Top Ten Films & TV Shows Of 2022

2022 is done and it is time to briefly look back at the best genre films and television shows that came out in 2022. Of course, every reader’s preference and ranking will be different and everyone will have their opinions about these lists and are entitled to them. Drop a comment if you agree with the rankings or have different ones.

TV Shows

It is clear that we are in the middle of a Golden Age of genre TV shows given there so many high-quality shows that came out in just one year. Many of the streamed or aired TV shows are genuine classics with the top three shows being virtually tied for first place and their ranks can be interchanged.

10. The Peripheral

Loosely based on William Gibson’s book, this was one sci-fi show worth watching. Chloë Moretz Grace stars as a VR gamer in the near future caught up in a mind-bending conspiracy involving time travel and alternate realities.

9. The Sandman

This turned out to be a remarkably faithful adaptation of the classic DC/Vertigo dark fantasy comic book. More like a traditional episodic show with standalone stories, The Sandman was inventive, colorful, disturbing and brilliant.

8. Peacemaker

James Gunn sojourn into the DC Extended Universe (DCEU) took a hysterical turn with the first (and possibly final) DCEU TV show. It took one of the least likeable anti-heroes from The Suicide Squad and turned him into a relatable and emotionally complex character.

7. The Guardians of the Galaxy Holiday Special

Director James Gunn delivered an awesome, heartfelt and funny holiday special starring the Guardians of the Galaxy. In between the gooey holiday scenes were moments of pure laughter as the alien Guardians went to Earth to kidnap the actor Kevin Bacon to present as a Christmas present. The songs were great, too.

6. The Boys

With the introduction of Soldier Boy, The Boys took a turn at satirizing the Marvel Comics heroes with his clear similarities to Captain America. Meanwhile, the series continued to be outrageously violent with gross-out humor and in-your-face commentary about our times.

5. Obi-Wan Kenobi

Ewan McGregor reprised the role he made his own in the Star Wars prequels. The series served as both a sequel to those films and a prequel to the original Star Wars. Despite some flaws, McGregor elevated the show with his brilliant performance as a fallen Jedi who has to rediscover his faith.

4. Star Trek: Strange New Worlds

Despite some Star Trek shows that faltered in 2022, Star Trek: Strange New Worlds breathed new life in the franchise. This was due to smart scripts that emulated the original Star Trek, a charming cast, and a back-to-basics approach with its storytelling that favored standalone episodes.

3. Andor

Cassian Andor (Diego Luna) in Lucasfilm’s ANDOR, exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

This Star Wars show was the ultimate slow burn as the prequel to Rogue One: A Star Wars Story centered on the anti-hero Rebel agent, Cassian Andor. Separate arcs thoroughly examined Andor’s personal growth and the people around him. It also realistically depicted of how a rebellion grows in an authoritarian society.

2. House of the Dragon

Many who were disappointed by the final season of Game of Thrones were pleasantly surprised by this fascinating prequel that focused on the dragon-worshiping Targaryen royal family. Despite its prequel limitations, the show quickly captivated audiences who were drawn back to the fantasy world of George R.R. Martin.

1. Stranger Things 4

The fourth season of Stranger Things managed to reinvigorate the series with fascinating origin stories and situations, and new and memorable characters. At the same time, this season focused on the core characters that were so beloved and who were allowed to grow as they faced terrifying new threats from the Upside Down dimension.

Honorable Mentions:

Doom Patrol; For All Mankind; Halo; The Handmaid’s Tale; Love, Death + Robots; Moon Knight; The Orville; Raised By Wolves; Severance; She-Hulk: Attorney At Law; Snowpiercer, Star Trek: Picard; Star Trek: Prodigy; Superman & Lois; Tales of the Jedi; Titans; Werewolf By Night; The Umbrella Academy; Undone

Films

Surprisingly, the genre offerings for 2022 were not as plentiful as in previous years. Superhero films still dominate the release schedule though many other genre films (horror, animated, sci-fi, fantasy) have made their presence felt as well in a solid year for genre films.

10. Sonic the Hedgehog 2

The sequel film delivered the best family film of the year. It was also an exciting, colorful and largely faithful live-action adaptation of the classic Sega video game hero and his expanded roster of friends and foes.

9. The Black Phone

This film by Scott Derrickson proved why he is one of the best visionary horror directors today with The Black Phone. He cleverly combined classic horror elements from serial killers to psychic phenomenon to ghosts.

