Spider-Man: Far From Home Is A Winning Epilogue To The Infinity Saga

Spider-Man: Far From Home is the epilogue to the 23-film Infinity Saga or the final Phase 3 film of the Marvel Cinematic Universe (MCU). As such, the film is another winner for Marvel Studios and Sony Pictures, who still owns the film rights to the Marvel Comics superhero.

The film is solidly part of the MCU, as shown in its opening moments as the world is recovering from the events of the last two Avengers films. It was good to see the everyday reaction to Thanos’s snap and the sudden return of half of the world’s population, called the Blip in the MCU. For Peter Parker/Spider-Man (Tom Holland), the impact of the Avengers films weighs heavily on him as his mentor Tony Stark is no longer around. He feels the pressure of trying to be the next Iron Man while enjoying his normal teenage routines. The biggest thing on his mind, aside from his Spider-Man duties, is working up the nerve to tell his fellow high school classmate, MJ (Zendaya) that he likes her. The two of them, along with other classmates, spend most of the film in Europe on a school trip. While in the Old World, Peter is contacted by the clandestine head of S.H.I.E.L.D. Nick Fury (Samuel L. Jackson) to help Quentin Beck/Mysterio (Jake Gyllenhaal) with dealing with these giant elemental creatures that are attacking Europe. Beck is supposedly from a parallel Earth that was destroyed by these creatures and wants to prevent the same disaster from happening in the MCU Earth. Beck quickly earns Peter’s trust who then begins to confide in him all his doubts and fears. But as comic book fans know there is much more to Beck than he would have one believe.

Beck and Parker

The latest Spider-Man film is the quintessential summer film. It’s fun, exciting, humorous and moves at a brisk pace, particularly in the second half. At the same time, unlike most summer blockbusters this film has depth and engages you emotionally. All the actors are spot-on perfect in their roles and embody the characters they portrays. This especially goes to Tom Holland who has an earnest energy and nervousness that makes his Peter Parker very endearing. This portrayal of Spider-Man feels authentic and captures the essence of the beloved superhero. He makes mistakes, big ones, but his heart is in the right place. It’s why we root root for him. Meanwhile, Zendaya adds much more dimension and humanity to her role of MJ. Now, she is more personable while keeping her spunky and sardonic attitude that made her so funny in Spider-Man: Homecoming. She and Holland have a nice chemistry as a budding and sweet romance develops between the two young people, which works. It’s not as intense as with Andrew Garfield and Emma Stone in the The Amazing Spider-Man films, but their romance has a tender sweetness that offers a nice respite from all the fantastic effects and explosions.

Spidey and MJ

As far as Spider-villains go, Mysterio is certainly a fantastic entry into Spidey’s rogues gallery with a unique power set, comic-book accurate costume, and motivation. His background and purpose differs a lot from his comic book roots, but they fit in easily within the MCU and there are some great and surprising call backs to previous MCU films. His drive and presence in the film doesn’t quite match the depth and desperation of the Vulture in Spider-Man: Homecoming, but Gyllenhaal is just great in the role and injects a lot of passion into his role. The fight sequences between him and Spidey capture the spirit of their comic book encounters complete with the weird illusions that rival some of what we’ve seen in Doctor Strange.

mysterio

There are some issues with Spider-Man: Far From Home, namely the high school antics and gags. Unlike the previous film, here they fall flat many times, which is puzzling since director Jon Watts pulled it off so well in Spider-Man: Homecoming. With this film, the antics come off as unfunny distractions, though some gags hit the mark. Still, it is not a fatal flaw with the film, but for the next film, the filmmakers should consider retooling this aspect or getting rid of it altogether.

Right now, the future of the MCU Spider-Man films is uncertain because Spider-Man: Far From Home is supposedly the last Spider-Man film in the agreement between Marvel Studios and Sony. It would be a horrific shame if these films couldn’t continue and Sony took Spidey back because there is so much more that can be done with him.

This is clearly evident in one of the post-credits scenes that is an absolute shocker. Seriously, they cannot leave us hanging like they did. On another note, the other post-credits scene is equally as important because it heralds the direction that the MCU will take from this point on. Spider-Man: Far From Home both stands on its own as a winning Spider-Man film and as an coda to the wondrous 23-film MCU.

José Soto

Advertisements

Superheroes Represent At The Oscars

Last night, the Academy Awards were surprisingly kind to superhero films. Sure, there were some disappointments, big and small; seriously, First Man had better special effects than Avengers: Infinity War? Please. But on the whole the superhero film genre was well represented in the Academy Awards for films that came out in 2018.

