A Brief Look Back At Terminator 2 3D: Battle Across Time

The previous post about Terminator 2: Judgment Day brought to mind the extinct theme park attraction Terminator 2 3D: Battle Across Time or T2 3D at Universal Studios.

The attraction was a live-stage show combined with a 3D film that embedded audiences into the action-packed world of the Terminator franchise. T2 3D premiered at Universal Studios Florda on April 27 1996 and closed on October 8, 2017. It also ran in Universal Studios Hollywood from May 6, 1999 to December 31, 2012. The only remaining theme park where it still operates is at Universal Studios Japan, where it opened on March 31, 2001, but it’s anyone’s guess as to how much longer the attraction will run there.

Being that the film was directed by James Cameron himself, T2 3D would be the final time that he directed a Terminator film, even though it was a short film that ran about 12 minutes. It was also the final time that the actors from Terminator 2: Judgment Day reunited to reprise their roles: Arnold Schwarzenegger as the T-800, Linda Hamilton as Sarah Connor, Edward Furlong as John Connor, and Robert Patrick as the T-1000. Needless to say, it was the last time Cameron directed these actors.

Terminator 2 3D: Battle Across Time amped the scale and quality of live-stage shows and 3D films for its time and was considered very revolutionary in how it seemlessly combined both aspects to create an immersive experience for visitors that began during the pre-show portion of the attraction.

After entering the attraction’s building, visitors where exposed to company propaganda from Cyberdyne Systems in the form of an annoying PR spokeswoman who appeared live and videos that touted the coming cybernetic and robotic products from the company.

The videos get hacked by Sarah and her teenage son, John Connor, who warn the visitors about the dangers of Cyberdyne complete with footage from the Terminator films. Their video hack ends and the PR spokeswomen dismissed their warnings before ushering the visitors into the main theater for a demonstation of the company’s latest product: the T-70 infantry unit aka prototype terminators.

Several T-70s (actually audio-animatronics) were lined up on walls alongside the seats and demonstrated their firepower. After that, live actors representing the Connors arrive and shut down the demonstration. But before long, a 3D metallic image of the T-1000 forms from a displayed logo of Cyberdyne Systems on a screen in front of the audience and it emerged from the screen as a live actor. The T-1000 kills the spokeswomen to the delight of the audience then starts chasing the Connors. However, a vortex formed in the movie screen and from it a live-action T-800 riding a motorcycle came to the rescue. A brief firefight ensued as clever maneuvering by the live actors hid their faces while overhead monitors displayed the film actors. This was very well choreographed considereing that the live actors ran through the aisles in front of the audience.

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Invincible Is Incredible!

Anyone unfamiliar with the Robert Kirkman Image Comics series Invincible might find the first episode of the animated TV Show Invincible to be your typical superhero yarn. It starts out generic enough except for some wittier than normal dialogue; Mark Grayson (Steven Yeun) a young teenage son of the world’s mightiest hero, Omni-Man (J.K. Simmons), develops his own superpowers and juggles teenage life with learning to be superhero called Invincible. Adding to the familiarity is that Omni-Man is clearly inspired by Superman and his comrades in the superhero team, the Guardians of the Globe, are stand-ins for the Justice League.

Then the first episode concluded, and Invincible veered off violently into a completely new direction. Fans of the comic book series should enjoy the adaptation now streaming on Amazon Prime, since it is fairly faithful with a few differences as to the timing of certain character developments and events.

Without going into spoilers, the plot lines in the show are surprising as are the revelations about certain characters. For instance, in the episode “That Actually Hurt” Invincible is convinced to help a low-level supervillain to take out a dangerous criminal kingpin. What followed was one of the most wincing and savage fights as Invincible and his allies are nearly killed by the kingpin’s hired supervillains. But as graphic and epic the fights were what was more shocking were the final reveals which called into question Mark’s judgement.

Invincible is decidedly not for children as it is brutally violent in the vein of The Boys but in a more graphic extreme since the show is not limited by a live-action budget. In fact, some may complain Invincible may be too graphic with its violence. However, the show shows just enough restraint to keep it from going overboard.

