The Cloverfield Conundrum

A lot of the buzz generated from the Super Bowl centered on the Netflix premiere of The Cloverfield Paradox. It was anticipated by many fans of the Cloverfield movies since it promised that it would explain the first Cloverfield film. Well, the film left many people confused as to what it all meant. Sure, it was the weakest of the Cloverfield films, but it explained how the three films are connected, though it was done clumsily. Ahead of this will be major spoilers for all three Cloverfield films.

The Cloverfield saga started ten years ago with the release of the first film, which at the time before its release was kept in secrecy. A bunch of clues about the film’s content was teased and after the film came out, many obsessed over the origin of the giant Cloverfield monster that wrecked New York City. As time passed and no sequels appeared, interest died off until a couple of years ago when the film 10 Cloverfield Lane was suddenly released. Originally, the dark, atmospheric thriller did not have any connection to the first film until vague Easter eggs were added. But the sci-fi angle confused fans. The giant kaiju from the first film never appeared, instead the world was threatened by invading aliens.

The Cloverfield Paradox (originally called God Particle) offered an explanation as to what caused these events. As viewers know, The Cloverfield Paradox takes place in a space station that uses a Hadron Collider to solve the world’s energy problems in the near future. This transports the station  into an alternate reality where World War III breaks out on Earth and the crewmembers spend the film figuring this out and trying to find a way back to their own dimension. When the surviving crew returns to their own reality the big reveal at the end is that their world is under attack by a super giant Cloverfield monster.

Many viewers were perplexed. The film takes place in the near future, so how come no one remembered the first Cloverfield film or the alien invasion from the second film? The answer is simple, the experiment on the space station ripped open the barriers between dimensions that affected the past (Cloverfield in 2008), present (10 Cloverfield Lane in 2016 for our present, more or less) and future (The Cloverfield Paradox or the third film’s present). This was foreshadowed early in the film by a conspiracy writer that this event would occur and the world would be invaded by monsters, aliens and demons. Note that the fourth upcoming Cloverfield film, called for now Overlord, takes place in World War II and deals with Nazis and the supernatural, so that writer’s claims about demons and the past being affected could be applied there. Who knows, maybe we’re next?

The Cloverfield Paradox has many problems, not just that the Cloverfield connections were obviously inserted into the film. But at least there’s an explanation for the bizarre sci-fi events in the film anthology.

Waldermann Rivera

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Sorry Folks, No X-Men Or FF In The MCU For A While

XMEN in MCU

Many of us were disappointed when we learned last week that there are not any immediate plans to integrate the X-Men or the Fantastic Four into the Marvel Cinematic Universe (MCU). In an interview with Vulture, Marvel Studios head Kevin Feige stated that it is too soon to stick the newly acquired properties into the MCU and that Marvel Studios is busy with their current slate of heroes.

As disappointing as that is, it should not come as a surprise. First of all, despite all the news in December 2017 about Disney buying most of 21st Century Fox’s intellectual assets, it is not a done deal yet. It will take at least a year for the deal to be finalized and approved by the government and, of course, there can be roadblocks, which would disrupt immediate plans for the Marvel mutants and the First Family of comic books. Coming right out and making that statement was the safest thing for Feige to admit. The statement is a good way of letting fans know to not get their hopes up that the X-Men or the Fantastic Four will somehow turn up in the next two Avengers films.

To shoehorn these new characters into carefully planned films and TV shows would be too disruptive and ruin the narrative flow. They have to be naturally introduced into the MCU because that universe is not set up for mutants and their baggage, although it will be easier with the Fantastic Four. The X-Men property is built on the premise that mutants are widely feared and disliked by normal humans. This would not gel with the MCU where for the most part, superhumans are better received. In the comic books, although both mutants and superheroes co-exist, the way they are treated does not make sense. If normal people distrust mutants because of their powers, shouldn’t they feel the same way about superheroes? Comic book events like Civil War addressed this but the dichotomy still exists. Besides the entire humans-fearing-superhumans motif has been addressed in the MCU with Inhumans as seen on Agents of S.H.I.E.L.D. and Inhumans. Last we heard both TV shows are nominally part of the MCU.

Look at the bright side, the time being given to integrate the properties allows Kevin Feige and Marvel Studios to have some breathing room. They can take their time to figure out how to integrate mutants and the Fantastic Four and just as important, who to cast in the roles. Despite what some may hope, it is likely that Marvel Studios will recast the iconic roles. This is a great opportunity for the Fantastic Four who’ve had terrible casting in the Fox films, but for the X-Men this can be traumatic for fans. Also, after the slated Fox X-Men films and TV shows run their course, it would be a good idea to give the properties a decent rest so when they make their comeback, the level of interest will be intense.

