You Are About To Enter…The Twilight Zone: 60 Years Later

“There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.

Opening narration by Rod Serling to The Twilight Zone in its first season

The Twilight Zone is celebrating its 60th anniversary and is still regarded as one of the most influential sci-fi and fantasy TV series of all time. Its combination of surreal sci-fi and fantasy storytelling and eerie plots has made its many classic episodes quite memorable for genre fans of all types. Hosted and created by the late Rod Serling, his matter-of-fact introductions led viewers to witness many memorable stories that ranged from a gremlin trying to sabotage a passenger jet seen only by one hapless man ( played brilliantly by William Shatner) in “Nightmare at 20,000 Feet”, to a bookworm (Burgess Meredith) who shuns society and yearns for solitude, and gets his wish after a nuclear war only to meet a cruel fate in “Time Enough At Last”.

The pilot episode “Where is Everybody?” started things off 60 years ago this month with an Air Force pilot in a seemingly abandoned town, who slowly succumbs to paranoia, as things are not what they seem. The plot twist at the end of “Where Is Everybody?” would set the tone for the whole series. Countless episodes had twist endings and examples of being careful what you wish for, as well as bizarre otherworldly happenings. Notable examples include: a woman chased by her double during a solitary road trip in “Mirror Image”, “The Howling Man”, which has a man chasing the Devil across the world using the staff of truth to keep him locked up in, a woman going to the top floor of a department store with creepy mannequins in “After Hours” or even seemingly benign aliens giving humans solution to world problems until their true sinister agenda is revealed in “To Serve Man”. These are just the tip of the iceberg with The Twilight Zone.

All of these many great moments have cemented the status of The Twilight Zone and led to many other anthology shows in its wake. Serling himself had a follow-up series Night Gallery starting in 1969 that was horror focused and not as well remembered. There have been two revivals in the 1980s (a film co-directed by Steven Spielberg, John Landis, Joe Dante and George Miller, and a TV show on CBS), a TV film in the 1990s based on Serling’s unused stories, a 2002 revival on the defunct UPN network, and one streaming right now on CBS All Access. Even shows like Amazing Stories, which was more fantasy based, and Tales From The Crypt can all trace their origins back to The Twilight Zone, which had all kinds of genres in its pallet.

The fact that it debuted in 1959 is also quite interesting since there was nothing like it on TV at that time. Unlike today with sci-fi being a huge industry, the era in which it came about was pre-Star Wars and Star Trek. Nevertheless, the show captivated audiences and even today it still holds up with its timeless stories and issues that it tackled. “Eye of the Beholder” dealt with body image and conforming to society’s standards of beauty and “The Monsters Are Due on Maple Street” showed how fear of an outside force can destroy a town. The fact that The Twilight Zone was a genre-based show allowed it to talk about issues such as these in an allegorical setting whereas a more realistic show could not, especially in the the late 1950s and early 60’s. It was one of the reasons why Serling created the show. He wanted to avoid censorship issues when crafting his imaginative and thought-provoking stories. This again, paved the way for later shows like Star Trek to do the same thing with its many takes on issues like civil rights and racism masked in the sci-fi setting of starships and aliens.

The Twilight Zone still gets accolades and is always included in listings of the top TV series of all time. TV Guide ranked it at #5 in their list of 60 greatest shows of all time in 2013 and in 2016 Rolling Stone ranked it at #7 for 100 greatest shows of all time. The Twilight Zone’s impact on pop culture also expands to other areas as well with a theme park ride in Disney’s Hollywood Studios park and numerous spoofs on The Simpsons. All of this for a show that was on the air when there were only three networks on TV and decades before the proliferation of science fiction, horror and fantasy in movies and television.

The power of these stories is still going strong after more than half a century and should continue to excite fans who have seen them countless times and gain new fans who will no doubt be drawn in by the iconic theme music that is still creepy to listen to even today, as well as Rod Serling’s famous words “Submitted for your approval…”

C.S. Link

*The intro shown below for The Twilight Zone is based on its first season. It’s not as famous as the iconic theme we all know of, but IMO is much eerier and more effective.

