Best Comic-Con 2018 Trailers & Related News

The San Diego Comic-Con for 2018 has come and gone and as always we fans are left with scintillating trailers and revelations for what is coming up. This year’s Comic-Con was a bit quieter than previous conventions if you can call having San Diego invaded by over 100 thousand fans a quiet event.

Although there were plenty of news and promos that kept us busy, Marvel Studios absence in this year’s Comic-Con and the fabled Hall H was noticeable. While this left DC alone to revel in the spotlight, it was odd to not see a presence by Marvel Studios. After all, they have the most successful shared universe as seen with its recent blockbusters. This signals that Marvel Studios may shift away from Comic-Con and put their energies with their parent company, Disney and their D23 Expos. The problem with that is that those conventions are only held every two years and the next one isn’t scheduled until next August, a bit too late to promote Captain Marvel and Avengers 4. Then again, with the wind at their backs Marvel Studios has the luxury of skipping a Comic-Con, but this gives off an arrogant vibe and they should not take these things for granted. Just look at the television side of Marvel. Knowing that the first season of Iron Fist was disappointing, the television arm of Marvel Entertainment went out of their way to present a kick-ass trailer for Iron Fist’s second season and it seems as they learned their lesson.

On the other side of that coin, DC took full advantage of Marvel Studios’ absence and presented their big guns: trailers for Shazam! and Aquaman, plus a presentation of the next Wonder Woman film. Aquaman clearly won Comic-Con with its long-awaited trailer that delivered the goods. The film looks like a winner full of stunning spectacle and action. It may be the film that might have salvaged the DC Extended Universe (DCEU). That is because for all intents and purposes the DCEU is dead following the failures of some of the films in that shared universe. Instead we are being presented with Worlds of DC, which embraces the concepts of multiverse as its upcoming Joker film doesn’t take place in the DCEU and this may happen with the long-planned The Batman. This Worlds of DC is an interesting concept and acknowledges the richness of their characters and how they can be adapted to any situation. And honestly, this idea of a film/TV multiverse is not new since the DCEU existed alongside the Arrowverse, the new Titans TV show, and even the Marvel films and TV properties actually use this concept of different and separate universes as seen with their MCU, the Fox X-Men films, the Sony Spider-Verse and the TV shows that take place in diverse realities (the Netflix shows, Legion, The Gifted, etc.). This Worlds of DC sounds promising but let’s hope that DC doesn’t completely abandon the DCEU.

There were plenty of non-DC/Marvel film and TV trailers and news that kept us excited. The biggest and most pleasant surprise was that Star Wars: The Clone Wars is returning, this time to Disney’s upcoming streaming app. This was certainly welcome news given all the negativity following Star Wars lately. Other exciting trailers included those for the second seasons of The Orville and Star Trek: Discovery. Anson Mount looks commanding as Captain Christopher Pike and the Spock teases sent many fans into delirium. Other notable film trailers were for Godzilla: King of the Monsters and Glass, the third film in the Unbreakable trilogy which brings together all the superpowered humans from Unbreakable and Split. It looks like a winner.

However, as fun as it was to watch all the new trailers and read about the upcoming development that cast a dark shade over the weekend was the news that Disney fired director James Gunn after some alt-right nutjob exposed disgusting jokes that Gunn posted on Twitter years ago. This was obviously a hitjob on Gunn because of his attacks on Trump and his policies, but this left many fans of the Guardians of the Galaxy films disheartened. Of course, Gunn’s jokes were in poor taste and horrid but he seemed repentant about his past. What made matters worse is that these tweets were in the public for some time and Disney’s actions seem hypocritical because the execs had to have known about them back when James Gunn was hired, but their actions were done to protect their brand. Still, these events call into question the future of Guardians of the Galaxy and the cosmic side of the MCU which Gunn was orchestrating. Perhaps, it was for the best that Marvel Studios didn’t have any presentations at Comic-Con because this controversial news item would’ve drowned out any promotions for their films.

Aside from that event, Comic-Con 2018 delivered the trailers and news as have previous conventions. Now it’s on to next summer and Comic-Con 2019…maybe Marvel Studios will show up this time. Now enjoy these trailers:

Star Trek: Discovery

Glass

Nighflyers

Shazam!

Doctor Who: Season Eleven

Godzilla: King of the Monsters

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After Solo: Does Star Wars Recover After Its First Stumble?

solo and chewie at bar

We Star Wars fans have a right to have a bad feeling about what is going on with Star Wars.

