Beyond Avatar: The Way Of Water

Despite what many naysayers predicted, Avatar: The Way of Water has proven to be a box office hit, which means that future films will be produced.

At this point, the third Avatar film is already done and will be released in two years. There are reports that the fourth film has been partially filmed, but that could just be effects shots that would be unfinished if the film never comes to be.

Given that director James Cameron envisioned five films to tell his Avatar story, where would the story go? There will be spoilers below for both Avatar films released to date.

One of the best features of Avatar: The Way of Water is that unlike the previous film, it actually opened up the worldbuilding in the franchise and dropped tantalizing hints of where the story will go.

The Kiri Connection

The film introduced many new characters and gave new and interesting developments for established characters. The most interesting new character was Kiri, the adopted daughter of Jake Sully and Neytiri. It was revealed that she is the daughter of Grace Augustine, who was killed in the first Avatar, but there are questions as to who is her father. More importantly, Kiri was shown to have a deep, spiritual connection to Eywa, a life force that is connected to all living creatures on Pandora, the alien moon in Avatar where the characters live. Her connection to Eywa was quite evident as she used it to defend herself against humans hunting her and her siblings, and when she was able to get bioluminescent fish creatures to help find her adopted mother and sister, who were in danger of drowning.

It has been theorized that Kiri does not have a father and is a product of an immaculate conception, which has many echoes of not only the Star Wars prequels but Christian religion. Another theory has it that Kiri is actually the personification of Eywa, who has taken physical form to better understand Pandora and the Na’vi. In either case, Kiri is being set up to be a conduit or a savior of the moon against the human invaders, and this will be the needed advantage the Na’vi people will need against the humans.

In our history, whenever a technologically advanced culture first encountered a native culture that was not as technologically advanced, the results were grim for the native culture, as it was overwhelmed. The Na’vi face a similar fate in the overall story of Avatar, and the Eywa connection will probably be the only way they could fight back against the humans. We’ve seen this already in Avatar, when out of nowhere armies of native animals viciously attacked human forces trying to destroy a Na’vi stronghold, and we saw it again to a lesser extent in the sequel when Kiri used her connection to Eywa to protect her.

Not only is Kiri the key to saving Pandora, but possibly Earth itself. It was mentioned in Avatar: The Way of Water that Earth was dying, which was why humans showed up in greater numbers to begin colonizing the moon. The title of the third film is for now, Avatar: The Seed Bearer, this could be referring to Kiri. If she turns out to be a manifestation of Eywa, she could provide the means to somehow saving Earth from ecological devastation.

James Cameron has said that at some point in either the fourth or fifth planned film, part of the story will take place on Earth. This is where Kiri and Earth’s salvation could come into play.

Other Points of Views

The director elaborated that Neytiri will visit Earth and be exposed to other aspects of humanity. She will learn that not all humans are evil. This is a bit odd given her romantic relationship with Jake Sully, who was once human, and that he has close ties with sympathetic humans on Pandora, who have aided the Na’vi. Then again the fact that her son was killed by humans could have hardened her against humans. A clue for this development was when she grabbed Quaritch’s human son Spider and threatened to kill him. For a moment in that scene, it really looked like she meant to do it, given her earlier rampage against human soldiers who killed her son.

On Earth, Neytiri will probably find human allies who are ready to join the struggle against human invaders on Pandora. It is possible the franchise could conclude with epic battles taking place on Pandora and even on Earth as Na’vi and human allies fight the invading humans who are bent on world conquest. One of those possible allies could be Quaritch himself.

When Quaritch was first introduced in Avatar, he was a one-note villain who only saw the Na’vi as savages or pests to be eliminated. He was killed at the end of the film. In the sequel he was resurrected in a way when an avatar body (a clone grown out human and Na’vi DNA) was created in his image and implanted with his memories. Throughout Avatar: The Way of Water Quaritch is out hunting Jake Sully, but in a Na’vi body. This allowed him to better blend in and survive the deadly environment of Pandora. In the film, Quaritch makes great efforts to adopt the Na’vi way of life to better understand his prey. This could eventually make him sympathetic to the Na’vi even though Cameron said he would be the villain in the next two films. We saw him soften from his tough-as-nails militaristic demeanor in Avatar: The Way of Water. He forms a fragile bond with the son of the original Quaritch to the point that he gives in to Neytiri when she threatens his son.

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A Breathtaking Return To Pandora With Avatar: The Way Of Water

Never bet against filmmaker James Cameron, or yes, it was well worth the wait for Avatar: The Way of Water.

