Bridging The MCU Disconnect

A common complaint about the Marvel Cinematic Universe (MCU) and its related television shows is how disconnected they are. There is lip service from the powers that be that all the films and TV shows are interconnected, but there is scant evidence. At least, when it comes to the films. Fans are desperately grabbing at straws and blurry screen shots to find evidence of the TV side of the MCU in the films but without success. To date, none of the characters that originated in the TV shows have shown up on film, aside from one exception. Howard Stark’s butler Jarvis, portrayed by James D’Arcy in Agent Carter, made a brief appearance in Avengers: Endgame. This lack of TV characters in the films implies that the two medium are not connected, resulting in an MCU disconnect.

jarvis in avengers endgame

However, the television shows made it clear, especially older ones, that they were set in the MCU. It’s hard to dispute that fact where Agents of S.H.I.E.L.D. stars one of the secondary characters featured in the films (Agent Phil Coulson) and had appearances by Nick Fury, Sif and Agent Maria Hill, among others. They were portrayed by the same actors and were, in fact, the same characters. Agents of S.H.I.E.L.D. has made numerous references to the films. Lately, this has not been the case as it appears that the producers have given up hope that their shows are part of the MCU and are ignoring what is going on in the films. A good example is the recent sixth season of Agents of S.H.I.E.L.D., which takes place after the fifth season and that season referenced Avengers: Infinity War and Thanos. In the recent season nothing about Thanos’ snap was ever mentioned nor were other film characters. In a way, it’s good that the TV shows have thrown off the shackles of film continuity and are branching off on their own. The fact that Cloak and Dagger takes place in New Orleans and is far removed by the events in Avengers: Infinity War gives the impression that the MCU is much larger and complex. Like real life not everything has to be connected and it is fun for sharp-eyed viewers to spot obscure Easter eggs, such as Typhoid Mary mentioning the fictional country Sokovia in Iron Fist’s second season. But it can make it hard for some viewers to care about the events in the TV shows since they can rationalize the shows don’t have anything to do with the proper MCU.

That is changing though. With the new Disney+ streaming service, there will be numerous TV shows that are decidedly part of the larger MCU as they will star important characters like Loki, Hawkeye, Falcon and the Winter Soldier. MCU head Kevin Feige promised that the new shows will intertwine with the upcoming MCU films and held up the example of how the show WandaVision will directly lead to the upcoming film Doctor Strange in the Multiverse of Madness.

Alright, that is all well and good but what about the existing TV shows like Agents of S.H.I.E.L.D., Runaways or Cloak and Dagger? That is still up in the air and most likely nothing will change. But there are rumors going on that the cancelled Netflix Marvel shows, Daredevil and The Defenders are headed to either Hulu or FX some time next year or afterwards. The rumors also has it that actors like Charlie Cox will reprise their roles, which means the revivals of the shows will not be reboots. If this is the case, then this will validate that shows like Daredevil and Jessica Jones are indeed part of the larger MCU. This, not the Disney+ shows, will certainly go a long way to bridging the current MCU disconnect between the film and TV medium and create a richer and more complex universe.

Advertisements

Spider-Man: Life After The MCU

The dust still has not settled over the shocking news last week that Spider-Man is leaving the Marvel Cinematic Universe (MCU). So much for making Spider-Man: Far From Home earn over $1 billion to keep Spidey in the MCU! As we all digest this huge turd sandwich and cling on to every nugget of hope that Sony Pictures and Disney/Marvel Studios can still work out a deal, it’s time to face reality and ponder on what happens next for our favorite Wall-crawler in live-action films.

As mentioned in the previous post, actor Tom Holland still is contracted to do one more Spider-Man film and right now plans for that film are going forward from Sony. The film studio has the right to do a Spider-Man film without Disney’s blessing but obviously, cannot have it connect to the successful MCU. Sony may feel they can get along fine without the MCU and it may very well be the case, but it’s a dangerous gamble now. The animosity towards Sony by many fans is well documented with campaigns starting to boycott any Sony Spider-Man or related film. The question is will this anger keep up next year when Morbius and Venom 2 premiere? If both films falter or just earn less than expected in the box office then it can be attributed to fan backlash and can force Sony back to the negotiating table. This may not happen but then again look at Solo: A Star Wars Story and the backlash it received for The Last Jedi.