All we need is some patience and hope that at the very least some cryptic references about the X-Men and the Fantastic Four can be made in next year’s MCU films and beyond.

Lewis T. Grove 

The Negativity Towards Modern Star Trek & Star Wars

The two big live-action sci-fi franchises, Star Trek and Star Wars, are undergoing a bit of an identity crisis. Or rather the crisis is about how their fans are reacting to the latest incarnations of both franchises.

The properties are several decades old by now and although so much of what made them popular still resonates with people, they have to remain fresh. In other words, Star Trek and Star Wars have to keep up with the times. This meant that the recent incarnations are distinctly different from the original versions, which has sharply divided fandom.

Star Trek Into Darkness

Star Trek returned to home screens with Star Trek: Discovery, a show that is in many ways a radical departure from the 1960s TV show. The lead is not a white male captain, but a black female science officer who committed mutiny. That’s not all. Star Trek: Discovery features an openly homosexual couple, a starship captain with questionable morals, and a much darker tone where adult language and violence are commonplace.

The premise of Star Trek is about a starship exploring new worlds and meeting new races. There is very little of that in Star Trek: Discovery as it takes place during a war with the alien species, the Klingons. This was something that Star Trek’s original creator, Gene Roddenberry, would not approve. He presented a futuristic show about an enlightened humanity.

While Star Trek: Discovery explores issues like its predecessor, the characters, not the guest aliens, are the ones undergoing their own ethical crisis. An early subplot of the show dealt with the morality of the ship’s crew forcibly using an alien creature as a means of propulsion. This brought up the problem of animal abuse and later the characters’ ethics were heightened when it was revealed that the creature was sentient. The captain’s justification for the abuse was that he was trying to win a war. Another main character is actually a Klingon disguised as a human, who suffers from PTSD and is grappling over his sanity. Then the main character, Michael Burnham, committed treasonous acts that ignited a war with the Klingons and agonizes over her past. These characters are not exactly clear cut heroes.

The Ambiguous Star Wars

The new Star Wars trilogy films have featured women as the lead characters, as well as non-whites. Unlike the original films that concentrated on a young, white male savior, the new films have strong women who are the central characters.

The films are also more ambiguous than the original ones with their simplistic good vs. evil plotlines. For example, in the latest film, Star Wars: The Last Jedi, the issues of war profiteering, class inequality, and animal abuse were brought up. The film’s villain had a more ambivalent nature as Kylo Ren was genuinely conflicted about embracing his dark nature. Actually, his descent into evil was more interesting than the film’s other one-dimensional foes, who were little more than cackling caricatures.

One of the heroes featured in Star Wars: The Last Jedi was Luke Skywalker, the main protagonist from the earlier films. In this film, he was a fallen man, full of defeat and bore little resemblance to the optimistic savior of the original trilogy. This arc gave Luke more dimension and provided a vehicle to explore his spiritual reawakening and redemption.  In the film Rogue One: A Star Wars Story, the main characters were also spiritually murky as they carried out dubious actions in the spirit of winning the war. For example, one of the leads, Cassian Andor, cold bloodedly murdered an accomplice in order to escape the bad guys. The overall tone of that film was harsher as it dealt with the brutality and ambiguity of war.

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The Top Ten Most Anticipated Films of 2018

Lately, it seems as if there are more and more sci-fi, fantasy and horror films. This year is not any different since we have so many upcoming films to choose from. As usual, superhero fare rules, especially the upcoming Avengers: Infinity War, but along with them are other films that make up the top ten most anticipated films of 2018. Some of these films will turn out to be huge disappointments while others, maybe not even mentioned here, will exceed expectations. As always, keep in mind that the release dates for these films might change.

10. Captive State (Aug. 17):  

Very little is known about this film, but the premise and the talent behind it are topnotch. Rupert Wyatt (director of Rise of the Planet of the Apes) directs this look at life in Chicago under alien occupation. The film stars Vera Framiga and John Goodman as part of a human group that includes collaborators and dissidents.

9. Solo: A Star Wars Story (May 25):

Ordinarily a Star Wars film would be on the top of highly anticipated film list, but behind-the-scenes mishaps (which included the original directors being fired) and a divisive reception of Star Wars: The Last Jedi have cast a suspicious eye on this production. Still, Lucasfilm veteran Ron Howard is directing it. Maybe he can salvage Solo.

8. A Quiet Place (April 8):

What makes this horror film stand out is the disquieting and nearly silent trailer that features a lone family hiding in a cabin in silence. Why do they have to be quiet? What terror lies outside their home? Let the imagination run wild.

