Top 10 Most Anticipated Films Of 2019

Geekdom continues to rule at the box office in 2019. Superheroes, aliens, robots and more await us with 2019’s film offerings. Listed here are the most anticipated films for 2019, though everyone will have their own preference.  Naturally, some films on this list will turn out to be hot garbage, while others will be talked about for years to come. Who can say how they will turn out? Be aware that the release dates will most likely change for many of these films. In fact, three of the films on this list are holdovers from 2018, starting with…

10. Dark Phoenix (June 7):

There is a lot of animosity towards the final Fox X-Men film for various reasons—the film is pointless now with the Disney/Fox merger; a first-time director (Simon Kinberg) associated with the unpopular X-Men: The Last Stand is helming this film. But this is the last proper X-Men film before Marvel Studios reboots the franchise, so it will be interesting to see how the nearly 20-year franchise comes to an end.

9. Captive State (March 29):

Rupert Wyatt directs this sci-fi film that was held over from last summer. The film chronicles the lives of Chicago residents after aliens have occupied our world. As the aliens indoctrinate humanity, a rebellion emerges, and the film will show both sides of the struggle. The impressive cast includes John Goodman and Vera Farmiga.

ad astra Brad Pitt

8. Ad Astra (May 24):

Twenty years after his father (Tommy Lee Jones) disappears on a mission to find alien life near Neptune, a man (Brad Pitt) travels our solar system to find out why his father’s mission failed and to possibly locate him. According to director James Gray, the sci-fi drama will be very grounded and will the dangers of space flight, while echoing Heart of Darkness.

7. Alita: Battle Angel (February 14):

This film was delayed from last December and is a live-action adaptation of the popular manga about a futuristic cyborg warrior. James Cameron produced this pet project with Robert Rodriguez directing. The visuals from the trailer look astounding, but the question is if Alita: Battle Angel can escape the dismal fate of previous attempts to bring manga and anime classics to Hollywood like Ghost in the Shell.

6. Star Wars: Episode IX (December 20):

The Star Wars franchise is at a crossroads now with fandom bitterly divided. The fallout from Star Wars: The Last Jedi is still being felt by Star Wars, hence the failure of last year’s Solo: A Star Wars Story. It is not an exaggeration to state that a lot is riding on how the latest Star Wars film is received.

After director Rian Johnson alienated many fans with The Last Jedi, Lucasfilm handed Episode IX to J.J. Abrams to direct it. Will Abrams bring back the fans and successfully conclude the Skywalker Saga? We’ll find out later this year.

5. It: Chapter Two (September 6):

The first It film was an unexpectedly chilling horror film that was acclaimed by audiences and critics. It adapted Stephen King’s mammoth novel of several children in a Maine town haunted by the supernatural entity Pennywise, who took various forms, but favored a frightful clown.

The second film takes place years later when the children are adults and have to reunite to confront Pennywise again. Most know that It had been adapted before as a mini-series that faltered when it shifted to the adults’ storylines. Hopefully, It: Chapter Two will deliver a satisfying finale.

4. Godzilla: King of the Monsters (May 31):

The sequel to 2014’s Godzilla, this film returns the most famous kaiju and introduces other popular kaijus like Mothra, Rodan and King Ghidorah. More importantly, Godzilla: King of the Monsters firmly establishes Legendary Pictures’ Monsterverse cinematic universe that includes King Kong (last seen in Kong: Skull Island).

Putting that aside, this film looks absolutely epic! With shots that seem taken from a frightful opera or a baroque painting, and the promise of some serious giant monster action, it’s easy to see why Godzilla: King of the Monsters is a highly anticipated film for 2019.

glass trio

3. Glass (January 18):

M. Night Shyamalan completes his grounded superhuman trilogy with Glass. It all started with 2000’s Unbreakable and the director shocked audiences in 2016’s Split when it was revealed that the film took place in the Unbreakable universe.

