The MCU Disconnect

coulson-and-thor

Everyone is excited over the just-released behind-the-scenes video of Avengers: Infinity War, and what it promised–namely the teaming up of diverse characters like Iron Man, Star-Lord and Spider-Man. That is all well and good, but the teaser didn’t erase the growing feeling that the films in the Marvel Cinematic Universe (MCU) and the TV shows set in the MCU are unrelated to each other.

Actually, that isn’t quite accurate, the TV shows have proven to be set in the MCU with its references to the films and Easter eggs, but it’s a one-way connection. That is because the MCU films have not made any references to the TV shows aside from Captain America: The Winter Soldier, which dealt with S.H.I.E.L.D. at the same time that the TV show Agents of S.H.I.E.L.D. was running. Ever since that film the MCU disconnect has widened to the point that an argument can be made that the two media are set in different universes.

quake-and-ghost-rider

How is this so? Starting in the second season of Agents of S.H.I.E.L.D. that program has focused on the coming of the Inhumans, and are now a constant presence in the show as the superhumans have taken the place of mutants. We all know that was done because of rights issues with 20th Century Fox who make the X-Men films. Originally, the intent of the Inhumans’ introduction (and let’s be clear that the Inhumans featured in Agents of S.H.I.E.L.D. weren’t the well-known heroes like Black Bolt and Medusa, but minor ones) was to set up a big-screen Inhumans film.That was the plan.

It isn’t a secret that tensions had been raw between the mastermind behind the MCU, Kevin Feige, and the head of Marvel Entertainment, Ike Perlmutter, who was in charge of Marvel’s media. Feige ran the films while Perlmutter did the TV shows and the comic books. Perlmutter was incensed about the Fox X-Men rights and wanted to de-emphasize the mutants throughout Marvel and as a substitute for the mutants it was decided to focus on Inhumans and how they are persecuted by our society. Apparently, Perlmutter was responsible for pushing an Inhumans film and wanted to use the MCU TV shows and comic books to build interest, hence why Agents of S.H.I.E.L.D. shifted from a spy actioner in its first season into a soapbox about the plight of Inhumans in later seasons.

coulson-may-and-quake

Feige and Perlmutter were butting heads over many issues and it became so bad that supposedly Feige was ready to jump ship until Disney intervened. Feige was allowed to become autonomous from Perlmutter and there is probably were the disconnect went into full swing. The first noticeable sign of this was in Avengers: Age of Ultron, which didn’t mention anything about what was going on with S.H.I.E.L.D. and the TV show. This raised many questions among fans in the film’s climax when a S.H.I.E.L.D. helicarrier appeared with many S.H.I.E.L.D. personnel and it would’ve been a perfect place to include cameos from Agents of S.H.I.E.L.D. characters but this didn’t happen. There were many vague explanations about why this didn’t happen but none of them were satisfactory.

Around this time (2015) Netflix premiered its entries in the Marvel Cinematic Universe, Daredevil and Jessica Jones. Both shows made references to the larger MCU but to date the films haven’t acknowledged the superheroes that appeared in the Netflix shows. In fact, there isn’t any noticeable connection between the Netflix shows and Agents of S.H.I.E.L.D., which airs on ABC. There has been a couple of cryptic Easter eggs in the ABC show where a type of bullet created in Luke Cage was used in Agents of S.H.I.E.L.D. but was never named; there was a news blotter in one episode mentioning a gang war going on in Hell’s Kitchen, a focal location in the Netflix shows.

Now with so many characters slated to appear in Avengers: Infinity War, the fact that the bigwigs at Marvel Studios and the TV shows will not say if the film will include the TV characters is beyond frustrating. Feeble explanations about not over-crowding the film or scheduling conflicts just won’t satisfy fans.  True, it’s not the end of the world if Avengers: Infinity War doesn’t feature Daredevil but it defenderswould be a wasted opportunity. In the comic books, The Infinity Gauntlet event (the basis for this film) was a major crossover event that was packed with many Marvel characters. We already had to make peace with the notion that this film won’t include the X-Men (thanks Fox) or the Fantastic Four (blame the deal with Fox again), but Kevin Feige and company could at least throw in some kind of cameo of the TV characters. Wouldn’t it be cool if during one scene set in Hell’s Kitchen, Captain America, Iron Man and the other Avengers are besieged by Thanos’ forces and are saved at the last second by timely assists from Daredevil, Luke Cage and the other Defenders? They wouldn’t have to stay around long, just make their appearance and move on. Would it be too much to just drop the word Inhuman during some dialogue or show some news headline featuring the Punisher or Ghost Rider?