7. Ant-Man and the Wasp (July 6):

The sequel to Ant-Man returns the same players that made the first film an unexpected and fun hit. This time out, Hope Pym suits up as the Wasp and takes her place among the pantheons of Marvel Comics’ legendary heroes as she and Ant-Man undertake another perilous mission.

6. Deadpool 2 (June 1):

Pay attention, this could be last, unfiltered version of Deadpool in the big screen before Disney cleans up his foul mouth and tones down the over-the-top violence. Even without that, this film looks like it will continue the same outrageous violence, fourth-wall breaking laughs and adult humor that the first Deadpool reveled in two years ago.

5. Pacific Rim: Uprising (March 23):

After the first Pacific Rim didn’t perform well in theaters, fans of the kaiju film feared there would not be a sequel. Fortunately, those concerns have been alleviated with this followup that stars John Boyega as the pilot of the gigantic robot Gipsy Avenger against even more dangerous kaijus from another dimension.

4. Jurassic World: Fallen Kingdom (June 22):

Chris Pratt returns to his other big-tent genre franchise in this followup to 2015’s Jurassic World, which brought back the Jurassic Park franchise from extinction. Now, the dinosaur island of Isla Nublar is endangered by an active volcano and a new, dangerous hybrid dinosaur. Doesn’t man ever learn? Besides that, the popular character Ian Malcolm (Jeff Goldblum) returns to the franchise, and that alone is reason to watch Jurassic World: Fallen Kingdom.

Jurassic-World-Fallen-Kingdom-Volcano-and-T-Rex

3. Incredibles 2 (June 15):

The best animated version of the Fantastic Four ever done finally gets a sequel in Pixar’s latest effort. All that is known is that Incredibles 2 takes place right after the first film and features the same superhero family lineup. With original director Brad Bird behind the helm it’s a guarantee that Incredibles 2 will be better received unlike those unwanted sequels to Cars.

2. Ready Player One (March 30):

Legendary filmmaker Steven Spielberg directs this adaptation of Ernest Cline’s book of the same name where a poor teen in the future competes in a virtual reality world for the ultimate prize…control of the VR world. The trailers were astounding with all the imagery and Easter eggs of popular genre characters and vehicles like the Iron Giant and the DeLorean from Back to the Future. This mashup of Tron and Willy Wonka will hopefully blow our eyes and minds.

1. Avengers: Infinity War (May 4):

Marvel Studios celebrates ten years of superhero films with the culmination of its Marvel Cinematic Universe (MCU). Epic does not begin to describe the long-awaited teaming up of the MCU heroes against the cosmic threat of Thanos. We’ve been waiting for this moment for ten years when the the MCU came into being and we were teased with the Thanos threat since the end of the first Avengers film. The recently released trailer gave us a hint of the mammoth scale of what our many heroes will face. The idea alone of most, if not all, the MCU heroes to date appearing together in one film is enough to crown Avengers: Infinity War as the most anticipated film of 2018. Just don’t expect any mutants or anyone from the Marvel TV shows to show up in Avengers: Infinity War.

Other Films: Annihilation (Feb. 23), Ex Machina director, Alex Garland, helms this adaption of the Jeff VanderMeer novel about a science team exploring a mysterious land with unknown life;

Black Panther (Feb. 16), the latest Marvel Comics superhero gets his own action-packed solo film after his explosive debut in Captain America: Civil War;

The New Mutants (April 13), Marvel Comics’ young mutants make their big-screen debut in a horror film;

God Particle (April. 20), the mysterious third film in the loose Cloverfield trilogy has had its scheduled release date changed a couple of times already and there are rumors of title change. Sounds alarming, but its premise of stranded astronauts surviving Earth’s destruction sounds promising, so hopefully the film will turn out fine;

Rampage (April 20), The Rock stars in the adaptation of the arcade game about a giant ape (and two other giant animals) causing havoc in a city. Where else would he do this? Anyway, judging from the trailer it looks like mindless fun;

Alita: Battle Angel (July 22), James Cameron produces and Robert Rodriguez directs the long-awaited live-action adaptation of the manga classic. They better hope this one does not become this year’s Ghost in the Shell.