As violent as the show is, it takes a mature approach to its character development. Mark goes through the well-known but perfectly executed tropes of a teenage superhero which explore the headaches of having a secret identity as his busy superhero life interferes with his ability to hold down a job or being honest with this girlfriend Amber (Zazie Beetz) or his growing relationship with Omni-Man and his perfectly normal mother (Sandra Oh). To the show’s credit, the characters are well explored and are captivating.

The secondary characters such as demon investigator Damien Darkblood (Clancy Brown), Atom Eve (Gillian Jacobs), Cecil Stedman (Walton Goggins), and Robot (Zachary Quinto) sometimes outshine the main characters. Damien is an interesting combo of John Constantine, Hellboy and DC’s the Demon. Atom Eve/Samantha Wilkins is a classmate of Mark and has an existential crisis over whether or not to remain a superhero or do meaningful work to help people. The stoic Robot trains the new version of the Guardians, but exhibits a surprising humanity, both good and bad and his final revelation was a genuine surprise. Meanwhile, Cecil is a dark yet humane version of Nick Fury and runs a super secret government organization that supports and monitors superhumans. It is very easy for viewers to get invested in these characters’ arcs and with minor appearances from other characters. One stand out was Allen the Alien (Seth Rogen), who becomes a relatable friend to Mark after the two initially fought on the moon. The actor’s easygoing, stoner vibe was emanated in his voice performance which made Allen so likeable.

Rather than mocking its superhero tropes, Invincible embraces them. It actually feels like a comic book while at the same time it functions as a deconstruction of the supehero genre.

To be honest, Invincible is not for everyone. The graphic violence can be offputting and the animation is not the most sophisticated, though its well done. The fact that the first episode “It’s About Time” feels like a retread of a Justice League story may lull people into thinking they’ve seen this before. But stick with the episode to the end. If the shock twist is not enticing enough to learn more about the show, then move on. Otherwise, sit back and explore the refreshing and hard-edged world of Invincible. By the time, the final episode “Where I Really Come From” is watched, viewers will be desperate to find out what happens next. Thankfully, Amazon Prime renewed Invincible for two more seasons.

Captains America And The Falcon And The Winter Soldier

The Falcon and the Winter Soldier, the second Disney+ TV series based on the Marvel Cinematic Universe (MCU) just finished streaming its inaugural season. On the whole, The Falcon and the Winter Soldier is another winner for Disney+ despite its flaws. As fans speculate, discuss and laud the series, it is pretty clear that it sets a new direction for the MCU. Spoilers will follow below for anyone who has not watched the show in its entirety.

The series takes place several months after the events of Avengers: Endgame. Steve Rogers, the original Captain America, is now “gone” (it is never clearly stated if he died) and his two best friends Sam Wilson/The Falcon (Anthony Mackie) and James “Bucky” Barnes/The Winter Soldier (Sebastian Stan) were left to pick up the pieces after Steve’s absence.

In the end of the last Avengers film, Steve Rogers passed on his nearly mystical shield to Sam Wilson to carry on the legacy of Captain America. However, when the series starts, Sam is very uncomfortable with that mantle and donates his shield to the U.S. government as he carries on juggling his private life with his contract superhero work for the government. At the same time, Bucky is grappling with guilt from his previous life as the Winter Soldier, where he carried out brutal assassinations.

While the two men try to go about their lives, events occur that force them to get involved together. These include a terrorist group called the Flag Smashers led by a young woman named Karli Morgenthau (Erin Kellyman). In the time between the last two Avengers films, half the world population was erased from existence until they were restored. The Flag Smashers believe the world would be better if there were no borders or nations, which apparently happened in between the films. To help their cause, Karli and her comrades have taken the same super soldier serum that gave Steve Rogers his enhanced strength and agility. They also steal more of the serum to create an army.

The U.S. government commissions a new Captain America, who is John Walker (Wyatt Russell), a military vet suffering from post traumatic stress disorder and he has a major chip on his shoulder. Naturally, he clashes with Sam and Bucky as the two track down the Flag Smashers.