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The Coming Star Trek Renaissance

 

Not too long ago it seemed as if Star Trek was at a low point. Yes, the IP had a lot of attention thanks to its 50th anniversary, but it appeared that its corporate owners CBS and Viacom/Paramount Pictures could not fully take advantage of this event. There were many specials and such, but the only new product in 2016 was the film Star Trek Beyond, which did not do too well in the box office. In fact, to date it is the last Star Trek film to be produced. Then there was the backlash against both corporations when they came down hard on Star Trek fans with stringent, draconian guidelines regarding their ability to create fan films. At that time, aside from some TV specials, there wasn’t any original Star Trek content on TV. This was striking being that the franchise got its start in the television medium and flourished there.

However, CBS did announce at that time that a new Star Trek TV show, Star Trek: Discovery, was coming, except that it would only be available for subscribers of their new CBS All Access streaming app. So to see new Star Trek content on TV, one was forced to pay for it. This did not bode well for Star Trek: Discovery, and the show already had to face harsh criticism from disgruntled fans. Many of them balked at the design aesthetics, the cast that focused on women and people of color and different sexual orientations, and the fact that most of its season was devoted to a war. As Star Trek: Discovery debuted and failed to meet fans’ expectations, the franchise was further hobbled with the reports that a new Star Trek film was stuck in development hell. It seemed to be that as many cynics and haters were proclaiming: Star Trek was dying.

But the Star Trek franchise, as always, proved that it had life. Star Trek: Discovery began to find its legs and winning over skeptics. Its second season was light years better than its first with new cast members and better written scripts. This culminated in an epic season finale that rivaled anything seen in a Star Trek film and launched the series in a bold new direction while setting up respectfully the original TV show. That wasn’t all.

It was announced that there were other Trek shows in development. While the announcement was greeted with some interest it was Star Trek: Picard revelation that awoke the sleeping Star Trek fandom. The news that Star Trek: The Next Generation (TNG) star, Patrick Stewart, would reprise his iconic role of Jean-Luc Picard excited Star Trek fandom as did the news that the show would take place decades after TNG. This placated those who disliked the idea of reboots. It was clear that the original Prime Star Trek universe still existed and had stories worth exploring in it.

Star Trek: Picard was a much needed boost for the franchise as we fans eagerly wait for it to stream early next year. What added to the enthusiasm was the fact that Star Trek: Picard will feature other characters from TNG and even Star Trek: Voyager. This illustrates that the corporations finally recognized that they have their very own fictional universe to play with and utilize to its fullest. They have even given it an official name: the Star Trek Universe. We last saw this going on in the noughties with Star Trek: Nemesis and Star Trek: Enterprise. It is hoped that Star Trek: Picard will also feature characters and events from other series like Star Trek: Deep Space Nine and Star Trek: Enterprise. Additionally, there are two new animated shows coming soon and rumors of even more shows featuring the Klingon, Worf, and Captain Christopher Pike (as played by Anson Mount, who stole his scenes in Star Trek: Discovery’s second season). Even all does not seem lost on the film front. A Star Trek film directed by Quentin Tarantino is still being discussed. With all this, it can be said that a new Star Trek renaissance is upon us.

What is aiding the new coming Star Trek renaissance is that the corporations CBS and Viacom are merging and the two mediums they had the rights to, TV and film, can now fully interact with each other as last seen in noughties before both corporations separated from one another. So now full resources can be used for Star Trek with less of the corporate red tape over the usage of characters and situations.

Star Trek has faced many ups and downs throughout its fifty-plus years of existence. Some of its worst lows were after the original show and Star Trek: Enterprise were canceled. But time and time again after a lull, the franchise came back strong with renewed vigor. The upcoming shows and developments clearly show that Star Trek is coming back strong.

 

 

Star Trek: Discovery Finds Its Space Legs In Its Second Season

 

*Warning: Major spoilers will follow, do not read until you have seen season two of Star Trek: Discovery.