8. Nope

Director Jordan Peele’s latest genre offering was an intriguing and original take on the U.F.O. phenomenon. Nope had its fair share of suspense, horror and the contemplative character studies Peele is known for, as well as elements of a neo-Western.

7. Prey

The Predator franchise was unexpectedly revived with the latest film that took the franchise in a new and fresh direction. Placing the film centuries ago, Prey amped up the thrills as the human characters had to rely on their wits and skills instead of technology against the inhuman Predator hunting them.

6. Everything Everywhere All at Once

Michelle Yeoh turned in a fantastic performance as several variations of the same character in this film that gave us a true multiverse of madness. The film truly went out there with its sometimes bizarre depictions of colliding parallel universes.

5. Jurassic World: Dominion

The conclusion to the second Jurassic Park film trilogy ended on a high note full of dinosaurs rampaging in modern-day society. However, the film’s true high note was when it had the main heroes from both trilogies meeting and teaming up to save the world from extinction.

4 Black Panther: Wakanda Forever

Director Ryan Coogler pulled off the impossible with a sequel that does not feature the star or main character from the original film. This film was full of depth as it explored grief and loss, while expanding the popular Marvel Cinematic Universe (MCU) with the introduction of one of Marvel’s best anti-heroes, Namor.

3. The Batman

We actually got to see the Dark Knight Detective do some actual detective work in this grounded and gritty version of Batman. The dark and brooding film delivered intense action, intrigue and a horrifying version of the Riddler that rivaled classic cinematic serial killers.

2. Doctor Strange in the Multiverse of Madness

While the year’s top MCU film did not exactly deliver a multiverse of madness, it was a fun deep dive into the MCU with chilling horror elements and wild visuals. Sam Raimi was an inspired choice of a director who utilized his horror and comic book film background to full effect.

1. Avatar: The Way of Water

The sequel to Avatar, the biggest box office hit of all time, surprised many who dismissed it for being an empty special effects-heavy sequel. However, director James Cameron’s breathtaking vision of an alien world and its solid world building and characters helped propel Avatar: The Way of Water into a must-see event.

Honorable Mentions:

Barbarian; Beavis and Butthead Do the Universe; Black Crab; Chip ‘n’ Dale Rescue Rangers; DC League of Super Pets; Lighthyear; Moonfall; Puss in Boots: The Last Wish; Smile; Strange World; Thor: Love and Thunder; Turning Red

Andor: A Different Star Wars Story

The latest Star Wars TV show, Andor, just concluded its first season with the episode “Rix Road”, and on the whole the series left Star Wars fans divided. Some applauded how it took a different approach to Star Wars, which was more serious and grounded. Others dismissed the show because of its deliberately slow pace and lack of typical Star Wars action and tropes. Regardless, it is clear that Andor tells a different kind of a Star Wars story, which is an unusual risk for Lucasfilm and Disney, but the effort largely pays off.

Diego Luna reprises his role of the title character, Cassian Andor, who was introduced as a shady Rebel agent in the film, Rogue One: A Star Wars Story. This series shows us his back story which takes place several years before the film, and  chronicles the events that turned him into a Rebel against the evil Galactic Empire.

Andor establishes immediately in the opening moments of the first episode “Kassa” that it is different from the typical Star Wars story by setting it in a brothel on a distant world. Andor visits the brothel in trying to search for his long-lost sister. Flashbacks in the early episodes show that Andor was part of a primitive tribe of humans on a backward planet and ran afoul of the Republic (the galactic government before the Empire) before being adopted by a visiting scavenger named Maarva (Fiona Shaw). This act of kindness separated him from his sister and his quest to find her as an adult gets him into trouble with local authorities. This in turn attracts the attention of the Empire, who has begun to tighten its grip on its subject worlds and systems.

Back on his adopted homeworld of Ferrix, Andor stays one step ahead of authorities. He is soon forced to flee Ferrix and work for a group of Rebels by taking on an off-world assignment to steal an imperial payroll on the planet Aldhani. Along the way, Andor meets many people who help change his outlook on life and see beyond his own selfish needs. At the same time, the audience sees through the people Andor interacts with, that life under the Empire is reaching a critical point as a legitimate opposition to the Empire rises.