Taking center stage, Samuel L. Jackson reprises his role of Mr. Glass, the villainous mastermind who seeks to prove the existing of superhumans to an unbelieving world. Co-starring Bruce Willis (returning from his reluctant hero role in Unbreakable) and James McAvoy as the demented Horde, Glass looks like it will re-establish Shyamalan as a top-tier director.

spider-man far from home black suit

2. Spider-Man: Far From Home (July 5):

Marvel’s most popular superhero returns (apparently from Thanos’ snap) in this followup to Spider-Man: Homecoming. This time out, Peter Parker (Tom Holland) goes to Europe on a school trip and tangles with Mysterio (Jake Gyllenhaal), a special effects stuntman turned supervillain.

Most of the cast and crew from the enjoyable Spider-Man: Homecoming return, so the new film should be in competent hands, which ensures a winning film. Of course, there is the question if it can compare favorably to last year’s instant classic Spider-Man: Into the Spider-Verse. But Spider-Man: Far From Home should be another great MCU entry.

1. Avengers: Endgame (April 26):

As the most anticipated film of 2019, all eyes will be on this film. It is much more than the fourth Avengers film. Or the conclusion to the devastating events of Avengers: Infinity War. We’ve followed the saga of the MCU for over ten years. Avengers: Endgame is the culmination of over 20 diverse films.

Very little is known about the concluding Avengers film, only that it takes place after Thanos’ (Josh Brolin) victory and will feature the original core Avengers and allies trying to undo Thanos’ universal genocide.

Being that it’s the final Phase Three film and the possible swan song for many popular characters like Iron Man (Robert Downey, Jr.) and Captain America (Chris Evans, it is important that Avengers: Endgame sticks the landing. It is not as easy as it sounds, many concluding films of famous film sagas wound up disappointing fans, but with the talent behind it, Avengers: Endgame should rise to the challenge.

Other Films:

As always, these films that did not quite make the list are definitely worth our attention and as before, it’s a guarantee that the following films will wound up being among this year’s best offerings. Others will probably be delayed until 2020 and beyond. Here are other films that warrant keeping an eye on:

The Lego Movie 2: The Second Part (February 8), the first Lego film was so much fun and inventive, let’s hope the sequel is at least as good;  How to Train Your Dragon: The Hidden World (February 22), the final film in Dreamworks’ Dragon trilogy looks awe-inspiring and heartfelt: Chaos Walking (March 1), Doug Liman directs Tom Holland in a sci fi yarn about a colony world where all thoughts are readable; Captain Marvel (March 8), the 21st and next MCU film about the title hero coming to Earth and rediscovering her lost past hops to continue Marvel Studios’ winning streak;

Shazam! (April 5), speaking of winning streak, after the humongous success of Aquaman, DC and Warner Bros. hopes to keep up the much-needed good will with their superhero films with their next film; Pokemon: Detective Pikachu (April 10), the CG/live-action hybrid brings the uber popular Pikachu to the real world,

Brightburn (May 24), is a James Gunn project which is a dark retelling of the Superman alien origin story;  Toy Story 4 (June 21), Pixar’s crown jewel franchise returns in what may be its most heartbreaking entry, which is rumored to be its last; The Lion King (July 19), director Jon Favreau turns in another CG remake of a Disney classic; Joker (October 4), Todd Phillips directs a dark prequel film that chronicles the creation of the demented Clown Prince of Crime; Zombieland Too (October 11), it’s been ten years since the original Zombieland delighted audiences with its comical world overrun by zombies, but better late than never;

Terminator 6 (November 1), let’s see if James Cameron can resurrect the floundering Terminator franchise now that he is producing the latest film;  Sonic the Hedgehog (November 8), the other well publicized CG/live-action film brings to life the popular video game character.

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Top 10 Films and TV Shows of 2018

This year had a splendid offering of memorable films and TV shows. We are truly living in a golden age of geekdom with so many films and TV shows to choose from. These are the best of 2018; keep in mind this list is purely subjective and if you have your own list, be sure to leave a comment.

Films

10. Incredibles 2:

incredibles 2

It took over a decade but it was worth the wait! Like the original film, Incredibles 2 delighted us and had us laughing with its family situations and high-octane superheroics.

9. Hereditary:

The creepiest horror film of the year unsettled us with its haunting imagery and scenes. This tale of demonic forces assaulting a fragile family will keep you up late into the night.