One no-brainer way to entice Spider-Fans to make Venom 2 a success is to shoehorn in Spider-Man now that Sony has him. One thing the studio has in its favor is that many fans are dying to see Spider-Man meeting Venom and fighting Carnage. Yes, the two characters fought each other in Spider-Man 3, but that version of Venom was poorly received. The Tom Hardy version was a hit with with fans though the film Venom was not as well thought of. If Spider-Man and Tom Holland are forced to appear in Venom 2 do the filmmakers have the skills to make it an organic appearance rather than an obvious cash grab? We’ll see.

Continue reading

The Tangled Web Of The Sony & Disney Spider-Man Debacle

Spidey out of MCU

AAARRGGH! We fans thought things were bad with the imploding DCEU and Henry Cavill and Ben Affleck’s departures, but now this! Superhero fans are still reeling from yesterday’s news that Spider-Man will no longer be in the Marvel Cinematic Universe (MCU). To say this was a surprise is putting it way mildly. It’s a bigger shock to our collective consciousness than Trump winning the presidency in 2016. We all thought things were going great between Sony, who owns the film rights to Spider-Man, and Disney/Marvel. Spider-Man: Far From Home is a smash hit, earning $1.1 billion dollars, making it Sony Pictures biggest money maker of all time. Disney’s Marvel Studios, which produced Spider-Man: Far From Home, is continuing to earn accolades as they sit on top of the box office world. The sharing of Spider-Man with Marvel Studios was for him to appear in six MCU films and so we all waited for news of when that film would happen and when the two film studios would announce a new deal extending Spider-Man’s presence in the MCU.

But it was not to be. Deadline reported that negotiations broke down between Disney and Sony after Disney demanded unreasonable terms. When the news first broke, everyone was out with the pitchforks for Sony because let’s be honest, their track record for their own Spider-Man films has not been great. Sure, they released the classic Spider-Man: Into the Spider-verse, which won the Academy Award for best animated film and Venom was a far bigger success than it had a right to be. But their last three live-action Spider-Man films have not enthralled the world and the studio was seeing diminishing returns for their efforts, which prompted them to make a deal with Marvel Studios.

dancing emo peter parker

The arrangement to share Spider-Man between the two studios worked beautifully for everyone. Marvel and MCU fans got to see comic book company’s most popular hero be a part in the MCU. Marvel Studios used their topnotch talent to create a Spider-Man that felt more faithful to his comic book source while being updated. This led to a revitalized interest in the hero as audiences responded positively to the MCU reboot of the Web-slinger. His presence in the last two Avengers films and Captain America: Civil War were delightful highlights and he gelled nicely with the larger MCU. Meanwhile, Sony was able to reap the financial rewards of the two Spider-Man MCU solo films, Spider-Man: Homecoming and Far From Home. One would think that the two studios would want to continue this relationship.

Continue reading

Let’s Hear It For The Boys

The Boys poster

As if anyone hasn’t seen the ubiquitous advertising, The Boys is a new superhero TV show streaming on Amazon Prime, and what makes it stand out from the standard superhero fest we’ve seen is that the superheroes are actually the villains and the main stars in the show are ordinary humans trying to undercut the superhumans.

In the world of The Boys, superhumans have been around for decades and are slickly marketed as celebrities to the public by the corporation Vought International. The company sells their superhumans as wholesome and patriotic heroes but the reality is that the superhumans are deeply flawed, amoral and let their power get to their heads. In other words, the superheroes feel they are above the law and act behind the cameras and campaigns without impunity.

The Seven

The main “superheroes” featured in the show belong to a superhero team called The Seven, and are basically knock-offs of the Justice League, with the Superman-type, Homelander (Anthony Starr) being the worst of the bunch. He knows he is basically a god and is treated as such by the adoring public. Literally draped with the American flag, Homelander is not above invading people’s privacy, rape, and needlessly killing people. Not all of The Seven are bad. Annie January (Erin Moriarity), is a new recruit called Starlight and she genuinely wants to do good and make a difference. The problem is the harsh reality of her co-workers disillusions her and causes her to question The Seven and how their heroic actions are solely carried out to please Vought’s marketing executives.