We can complain all we want about the DCEU, but at least from the beginning Warner Bros./DC Studios made it clear that the DCEU films and the Arrowverse TV shows were in two separate universes and so no one expected to see Stephen Amell popping up as Green Arrow in a DCEU film. With Marvel they dangle this illusion about a connected universe but in reality it does not exist. If that is the case, the TV shows should be freed to go off in their own direction and drop the references to the Marvel Cinematic Universe.

mcu

True, production has begun on Avengers: Infinity War but it’s not too late to work in some kind of bone to throw to the fans. Some kind of gesture would appease the legion of geeks out there who dream of seeing a true interconnected film and TV universe.

Lewis T. Grove

Who Should Be On The Shortlist To Direct The Batman?

batman-dceu

Ever since we all got the bombshell that Ben Affleck was stepping down as director for the new Batman film, the Internet geek community has been stirring up clicks over who should take over as director for The Batman (the current rumor being that is the title of the film). The choices being offered up ranged from the inspired to the WTF territory–supposedly there is an online petition to get Warner Bros./DC Studios to hire Zack Snyder to do it. Yes, the one chiefly responsible for bringing about the woes for DC Extended Universe (DCEU). Thankfully, the film company already has a short list of potential directors and we should hear who will do it soon. But before that happens let’s speculate over who would be a good fit to direct the next Batman solo film.

Darren Aronofsky

The director with the distinctive and dark visual touch has been attached aronofsky-batmanto potential Batman films for some time. Before Christopher Nolan revitalized the Dark Knight, Aronofsky was a serious contender to revamp Batman with a live-action adaptation of Batman: Year One after the Batman & Robin debacle. Now that he has more bang to his name thanks to high-profile films like Black Swan, he will bring a level of heft that a Zack Snyder cannot provide.

Cary Fukunaga

Anyone who has seen the acclaimed first season of True Detective, which was directed by Fukunaga, will recognize the brilliance of hiring him the helm The Batman. He certainly will add an atmospheric and crime-centered touch to the film and he is an up and coming talent to watch.

Patty Jenkins

jenkinsIf Jenkins is able to pull off a top-tier superhero film with Wonder Woman as some early buzz has it, then she should be rewarded with a chance to helm a film starring DC’s most popular superhero. Then again, other buzz has it that Wonder Woman is a mess so we won’t know until this summer if Jenkins is up to snuff, but most likely Warner Bros. will have tapped The Batman director already.

Sam Mendes

The brilliant, award-winning director who won rave reviews for his job at directing Skyfall, is a good, solid contender. He will certainly bring much needed gravitas to the DCEU and has shown the capability of reviving a struggling franchise as he did with James Bond, which needed a boost after Quantum of Solace.

George Miller

After the triumph of the adrenaline-fueled masterpiece Mad Max: Fury Road, george-millerMiller is a natural to take on the Caped Crusader. As we all know he was supposed to direct a Justice League film that featured Armie Hammer as Batman (currently rumored to be taking over the role if Ben Affleck does indeed leave the DCEU altogether). Miller is certainly an inspired choice for The Batman because he will add much-needed excitement and drama to the film on the level that Affleck would have done.

Matt Reeves

Supposedly he is the frontrunner to take over for Ben Affleck and his selection would surely calm everyone’s nerves. Currently, he is putting his finishing touches in this summer’s War For the Planet of the Apes and his work on the Apes films has been stellar. Able to bring to the table, films that are exciting, terrifying and thought provoking (see Cloverfield and Let Me In), Reeves will certainly gives us a memorable Batman film.

Matthew Vaughn 

vaughn-bid-daddyOut of all the directors on this list, Vaughn is probably the best suited for a Batman film. His filmography shows a healthy respect and admiration for comic book adaptations starting with Kick-Ass, and continuing with X-Men: First Class and the popular Kingsmen: The Secret Service and its upcoming sequel. To get an idea of how he would direct Ben Affleck, see Kick-Ass which featured an excellent Nicolas Cage as Big Daddy, a Batman-esque superhero and was one of that film’s highlights.

Joss Whedon

Honestly, Joss Whedon has the pedigree to helm a big-budget superhero film. He will bring much needed levity, briskness and verve to the too-murky DCEU as he has demonstrated with his Avengers films. More importantly, he is available and his energies should be recharged at this point to tackle the Dark Knight. Who knows maybe if it works out he can take on another Justice League film, he has shown the capability of directing superhero team films and it will be a coup for Warner Bros.

ben-affleck-as-batman

There are many other contenders out there, though some like Christopher Nolan or Tim Burton are not going to return to a Batman film. Others like Kevin Smith, Guillermo Del Toro or Snyder may delight fans but are not realistic prospects. Any of the ones listed above are excellent candidates who will provide a confident and professional job of directing the next Batman film. And if they’re not chosen then they should be seriously considered for other films in the DCEU.

