterVerse, the film franchise will have to evolve in order to survive. Better scripts and more human character developments are essential, as well as more imaginative worldbuilding that unlocks the potential with the titans. What can be done with the titans and Monarch has barely been tapped and hopefully the MonsterVerse will be explored further with future TV and film projects.

Godzilla x Kong: The New Empire Is Pure Goofy Fun!

Well, no one can say Godzilla x Kong: The New Empire can be compared to Godzilla Minus One, but it was still fun.

The latest film installment in the Monsterverse cinematic universe reunites everyone’s favorite kaijus Godzilla and King Kong, who last faced each other in Godzilla vs. Kong. That film left the two titans living in two different worlds: Kong in an underground realm called Hollow Earth while Godzilla remained on the surface and as the undisputed king of the monsters. Godzilla x Kong: The New Empire takes place a few years later where Godzilla starts stomping around the world, destroying cities while battling other kaijus, and absorbing radiation to charge himself up. This catches the attention of the Monarch Organization, which monitors the behemoth kaijus throughout the world that have made their presences known in the Monsterverse.

Ilene Andrews (Rebecca Hall) is a linguist at Monarch with an adopted daughter Jia (Kaylee Hottle), who is the sole remaining member of her tribe that lived on Skull Island. Jia has been having visions that serve as a warning and Ilene recruits a podcaster, Bernie Hayes (Brian Tyree Henry), to decipher Jia’s visions, He figures out that the visions are a distress signal from Hollow Earth. Meanwhile, down below on Hollow Earth, Kong is trying to find other giant apes like him and eventually discovers a tribe of such apes, but they are hostile and ruled by a giant, red-furred tyrant called the Skar King.

After King Kong comes up to the surface world to get his tooth infection taken care of by a free-spirited veterinarian called Trapper (Dan Stevens)—yes, that actually happened, Ilene, Jia, Bernie and Trapper voyage to Hollow Earth to find the source of the distress call. Once there, the four run into the last remaining members of Jia’s tribe who are telepaths and they learn that long ago, the Skar King and his ape tribe tried to conquer the surface world, fought Godzilla and were trapped in Hollow Earth.

During his encounter with the giant ape tribe, Kong is bested by the Skar King and is forced to flee with his new-found friend, Suko, a young, red-furred giant ape that is patterned after Grogu or Baby Groot. The human quartet from the surface world run into Kong who was badly injured during his fight with the Skar King and his forces. As Trapper treats Kong, the rest have to find a way to get Godzilla back to Hollow Earth to help Kong fight the Skar King, who plans to escape to the surface to conquer it.

Yes, this admittedly sounds goofy, and it is. But Godzilla x Kong: The New Empire is so damn entertaining and it’s simply a fun watch that is fast paced and exciting. Basically, this is the quintessential film for you to turn off your brain, not question the film’s logic and just go with it. By the end of the film, anyone will be rooting for our heroes during the climatic battle with the Skar King and his minions. That battle was actually pretty epic and the film is a throwback to the more juvenile Godzilla films from the ‘60s and ‘70s that we all enjoyed as kids. The script is obviously the weakest part of the film, but everything else was well done. Who cares about collateral damage as famous landmarks and cites are destroyed as these giants tussle? How many people were killed as King Kong and Godzilla faced off in Cairo? Never mind that the Pyramids of Giza were destroyed! Or that the film copies elements from popular films and TV shows like The Avengers or The Mandalorian. Leave those concerns home and keep munching your popcorn as the film makes you feel like a little kid again. This is the kind of film to not think too deeply about and have a laugh-filled blast.

The actors give it their all with their limited character development, while King Kong is the clear star of the film.  His dialogue-free scenes give him a lot of pathos as the lonely giant gorilla tries to find others of his kind and dealing with the fact that when he does so it was not what he expected. Godzilla’s screen time was not as prominent as in other Monsterverse films, but that’s okay. His scenes are awesome to watch, although some of them were silly like when he uses the Roman Coliseum as his resting place to get some shuteye. Yet, he and Kong still inspire much respect whenever they display the full might of their power.