These interactions between characters, many of whom never meet one another, are a true highlight for the show as is the acting from the many actors. Stellan Skarsgård gives a triumphant performance as Luthen, a morally compromised Rebel agent who recruits Andor and is all too willing to let others, including Andor, do his dirty work. In the best episode of the season, called “One Way Out”, Luthen gives a terrific speech about the choices we make and how they trap us. Andy Serkis appears in a few episodes as Kino, a floor manager in an imperial prison and supervises Andor, who was unjustly imprisoned there for hard labor. Andor encourages Kino to question their grim existence in the prison and to foment a prison break. The episode “One Way Out” where these two and other prisoners defy authorities and break out was one of the most thrilling and intense moments in Star Wars.

The series has about four story arcs that start off calmly and deliberately takes time to come to a conclusion. During the arcs, the series introduces fascinating characters, while developing other characters established earlier in the show. For instance, Andor follows a parallel journey of Syrill Karn (Kyle Soller), a low-level inspector who is obsessed with tracking down Andor. His actions do not endear him with the bureaucratic Empire, but he has a dogged determination to find his prey just like Inspector Javert in Les Miserables.

But a criticism about the show is that many sub plots and character arcs are introduced, but many of them are not concluded by the time of the final episode.

The many complaints from some Star Wars fans that Andor is too slow are a legitimate gripe. But the payoffs for the arcs are brilliant and intense, such as with “One Way Out”, “Rix Road” and “The Eye”. The tension was very gripping as Andor and his Rebel colleagues pulled off the heist on the depository in “The Eye” or when the prison break is about to happen. By the time the tension is broken by many action scenes, such as when Andor and Luthen escape Ferrix, or when Andor commandeers an imperial ship after the heist, well, these moments were so cathartic.  

It is true the show’s pace can be slow at times, but the pay off was well worth the patience it took to watch the episodes.

Perhaps the reason for the complaints about the show is that many times it does not feel like it takes place in the Star Wars universe and that is probably its greatest strength. None of the characters about the Force; for the most part we rarely see signs of the Empire in the early episodes; and the typical Star Wars blaster fights and space battles are rare.

Life in these worlds seems harsh and gritty as we see the Empire’s demoralizing effect on them. In fact, the pilot episode “Kassa” seemed like a cyberpunk show that took place in a seedy futuristic city. Occasionally, curse words are spoken, and it is quite clear during some scenes that characters had sex or relieved themselves. Characters deal with morally ambiguous situations, such as Mon Mothma’s (Genevieve O’Reilly) machinations to fund the growing rebellion in secret, or with Luthen allowing fellow Rebels to fall into imperial traps or being willing to kill Andor in order to protect the larger rebellion against the Empire.

So, yes, Andor is more mature and adult oriented than the typical Star Wars story. It and its showrunners like Tony Gilroy must be commended for going in a different direction. That is because by trying to be a different Star Wars story, Andor has proven that Star Wars can be a rich and complex universe.

D23 Expo 2022: A Great Disappointment For Marvel

For some time, fans expected the presentation by Marvel Studios at this year’s San Diego Comic-Con (SDCC) to pale when compared to this weekend’s D23 Expo 2022. The last D23 convention was jammed with exciting announcements about Marvel Studios. Being that D23 is prepared by Disney and devoted to its properties, one would think all mind-blowing announcements and presentations about Marvel Studios would be revealed at D23 after this summer’s SDCC. For weeks, the rumors have been flying fast about pending casting announcements for upcoming Marvel Cinematic Universe (MCU) projects. Supposedly, Deadpool 3 was to be announced with a special appearance by Ryan Reynolds; Henry Cavill, Denzel Washington, Jodie Comer, and numerous actors were to be announced as being cast for several MCU films and TV shows; the cast for the Fantastic Four would be revealed. Did any of that happen? NOPE.

There weren’t any major, new announcements, except that Matt Shankman has been officially announced as the director of the Fantastic Four film, and Armor Wars has been re-confirmed as going into production. The Marvel Studios presentation consisted of films and TV shows that we knew about. We did get some casting announcements such as Ke Huy Quan appearing in the second season of Loki, and that Tim Blake Nelson will appear in Captain America: New World Order as the Leader, With that last revelation does this mean that the Hulk will appear in Captain America: New World Order? The Leader is a Hulk villain, after all.