Recognizing the MCU

Comic book fans had reasons to celebrate last month when Black Panther was nominated for best film. As we all know, this is the first time a superhero film earned that prestigious nomination. Whether or not the film deserved it is open for debate. But nevertheless it was a great and historic moment for fans as at last the superhero film was recognized as a genuine piece of cinematic art. OK, this is a bit hyperbolic, but the fact is that for too long superhero films were considered juvenile fare though that has been far from the truth.

black panther at wakanda

In the past, these films were often nominated for best visual effects or some other technical category and sometimes won. That has changed slowly over recent years. The Dark Knight picked up an award for Best Supporting Actor in addition to getting numerous technical nominations. However, many rightly felt that The Dark Knight should have been nominated for Best Picture, and this snub caused a changed in the amount of films that can get the Best Picture nomination. Others also believed that Logan should have received a Best Picture nomination, but it did get one for Best Adapted Screenplay. This was the first time a superhero film got such a distinguished nomination. With this, it was only a matter of time before a superhero film was nominated for Best Picture and that happened only a year later.

Of course, cynics will credit Black Panther’s numerous nominations to a strong marketing campaign from Disney, and they would not be wrong. But in the end the film studio was largely successful with Black Panther nabbing the coveted Best Picture nomination. Honestly, it winning was always a long shot, especially since it didn’t garner nominations for directing, writing or acting. Traditionally, the Academy of Motion Picture Arts and Sciences has a huge bias against genre films. No science fiction film has ever won, and only a couple of fantasy films have won including The Shape of Water. Also, that film just won for Best Picture the year before. There wasn’t any way the Academy would allow a genre film to win for Best Picture two years in a row. In fact, this doesn’t happen with other genres. Besides, the Academy likes to pick “important” biographies or historical dramas with timely messages.

Put all that aside for now. It was great that not only was Black Panther nominated, but that it actually won three well-deserved awards. The most for any superhero film. Frankly, it would have been a shock if the film didn’t win for Best Costume Design or Best Production Design. In these categories, Black Panther excelled with its unique and eye-popping visual look and costumes. The award for Best Original Music Score was a pleasant surprise since the score was so enchanting. These wins signal the Academy’s recognition of the Marvel Cinematic Universe’s (MCU) quality and caliber. This will be the first of many awards that the MCU will win. It may be a long time before an MCU film or any superhero film will win for Best Picture, but it will happen.

Continue reading

Top 10 Most Anticipated Films Of 2019

Geekdom continues to rule at the box office in 2019. Superheroes, aliens, robots and more await us with 2019’s film offerings. Listed here are the most anticipated films for 2019, though everyone will have their own preference.  Naturally, some films on this list will turn out to be hot garbage, while others will be talked about for years to come. Who can say how they will turn out? Be aware that the release dates will most likely change for many of these films. In fact, three of the films on this list are holdovers from 2018, starting with…

10. Dark Phoenix (June 7):

There is a lot of animosity towards the final Fox X-Men film for various reasons—the film is pointless now with the Disney/Fox merger; a first-time director (Simon Kinberg) associated with the unpopular X-Men: The Last Stand is helming this film. But this is the last proper X-Men film before Marvel Studios reboots the franchise, so it will be interesting to see how the nearly 20-year franchise comes to an end.

9. Captive State (March 29):

Rupert Wyatt directs this sci-fi film that was held over from last summer. The film chronicles the lives of Chicago residents after aliens have occupied our world. As the aliens indoctrinate humanity, a rebellion emerges, and the film will show both sides of the struggle. The impressive cast includes John Goodman and Vera Farmiga.

ad astra Brad Pitt

8. Ad Astra (May 24):

Twenty years after his father (Tommy Lee Jones) disappears on a mission to find alien life near Neptune, a man (Brad Pitt) travels our solar system to find out why his father’s mission failed and to possibly locate him. According to director James Gray, the sci-fi drama will be very grounded and will the dangers of space flight, while echoing Heart of Darkness.

7. Alita: Battle Angel (February 14):

This film was delayed from last December and is a live-action adaptation of the popular manga about a futuristic cyborg warrior. James Cameron produced this pet project with Robert Rodriguez directing. The visuals from the trailer look astounding, but the question is if Alita: Battle Angel can escape the dismal fate of previous attempts to bring manga and anime classics to Hollywood like Ghost in the Shell.

6. Star Wars: Episode IX (December 20):

The Star Wars franchise is at a crossroads now with fandom bitterly divided. The fallout from Star Wars: The Last Jedi is still being felt by Star Wars, hence the failure of last year’s Solo: A Star Wars Story. It is not an exaggeration to state that a lot is riding on how the latest Star Wars film is received.