At the start of The Boys, one person’s life is changed forever by the superhumans. He is Hughie Campbell (Jack Quaid), an ordinary salesperson in New York City. His girlfriend is accidentally killed by a speedster called A-Train (Jesse T. Usher) who was speeding towards a crime scene. A-Train shows little remorse for smashing through Hughie’s girlfriend and is more concerned about not getting in trouble and not having his reputation ruined. Hughie, of course, is enraged by A-Train’s attitude and quickly becomes disillusioned by the Supes. He meets Billy Butcher (Karl Urban), a grizzled and salty freelance operative for the CIA who hates all the Supes. Billy recruits Hughie and old colleagues/mercernaries such as Mother’s Milk (Laz Alonso), and Frenchie (Tomer Kapon) in a clandestine mission to gather intel on the Supes and bring them down. It goes without saying that the inventive and creative ways Butcher’s bunch defeats their superpowered prey is often humorous and grossly effective.

meet the boys

Comic book readers know by now that The Boys is based on a comic book series published by Dynamite Entertainment and created by Garth Ennis and Darick Robertson. Eric Kripke developed the show, which is executive produced by Seth Rogen and Evan Goldberg. Before the show came along, many doubted that the comic book could be adapted because of its graphic content. It was so severe that the original publishers of The Boys, Wildstorm Productions, cancelled the series early in its run because it was too anti-superhero.

Thankfully, the show has been able to capture the spiteful and dark humor nature of the comic book. It provides viewers with a wry look at how superheroes would be actually perceived by the normal public and examines the implications of superheroes in our world. It is a lot like Watchmen only with more humor and not as bleak.

Even though it only has eight episodes (Amazon Prime already renewed it), The Boys is already one of the best superhero TV shows ever shown. It out-gritted previous grounded superhero shows like Daredevil and successfully emulates that feeling of engagement that Daredevil and the first season of Heroes used to hook viewers. All the characters are well cast and intriguing, even though a lot of their actions are barbaric and will make you wince. Make no mistake, this is not a standard superhero show for kids. It is jammed with graphic violence and sex acts; much of it is strangely fascinating to watch in a morbid fashion, such as the scene where Hughie’s girlfriend is suddenly turned to pulp by A-Train. But the highlight of The Boys isn’t the over-the-top violence or uncomfortable scenes,, but the characters and their situation. We are instantly involved and drawn towards Hughie, who is the confused and angry soul of the show. He is a decent man who witnessed a terrible act and is driven to want to do something but is wracked by his conscience. Meanwhile, Billy Butcher comes off as a foul-mouthed and cynical thug who has seen it all. But deep down he is embroiled in sadness and rage over his past. Butcher channels these intense emotions towards his drive to bring down Supes, especially Homelander. While we quickly come to despise Homelander and other Supes like A-Train, other Supes like Starlight and Queen Maeve (Domminique McElligott) are much more sympathetic as they struggle with their public image and their personal feelings.

hughie and starlight

Aside from the intriguing characters, The Boys carefully unveils the evil nature of Vought International with enough grim nuggets per episode to keep you watching. The company’s actions are quite horrific given the sunny nature they project to the unassuming public about their brand superheroes. In many ways, it is a sly commentary about the media in our lives and how public perception is easily manipulated.

Along with the superhero shows on the DC Universe app, The Boys is heralding the next step in superhero TV shows. If upcoming shows like Watchmen and the offerings from Disney+ match the quality of The Boys then we are in for some must-see viewing.

All 23 MCU Films Ranked

The Marvel Cinematic Universe (MCU) has been with us since Iron Man in 2008 and has been comprised of three phases. Twenty three films later, the MCU’s Infinity Saga is now complete with the release of Spider-Man: Far From Home, which heralded the conclusion of Phase Three of the MCU.