The sophomore season of Star Trek: Discovery just concluded with its epic two-part episode “Such Sweet Sorrow” and what a way to cap off a successful season!

The episode concluded the season-long “Red Angel” arc where it was revealed that Michael Burnham (Sonequa Martin-Green) was the mysterious Red Angel that appeared throughout the galaxy during pivotal moments in recent history. In “Such Sweet Sorrow”, Burnham used the Red Angel suit to time travel into the past to mark her appearances in the second season and to lead the starship Discovery and the show into its bold new direction for season three.

The second season of Star Trek: Discovery was a marked improvement over the first one with compelling stories, strong characters and a respectful acknowledgment of the original canon established in previous Trek shows. Due to the many stylistic changes done to the show, even though it’s a prequel to the original Star Trek, the setting looked too advanced and didn’t gel with the original. This was unavoidable given the original show is over fifty years old, and Hollywood magic advanced considerably since then.

This led many outraged fans to dismiss Star Trek: Discovery as not a real Trek show, even though the showrunners insisted it was set in the prime timeline. The episode “If Memory Serves” reiterated this point by having an episode recap from the very first Star Trek pilot, “The Cage”, which proved once and for this show is set in the original Star Trek universe. People had to either accept the visual changes and move on or reject the show altogether. Those that accepted the show were rewarded with a well-crafted season.

At the start of the season with premier episode “Brother”, Captain Christopher Pike (Anson Mount), the original Enterprise captain beamed aboard the Discovery and took command. His mission was to investigate unknown red signals that appeared throughout the galaxy. It turned out the signals coincided with appearances of the enigmatic Red Angel. This figure would show up at a pivotal moment that aided the crew of the Discovery. Pike and Burnham realize that the Angel is tied in to the disappearance of his science officer Spock (Ethan Peck), who apparently went insane and murdered people. For the first half of the season, they track him, and this quest culminated with the now-classic “If Memory Serves” which took Pike and Spock back to the planet Talos IV. It turned out that Spock was framed by the secretive Section 31 organization and that Section 31 was taken over by Starfleet’s AI, Control.

The AI wanted to get access to ancient alien knowledge recently stored in the Discovery to gain sentience and Burnham received warnings that Control would eventually destroy all life in the future. This plot propelled the second half of the season and led to the truly monumental “Such Sweet Sorrow” where Control took the Section 31 fleet against the Discovery and the Enterprise. The only way to keep this knowledge away from Control was to send Discovery into the future. This led to a busy, crowded and spectacular starship battle that was simply brutal and dizzying at times. The battle sequences looked like they could have been lifted out of a modern Star Trek film that involved drones, refitted shuttles as fighters, zero-g fist fights, Klingons (who are now thankfully more in line with the traditional Klingons), and even repair droids (!).

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Star Trek: Discovery’s Canon Problem

A major complaint about Star Trek: Discovery is that for a prequel set before the original Star Trek it violates so much of what was established in the original series that it should be thought of as a straight up remake. Everyone always brings up the fact the for a prequel the world shown in Star Trek: Discovery is too advanced when compared to Star Trek or that it violates the established canon of this franchise.

There is legitimate cause to feel this way and the coy remarks by the show’s powers that be do not help matters, they promise us that the show is set in the Prime Universe of Star Trek.  But this has not satisfied many who then online negative posts and videos and proclaim the show is not true Star Trek.

Of course, a lot of the criticisms about Star Trek: Discovery are valid, but we should be careful about using the show’s look and canon problems as a reason to dismiss it as something that doesn’t belong with Star Trek.

One thing to consider is that throughout its 50-plus years Star Trek and its films and spinoffs have many continuity problems. For instance, in the early episodes of Star Trek there wasn’t a United Federation of Planets. Instead there was a United Earth Space Probe Agency, then it was never clear as to when it took place. Remember the infamous misspelling of James Kirk’s name in the second pilot “Where No Man Has Gone Before”? The good captain’s middle initial was shown to be R. instead of T.