After director Rian Johnson alienated many fans with The Last Jedi, Lucasfilm handed Episode IX to J.J. Abrams to direct it. Will Abrams bring back the fans and successfully conclude the Skywalker Saga? We’ll find out later this year.

5. It: Chapter Two (September 6):

The first It film was an unexpectedly chilling horror film that was acclaimed by audiences and critics. It adapted Stephen King’s mammoth novel of several children in a Maine town haunted by the supernatural entity Pennywise, who took various forms, but favored a frightful clown.

The second film takes place years later when the children are adults and have to reunite to confront Pennywise again. Most know that It had been adapted before as a mini-series that faltered when it shifted to the adults’ storylines. Hopefully, It: Chapter Two will deliver a satisfying finale.

4. Godzilla: King of the Monsters (May 31):

The sequel to 2014’s Godzilla, this film returns the most famous kaiju and introduces other popular kaijus like Mothra, Rodan and King Ghidorah. More importantly, Godzilla: King of the Monsters firmly establishes Legendary Pictures’ Monsterverse cinematic universe that includes King Kong (last seen in Kong: Skull Island).

Putting that aside, this film looks absolutely epic! With shots that seem taken from a frightful opera or a baroque painting, and the promise of some serious giant monster action, it’s easy to see why Godzilla: King of the Monsters is a highly anticipated film for 2019.

glass trio

3. Glass (January 18):

M. Night Shyamalan completes his grounded superhuman trilogy with Glass. It all started with 2000’s Unbreakable and the director shocked audiences in 2016’s Split when it was revealed that the film took place in the Unbreakable universe.

Taking center stage, Samuel L. Jackson reprises his role of Mr. Glass, the villainous mastermind who seeks to prove the existing of superhumans to an unbelieving world. Co-starring Bruce Willis (returning from his reluctant hero role in Unbreakable) and James McAvoy as the demented Horde, Glass looks like it will re-establish Shyamalan as a top-tier director.

spider-man far from home black suit

2. Spider-Man: Far From Home (July 5):

Marvel’s most popular superhero returns (apparently from Thanos’ snap) in this followup to Spider-Man: Homecoming. This time out, Peter Parker (Tom Holland) goes to Europe on a school trip and tangles with Mysterio (Jake Gyllenhaal), a special effects stuntman turned supervillain.

Most of the cast and crew from the enjoyable Spider-Man: Homecoming return, so the new film should be in competent hands, which ensures a winning film. Of course, there is the question if it can compare favorably to last year’s instant classic Spider-Man: Into the Spider-Verse. But Spider-Man: Far From Home should be another great MCU entry.

1. Avengers: Endgame (April 26):

As the most anticipated film of 2019, all eyes will be on this film. It is much more than the fourth Avengers film. Or the conclusion to the devastating events of Avengers: Infinity War. We’ve followed the saga of the MCU for over ten years. Avengers: Endgame is the culmination of over 20 diverse films.

Very little is known about the concluding Avengers film, only that it takes place after Thanos’ (Josh Brolin) victory and will feature the original core Avengers and allies trying to undo Thanos’ universal genocide.

Being that it’s the final Phase Three film and the possible swan song for many popular characters like Iron Man (Robert Downey, Jr.) and Captain America (Chris Evans, it is important that Avengers: Endgame sticks the landing. It is not as easy as it sounds, many concluding films of famous film sagas wound up disappointing fans, but with the talent behind it, Avengers: Endgame should rise to the challenge.

Other Films:

As always, these films that did not quite make the list are definitely worth our attention and as before, it’s a guarantee that the following films will wound up being among this year’s best offerings. Others will probably be delayed until 2020 and beyond. Here are other films that warrant keeping an eye on:

The Lego Movie 2: The Second Part (February 8), the first Lego film was so much fun and inventive, let’s hope the sequel is at least as good;  How to Train Your Dragon: The Hidden World (February 22), the final film in Dreamworks’ Dragon trilogy looks awe-inspiring and heartfelt: Chaos Walking (March 1), Doug Liman directs Tom Holland in a sci fi yarn about a colony world where all thoughts are readable; Captain Marvel (March 8), the 21st and next MCU film about the title hero coming to Earth and rediscovering her lost past hops to continue Marvel Studios’ winning streak;

Shazam! (April 5), speaking of winning streak, after the humongous success of Aquaman, DC and Warner Bros. hopes to keep up the much-needed good will with their superhero films with their next film; Pokemon: Detective Pikachu (April 10), the CG/live-action hybrid brings the uber popular Pikachu to the real world,