Their hunt for the terrorists lead them throughout the world and encountering allies and foes including the Machiavellion Baron Zemo (Daniel Brühl), former S.H.I.E.L.D. agent Sharon Carter (Emily VanCamp) and the mercenary Batroc (real-life mixed martial artist Georges St-Pierre). Zemo truly stood out as a character in the series with his cold charisma and calculating nature. His cause (a hatred and distrust of superhumans) was clearly defined and understandable from his point of view. For a villain who was dismissed by many fans in Captain America: Civil War, Zemo was elevated to become an A-list villains who had his own humorous memes, especially with his dancing at a night club. Here is an hour-long edit put out by Marvel Studios of Zemo dancing for your enjoyment!

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Godzilla Vs. Kong Is The Epic Clash We’ve Been Waiting For!

Ever since Godzilla and King Kong have made their way into recent films with modern fx technology we’ve been wating for the inevitable clash between these two legendary titans. Fans had their dreams answered with the new take of Godzilla vs. Kong, and boy does this film deliver!

First of all, let’s be clear. Godzilla vs. Kong is not Citizen Kane or even Blade Runner. It does not feature any deep, meaningful storylines or characters, it just gives viewers a classic slugfest between the two iconic film legends. What characters there are only exist to provide brief explanations, theories and to move the plot along. It is clear that Legendary Entertainment has figured out that from Godzilla, its first entry in their Monsterverse cinematic universe, that audiences have little patience for human drama in these films and only show up to see detailed and powerful battles between giant monsters as they destroy their landscapes. The fourth Monsterverse film wisely, depending on your point of view, puts aside human drama and intricate plots and just sprinkle these elements to service the film and give the giant monster legends a reason to fight.

The film begins with Godzilla unexpectedly showing up off the coast of Florida and decimating the location of Apex Cybernetics. While the world believes the mighty Alpha Titan has gone rogue, there is more to his attack. At the same time, the other Alpha Titan, Kong is introduced as being held inside a massive dome on Skull Island that recreates his primordial kingdom. Apparently at some point before this film, he was captured and placed there to protect him from Godzilla, who would otherwise seek out Kong and battle him since he is a competing Alpha Titan. But Kong wants out of his gilded cage and is somehow able to communicate with Jia (Kaylee Hottle) the young, deaf daughter of Ilene Andrews (Rebecca Hall), one of the many scientists studying the giant gorilla. Ilene meets another scientist, Nathan Lind (Alexander Skarsgard), who wants to use Kong to lead his team into the Earth’s core. Lind believes in the Hollow Earth theory, which he thinks is the home of the gigantic titans and the source of a new kind of energy.

At the same time, Madison Russell (Millie Bobby Brown reprising her role from Godzilla: King of the Monsters), her nerdy friend Josh Valentine (Julien Dennison), and Bernie Hayes (Brian Tyree Henry), a conspiracy podcaster find out that Apex is also interested in exploring the inner Earth and obtaining the energy source. How does this relate to Godzilla and King Kong and other kaijus that pop up? Watch the movie to find out.

Actually, the threadbare plot is nonsense and is not fully explained, but who cares? It’s just a means to get the two giant kaijus to duke it out. Director Adam Wingard delivers the goods when it comes to epic clashes. Godzilla vs. Kong lovingly revels in beautifully choreographed shots of massive battles between the titans and other creatures. Modern cities are just a playground for these giants to stomp around in and destroy during their battles as humans can only do their best to get out of the way.

Keep in mind, that despite the film’s thin plot and underdeveloped characters, the actors give it their all and keep things moving at a fast pace to the point that we don’t mind the human interludes in between monster scenes since every human interaction directly deals with either Kong or Godzilla. This actually helps inect some personality into the monsters, especially Kong. In reality, this is more of a Kong film with Godzilla as a feature character who pops up to challenge the giant ape throughout the film. The result is that Kong has more character than expected and is placed in unique situations that is outside of what is often given to the screen legend. Not only does this reveal that Kong is far more intelligent than we thought, but he’s humanized to the point that even if you are on Team Godzilla you can’t help but root for him during critical moments in the explosive battles. Honestly, it was hard to pick a side, Team Kong or Team Godzilla, as we have reasons to root for both monsters who get their standout moments and demonstrate why they are the kings of their domains.