8. Ralph Wrecks the Internet:

This joyful sequel to Wreck-It Ralph takes the oversized and loveable video game titular character to new digital frontiers. His humorous journey into the Internet was fantastic to watch with all the puns and satires about the world wide web.

7. Black Panther:

black panther at wakanda

Marvel Studios delivered another stirring superhero film that was highlighted with its political/royal drama and was a genuine cultural phenomenon when it was released. Michael B. Jordan’s turned in a bravura performance as Killmonger, the bitter challenger to King T’Challa/Black Panther’s (Chadwick Boseman) throne.

6. Solo: A Star Wars Story:

solo and chewie at bar

Too bad the backlash over The Last Jedi and other factors doomed this Star Wars spinoff film that explored Han Solo’s early days. It captured the adventurous spirit of Star Wars that was missing lately thanks to its adventurous tone, Ron Howard’s expert direction and inspired performances. This included Alden Ehrenreich who pulled off a near impossible task of emulating a younger version of our favorite space pirate.

5. Aquaman:

Aquaman and Mera

The DCEU’s sole superhero film of 2018 was bold, splashy, action-packed, outrageous (cue the octopus playing drums!), but most of all fun. Aquaman singlehandedly resurrected the DCEU with this sprawling epic.

Its bright color palate, sweeping underwater landscapes, and breakneck pace made it stand out from the other DCEU films with imagery that captured the spirit of Avatar and Star Wars. Aquaman proved that DC and Warner Bros. can deliver a popular and crowd-pleasing superhero movie just like their competitor.

4. A Quiet Place:

Director and star John Krasinski kept audiences petrified in their seats with this sci-fi/horror classic about a family living in an Earth overrun by voracious alien creatures that hunt by sound. The premise of the family not being able to make noise underlined the unbearable tension throughout the film.

At the same time, A Quiet Place was memorable because it endeared us to the family in the film as they struggled to survive such a situation.

3. Spider-Man: Into the Spider-Verse:

The greatest animated film of the year was a true surprise given how little it was regarded when it was first announced. After all, this was not Disney who was behind this film. Spider-Man: Into the Spider-Verse popped out immediately with unique animation that literally brought a comic book story to life.

However, its involving story about Spider-Man’s successor, Miles Morales, learning the ropes and struggling to live up to a legend just crushed it. Hands down, it’s one of the best Spider-Man films to date.

2. Ready Player One:

Director Steven Spielberg shows us that he still is the master of cinema with this adaptation of Ernest Cline’s book about a young man adventures in the virtual world that is bursting with countless pop culture references and Easter eggs. How many viewings will it take to spot them all?

Ready Player One is a loving ode to geek and gaming culture that respects and celebrates it. The film is also a noteworthy addition to Spielberg’s impressive library of genre films as it displayed many of his visual touches and directing techniques that catapulted Spielberg to prominence.

1. Avengers: Infinity War:

The culmination of ten years of the MCU was certainly an unforgettable epic. It captured the mood of those sweeping comic book epic storylines with its all-star cast of actors and characters that was any fanboy and fangirl’s dream come true.

Directors Joe and Anthony Russo pulled off a miracle by keeping the pace smooth and intense while giving the heroes their own engaging moments. Any praise for Avengers: Infinity War is not complete without mentioning the chilling, menacing presence of the film’s villain, Thanos. Josh Brolin and the effects masters brought to life one of the greatest comic book film villains with an unforgettable mo-cap performance. More importantly Avengers: Infinity War presented a complex character study with Thanos’ mad quest to kill half the universe.

Honorable Mentions:

Annihilation, Ant-Man and the Wasp, Bumblebee, Deadpool 2, Jurassic World: Fallen Kingdom, Isle of Dogs, Rampage, Teen Titans Go! To the Movies, Venom, Upgrade

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One Reason Why Fear The Walking Dead Failed

The bloom is off the rose for The Walking Dead as a franchise while ratings continue to slide. But the franchise is in even more dire straits when considering its spinoff, Fear the Walking Dead, which is a failure. The fourth season begins this weekend and the marketing is hyping up that it will feature a crossover with the addition of Morgan (Lennie James) from The Walking Dead. Ages ago, that would have created intense online activity among fans, but there is hardly any buzz going on about the show and its latest developments. The ratings are anemic, especially when compared to its sister series.