Some like to rant about the visionary director and his reported massive ego, as well as his previous film Avatar. Others openly derided the long wait for its sequel, Avatar: The Way of Water, with claims that the sequel was unwanted or that it would not be on par with Cameron’s earlier works. But James Cameron demonstrated again with Avatar: The Way of Water why he is one of our best filmmakers.

Avatar: The Way of Water takes place about a decade and a half after the events of the first Avatar film. Former human marine Jake Sully (Sam Worthington) has fully integrated into his second life as a chief of a Na’vi tribe on the habitable moon Pandora. He lives a quiet life with Neytiri (Zoe Saldana) and their four children until the humans that he helped drive off the moon in the last film have returned.

Instead of coming to mine the moon for minerals, humans have arrived en masse to turn Pandora into a new home for humans fleeing a dying Earth. Among the returning humans is Quaritch (Stephan Lang), who was actually killed in the last film, but his DNA was used to clone a new hybrid Avatar body, which was also imprinted with his memories. This was done so he could blend in with the Na’vi people and move freely on Pandora. His mission is to hunt down Sully, who is leading a successful guerilla campaign against the human colonists.

Sully soon realizes that his family is imperiled so he steps down as chief of his tribe and leaves his forest home with his family. Their travels lead them to an island tribe of Na’vi along the seashore, who grant them shelter under the provision the Sullys adapt to their aquatic lifestyle. The film’s narrative shifts to the Sully children as they struggle to learn the culture of their new home, particularly Lo’ak (Britain Dalton), who suffers from middle-child syndrome, and Kiri (Sigourney Weaver), the Sullys’ adopted daughter, who has a mystical connection with Eywa, Pandora’s life force that is connected to all of Pandora’s living creatures.

Meanwhile, as Jake and his family adapt to their new home, Quaritch becomes obsessed with hunting down his foe with the unwilling help of his prisoner Spider (Jack Champion), a teenage human who has adopted the Na’vi way of life.

As these stories go, the paths of Jake and Quaritch soon collide with an epic Cameron-style flourish. Certainly, James Cameron is in his watery element when it comes to framing the film’s spectacular confrontations in the final act. Combine the action scenes on the sea with awe-inspiring underwater cinematography, and it becomes clear that the director was born for aquatic filming!

To say that Avatar: The Way of Water is epic or breathtaking is a serious understatement. The film’s visuals simply overwhelm our visual senses as Pandora comes to crystalline life. At times it is so easy to get so involved and engrossed with what the big screen unfurls. It was like watching a National Geographic nature special, but with alien flora and fauna. The film’s visual effects were so revolutionary that I had to remind myself at times that these were imaginary animals and characters. Clearly, the effects set a new bar that will be impossible to overcome for a long time and help explain why it took so long for this film to be made. Seriously, just give the film the Oscar for best visual effects at this point without bothering to list other! On a final note, yes, Avatar: The Way of Water must be seen on a big screen, in 3D if possible, as a home viewing will lessen the visual experience.

As breathtaking as the return to Pandora was, the experience would have felt empty if not for the film’s story. There are some themes and story beats that are familiar like the adaptation to new cultures, or its pro-environmental messages. However, there are interesting twists and turns that keep the overall story fresh. Admittedly, some plot developments are predictable, yet the characters are much more engaging than in the previous film. For example, Quaritch has more depth than the two-dimensional villain he was in the first Avatar, being that he is in a unique situation that he is no longer human. Meanwhile, Jake Sully struggles between his roles as a warrior and a father to his children, while dealing with the human threat. But there are some characters that do get lost in the vast story and wind up in the background without leaving much of an impression.

The film also sets up intriguing arcs that will be resolved in future films such as with Kiri and her spiritual connection to Eywa. Then there are many questions about how the Na’vi will survive, let along be able to stop human colonization. The outcome may be dire for the Pandora natives given our own real-life history of when indigenous people first encountered invading forces with superior technology.

These questions alone made me enthusiastic for James Cameron’s upcoming sequels: Avatar: The Seed Bearer, Avatar: The Tulkin Rider, and Avatar: The Quest for Eywa.  Some reports have it that the fifth film will take place on Earth, as the Na’vi will visit the planet. Hopefully, all planned films won’t take so long to be released. Remember that Avatar: The Way of Water was delayed many times, so with some luck, the sequels will be released during this decade as planned, and they will deliver the same jaw-dropping experience as Avatar: The Way of Water.