While Godzilla x Kong: The New Empire is just goofy, surface-level fun, it is unfortunate that the film came out after the more serious Godzilla Minus One and even Monarch: Legacy of Monsters, the TV show set in the Monsterverse and is required viewing for fans of the film franchise. It can be too easy to dismiss these kaiju films especially the ones from the Monsterverse as silly nonsense, but they can achieve a more mature and thoughtful tone, which was seen with the first Monsterverse film, 2014’s Godzilla. Of course, many complained that that film was too serious and didn’t feature enough monster destruction. Fair enough, but it seems as if the recent offerings have swung too hard in the other direction to the point that they cannot be taken seriously. Monarch: Legacy of Monsters struck a fine balance and if more Monsterverse films are made they should emulate the mood of the TV show. The filmmakers should aim for something higher instead of playing it safe and reveling in epic kaiju battles. But enough of that griping, just go see Godzilla x Kong: The New Empire and have some fun.  

Godzilla Vs. Kong Is The Epic Clash We’ve Been Waiting For!

Ever since Godzilla and King Kong have made their way into recent films with modern fx technology we’ve been wating for the inevitable clash between these two legendary titans. Fans had their dreams answered with the new take of Godzilla vs. Kong, and boy does this film deliver!

First of all, let’s be clear. Godzilla vs. Kong is not Citizen Kane or even Blade Runner. It does not feature any deep, meaningful storylines or characters, it just gives viewers a classic slugfest between the two iconic film legends. What characters there are only exist to provide brief explanations, theories and to move the plot along. It is clear that Legendary Entertainment has figured out that from Godzilla, its first entry in their Monsterverse cinematic universe, that audiences have little patience for human drama in these films and only show up to see detailed and powerful battles between giant monsters as they destroy their landscapes. The fourth Monsterverse film wisely, depending on your point of view, puts aside human drama and intricate plots and just sprinkle these elements to service the film and give the giant monster legends a reason to fight.

The film begins with Godzilla unexpectedly showing up off the coast of Florida and decimating the location of Apex Cybernetics. While the world believes the mighty Alpha Titan has gone rogue, there is more to his attack. At the same time, the other Alpha Titan, Kong is introduced as being held inside a massive dome on Skull Island that recreates his primordial kingdom. Apparently at some point before this film, he was captured and placed there to protect him from Godzilla, who would otherwise seek out Kong and battle him since he is a competing Alpha Titan. But Kong wants out of his gilded cage and is somehow able to communicate with Jia (Kaylee Hottle) the young, deaf daughter of Ilene Andrews (Rebecca Hall), one of the many scientists studying the giant gorilla. Ilene meets another scientist, Nathan Lind (Alexander Skarsgard), who wants to use Kong to lead his team into the Earth’s core. Lind believes in the Hollow Earth theory, which he thinks is the home of the gigantic titans and the source of a new kind of energy.

At the same time, Madison Russell (Millie Bobby Brown reprising her role from Godzilla: King of the Monsters), her nerdy friend Josh Valentine (Julien Dennison), and Bernie Hayes (Brian Tyree Henry), a conspiracy podcaster find out that Apex is also interested in exploring the inner Earth and obtaining the energy source. How does this relate to Godzilla and King Kong and other kaijus that pop up? Watch the movie to find out.

Actually, the threadbare plot is nonsense and is not fully explained, but who cares? It’s just a means to get the two giant kaijus to duke it out. Director Adam Wingard delivers the goods when it comes to epic clashes. Godzilla vs. Kong lovingly revels in beautifully choreographed shots of massive battles between the titans and other creatures. Modern cities are just a playground for these giants to stomp around in and destroy during their battles as humans can only do their best to get out of the way.

Keep in mind, that despite the film’s thin plot and underdeveloped characters, the actors give it their all and keep things moving at a fast pace to the point that we don’t mind the human interludes in between monster scenes since every human interaction directly deals with either Kong or Godzilla. This actually helps inect some personality into the monsters, especially Kong. In reality, this is more of a Kong film with Godzilla as a feature character who pops up to challenge the giant ape throughout the film. The result is that Kong has more character than expected and is placed in unique situations that is outside of what is often given to the screen legend. Not only does this reveal that Kong is far more intelligent than we thought, but he’s humanized to the point that even if you are on Team Godzilla you can’t help but root for him during critical moments in the explosive battles. Honestly, it was hard to pick a side, Team Kong or Team Godzilla, as we have reasons to root for both monsters who get their standout moments and demonstrate why they are the kings of their domains.