There are many reasons for why the spinoff has been poorly received and they are valid. They include unlikeable characters, uninteresting scripts and a failure to reproduce the tension and thrills of the classic seasons of The Walking Dead. Keeping that in mind, there is one main reason why Fear the Walking Dead does not work and it is because it fails as a proper prequel.

The justification for prequels is that they are supposed to help explain the story and characters of the main source. They go into the background of established characters and embellish them and their world.  Like them or not, the Star Wars prequels are excellent examples. Sure they’re derided but they accomplished the goal of delving into the history of Darth Vader and the fall of the Galactic Republic, which were events not shown in the original trilogy.

When it was first announced, it was accepted that Fear the Walking Dead would not examine the backgrounds of the famous characters in The Walking Dead. So Daryl Dixon’s mysterious backstory would remain obscure and any insights into the main characters would only exist as flashback sequences. Instead the prequel would focus on all-new characters in a different locale in a different time.

When Fear the Walking Dead first premiered, there was hope that an explanation would be given for why the dead were reanimating into mindless flesheaters. People wanted to see how civilization actually collapsed, which had already occurred by the time Rick Grimes woke up from his coma and met Morgan in the pilot of The Walking Dead.

But that did not happen with this prequel series. After some dull early episodes that did not give us any answers about the walkers, the show took a time jump to a point where society already disappeared. This left the show looking too much like The Walking Dead as it copied its premise: a bunch of survivors in a post-apocalyptic world full of the undead, only badly done.

Frankly, we get that already in The Walking Dead. Why bother watching Fear the Walking Dead if it only offers the same thing, but less compelling? The prequel is not different enough to justify its existence, which is why it has largely been abandoned by the dwindling fans. Thinking about it, the prequel’s existence can be thought of when the original show started its decline. It could have gone another route if creator Robert Kirkman allowed some kind of explanation for the walker outbreak. But that is not going to happen and despite Morgan’s addition to the castt, it is probably too late to salvage it and the showrunners should concentrate on the original show.

 

The Cloverfield Conundrum

A lot of the buzz generated from the Super Bowl centered on the Netflix premiere of The Cloverfield Paradox. It was anticipated by many fans of the Cloverfield movies since it promised that it would explain the first Cloverfield film. Well, the film left many people confused as to what it all meant. Sure, it was the weakest of the Cloverfield films, but it explained how the three films are connected, though it was done clumsily. Ahead of this will be major spoilers for all three Cloverfield films.

The Cloverfield saga started ten years ago with the release of the first film, which at the time before its release was kept in secrecy. A bunch of clues about the film’s content was teased and after the film came out, many obsessed over the origin of the giant Cloverfield monster that wrecked New York City. As time passed and no sequels appeared, interest died off until a couple of years ago when the film 10 Cloverfield Lane was suddenly released. Originally, the dark, atmospheric thriller did not have any connection to the first film until vague Easter eggs were added. But the sci-fi angle confused fans. The giant kaiju from the first film never appeared, instead the world was threatened by invading aliens.

The Cloverfield Paradox (originally called God Particle) offered an explanation as to what caused these events. As viewers know, The Cloverfield Paradox takes place in a space station that uses a Hadron Collider to solve the world’s energy problems in the near future. This transports the station  into an alternate reality where World War III breaks out on Earth and the crewmembers spend the film figuring this out and trying to find a way back to their own dimension. When the surviving crew returns to their own reality the big reveal at the end is that their world is under attack by a super giant Cloverfield monster.

Many viewers were perplexed. The film takes place in the near future, so how come no one remembered the first Cloverfield film or the alien invasion from the second film? The answer is simple, the experiment on the space station ripped open the barriers between dimensions that affected the past (Cloverfield in 2008), present (10 Cloverfield Lane in 2016 for our present, more or less) and future (The Cloverfield Paradox or the third film’s present). This was foreshadowed early in the film by a conspiracy writer that this event would occur and the world would be invaded by monsters, aliens and demons. Note that the fourth upcoming Cloverfield film, called for now Overlord, takes place in World War II and deals with Nazis and the supernatural, so that writer’s claims about demons and the past being affected could be applied there. Who knows, maybe we’re next?