Brightburn (May 24), is a James Gunn project which is a dark retelling of the Superman alien origin story;  Toy Story 4 (June 21), Pixar’s crown jewel franchise returns in what may be its most heartbreaking entry, which is rumored to be its last; The Lion King (July 19), director Jon Favreau turns in another CG remake of a Disney classic; Joker (October 4), Todd Phillips directs a dark prequel film that chronicles the creation of the demented Clown Prince of Crime; Zombieland Too (October 11), it’s been ten years since the original Zombieland delighted audiences with its comical world overrun by zombies, but better late than never;

Terminator 6 (November 1), let’s see if James Cameron can resurrect the floundering Terminator franchise now that he is producing the latest film;  Sonic the Hedgehog (November 8), the other well publicized CG/live-action film brings to life the popular video game character.

Top 10 Films and TV Shows of 2018

This year had a splendid offering of memorable films and TV shows. We are truly living in a golden age of geekdom with so many films and TV shows to choose from. These are the best of 2018; keep in mind this list is purely subjective and if you have your own list, be sure to leave a comment.

Films

10. Incredibles 2:

incredibles 2

It took over a decade but it was worth the wait! Like the original film, Incredibles 2 delighted us and had us laughing with its family situations and high-octane superheroics.

9. Hereditary:

The creepiest horror film of the year unsettled us with its haunting imagery and scenes. This tale of demonic forces assaulting a fragile family will keep you up late into the night.

8. Ralph Wrecks the Internet:

This joyful sequel to Wreck-It Ralph takes the oversized and loveable video game titular character to new digital frontiers. His humorous journey into the Internet was fantastic to watch with all the puns and satires about the world wide web.

7. Black Panther:

black panther at wakanda

Marvel Studios delivered another stirring superhero film that was highlighted with its political/royal drama and was a genuine cultural phenomenon when it was released. Michael B. Jordan’s turned in a bravura performance as Killmonger, the bitter challenger to King T’Challa/Black Panther’s (Chadwick Boseman) throne.

6. Solo: A Star Wars Story:

solo and chewie at bar

Too bad the backlash over The Last Jedi and other factors doomed this Star Wars spinoff film that explored Han Solo’s early days. It captured the adventurous spirit of Star Wars that was missing lately thanks to its adventurous tone, Ron Howard’s expert direction and inspired performances. This included Alden Ehrenreich who pulled off a near impossible task of emulating a younger version of our favorite space pirate.

5. Aquaman:

Aquaman and Mera

The DCEU’s sole superhero film of 2018 was bold, splashy, action-packed, outrageous (cue the octopus playing drums!), but most of all fun. Aquaman singlehandedly resurrected the DCEU with this sprawling epic.

Its bright color palate, sweeping underwater landscapes, and breakneck pace made it stand out from the other DCEU films with imagery that captured the spirit of Avatar and Star Wars. Aquaman proved that DC and Warner Bros. can deliver a popular and crowd-pleasing superhero movie just like their competitor.

4. A Quiet Place:

Director and star John Krasinski kept audiences petrified in their seats with this sci-fi/horror classic about a family living in an Earth overrun by voracious alien creatures that hunt by sound. The premise of the family not being able to make noise underlined the unbearable tension throughout the film.

At the same time, A Quiet Place was memorable because it endeared us to the family in the film as they struggled to survive such a situation.

3. Spider-Man: Into the Spider-Verse:

The greatest animated film of the year was a true surprise given how little it was regarded when it was first announced. After all, this was not Disney who was behind this film. Spider-Man: Into the Spider-Verse popped out immediately with unique animation that literally brought a comic book story to life.

However, its involving story about Spider-Man’s successor, Miles Morales, learning the ropes and struggling to live up to a legend just crushed it. Hands down, it’s one of the best Spider-Man films to date.

2. Ready Player One:

Director Steven Spielberg shows us that he still is the master of cinema with this adaptation of Ernest Cline’s book about a young man adventures in the virtual world that is bursting with countless pop culture references and Easter eggs. How many viewings will it take to spot them all?

Ready Player One is a loving ode to geek and gaming culture that respects and celebrates it. The film is also a noteworthy addition to Spielberg’s impressive library of genre films as it displayed many of his visual touches and directing techniques that catapulted Spielberg to prominence.

1. Avengers: Infinity War:

The culmination of ten years of the MCU was certainly an unforgettable epic. It captured the mood of those sweeping comic book epic storylines with its all-star cast of actors and characters that was any fanboy and fangirl’s dream come true.