Needless to say the film’s stunning visuals alone are worth taking a chance to see in theaters. Of course, only go to a theater if you are fully vaccinated since you can’t tell beforehand if you’ll be stuck in the theater with selfish maskholes! Otherwise, be sure to stream this in the best home theater environment possible because Godzilla vs. Kong is a pure delight for kaiju and action fans.

Godzilla vs. Kong is the culmination of nearly a decade’s worth of Monsterverse films and is, at the moment, the final film in the Monsterverse. Hopefully, being that the film has captured the imagination of so many and is being well received despite its faults, maybe we can revisit the Monsterverse since there is more to explore, especially with King Kong.

José Soto

Zack Snyder Presents His Idealized Vision Of Justice League

Zack Snyder’s Justice League is the culmination of over three years of an internet campaign that started soon after the release of the much-maligned Justice League from 2017, a movie that I personally liked, but that was seen as not in tune with the previous two movies directed by Snyder that came before it, Man of Steel and Batman v Superman: Dawn of Justice. Joss Whedon was brought on to finish and reshoot much of what Snyder had done after he left the project due to the death of his daughter. The rise of streaming services, in this case HBO Max has allowed this long-awaited version to be completed and finally see the light of day.

The basic plot points from the theatrical version of Justice League are the same here. Batman gathers together the Justice League by seeking out Aquaman, the Flash and Cyborg with the help of Wonder Woman, resurrecting Superman and confronting Steppenwolf. He is an alien attempting to steal ancient technology called the Mother Box, which is hidden throughout the world in three parts and if the parts are united he will be able to conquer Earth in the name of his master, Darkseid.

The differences between Zack Snyder’s Justice League and the theatrical Justice League are the fact that the Snyder cut is a much deeper experience with backstory added for each character, especially Cyborg whose relationship with his father is given center stage on many occasions, as well as The Flash rescuing his future love interest Iris West, and Aquaman speaking with his mentor Vulko, who was previously seen in the Aquaman standalone movie. We had glimpses of these backstories in the theatrical version, but with its studio-mandated two-hour running time, things had to move at a quicker pace. The extra time in the Snyder cut allows for more of these characters to be established which makes it an enjoyable experience, provided you have four hours to spare. The fact that this is meant to be seen at home is a big plus since you can stop and start at anytime. This is helpful due to the fact that the first two hours set everything up, which can make the film seem slow.

The action picks up at the halfway point in an underground tunnel battle, which shows the League fighting as a group for the first time. The fight scenes are more visceral in this version and are a highlight. This is also true for the other action scenes, such as Superman’s resurrection and battle with the other League members, and the final showdown with Steppenwolf. Speaking of which, the main villain has undergone a redesign and has a kind of flowing metal armor which is more interesting and menacing than his design in theatrical cut. Another highlight is the on-screen, live-action premiere of DC supervlillain Darkseid, who is shown in his home world directing Steppenwolf in his quest to unify three Mother Boxes to conquer Earth. This whole plot point is fleshed out in this extended version and explains Steppenwolf’s obsessive desire to acquire these artifacts and sets up Darkseid’s attempt to conquer all of existence. This is one of several other plots that are hinted at in the original version, such as Lex Luthor teaming up with Deathstroke to take on Batman, as well as the onscreen debut of Martian Manhunter, who warns Batman’s alter ego, Bruce Wayne, of Darkseid’s coming invasion. Lastly, some new scenes showcase the anticipated Knightmare sequence of a future world ruled by Darkseid and an evil Superman similar to the Injustice storyline. Here Batman is leading a resistance and allying with his nemesis the Joker, played by Jared Leto. This finally gives viewers these two versions of the iconic rivals interacting for the first time.

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