Needless to say the film’s stunning visuals alone are worth taking a chance to see in theaters. Of course, only go to a theater if you are fully vaccinated since you can’t tell beforehand if you’ll be stuck in the theater with selfish maskholes! Otherwise, be sure to stream this in the best home theater environment possible because Godzilla vs. Kong is a pure delight for kaiju and action fans.

Godzilla vs. Kong is the culmination of nearly a decade’s worth of Monsterverse films and is, at the moment, the final film in the Monsterverse. Hopefully, being that the film has captured the imagination of so many and is being well received despite its faults, maybe we can revisit the Monsterverse since there is more to explore, especially with King Kong.

José Soto

Kong Rules Skull Island

Kong: Skull Island is new feature film starring the famous giant gorilla, King Kong. It is set up to be part of a new shared cinematic universe that focuses on giant monsters and by itself Kong: Skull Island is quite an exciting thrill ride.

The film opens in the early 1970s as Bill Randa (John Goodman) launches an expedition to an uncharted island surrounded by perpetual storm systems. He is coy about the expedition’s purpose, claiming it’s a geological study, but we find out later his real reason for undertaking the voyage. Joining him is an all-star cast including Tom Hiddleston as James Conrad, a former soldier turned expert tracker, Brie Larson as Mason Weaver, a crusading photojournalist, and Samuel L. Jackson as Col. Preston Packard, the military head of the expedition. Once they and several others make it to the island they incur the wrath of Kong, a gigantic gorilla that strands them on the dangerous island. As the expedition survivors make their way to a pick up point on the island, they meet a marooned, World War II-era pilot, Hank Marlow (John C. Reilly) and learn first hand of the true danger of Skull Island: gigantic beasts that are a bigger threat than Kong himself.

Kong: Skull Island is an exciting and brisk-moving ode to those great old monster movies from the bygone era where hapless people are stranded on an island and have to contend with giant monsters. It does what it sets out to do: show us lots of scenes of giant monsters attacking and eating people and there are many invigorating action pieces with Kong that are the film’s highlights. The standout scenes include Kong’s attack on the Vietnam War-era helicopters carrying the film’s stars, and anytime Kong shows why he’s the king of Skull Island. That is any scene where King Kong fights with giant monsters. The creatures are wonderfully unique creations and quite imposing like the two-limbed skull crawlers that are Kong’s main monstrous enemies.

His other chief antagonist is Col. Packard who quickly becomes obsessed with killing Kong after his people are wiped out by Kong. This Ahab-like obsession is the driving force for this character and the people around him while an opposing viewpoint develops from Conrad and some others who just want to get off the island.

Admittedly, Kong: Skull Island isn’t a terribly deep or thought-provoking film and the characters are written on the flimsy side, but the film delivers on what it is supposed to be a fun giant monster film. Even then, some characters do stand out and that is largely due to the star power of the actors playing these roles. The standouts include Reilly, who provides quirky comedy relief though he does have a sad backstory, Hiddleston turns out to be a hard-fisted action hero, while Larson, Goodman and Jackson do their best with their limited roles. The only other gripe about Kong: Skull Island is that it doesn’t feature any dinosaurs. Aside from a triceratops skull, there isn’t a t-rex or other prehistoric monster to be seen. But in the end, the creatures conjured up by the effects them makes up for this. By the way, the creature effects were well done as were the production values and the film’s groovy early ’70s soundtrack is a plus. Any giant monster film that features Creedence get bonus points!

Of course, the real star of this film is King Kong himself. The film wisely let the big ape hog the spotlight and there are plenty of scenes featuring him to keep the film moving along briskly. Even the moments when Kong isn’t fighting humans or other monsters are awesome and there is a well thought out sense of scale to his enormous size.

kong vs skull crawler

 

Kong: Skull Island is an entertaining giant monster film that might’ve been a better fit for a summer viewing. Some critics are being unfair to this film with their complaints. But don’t let that stop anyone from going out, turning off their brain and worries, and enjoying themselves with this giant monster romp. Bottom line, this film delivers many great Kong action scenes of him stomping and smashing monsters and puny humans, and that is enough to keep any giant monster film fan entertained. And stick around for the post-credits scene that promises an eagerly anticipated meeting of Kong with the other great giant monster.

Waldermann Rivera