Wreck-It Ralph Continues Charming Us With Ralph Breaks The Internet

Ralph Breaks the Internet is the sequel to the popular Disney 2012 animated film Wreck-It Ralph. The first film about a video game character wanting to break out of his bad-guy mold charmed audiences and won over many fans. When Ralph Breaks the Internet was announced many wondered if it would have the charm and fun of the original. Thankfully, it does.

John C. Reilly and Sarah Silverman return to voice their roles of Wreck-It Ralph and Vanellope and the easy camaraderie between these two unlikely heroes is still there and is just as engaging. The creative team behind the sequel wisely knew what to keep and what to do differently. Instead of having another film taking place in the video game world, the boundaries were pushed and as the title suggests, the action mostly takes place in the expansive world of the Internet. Ralph and Vanellope venture out into this new virtual world in order to get a new part for Vanellope’s broken game console Sugar Rush or else the game will be permanently deleted.

Their journey lets them to experience all the intricacies of the Internet including spam, online shopping, the Fortnite phenomenon and so on, to often hysterical results. There are many LOL moments in Ralph Breaks the Internet as they explore the Internet. One of them includes a visit to the realm of the Disney properties, which has been seen in the trailers. You would think that all the good moments would have been spoiled by the trailers, but there are tons more Easter eggs and references and cameos. Even though the Disney stuff may seem as gratuitous on the surface, they often serve the story, plus it manages to sneak in a nice Stan Lee cameo. And the segment with the Disney princesses is pure gold. But video game enthusiasts should note that this sequel continues to have nifty video game cameos.

More often than not Ralph Breaks the Internet has many moments that will either bring out heartfelt guffaws or unexpected food for thought. The latter begins later in the film as the subject of friendship and how it changes over time is brought up. As with all friendships, Ralph and Vanellope’s friendship begins to evolve and this brings up conflict between the two. Vanellope wants something different with her life while Ralph is content with his situation. The film then takes the unusual step of having Ralph commit acts that are questionable and expose him as a flawed person. This was refreshing and honest since Ralph became more dimensional and conflicted within himself. It was a gamble for Disney to allow this unflattering development with its title hero, but it pays off. Even though Ralph feels insecure about his relationship, he is still a relatable character and has a great heart.

Some may think this makes the film darker than the original Wreck-It Ralph but it enables the sequel to stand out and be its own film. Ralph Breaks the Internet is a cut above the standard animated sequel because it dared to explore not just new territory, but logical character development. Not to mention it is downright funnier than the original film and is just as emotionally heartfelt.

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Daredevil Season Three Is A Triumph!

Daredevil S3 poster

When Netflix dropped the third season of Daredevil a few weeks ago, viewers witnessed why Daredevil is the best of the Marvel Netflix shows. As the first of these streaming shows, Daredevil was an immediate hit with critics and fans, although it faltered in its second season. Then following the missteps of other Marvel Netflix shows, many doubted the quality of them, including Daredevil. Fortunately, the third season of the Marvel superhero show re-affirmed our faith with a triumphant season.

The third season takes place after the events of The Defenders where Daredevil/Matt Murdock (Charlie Cox), the blind superhero with enhanced senses, was presumed dead. He barely survived and is in the care of Sister Maggie Grace (Joanne Whalley) in the church where he grew up. As he recovers, the notorious crime boss, Wilson Fisk/Kingpin (Vincent D’Onofrio), is in prison thanks to Daredevil and carries out a complex scheme to get out of prison and manipulating members of the FBI to serve him as he re-enters public life. Part of the scheme includes destroying Daredevil’s reputation by having an impersonator murder people in cold blood. While this goes on, Matt goes through a crisis of self and faith as he struggles with his ideals when dealing with Fisk and his lackeys. One of them happens to be FBI Agent Ben Poindexter (Wilson Bethel), a deeply disturbed man with a supernaturally deadly aim. Fans know that this is the villain Bullseye and he is more than a match for Daredevil. He is so deadly with his skills that he defeats our hero on more than one occasion, and these fight scenes were actually terrifying to watch with their brutality.