The Predator (Aug. 3), former Predator actor turned director Shane Black brings us the latest entry in the Predator films. Maybe Dutch can finally appear in a cameo;

The Meg (Aug. 10), move over Sharknado! This Jason Statham thriller brings the action star face to face with a prehistoric giant shark;

Alpha (Sept. 14), so how did dog become man’s best friend? This film tells the story of how man and dog first bonded in the prehistoric past;

Venom (Oct. 12), Tom Hardy stars as the title anti-hero in Sony’s attempt to create its own Spider-Man-themed cinematic universe;

X-Men: Dark Phoenix (Nov. 2), possibly the final X-Men team film from Fox before Disney folds the mutant superheros into their MCU;

Fantastic Beasts: The Crimes of Grindelwald (Nov. 16), the further fantastic adventures of Newt Scamander in the Harry Potter universe;

fantastic beasts 2

Ralph Breaks the Internet: Wreck-It Ralph 2 (Nov. 21), Disney’s beloved video game villain returns in this sequel to Wreck-It Ralph;

Mortal Engines (Dec. 14), Peter Jackson produces this futuristic tale of giant, mobile cities in a post-apocalyptic landscape;

Spider-Man: Into the Spider-Verse (Dec. 14), the first Spider-Man animated film features the Miles Morales version of Spider-Man;

Aquaman (Dec. 21), the sole DCEU entry for the year is a solo venture starring Jason Mamoa as the troubled king of Atlantis.

There you have it, a lot of films to look forward to, including some that were left out that could still turn out to be great. Have a wonderful 2018 and enjoy these and other films.

For Oliver

José Soto

Top 10 Films and TV Shows of 2017

The many memorable films and TV shows that came out in 2017 proved why the sci-fi, fantasy and horror genre dominated our minds. These modern-day gems stood out thanks to many factors like production values, f/x and acting. But more importantly due to smartly written scripts that allowed these productions to stand out and excel. These are the best films and TV shows of 2017 along with some honorable mentions.

Films

10. Star Wars: The Last Jedi

Episode 8 of the main Star Wars saga is its most controversial and divisive film. Despite its script and pacing flaws, the film had many merits and took the saga into unexpected directions.

9. TIE: Justice League/Thor: Ragnarok

This year’s final superhero flicks were great in their own ways. Justice League is a true guilty pleasure and wildly underrated. The epic team-up of DC’s greatest heroes was sloppy and erratic but deep down was a lot of fun. Meanwhile, Thor: Ragnarok was the most vibrant and fast-paced Thor film that put the heroic demigod through the wringer and teamed him up with the Hulk.

8. Get Out

Suspenseful and tense, Get Out exposed our current society’s racial fears in a groundbreaking way. The intelligent script kept us guessing about the plot’s many twists, while playing on racial misconceptions.

7. Blade Runner 2049

A brilliantly filmed sequel to the sci-fi masterpiece isn’t quite as good as Ridley Scott’s original, but it comes so close. Astonishing visuals and thoughtful themes stayed with you long after the film was over.

blade runner 2049 poster

6. Coco

Pixar did it again with this original (finally, enough of the sequels!) and beautifully animated tale about a colorful afterlife, family and remembrance that tugged our heartstrings so powerfully.

5. It

One of the best Stephen King adaptations ever is harrowing and downright frightening. But what made It so popular was its young character studies, as well as the performances from the film’s actors, including Bill Skarsgard as Pennywise, the clown from hell.

4. War For the Planet of the Apes

This thought-provoking final film in one of the best film trilogies thoroughly examined the haunted and tortured soul of its main character, Caesar, the super intelligent ape. He was an eerily realistic CG and mo-cap creation, who carried the film with his moving personal battle to salvage his soul.

war for planet of the apes poster

3. Guardians of the Galaxy, Vol. 2

The sequel packed more emotional punches than its heartfelt predecessor. Many characters went through intense personal arcs while the film itself was as charming, funny and thrilling as the first Guardians of the Galaxy.

GOTGV2 poster

2. Spider-Man: Homecoming

Smart, funny and exciting, Spider-Man: Homecoming is an amazing (corny pun intended) film comeback for the world’s greatest superhero. The first Spider-Man film in the MCU expertly captured the essence of Spider-Man, while modernizing the hero for today’s audiences.

spider-man homecoming posters

1. Logan

This masterful deconstruction of the superhero is a poignant and powerful swan song for Hugh Jackman in his role of Wolverine/Logan. More than a superhero film, Logan is also a dystopian, neo Western that displayed many motifs from the both genres to tell this heartwrenching tale of Logan’s final days. The film was so beautifully crafted thanks to career-defining performances by Jackman and Patrick Stewart as the wizened Charles Xavier. Part of the reason why Logan resonated with so many is because of its universal and relatable message about growing old and facing your end. Logan is a fitting finale for Fox’s X-Men Cinematic Universe.

Honorable Mentions: Alien: Covenant, Bright, Downsizing, It Comes At Night, Jumanji: Welcome to the Jungle, Kong: Skull Island, The Lego Batman Movie, Life, The Shape of Water, Split, Wonder Woman

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