Then there are the Klingons. In the original show they were basically swarthy humans with actors in brownface portraying them. In the first film and onwards, the aliens were revamped and looked more alien thanks to ridges now showing on their foreheads. This perplexed fans until Star Trek: Enterprise offered an onscreen explanation as to why the Klingons looked so different.

And while people love to complain about Michael Burnham being Spock’s unspoken of foster sister, what about his renegade half-brother Sybok? Until the film where Sybok first appeared (Star Trek V: The Final Frontier), Spock’s best friend Kirk didn’t know Sybok existed. It stands to reason Spock never bothered mentioning Burnham. He is a rather private person.

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Star Trek: Discovery Vs. The Orville, Part Two

Let’s continue comparing two television shows that are similar to each other on the surface—Star Trek: Discovery and The Orville. In Part One, we explained how The Orville is an homage to the traditional Star Trek TV show with its set up and characters. Now its time to look at Star Trek: Discovery, which some feel is Star Trek in name only.

When Star Trek returned to the small screen in September 2017 with Star Trek: Discovery, many fans were bitterly disappointed with what they saw. While some criticized the 6th live-action Star Trek show for its flaws, others zeroed in on the fact that this Trek show is not a traditional Star Trek show. They point out that though it’s well done it lacks the essence of what made Star Trek so special. To be honest, they are justified for feeling that way; yes, we all miss the good ol’ fashioned Star Trek with a heroic starship captain (usually a white, male human) and his diverse bridge crew going from planet to planet and solving problems by the episode’s end.

Breaking the Mold of Traditional Trek

While these vocal critics are justified with their objections about Star Trek: Discovery, we must to keep this in mind. Star Trek had to do something different to stand out. By the time the last Trek show, Star Trek: Enterprise, finished its run, Star Trek had run its creative course and fell out of favor with fans who wanted something new and exciting.

During the long hiatus between shows, the return of Star Trek to the small screen was a difficult process as many different ideas were pitched to resurrect the franchise. For a time, Bryan Fuller, a veteran of the previous Trek shows, was the showrunner for Star Trek: Discovery, but ultimately left before it first aired. He did leave his mark with the direction and look of the show which broke the mold of a traditional Star Trek program. On the surface it seems familiar: the adventures of the crew of a starship called Discovery, which takes place a few years before the very first show. But it’s not what fans expected as they found out the newest Star Trek show is a definite contrast to what we think of as Star Trek.

The franchise is known for having an optimistic view of humanity and the future. Discovery instead has a darker, more cynical tone, even more than Star Trek: Deep Space Nine, which for its time was derided for being too pessimistic. This perception is also reflected in the way the show looks. The sets, despite their futuristic look, appear gloomy and cramped. Not the kind of place we’d want to be assigned to if we were at Starfleet. Dutch angles, lens flares and dim lighting accentuate the overall flashy, but depressing look of the Discovery. While all this makes show seem edgy it comes at a cost to the warmer and more inviting look of standard Trek.

Naturally, being that this is a modern show with state-of-the-art special effects and production values, the show looks more futuristic than even the Star Trek spinoffs from its 1990s golden age. Holograms are everywhere and the show’s technology is incredibly high tech. The special effects are just breathtaking and are movie quality. It’s as if mini-theatrical films are being streamed for us. Being that this is a prequel to the original show from the 1960s, this ultra-futuristic look violently clashes with what was established in Star Trek and adds to the argument that the show is not part of the proper Prime Universe.

This is an unfortunate and unavoidable due to time, advances in special effects and larger budgets. While recapturing the exact retro look of the old show works for fan films it would not for a modern show trying to attract more viewers. Still, the perception remains that this incarnation of Star Trek is so dissimilar to the Trek we know that it is hard to believe that it takes place in the prime timeline; not to mention the contradictory background information that some have spotted.

battle of binary stars

The running arc of the first season of Star Trek: Discovery was of a war between the Federation and the Klingon Empire. The way the enemy race of the Federation was reconceptualized was simply terrible. While the new makeup and ship designs made the Klingons appear more alien and fiercer, it robbed them of the bravado and spunk they were famous for.

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