We did learn that a lot of footage and trailers were presented at D23 about Black Panther: Wakanda Forever, Echo, Loki, The Marvels, Ant-Man and the Wasp: Quantumania, and Ironheart. Too bad, most of us cannot see them. Based on Twitter and other social media feeds by those lucky enough to have attended the presentation, the footage sounded great, but no one else could see the footage. All we received were TWO trailers. One for Secret Invasion, which has the look of a solid spy thriller, and Werewolf By Night, a one-shot film coming next month on Disney +. It is both surprising and concerning that Werewolf By Night will stream on October 7, less than a month from now, but it is only now we are seeing any footage. Honestly, the black-and-white trailer makes Werewolf By Night look very campy while evoking the mood of an old Universal horror film and a grindhouse film. But it could be good.

Perhaps the most intriguing news coming out of the Marvel presentation was the revelation of the Thunderbolts lineup. The Winter Soldier (Sebastian Stan), U.S. Agent (Wyatt Russell), Yelena Belova (Florence Pugh), Red Guardian (David Harbour), Taskmaster (Olga Kurylenko), and Ghost (Hannah John-Kamen). Basically, the lineup seems like a reunion of cast members from The Falcon and the Winter Soldier and Black Widow, plus a return of a villain from Ant-Man and the Wasp. So, no Abomination or Baron Zemo as everyone expected. Still, just the inclusion of the Winter Soldier is enough to get excited over the Thunderbolts.

As it can be seen, there wasn’t any announcements about other MCU projects. No news on Blade, Deadpool 3, zilch about the X-Men, not even anything on the Guardians of the Galaxy Holiday Special, which is supposed to be streaming in a few short months, or Guardians of the Galaxy, Volume 3. Keep in mind that an exclusive trailer for that film was shown already at SDCC. They could have at least released it to the general public.

Even if Disney could not show exclusive footage to the general public for their MCU projects, at least release an image. Let us see a better look at Namor or Kang! Releasing two trailers does not cut it.

On the other hand, the Star Wars presentation was better, with its highlight being the release of the trailer for the third season of The Mandalorian. With the Star Wars presentation, not everything was shown to the general public, but at least enough was released. Even the Disney animated films presentation from yesterday was more interesting.

Blame it on our unrealistic expectations and for giving in the hype and speculation, but aside from the few thousand people who attended D23, the Marvel Studios presentation was a disappointment for everyone else. This was the first live D23 since the pandemic and the excitement was wild, Disney could have made some exciting and surprising announcements on the level of Avengers: Secret Wars at SDCC, but nothing new was revealed. Overall, the Marvel presentation was almost as disappointing as the presentation by Warner Bros. about their upcoming DC films and TV shows at SDCC. Yes, that bad.

Disney definitely dropped the ball at D23 with Marvel Studios and the MCU. Hopefully, future conventions and presentations will improve, but we should temper our expectations and be realistic.

The Return Of Obi-Wan Kenobi

The latest Star Wars TV show to stream on Disney+, Obi-Wan Kenobi, is naturally focused on the noble Jedi Knight and his story of redemption ten years after Star Wars Episode III: Revenge of the Sith. When we last saw Obi-Wan (reprised by Ewan McGregor, who played the character in the prequel trilogy), he was devastated after his Jedi apprentice, Anakin Skywalker (Hayden Christensen), turned to the dark side of the Force, assume the identity of Darth Vader and decimated most of the Jedi Order. The show picks up years later on Anakin’s home planet Tatooine where Obi-Wan is in exile watching over Anakin’s young son, Luke (Grant Feely), from afar.

This version of Obi-Wan is a far cry from the confident and brave warrior from the prequels. Obi-Wan Kenobi, who goes by the name of Ben, lives a quiet life in solitude and generally avoids contact with other people. He also manages to avoid the prying eyes of dark side followers called Inquisitors, including Third Sister Reva Sevander (Moses Ingram). For some reason, Reva is obsessed with finding Kenobi and capturing him for the Inquisitors’ leader, Darth Vader.

On the planet Alderaan, Luke’s twin sister, Princess Leia Organa (Vivien Lyra Blair), is kidnapped to lure Kenobi. Her adopted father, Bail Organa (Jimmy Smits), travels to Tatooine to ask Obi-Wan to help find her. After some prodding, Obi-Wan Kenobi realizes he has a duty as a Jedi to help his friend and sets out to rescue Princess Leia. After rescuing Leia on the planet Daiyu, the Jedi Master is pursued by Reva, and later Darth Vader, across several worlds. Before long, Obi-Wan realizes that although he left the Jedi lifestyle years ago, he cannot let go of it and his responsibility to the cause of freedom in the galaxy.