The Cloverfield Paradox has many problems, not just that the Cloverfield connections were obviously inserted into the film. But at least there’s an explanation for the bizarre sci-fi events in the film anthology.

Waldermann Rivera

Runaways Emphasizes Characters At The Expense Of Superhero Antics

runaways poster

Marvel Studios’ first streaming TV show on Hulu, Runaways, has finished its first 10-episode season.  Now that the show has finished its run (don’t fret, Runaways has been renewed for a second season), it’s time to review the show. In a nutshell, Runaways is enjoyable if not especially outstanding.

Runaways is based on the recent Marvel Comics teenage “superhero” team created by Brian K. Vaughan and Adrian Alphona. Fans of the comic book characters know that the group of teenagers are not actually superheroes. They don’t use code names or wear goofy outfits and there are less fisticuffs in their adventures, which the show faithfully recreates. By the way, this adaptation is supposedly set in the Marvel Cinematic Universe (MCU) though you would not know it. It has almost no reference to the MCU, not even vague mentions of “The Incident” as in the Netflix Marvel shows. However, how people react to the demonstration of superpowers and wild situations is not consistent in the MCU that has aliens, public superheroes and other fantastic people. It might as well not be set in the MCU. Instead, the emphasis is more on the characters and their immediate world of L.A. The basic story is that several well-off teenagers with wildly different personalities  discover that their parents are actually supervillains. Horrified, the teenagers band together, rebel against their elders and go on the run.

The TV adaptation more or less follows this premise though no one runs away until the final episode that just streamed (“Hostile”). This made the entire first season feel like a set up for the really interesting stuff. For example, “Hostile” featured the best moments between Gertrude Yorkes (Ariela Barer) and her pet raptor and the dinosaur finally had some screen presence. The raptor seemed more like a character than a CG/puppet creation. But putting aside the lack of thrills, Runaways is a different animal than the comic books in that by not having the kids run away until the final episode, it focuses on their relationships with each other and their parents. If that sounds like mopey teenage drama then you are correct. Although, it’s well done and holds your attention.

What helps are the writing and most of the acting. While the kids are newcomers they are surprisingly good in their roles such as Barer, Rhenzy Feliz (as Alex Wilder), Gregg Sulkan (as Chase Stein) and Lyrica Okano (as Nico Minoru), the parents steal the spotlight many times. Instead of presenting the parents as mustache-twirling villains like in the comics, they’re more dimensional and grounded here. You understand that they live in a grey world where they’re forced to make questionable decisions. These were done, for the most part, to provide a good future for everyone, but the consequences of their choices have come to haunt them and alienate their children. There is a mystery of what their true motives are, but that gets a bit muddled. The parents’ machinations and how the Runaways react to them sometimes slows the show’s pace. Adding to the drawbacks is the mid-season introduction of Jonah (Julian McMahon), a mysterious and super-powered person running things for his own purposes. If anyone screams “bad guy” it’s this character. Unlike Jonah, the parents are more nuanced and well acted. Standouts include Annie Wersching, Ryan Sands, Kevin Weisman, Bridgid Brannagh and James Marsters.

Strangely, for a show about teenage superhumans (for the most part), the weakest moments are when they actually go into action. This happens exactly two times in the first season, which will surely disappoint anyone expecting another Daredevil, but it’s for the best. When the Runaways used their superpowers against an opponent, their actions were quite dull and unrealistic. Basically, they would stand around and use their powers one at a time. Blame it on the budget, but this became a drawback. The other episodes are spent with the Runaways dealing with their hormones, parent issues, and your typical teenage angst.

Make no mistake, Runaways is  pretty interesting and put together well, even if it’s not groundbreaking. As these season finales go, this one raised more questions than gave answers. All of it just to set up a second season, though it could leave you feeling frustrated because just as things pick up significantly, the episode ends. Hopefully the second season will be here before we know it and provide satisfying answers while ramping up the dilemmas of the Runaways…and their parents.

Waldermann Rivera