Waldermann Rivera

 

DCEU Woes & Growing Pains

justicv-league

We all just learned that The Flash, the big-screen version of the Scarlet Speedster, has gone back to a page one rewrite over at Warner Bros. OK, this is not good for the DC Extended Universe (DCEU).

This latest mishap with Warner Bros/DC is now fermenting the common thought that the DCEU is veering out of control. To date, the film studio has released three films in the DCEU and all of them have received mixed reactions to outright hostility from fans and critics. Box office-wise, Man of Steel, Batman v Superman: Dawn of Justice and Suicide Squad have done well, but they haven’t exactly taken the world by storm unlike their competitors Marvel Studios.

All three films weren’t complete turds, in fact, they have many admirable traits. IMHO Man of Steel is a misunderstood classic while Suicide Squad introduced us to many memorable anti-heroes like Harley Quinn and Deadshot. But to say that they have been controversial is an understatement.

Now comes rumors that this year’s Justice League and even Wonder Woman are considered to be unfixable messes. Sure, these could just be nasty rumblings from nervous executives, but it leads us to wonder if it’s time for Warner Bros. and DC to start panicking. Hell, they could all be quivering already for all we know.

The sad part is that these developments are truly shameful because it’s a disservice to the wonderful DC Comics characters and their fans. Many of them must be rightfully rankled that Marvel Studios’ Marvel Cinematic Universe (MCU) and even the Fox X-Men films are for the most part well received. These woes do not mean that DC’s superheroes are inferior to Marvel’s, it’s just that the films these days are being mismanaged. It’s frustrating because the potential is there for some exceptionally classic films.

justice-league-oneThis doesn’t mean that all hope is lost. At least with The Flash, Warner Bros./DC, at least, knew something must have been wrong with the script and instead of just plowing ahead, decided to start over. In the long run this could mean we’ll get a quality film, but don’t get your hopes up that The Flash will premiere in 2018. No, get your Flash fix from the excellent TV show that is still airing. Now, the problem is that too many people have felt burned with the uneven Batman v Superman: Dawn of Justice and Suicide Squad. Then add to that the fear that Justice League may turn out badly and now all hopes are turning to Wonder Woman for being the film that knocks it out of the park for the DCEU. If neither film can deliver, then expect to see a radical shake up over at the film studio over how these films are made.

The obvious problem is that there are too many cooks in the the DCEU kitchen and no clear boss who can provide a strong hand in the films’ direction. Basically, Warner Bros. needs their version of Kevin Feige, the mastermind behind the MCU’s success. Sure they recently appointed Geoff Johns to run the DCEU, but it’s too early to tell if he will have a positive impact. What if he fails?The good news is that the film studio probably does have their own Feige and that person is Greg Berlanti, who is responsible for the success of DC’s television efforts. Arrow, The Flash, Legends of Tomorrow and Supergirl are all successful, well-regarded TV shows that have a lot of energy and stay mostly faithful to the superheroes’ roots. Berlanti has skillfully interwoven a shared universe that isn’t clunky or convoluted and encourages viewers to sample all the shows. The DC shows are actually better than some of Marvel’s MCU TV shows like Agents of S.H.I.E.L.D. because they are more lively and explore the full potential of their stories and characters.

Another thing to remember is that it is still early for the DCEU. There have only been three films and if memory serves us correctly at the same point with the MCU they had their share of growing pains. When there were only three films in the MCU, it wasn’t certain if the MCU could have succeeded. Those films happened to be Iron Man, The Incredible Hulk and Iron Man 2. Only the first Iron Man film was well received but all was forgiven with the later films. The same situation could happen with the DCEU, so patience is called for and better management at the studio. For instance, stop making all these announcements (like Dwayne “the Rock” Johnson will play Black Adam) before the films are ready. Another thing is to slow down and stop trying to compete with the MCU. Marvel Studios carefully crafted their shared universe and the payoff was and continues to be huge. That is the lesson that Warner Bros. should take; slow and steady will yield higher rewards.

UPDATE:

The DCEU’s woes continue with the latest news that Ben Affleck is stepping down from directing the upcoming Batman solo film. This is especially disheartening because Affleck has the directing chops to elevate a superhero film. We’ll find out later what caused him to relinquish his directing task, but let’s be thankful that Affleck is still producing and starring in the next Batman film. Supposedly one of the short list directors that Warner Bros. Is considering is Matt Reeves. If Reeves or another talented director is tapped then all may not be lost for the Dark Knight in the DCEU.