Unlike the other Star Wars Disney+ TV shows, at certain times, Obi-Wan Kenobi feels more like an extended Star Wars film, even the end credits follow the style of the films. But at other times, the limits of television are obvious in terms of scope and budget. Of course, this has no bearing on the quality of the show, which is excellent, but the clash in style and scope may offput some viewers. However, the show is a near-perfect presentation about one of the most revered Star Wars characters. In the prequel films, Kenobi was a supporting character but thanks to McGregor’s performance the Jedi rose in stature to the eyes of many fans. Unlike the conflicted and bratty Anakin, Kenobi was a noble and gallant presence who personified the perfect Jedi. To see him as a hollow, pessimistic, and timid person hiding in the sands of a remote planet at the start of the series was disheartening to watch. Disconnected from the Force and taking pains to avoid conflict, it was disturbing to see how far Kenobi had drifted from the courageous Jedi way. It was also realistic. But, when he slowly regained his connnection to the Force during the show, well, those moments were very gratifying. Of course, McGregor’s performance is stellar as always and his love for the character clearly shows.

One of the best moments was during a flashback sequence that had Obi-Wan dueling with Anakin before he became Vader. The sequence was a brilliant way to reunite the two actors as it showed not just the arrogance of Anakin, but Obi-Wan’s hubris, which would blind him to Anakin’s fall later on in Star Wars Episode III.

There are many other thrilling and inspiring moments throughout the series, such as the final duel between Obi-Wan and Darth Vader; Kenobi reconnecting with the Force in dramatic fashion; Kenobi’s interactions with young Leia; Vader’s moments of quiet rage and explosive and vindictive menace; suspenseful chases and battles; and the fanatical nature of Reva, who hid a tragic backstory. At first, Reva came off as a one-dimensional, cartoonish villain but through the course of Obi-Wan Kenobi, she became more nuanced and complex as her cause was finally revealed. A lot of credit has to go to Ingram who delivered a commanding performance.

There are many great scenes with secondary characters who had their shining moments and left an impact. Take Rupert Friend as the Grand Inquisitor, his savage putdowns of Reva were epic. Then there was Indira Varma as Talla, a Rebel spy masquerading as an Imperial officer. She had a natural chemistry with Ewan McGregor and her inner strength and sacrifice was truly inspiring. Kumail Nanjiani gave an inspired performance as Haja, a con man pretending to be a Jedi and later has a spiritual change of heart. Blair did a fine job as Leia as she captured the essence of the Rebel princess and we saw the laying of her emotional foundation. And finally, the onscreen rivalry of McGregor’s Kenobi with Vader was completed with the return of Christensen, who shone as Skywalker/Vader. As noted above, their friendly rivalry was well executed in the flashback scenes as we witnessed the underlying insecurity of Skywalker. Christensen pulled this off fantastically with subtle facial revelations.

Despite its greatness, Obi-Wan Kenobi had its narrative flaws, which were alarmingly blatant. Take the fourth episode (arguably the series’ weakest, though it was entertaining), where Talla clumsily slapped around some stormtroopers in an Imperial base and defeated them. Or later in the episode when Kenobi threw on an Imperial cloak as a disguise and obviously hid Leia underneath him as they walked around unnoticed among oblivious Imperial personnel. Then there were the common Star Wars space and time puzzles where characters instantly travel from planet to planet, non-fatal stabbings from lighsabers, and spaceships with broken hyperspace engines being able to traverse star systems and avoid Imperial star destroyers.

Thankfully the merits of Obi-Wan Kenobi far outweigh its negatives. It was great to see Ewan McGregor return to a role that he made his own, but now as the central character. It was also fun seeing other actors from the prequel trilogy reprising their roles and seeing how the prequels connect more strongly with the original trilogy of Star Wars films. Even though it is a limited series and its main story feels complete, there is talk about continuing the adventures of Obi-Wan Kenobi: Jedi-In-Exile. It’s not clear what direction more episodes would take without feeling repetitive, but they would be welcome.