Now it’s time to rank all the MCU films to date. We’ve done this before back in 2015 when Phase Two ended but since then eleven more MCU films have been released which changed the previous ranks of films. Also, upon further viewings the older MCU films have either aged well and are actually higher ranked or are haven’t aged well and went down in ranking.

Looking back at the films, it is remarkable and necessary to note that there isn’t a terrible film in the lot, which is amazing considering there are 23 films. Even the lowest ranked films have their merits and are better than many other films of different franchises. Not all the films are classics, but almost all are solid and enjoyable superhero films that are among the best of the genre.

23. Thor: The Dark World (2013)

Coming in at the bottom of the list is the first sequel to Thor. Despite Chris Hemsworth’s star power and natural charisma as the God of Thunder, Thor: The Dark World is a very routine superhero film that is quite forgettable.

It has its moments such as Tom Hiddleston, who is always reliable as the mischievous Loki and the final fight. But the film was listless and wasted Christopher Eccleston’s talents as Malekith, an uninspired enemy with lazily thought-out motives and background.

22. Iron Man 2 (2010)

This sequel to Iron Man could have been good, even great. It featured many interesting subplots and with some tinkering the villains could have been among the MCU’s best. Instead, we got a mishmash of conflicting plots that don’t go anywhere.

Thanks to the film’s scattered tone, Tony Stark regressed in character and reverted back to being an unsympathetic, narcissistic jerk. Adding to the flaws was that it was obvious that the film was being over-managed by film executives who wanted to use it to lay the groundwork for the MCU instead of ensuring this was a good film in its own right.

21. Ant-Man and the Wasp (2018)

This sequel to Ant-Man is not a poorly made film, it has many fine merits such as a winning cast and great effects. The problems with Ant-Man and the Wasp is that it doesn’t have the same energy as Ant-Man, often the humor comes off as forced, and feels more pedestrian than its predecessor. Not even the unusual sight gags are as funny or inventive as in the original.

Making matters worse is that the film featured some of the worst villains in the MCU. They make the much-criticized Yellowjacket in Ant-Man seem like Thanos, yes, they’re that uninteresting. Still, it’s not a bad film but should have been so much better.

20. Avengers: Age of Ultron (2015)

The first sequel to The Avengers is sometimes frustrating to watch because it reeks of 1) wasted potential and 2) having too many cooks in the kitchen or rather execs in the editing room. Reportedly, director Joss Whedon was ordered to include scenes and subplots that had little to do with the main story and his frustration showed in the final product.

But worse than that, Avengers: Age of Ultron felt by the numbers and crammed with too many characters. It was unable to recreate the fun and energy of the first film. But, there are some terrific sequences, namely the battle between the Hulk and the Hulkbuster and the party scene where Steve Rogers nudges Thor’s immovable hammer, so there is that.

19. Captain Marvel (2019)

This is a fine, decent film that does a better than expected job of showing how the modern MCU was set up. More than that, Captain Marvel expands the cosmic side of the MCU while laying the groundwork for the future of the cinematic universe.

What holds this film from ranking higher is that it’s rather flat at times and feels like a formulaic superhero film. Captain Marvel is alright for what it is, but it doesn’t truly stand out like many MCU films. Making things worse is Brie Larson’s sometimes wooden performance as the title character.

18. Doctor Strange (2016)

The Sorcerer Supreme’s debut film might have ranked higher on the list if only it didn’t feel like we’ve seen this kind of film before. An arrogant tool learns some humility and becomes altruistically heroic in time for the end credits. This doesn’t mean that Doctor Strange is a bad film, not at all. It’s professionally put together with amazing special effects and imagery that has never been seen before. Plus, Benedict Cumberbatch is an inspired casting choice for the title character.

However, Doctor Strange sometimes feels formulaic and routine in between the hallucinogenic magic shows. Downgrading the film further is its main villain, a rather forgettable evil wizard with murky motivation and cliché dialogue. More screen time should have gone to Dormammu, the ultimate big bad revealed at the end. The confrontation between Doctor Strange and Dormammu was ingenious and its resolution was a welcome change from the typical fisticuffs.