It was not supposed to be like this. A Star Wars film comes out in theaters and dominates the box office regardless of how good it is (see the prequels). Then we’d all pour over it as anticipation builds for the next film. Instead, Solo: A Star Wars Story has turned out to be a box office disappointment and now the talk right now is how Star Wars recovers, which is unusual.

Take into account that Solo: A Star Wars Story debuted at number one and still holds that position in its second week. Also, it earned over $100 million during the Memorial Day weekend, consider that Ready Player One earned far less than that in its opening weekend, yet it is considered to be a success.  But  Solo cost much more money to make, had the coveted Memorial Day weekend slot and it’s a Star Wars film. They’re supposed to equal instant cash for Disney and Lucasfilm.

But here we are, the film is underperforming and everyone is wondering what went wrong and where does Lucasfilm go from here. It’s a shame since Solo: A Star Wars Story is actually a great film, much better than its predecessor, Star Wars: The Last Jedi.

The Unfortunate Perfect Storm

Actually, the previous Star Wars film and its reception are a major reason for Solo’s woes. While Star Wars: The Last Jedi was a huge hit in theaters and with critics (who gave Solo mixed reviews) it was a flawed and controversial film that deeply divided Star Wars fans. Putting aside those that loved it for its bold departure, many griped about the film’s narrative faults, uneven pacing, and poorly written characters. Unfortunately there is also a sizable amount of close-minded idiots who complain about new Star Wars films because they are more socially diverse. You know the kind, they probably voted for Trump and wish things would go back to the good ol’ days. These vocal fans have called for a boycott of  new Star Wars films and sadly took out their anger on Solo. Right now they are crowing in videos and blogs about how they alone caused Solo to fail. Talk about delusions of grandeur! They are not the only reason for Solo’s struggle, but they are a factor.

Other fans who rightfully disliked The Last Jedi for legitimate reasons felt burned by Lucasfilm and knew about all the production headaches of Solo: A Star Wars Story. These fans felt that the new film would disappoint them and opted to not rush out on opening weekend to see it.

Then there is the formidable competition out there. Avengers: Infinity War is a huge juggernaut that is still having an impact in ticket sales. Meanwhile, Deadpool 2 came out a week before Solo and mined viewers away. Originally the film was to come out in June, but given Solo’s troubled production, 20th Century Fox probably smelled blood in the water and decided to compete with Solo: A Star Wars Story and it worked.

Also, keep in mind that movie tickets are not cheap and many made hard choices over what to see. The two superhero films have strong word of mouth and this had a negative influence on the Star Wars film.

On a related note, others have stated that the film was released too soon after the last Star Wars film. However, if this is true then why is Marvel Studios releasing three films a year?

Marketing also has to share the blame. It was quite sparse for Solo with the running joke for months being the lack of trailers until a handful of months before its release. Simply put, Solo: A Star Wars Story faced a perfect storm that was worse than Han Solo’s Kessel Run.

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Just Like Its Title Hero, Solo: A Star Wars Story Scrapes By With Spunk, Heart & Luck

solo poster

The second Star Wars spinoff film, Solo: A Star Wars Story, has long been a troubled production, notably with the firing of the original directors. When Ron Howard took over the film, he wound up re-filming a majority of it to bring it more in line with what Lucasfilm expects for a Star Wars film. Some fans who are leery with Lucasfilm and its president Kathleen Kennedy eagerly hoped that this film would fail. if not in the box office, at least creatively. These haters will have to wait longer because Solo: A Star Wars Story manages to be an entertaining, fun romp of an adventure.

solo and qira

To start, let’s get this out of the way: Alden Ehrenreich does a fine job portraying a younger version of Han Solo, everyone’ favorite space pirate. Sure, he’s not Harrison Ford, who will always be the definitive Han Solo, but Ehrenreich does not try to imitate him. It’s a good thing because that would have been a mistake. Instead he captures the essence of Han Solo; he emulates the swagger, the cockiness and the spunk that we fans have loved about the smuggler.

The mannerisms are demonstrated in the opening moments of Solo: A Star Wars Story, which details how Han lived a desperate life in his homeworld Corellia. Han (and some will get annoyed by the origin of his last name, but so be it) always dreamed of a bigger life, which involved leaving the hellish Corellia. Circumstances and quick thinking on his part allow Han to escape the world and bounce around throughout many misadventures. These mishaps bring him to meeting his BFF Chewbacca (Joonas Suotamo), and fellow rogue and friend Lando Calrissian (Donald Glover). Plus, we see how he came to own his famous ship, the Millennium Falcon, which is newer and cleaner looking.