Directors Joe and Anthony Russo pulled off a miracle by keeping the pace smooth and intense while giving the heroes their own engaging moments. Any praise for Avengers: Infinity War is not complete without mentioning the chilling, menacing presence of the film’s villain, Thanos. Josh Brolin and the effects masters brought to life one of the greatest comic book film villains with an unforgettable mo-cap performance. More importantly Avengers: Infinity War presented a complex character study with Thanos’ mad quest to kill half the universe.

Honorable Mentions:

Annihilation, Ant-Man and the Wasp, Bumblebee, Deadpool 2, Jurassic World: Fallen Kingdom, Isle of Dogs, Rampage, Teen Titans Go! To the Movies, Venom, Upgrade

Continue reading

Spider-Man: Into The Spider-Verse Swings & Soars!

Sony’s latest entry into their burgeoning Spider-Man cinematic universe, Spider-Man: Into the Spider-Verse, is a boon not just for the film studio but for Spider-Man films in general. This is not a small feat given Sony’s recent spotty record with their own Spider-Man films.

Spider-Man: Into the Spider-Verse follows the adventures of Miles Morales (Shameik Moore), a young middle schooler who gains the spider-like powers of his hero Spider-Man (Chris Pine) in a universe similar to the Marvel-616 and the live-action films. This universe’s version of Spider-Man is killed after trying to stop the Kingpin’s (Liev Schreiber) dangerous machine which breaches dimensions. As Miles struggles to honor his hero and grow into his role as a new Spider-Man, other versions of the hero from different universes start appearing. He forms an uneasy teacher/student relationship with an older, jaded version of Spider-Man/Peter B. Parker (Jake Johnson), who has suffered a series of downers in his life like divorce, poverty, and is out of shape. Together, the two work with other Spider folk like Spider-Gwen (Hailee Steinfeld) and Spider-Man Noir (Nic Cage) to find a way to return to their proper dimensions and destroy the machine before it irreparably destroys all universes.

The film has a wild and kinetic animated style that carefully combines 3D animation with conventional line and dot comic book art to create an organic and  moving comic book come to life. Adding to the effect were numerous word panels that conveyed characters’ thoughts and complimentary sound effects, just like in the comics. Producers Phil Lord and Chris Miller (remember them? They were the directors fired by Lucasfilm), along with directors Bob Persichetti, Peter Ramsey and Rodney Rothman, pulled off this loving ode to Spider-Man and superhero comic books that will be remembered for a long time.

But as great as that sounds what makes Spider-Man: Into the Spider-Verse soar are its characters and story. It is too easy for a story like this about parallel universes and derivative characters to go off the rails, but the film gets us involved with not only Miles, but the other versions of Spider-Man, particularly the older Parker. Even though he is jaded, Parker is still a heroic person and is protective of Miles, though the younger Spidey wants to prove himself. What is impeding Miles, are his own insecurities stemming from his awkward relationship with his father and his inexperience. What was great to see is that Miles does not become an instant hero, he has to grow into his role and learn not just how to swing, but about responsibility and sacrifice. Remarkably, in this crowded film, the other Spider heroes have their own moments to stand out and shine, and this goes for the supporting characters. The only exceptions to this and a nitpick about the film, are the villains, who are a bit one-dimensional. But they server their purposes and help move the plot. Overall, the film moves along at a brisk pace and is quite exciting and fun.

As expected, there are too-many-to-list references to Spider-Man films and his history. Many of them will leave you on the floor laughing, especially with the recreations of infamous dancing scenes from Spider-Man 3. Of course, the Stan Lee cameo was one of the better ones and there is a loving, heartfelt dedication to the departed Lee and Steve Ditko at the end that is worth hanging around for. Adding to that is a hysterical post-credits scene starring a couple of versions of Spider-Man that features Stan Lee voicing J. Jonah Jameson. It has to be seen to be believed, it’s that great!

It’s hard to believe, but Sony delivered quite possibly the best Spider-Man film since Sam Raimi’s Spider-Man 2. After the debacle of The Amazing Spider-Man 2, it is safe to say that the film studio has found an amazing (pun intended) avenue for their own spin on Spider-Man films.  Hopefully, this can be the beginning of classic animated films that rivals anything that their competitors can come up with…just as long as Lord and Miller are left alone to work their magic. I already look forward to seeing other versions of Spider-Man joining the fray in a sequel.

This animated film is the best surprise of the year not only with superhero films, but films in general. As 2018’s most dazzling animated film, Spider-Man: Into the Spider-Verse will make any true Spider-fan smile and rejoice. Do not take this statement lightly, in this year of outstanding animated and superhero films, Spider-Man: Into the Spider-Verse is an instant classic.

José Soto