José Soto

The Uneven Book Of Boba Fett

The Book of Boba Fett is the latest Star Wars TV show and is streaming on Disney+. It serves as a spinoff of the popular TV show, The Mandalorian, and a sequel of sorts to previous Star Wars films, but in this case focusing on the mysterious bounty hunter, Boba Fett (Temuera Morrison).

Boba Fett was supposedly killed by a giant sarlaac in the film Return of the Jedi, but being that he was a fan favorite, he had to come back, as he did in various books and stories. In Star Wars canon, he officially returned in the second season of The Mandalorian and the post-credits scene of that show’s season finale showed Boba Fett taking over the criminal underworld in the planet Tattooine with his partner, the assassin Fennec Shand (Ming-Na Wen).

The series is in some ways part Western, part gangster drama as flashbacks reveal how the bounty hunter survived from being eaten by the sarlaac and his emotional transformation from a cold-blooded killer to someone who is more empathic and honorable. At the same time, the episodes chronicled his ordeal of being a crime lord and dealing with deadly competitors, namely the Pyke gang – intergalactic spice dealers who want to take over Boba’s turf.

There have been many complaints about The Book of Boba Fett, many of them are valid, but overall, the series is fine. It’s just that it should have been better and could have been if it had a better narrative flow and its scripts were more fine tuned. This is surprising considering the episodes are written by Jon Favreau (he shared a co-writing byline with Dave Filoni in the sixth episode), who was the mastermind behind The Mandalorian. What gives? Interference from the top execs at Disney? Maybe one day, we’ll learn the full story behind the scenes.

The narrrative flow of the series was quite jarring at times and also infuriating. The best example of this are with the fifth and sixth episodes. For some reason, the show stopped being about Boba Fett and became a mini-season for The Mandalorian as the story abruptly shifts to Din Djarin (Pedro Pascal) and we see what he and Grogu have been up to since the second season of their show ended. Boba Fett only appears once in the sixth episode in what is basically a cameo, while he is completely absent in the fifth episode. It did not make sense to do this, especially being that The Book of Boba Fett only has seven episodes. At least, these two episodes were well done.

The impression we are given is that the showrunners or Disney did not like where the main story was going or ran out of ideas and panicked by going back to what excited viewers. This was not fair to Boba Fett’s story and associated characters. Those two episodes could have been used to further develop these characters. We could have learned more about Boba and is time before The Empire Strikes Back. They should have shown more of how he was before his spiritual transformation so that his metamorphosis would have more impact. Maybe they wanted to perserve some of his mystery. Who knows?

Fennec’s back story could have been explored, or Boba’s old rival, Cad Bane (voiced by Corey Burton) could have appeared sooner and being more directly tied to the tragedy that Boba underwent during his recovery. Or even the minor characters of Tatooine could have been fleshed out more. Even the dumb cyborg biker gang, who were poorly conceived and executed.

There are many plot holes that are undeniably irritating and make the characters look stupid. Here’s an example, in the final episode during the big showdown with the Pyke gang, why didn’t Boba or Din get into their spaceships and just lay waste to the criminals as they attacked the town of Mos Espa? Boba Fett kept bragging about how much money he had and could afford to hire extra muscle, yet his army only consisted of the silly biker gang, two Gamorrean pig guards, Din and Fennec, and later some townspeople from nearby Freetown. Did Boba Fett actually expect to defeat an entire army of Pykes and their allies with what he had? Also, it would have made more sense and been more satisfying if the townspeople that helped him where actually residents of Mos Espa. You know, seeing that Boba is fighting for their town, the people could have decided to help him. Why did he hire the biker gang when he first met them? Nothing they did gave the impression they were qualified to be formidable fighters. Then in one flashback scene, Boba takes his spaceship and has it hover directly over the mouth of the sarlaac to look for his armor. Guess what happens? The tentacled monster attacked his ship and nearly killed him. Wouldn’t that ship have sensors to scan the animal from afar? Maybe his time fermenting in the sarlaac’s stomach damaged his brain more than we know.

This does not mean The Book of Boba Fett is a bad TV show. There are so many great things about it. Take Temuera Morrison, who delivers a fine performance as the grizzled former bounty hunter trying to find a purpose in his life. Boba’s spiritual journey when he is first a captive then a valued member of the Tusken Raiders was inspiring as he built relationships with the clan and we learned more about their culture. That is why it was so devastating when later in the flashbacks Boba finds his adopted clan massacred.

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