Kessel Run

Solo: A Star Wars Story introduces many interesting characters that come and go at a rapid pace along with some head-turning cameos. The best of these are Qi’Ra (Emily Clarke), Han’s first love, and Tobias Beckett (Woody Harrelson), who introduces Han Solo to life as a space pirate. It also dwells on the seedier, more criminal side of the Star Wars universe. The Galactic Empire, Jedi, Sith and all the traditional Star Wars trappings are shoved to the background or unmentioned. This is great since it shows that there is more to the Star Wars universe and is similar to those episodes of Star Wars: The Clone Wars that were devoted to the criminal underworld. This Star Wars spinoff earns extra credit just for not delivering more of the same when it comes to a Star Wars film.

At its core, Solo: A Star Wars Story is an exciting caper/heist story with adventurous dashes of the Indiana Jones films. There isn’t anything particularly deep or heavy here, but the film gives time to explore the heart and emotions of its characters. We may never know how the original version of the film would have been like, but Ron Howard does a credible, workman-like job in directing the film. It always moves along at a crisp pace and hits all the right beats. There are many thrilling set pieces such as a futuristic train robbery, an intense gambling sequence and of course, the famed Kessel Run. That last sequence, which takes place onboard the Millennium Falcon, is arguably the most nail-biting part. Also, Alden Ehrenreich deserves a lot of credit for the film since he is the main actor and is able to exude the spirit of a younger, more unpolished Han Solo. In addition to Clarke and Harrelson, Donald Glover does a great job of portraying Lando Calrissian. He does the smooth, savvy routine that Billy Dee Williams originated decades ago.

solo and lando at falcon

Some narrow-minded fans who are stuck in the past are ready to proclaim this film to be the death of Star Wars and a call to arms to replace Kathleen Kennedy. They point to some reviews and its box office performance since it underperformed in its opening weekend. However, if you watch this film with an open mind, you will find that Solo: A Star Wars Story is a genuinely fun adventure worthy of the Star Wars name.

Lewis T. Grove

 

Star Wars Rebels Has A Fitting Farewell

Star-Wars-Rebels-Season-4-Banner

Star Wars Rebels has now finished its run and has seemingly tied up the loose ends fans were wondering about when these new characters were introduced during the series’ beginning. Specifically Jedi Knight Kanan Jarrus, and his apprentice Ezra Bridger. In the case of Kanan, his story concluded in the episode “Jedi Night” where he sacrifices himself to save his friends and destroy an imperial installation. The antepenultimate episode “A World Between Worlds” truly embraced Star Wars’ mystical side with seemingly magical wolves on Lothal aiding our heroes. Plus, Ezra transported to a nexus in time and space by using a Jedi temple mural and rescued Ahsoka Tano from her supposed end while fighting Darth Vader in the season 2 finale “Twilight of the Apprentice”.

All of this sets up the final episode “Family Reunion and Farewell”, where the remaining heroes launch a final plan to free the planet Lothal from the clutches of the Galactic Empire. Ezra Bridger faces his fears and feelings for his lost parents and withstands a final temptation by Emperor Palpatine. Ezra is also able to help his friends free his homeworld, kidnap Grand Admiral Thrawn and disappear with him into parts unknown by using interstellar space whales that can travel in hyperspace. Yes, you read that right. The epilogue is very interesting in that it shows the other characters fans have come to know and love surviving the Galactic Civil War. General Hera Syndulla had Kanan’s child and took part in the Battle of Endor, as did Zeb Orellios, Rex and Sabine Wren. Sabine herself states in the episode’s final moments that Ezra is still alive and out there somewhere, and along with Ahsoka, they both set out to look for him.

Thus concludes Dave Filoni’s companion piece to his earlier show Star Wars: The Clone Wars. The fact that he was in charge of Star Wars Rebels helped to maintain a sense of continuity between the shows, with several characters from the first show appearing in  Star Wars Rebels, especially clone trooper Rex, the pirate Hondo,  and Anakin Skywalker’s Padawan Ashoka Tano. Similar to Star Wars: The Clone Wars, the quality of Star Wars Rebels increased as the series went on.

The very beginning had Ezra Bridger with a slingshot, which seemed silly and stoked fears that Rebels was just going to be just a dumbed down kids show about Star Wars, but he matured as the show went on and the relationships between the crew of the Ghost developed quite nicely, as well as their trials and tribulations as a small band of partisans trying to do good in the galaxy. “Family Reunion and Farewell” showed quite well how our heroes’ struggle against the Empire finally ended with freedom for their homeworld. Also, the Rebellion finally took a stand against the Empire, and the fight for freedom truly starting to take shape.