Lewis T. Grove

Hope For Terminator Fans?

terminator-james-cameron

News that Terminator creator James Cameron will be getting the rights back to the iconic film franchise in 2019 bodes well for hopes that the series will get back to its roots and high mark from the first two movies. Recent reports indicate that Cameron will be handing the directorial reins over to Deadpool director Tim Miller, which should also bring some credibility back to the series after the less than enthusiastic response to 2015’s Terminator Genisys partial reboot. Miller directed the very popular superhero film in 2016 and is a rising star in Hollywood. The fact that Cameron will be the creative force behind the scenes gives the whole project instant respectability with fans and will hopefully bring about another huge movie that will have the Terminator storyline make some kind of sense. The whole idea of John Connor being a villain, which was a major plot point of the last movie, is just wrong, so maybe this new entry will rectify the whole situation.

I enjoyed the third and fourth films in the franchise, but do admit that they did not come close the level established by Cameron’s entries. He had nothing to do with those films or with Genisys, so the idea of him bringing a new film to life is a very good omen. Right now it is not known if Arnold Schwarzenegger will have any involvement or if the movie will be another reboot or continue where earlier films left off, but in any case Terminator fans seem to have something to look forward too in the coming years. It would be even better if Cameron himself was slated to direct this movie, but alas he is busy making four sequels to his Avatar franchise, the first of which will supposedly come out in 2018. This means he will be tied up until at least 2023 according to his announcements, but at the rate that preproduction is going it could be another 50 years until we see another Avatar film. In any case, Terminator fans have been waiting for years for more great films featuring their favorite killer cyborgs from the future and hopefully soon, they will be coming…they will be back.

C.S. Link

The Better Adaptation: A Dune Movie or A Mini-Series

paul-atreides With the news that Legendary Entertainment has acquired the rights to make a new movie based on Frank Herbert’s classic science fiction novel Dune, there has been much speculation as to how this new adaption will be done. Dune has been adapted twice before. Once as a feature film by David Lynch in 1984, and later in 2000 as a TV mini series on the Sci-Fi Channel. Both projects had positive and negative aspects that fans continue to debate. Lynch’s film had the grand and epic feel of the novel, but also added new features to the story that were not in the original(ex: the weirding modules). The Sci-Fi mini series was more faithful to the book since it had more time to adapt the story, but suffered from a limited TV budget, and the look and feel of the set pieces and costumes were not at the same level as the movie.
dune-mini-seriesThis brings to mind the question of what new adaption should be done by Legendary Entertainment. In terms of adapting just the first Dune novel, a big budget, multi-part movie series similar to The Lord Of The Rings is something I think would be great. The story itself is very complex and needs many hours to tell. Trying to squeeze it into a single tow-or three-hour movie will inevitably lead to significant reductions in the many layers Herbert’s story has to offer. This is exactly what plagued Lynch’s version. He got the basics right, but was still unable to touch on many plot points and had to condense everything. The book itself is divided into 3three parts which would fit nicely into a trilogy of films that can do the whole thing justice. All of the plots and schemes of the various feuding houses and galactic intrigue can be explored, as well as the hero Paul Atriedes’ journey from merely a ducal heir to a full blown messiah. Having all of this with a big budget would seem to merge the positive aspects of the previous movie and the miniseries, plenty of time to tell the story and the resources to create Frank Herbert’s rich and diverse universe.

god-emperor-of-dune-coverHaving said that, if Legendary was feeling bold, they could attempt to adapt the entire original Dune Chronicles, which includes six books. If this was the case, then the only way to do this would be a Game of Thrones-style show hopefully on a cable network like HBO or Showtime. Books two and three (Dune Messiah and Children of Dune) were adapted by the Sci-Fi Channel in 2003 and was well done. Unfortunately, the other books were not adapted and the story came to an abrupt end just as it was getting good. The fourth novel God Emperor of Dune takes place 3,500 years after the original book and features Paul Atriedes’ son Leto II still alive due to his body merging with the desert planet’s massive worms. Subsequent novels take place thousands of years after this book and feature warring factions of matriarchal institutions and more galactic politics and intrigue. All of this would be very difficult to adapt in any meaningful way in theatrical films. Only the long commitment of an ongoing TV series could hope to truly bring all of these fantastic tales to life.

sandworm

Legendary Entertainment has a rich portfolio of films under its belt (Godzilla, Pacific Rim) and the fact that they are now in charge of the Dune franchise is definitely a positive development. The fact that talented director Denis Villeneuve wants to take on the task of making a Dune film is also a very good sign. He directed the well received sci-fi film Arrival and was entrusted with directing this year’s Blade Runner 2049. This shows me he has the skill to develop high-quality genre films. Hopefully, whatever they decide to do, it will be something that will do justice to Frank Herbert’s epic tale.
C.S. Link