17. Iron Man (2008)

As the very first MCU film, Iron Man holds a distinctive place in many people’s lists. No doubt, the success of the cinematic universe is due to this solid superhero film that defied the odds. Before it was released, many doubted that the burgeoning Marvel Studios could pull off a successful superhero film with a B-list character. Thankfully, they were proven wrong. Robert Downey Jr. shone in the role of his career as Tony Stark and was one of the main reasons why the MCU took off.

But looking at it objectively, the film has its faults. After a thrilling and engaging first half, it bogs down as we impatiently wait for Stark to build and use the iconic red-and-gold Iron Man armor. The villain didn’t help matters either. Jeff Bridges is OK as Obadiah Stane but didn’t have much presence and this lessened the final conflict between the two. However, the film’s post-credits scene was a true zinger and gave birth to the MCU.

16. The Incredible Hulk (2008)

The only solo Hulk film from Marvel Studios is its redheaded stepchild, which is a shame. There are so many admirable qualities to the film and it revamped the character after the ill-received film version from 2003. Besides, The Incredible Hulk was a favorite film of someone very dear to me, so it holds a special place. The film is often overlooked but it’s important to the MCU. As the first film after Iron Man it featured many references and Easter eggs that helped solidify the MCU. It also was the first MCU film to crossover characters as seen with Tony Stark’s appearance late in the film.

The film cleverly echoed the vibe from the successful TV series of the 70s and 80s by having its tortured hero Bruce Banner living life as a fugitive as he tried to cure his condition of turning into the Hulk. In his only appearance as Banner, Ed Norton, successfully captured the essence of his comic book counterpart in that Banner was a geeky, unassuming man who had a lot of pent-up rage. He actually was better at the role than Mark Ruffalo, but alas, studio politics and Norton’s actions during filming prevented him from reprising the role.

15. Black Panther (2018)

It may be heresy to admit it, but while Black Panther is a groundbreaking and captivating superhero film (and the first one to be nominated for a Best Picture Oscar), it is overrated. Taking away its world building, merits and cultural impact, Black Panther has its flaws like some cheesy CGI and it takes a while for the film to take off during its first act. But when it does, wow, it soars off with great velocity. This happens when T’Challa directly faces the film’s villain Killmonger.

tchalla and killmonger

Michael B. Jordan is one of the film’s greatest assets as the savage Killmonger thanks to his compelling back story. His story intertwines finely with the film’s theme about the actions and sins of our fathers defining and shaping us. Once Killmonger enters the stage to claim the throne of Wakanda, the film grabs you much more than the eye-popping visuals of the advanced African country.

14. Iron Man 3 (2013)

Believe it or not, Iron Man 3 is a very well done film and unbelievably the best Iron Man solo film with exciting sequences. It created a lot of controversy when it was released due to the nature of the villains and certain plot twists. This turned off many fans, but the twists were genuine surprises that paid off.

What makes Iron Man 3 stand out is that it was basically a deconstruction of the title hero. We got to see Tony Stark at his most vulnerable as he grappled with PTSD from the events of The Avengers, and this made him more human. We saw there was more to this wounded man than his snarky jokes and false bravado. Then we saw how heroic and resourceful he was without his armor. This film certainly deserves another, more objective look.

black and red spidey

13. Spider-Man: Far From Home (2019)

There are many plot holes in the second Spider-Man MCU film, but it’s a blast with so much heart and boasts some of the greatest MCU post-credits scenes. As with the previous Spider-Man film, this followup showcases the precarious balance that teenage superhero Peter Parker holds between his normal high school life and that of his web-swinging, heroic alter ego.

spidey and mysterio

There are many memorable sequences and laughs, though not all of them land. Overall, the film is fast-paced and engrossing with dazzling effects and fights. The main cast has perfected their performances in this sophomore effort. One of the highlights is Jake Gyllenhaal who plays the villainous Mysterio with obvious glee. The fight scenes between him and Spider-Man are some of the MCU’s best and at times emulate the trippy nature of the Spider-Man/Mysterio fights featured in the comics.

Continue reading