daredevil vs bullseye

Speaking of fight scenes, the third season of Daredevil continues the tradition of presenting “one-take” fight scenes that are so memorable and the one shown in the fourth episode (“Blindsided”) does not disappoint fight fans. In fact, the fight scene, which takes place in a prison, probably tops these scenes with its elaborate and long nature. It features savage fisticuffs, lines of dialogue and a well-choreographed riot scene that all lasts over ten minutes! One has to wonder with the intensity of these fight scenes why it is so difficult for the other Marvel Netflix shows to match the ones featured in Daredevil.

On the other hand, other episodes pack emotional punches and are haunting character studies. One of them, “Karen” explores the back story of Karen Page (Deborah Ann Woll) and it features some powerful acting by Woll as we learn she is not the innocent person Matt and his buddy Foggy Nelson (Elden Henson) believe her to be. There are several surprising twists and revelations. Some are inspired by the comic books while others keep us guessing. We’re never sure who will live or die and its often unexpected and tragic.

What makes Daredevil such a triumph is that it focuses on characters, which are perfectly played by topnotch talent. Cox, D’Onofrio and Bethel are the standouts in the stellar cast as they exude raging demons within them and we see how each of the three grapple with their inner turmoil. Charlie Cox continues to sell his Matt Murdock as a decent, tortured man who is pushed to the edge and has to find a way to center himself. Meanwhile, Vincent D’Onofrio’s Kingpin (called by that name for the first time in this Marvel Netflix show) is a terrifying monster who is barely able to control his inner fury. There are some wincing moments when he lets his volcanic temper explode which you can’t help but watch. Bethel’s Poindexter is a true psychotic but great pains are taken to show what led this FBI agent to fall from grace. There is a new character who has an impressive arc. That being FBI Agent Ray Nadeem (Jay Ali), an honorable man who is tragically ensnared in Wilson Fisk’s complex web.

The season may come off a bit slow in the first couple of episodes but after having seen the entirety of Daredevil season three it is clear that the quieter pace of the early episodes were needed to set up the characters and situations. The payoff starts fairly soon and it is worth the wait.

Daredevil season three proves that not only is it the best of the Marvel Netflix shows but the best superhero TV show out right now. It would be a shame if Netflix were to cancel it given the recent uncertainty of the Marvel Netflix shows. The showrunners were hoping to have the show run five seasons and there is plenty of story left to tell with the Devil of Hell’s Kitchen. Besides without not given too much away, it would be nice to see Matt don the red suit again.

Lewis T. Grove

Jodie Whittaker Provides A Refreshing Regeneration To Doctor Who

Dr Who S11 poster

The world premier of the new season of Doctor Who just aired earlier today to much fanfare. The reason for the hoopla is not just because a new actor debuted as the new Doctor, but for the first time, a woman is playing the iconic time-traveling alien.

Jodie Whittaker had large shoes to fill with the role of the Doctor being that so many memorable actors left their mark in the role. But she pulls it off splendidly and provides a refreshing take on the character now that the Doctor is a woman. This does not mean that Doctor Who turned into a show with a feminist agenda. Rather, Whittaker and the first episode “The Woman Who Fell to Earth” have given the new showrunner, Chris Chibnall (who also wrote this episode), an invigorating chance to reboot the series.