The show added quite a lot to the lore of Star Wars by showing the origins of such varied things like the B-Wing fighter, Mon Mothma and Senator Bail Organa organizing the beginnings of the Rebel Alliance, Princess Leia and Lando Calrissian in early adventures with the show’s characters, bringing fan favorite Grand Admiral Thrawn out of the Heir To The Empire books, and Obi-Wan Kenobi and Darth Maul having a final confrontation on Tatooine. It also gave something of a conclusion to Star Wars: The Clone Wars, (something the show was denied when it was canceled by Disney) by having Ahsoka’s fate revealed and with her confrontation with  her former master.

Star Wars rebels mural

 The two shows are linked in this way obviously due to the involvement of Filoni who oversaw both series and is now in charge of overseeing all of the Lucasfilm animation projects. This bodes well for the future of Star Wars shows, since he was able to maintain a high-quality storytelling throughout the run of both Star Wars Rebels and Star Wars: The Clone Wars and hopefully will be able to continue this when the next eventual animated show comes along. I have a feeling that this next series will take place between the original and sequel trilogies and bridge the gap between Return of the Jedi and The Force Awakens. A clue indicating this is that Lucasfilm has trademarked the title Star Wars Resistance. I trust that Filoni will be able to bring new and interesting ideas to the new era of Star Wars; something that is needed. But regardless, the legacy of Star Wars Rebels has been set with its emphasis on a crew who became a family, struggling and fighting against seemingly impossible odds and finally overcoming everything and helping to defeat the imperial juggernaut. Not bad for a kids show on Disney XD.

C.S. Link

The Negativity Towards Modern Star Trek & Star Wars

The two big live-action sci-fi franchises, Star Trek and Star Wars, are undergoing a bit of an identity crisis. Or rather the crisis is about how their fans are reacting to the latest incarnations of both franchises.

The properties are several decades old by now and although so much of what made them popular still resonates with people, they have to remain fresh. In other words, Star Trek and Star Wars have to keep up with the times. This meant that the recent incarnations are distinctly different from the original versions, which has sharply divided fandom.

Star Trek Into Darkness

Star Trek returned to home screens with Star Trek: Discovery, a show that is in many ways a radical departure from the 1960s TV show. The lead is not a white male captain, but a black female science officer who committed mutiny. That’s not all. Star Trek: Discovery features an openly homosexual couple, a starship captain with questionable morals, and a much darker tone where adult language and violence are commonplace.

The premise of Star Trek is about a starship exploring new worlds and meeting new races. There is very little of that in Star Trek: Discovery as it takes place during a war with the alien species, the Klingons. This was something that Star Trek’s original creator, Gene Roddenberry, would not approve. He presented a futuristic show about an enlightened humanity.

While Star Trek: Discovery explores issues like its predecessor, the characters, not the guest aliens, are the ones undergoing their own ethical crisis. An early subplot of the show dealt with the morality of the ship’s crew forcibly using an alien creature as a means of propulsion. This brought up the problem of animal abuse and later the characters’ ethics were heightened when it was revealed that the creature was sentient. The captain’s justification for the abuse was that he was trying to win a war. Another main character is actually a Klingon disguised as a human, who suffers from PTSD and is grappling over his sanity. Then the main character, Michael Burnham, committed treasonous acts that ignited a war with the Klingons and agonizes over her past. These characters are not exactly clear cut heroes.

The Ambiguous Star Wars

The new Star Wars trilogy films have featured women as the lead characters, as well as non-whites. Unlike the original films that concentrated on a young, white male savior, the new films have strong women who are the central characters.

The films are also more ambiguous than the original ones with their simplistic good vs. evil plotlines. For example, in the latest film, Star Wars: The Last Jedi, the issues of war profiteering, class inequality, and animal abuse were brought up. The film’s villain had a more ambivalent nature as Kylo Ren was genuinely conflicted about embracing his dark nature. Actually, his descent into evil was more interesting than the film’s other one-dimensional foes, who were little more than cackling caricatures.

One of the heroes featured in Star Wars: The Last Jedi was Luke Skywalker, the main protagonist from the earlier films. In this film, he was a fallen man, full of defeat and bore little resemblance to the optimistic savior of the original trilogy. This arc gave Luke more dimension and provided a vehicle to explore his spiritual reawakening and redemption.  In the film Rogue One: A Star Wars Story, the main characters were also spiritually murky as they carried out dubious actions in the spirit of winning the war. For example, one of the leads, Cassian Andor, cold bloodedly murdered an accomplice in order to escape the bad guys. The overall tone of that film was harsher as it dealt with the brutality and ambiguity of war.

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