While the new version of Doctor Who that premiered in 2005 has been terrific, for some time the show felt formulaic and needed a shot of creativity. The regeneration episodes of Doctor Who are seen as a way of reintroducing the character and the show’s premise. “The Woman Who Fell to Earth” follows the same beats as other regeneration episodes-the Doctor is confused as the regeneration cycle completes, new Companions are introduced, and some kind of alien menace threatens the Earth. In the end, the Doctor gathers his/her wits to foil the extra-terrestrial menace and concludes with the Companions being invited into the TARDIS to join the Doctor in new adventures.

woman who fell to earth

“The Woman Who Fell to Earth” actually felt different because it took an alternate route. The Companions that are introduced are diversely different, made up of dissimilar races, ages and backgrounds. The plot felt more grounded and far less outlandish than previous Doctor Who episodes. It was refreshingly simple without any convolutions or the Doctor gabbing away nonsensically. In fact, the Doctor has never seemed this gathered, resourceful and centered since the Ninth Doctor’s introduction. Basically, an alien warrior shows up to gather human trophies as a rite of passage to become a leader. The alien threat was not buffoonish and was rather creepy and menacing. The enemy alien looked appropriately gross with all his victim’s teeth embedded onto his face.

Since the episode was more grounded, it felt more real and the moments of suspense and danger were much more engaging. The pseudo-magical science that was prevalent in past seasons is downplayed. The Doctor is without the safety net of the TARDIS and the usual trappings. In this manner, Doctor Who seemed like it is no longer aimed at young viewers. This may upset some fans, but the show needed a change of pace and gearing it to slightly older audiences is the right thing to do. This does not mean that Doctor Who lost its sense of wonder and passion. Those elements are still there, best expressed by Whittaker and the new Companion, Ryan Sinclair (Tosin Cole). Needless to say that Jodie Whittaker has a stunning, electric debut as the 13th Doctor. Keep in mind that the episode was not perfect. There are some pacing issues and the behavior of some characters was not natural at certain moments.

Still, “The Woman Who Fell to Earth” is a refreshing way to regenerate Doctor Who and leaves you curious as to what happens next to the Doctor and her Companions.

Lewis T. Grove

The First Is Last As A Space Drama

The First, which started streaming on Hulu, could have been a great space drama about humanity facing the dangers of space travel head on. In this case, the story of the first manned mission of Mars. Unfortunately, The First never gets off the ground (pun intended) and should have been aborted before a single frame of film was shot.

Sean Penn stars as Captain Tom Hagerty, a veteran astronaut who was bumped from the first manned mission to the red planet, only to be later drafted to be its commander. The entire eight-episode series is about the preparation for the mission itself and it is a slow, tepid journey to get to the launch. Unlike other space dramas like the classic From the Earth to the Moon, very little time is spent on how humanity prepares for the next, great space adventure. Some lip service is paid on who gets chosen to be on the mission, assorted malfunctions and the political machinations undertaken by Laz Ingram (Natascha McElhone), the CEO of the private enterprise fronting the mission. Instead, The First bogs itself down with boring family drama.

What takes front and center in this series is the tedious relationship between Hagerty and his young adult daughter, Denise (Anna Jacoby-Heron), who is a recovering drug addict. Hagerty’s attention is wasted on keeping tabs on his daughter, which threatens his capability of leading the mission. This is baffling. If this astronaut has so much emotional baggage why did Ingram pick him to lead a high-profile mission? We never get a sense that Hagerty is uniquely qualified. Sure, he was the first man to return to the moon since the ’70s, but it appears that Hagerty is himself a problem. Half the time, Penn looks like he just woke up from an all-night binge and after the early episodes, it is clear his heart and mind is not on the mission.

Not only is The First dull, but it is pretentious with lofty dialogue that no human being would actually say. There are numerous film-school-reject shots that don’t make sense such as scenes of cicadas emerging from the ground mixed in between overlong shots of characters looking off in the distance and ugly art images.

This is truly a shame because the pilot episode was interesting and followed the mode of what one would expect from a space drama. The production values are suitably realistic for a show taking place in the 2030s and the main theme score is truly inspiring. Sadly, it all goes downhill from there, especially when more and more time is wasted on Denise and her angst that belongs on another show.

If The First makes it to second season, it would be for the best if it focused on the drama of the mission itself and jettison all the junk family drama. Only then will it soar off the ground and captivate its viewers. Until then, watch the fictional Mars-missions series shown on Discovery and National Geographic. They’re more informative and entertaining.

 

Ant-Man And The Wasp Is A Lighthearted MCU Entry With Big Laughs, Adventure And Sight Gags

Ant-Man and the Wasp is the sequel to the better-than-it-should-have-been Ant-Man and the first Marvel Cinematic Universe (MCU) film after Avengers: Infinity War. Following the somber feeling from that epic MCU film, Ant-Man and the Wasp is a welcome lighthearted film.

Paul Rudd reprises his likeable role of Scott Lang/Ant-Man, a former thief and fledgling superhero who dons a special suit that lets him control his size. Due to his actions in Captain America: Civil War, Scott Lang is under house arrest, which explains why he didn’t appear in Avengers: Infinity War.

He is contacted by his former lover, Hope Van Dyne (Evangeline Lily), and her father, Dr. Hank Pym (Michael Douglas), for help in rescuing Pym’s wife, Janet (Michelle Pfeiffer). As seen in the first Ant-Man during a flashback and this sequel, Janet used a similar suit like Scott’s to shrink down to subatomic levels and was lost. In Ant-Man, Scott shrunk down to this level but was able to return to our realm and it turns out he has a some kind of link with Janet.

What’s impeding his efforts to help out the Pyms are his complications from his house arrest, dealing with criminals who want to steal the shrinking tech and a mysterious figure called the Ghost (Hannah John-Kamen). The last character was affected from exposure to the quantum realm and now phases in and out of reality like her namesake. So, now the Ghost wants to steal the tech herself to cure her affliction, and is the primary antagonist.

Honestly, the villains are the main problem with this film. They come off as more like annoyances or obstacles than genuine threats. The film tries to make the Ghost somewhat sympathetic, but it’s hard to feel anything for her. As for the thugs (led by Walton Goggins), they are just one-note villains who do not seem very imposing. This is quite disheartening considering that the MCU films have lately featured interesting foes. It seemed like Marvel Studios was taking to heart the criticisms about the MCU villains being weak, but now this film is a setback in that regard.

It’s a shame because the sequel did not need these villains. At its heart, Ant-Man and the Wasp is a fast-paced rescue film with lots of laughs. Much of that humor comes from Paul Rudd’s comedic timing and the scene-stealing Michael Peña, who returns to his role of Luis, Scott’s friend and ex-con. Peña is a breath of fresh air and livens up most of the scenes he appears in. Many scenes with him and Rudd are hysterical and frankly, an entire film could be made with just the two characters interacting with each other.

The other actors also do well with their roles like Paul Rudd, who is a natural choice for playing the slightly silly everyman type. Lily’s Hope Van Dyne more than proves that she is a powerhouse of a hero and we’re left wondering why did it take so long for her to appear as the Wasp in the MCU. A lot of gravitas is added by Douglas, and in smaller roles Pfeiffer and Lawrence Fishburne as Pym’s former colleague.

There are many enjoyable features in this sequel. It moves briskly, exudes adventure, wild sight gags, and as noted before, is quite funny. It’s just too bad that the filmmakers felt the need to shoehorn in the weak villains. They took time away from the narrative flow and the rescue efforts. Also, we don’t see as much of the quantum realm as we would have liked. This mysterious and fascinating reality was teased in Ant-Man and it deserved to be explored more given that it may factor in the next Avengers film.

Perhaps if a third Ant-Man film is produced more time could be spent in the realm. One thing that is worth pointing out is that the stature of Ant-Man has certainly increased since his first outing. He has now become an established hero in his own right within the MCU.

Other than that Ant-Man and the Wasp is a refreshing and goofy pallet-cleanser for the MCU. Some may consider this film to be an inconsequential filler, but it’s a big-hearted change of pace for fans looking for some escape this summer.

Lewis T. Grove