José Soto

Soylent Green In 2022!

We’ve all seen the memes when 2022 began a few short months ago. The posters and images of the famous sci-fi film from 1973, Soylent Green, which made sure we were aware that the film took place in 2022 and we were now in that year. So, we were supposed to conclude we would become food source for the starving masses. Well, to be short, that has not happened.

The film’s prediction about humanity becoming food is wildly off the mark, but there are many worthwhile messages in the film, and the book it’s based on, Make Room! Make Room! by Harry Harrison, that are very relevant today.

The most important and obvious one has to do with environmentalism and how we are failing as shephards of our planet. In Soylent Green, overpopulation has choked most of the world’s resources and the film’s location of an overcrowded New York City was a disturbing example. The city’s population was 40 million and society was crumbling as it struggled to feed humanity. Basic necessities that we take for granted like running water and fresh food were reserved for the mega rich. Actually, small and simple images of the film’s main character, Detective Robert Thorn (Charlton Heston), coming upon fresh beef, vegetables, air conditioning and even a bar of soap were the most disturbing as he celebrated his newfound treasures.

Another barely mentioned situation in the film that catches anyone’s ear today was that global warming had taken hold and was wrecking our world. Thorn and the other characters were sweltering in the constant heat. A couple of times, characters mentioned that it was not cold in New York anymore and that the oceans, the final food source for starving billions, were dying. Hence, the need to turn from plankton as a food source to humanity.

The film is disturbing in that many images feel so real and remind us of our social strife. From the unfed masses crying out for justice and basic needs to failing infrastructure to gigantic corporations choking our society with their monopolistic holds on us.

Thankfully, while our current environmental situation is dire with unpredictable weather, we have not reached the apocalyptic situation of Soylent Green. But as many scientists and activists are warning, time is short for us to prevent some of the situations in that film from becoming reality.

So, yes it’s 2022 and the memes are fun and the film is an excellent cautionary tale about how things could turn out for us. But our situation is a lot better than shown in Soylent Green. Let’s keep it that way.

Looking Back At Silent Running

Fifty years ago this month, Silent Running was released in theaters. Right away, the sci-fi eco-drama stood out back in the 1970s thanks to its innovative special effects, set design and the ecologically driven storyline that struck chords with environmentalists everywhere.

Silent Running takes entirely onboard a spaceship near Saturn called the Valley Forge that serves as an environmental ark for the last remaining Earth ecosystems encased in giant geodesic domes that act as greenhouses.

Freeman Lowell (Bruce Dern) is a botanist and one of the four crewmen who care for the ecosystems, along with a trio of robotic drones called Huey, Louie and Dewey. The crew receives orders to destroy the domes and return to Earth, but Freeman is mortified by the orders even though the others are eager to go back home. During the operations of jettisioning and blowing up the domes, Freeman mutinies, kills his crewmates and hijacks the Valley Forge. With one dome remaining on the ship, Freeman heads out to deep space to continue caring for the last ecosystem with help from the drones. During his voyage, Freeman has to deal with loneliness, guilt and the logistics of caring for the fragile plants and small animals in the dome.

Elevated by Bruce Dern’s passionate and sensitive performance, and superior special effects, Silent Running is a contemplative and quietly emotional film. Despite its short run time and the over-the-top environmental message, the film is quite effective and leaves you thinking about it long after it is over. The late special effects guru Douglas Trumbull made his directorial debut with this film, though the only other film he directed was Brainstorm, which is a shame as he showed a lot of promise as a director. The effects truly stood out from practical effects, such as the drones which were performed by bilateral amputees, to excellent and intricate model work. The footage of the Valley Forge would pop up in other films and TV shows such as the orginal Battlestar Galactica.

Kudos has to go to Bruce Dern who largely spends the film by himself. He was able to project a kinship with the drones who despite not able to speak demonstrated emotions like bravery and loyalty. Of course, he is guilty of murdering his colleagues and his environmental rantings come off as too extreme, yet his passion for the last remaining plant and wildlife is sincere and relatable.

One nagging fault about the film has to do with unanswered questions about the domes and the film’s simplistic script. What exactly happened to the Earth and why was the Valley Forge crew told to destroy the domes and return home? What we know about the importance of plants in our complex enviroment with creating oxygen and food would mean that these domes would not be casually discarded. Did the environmental situation improve on Earth to make the domes unneccesary? In one exchange between Freeman Lowell and his crewmates, it is pointed out that humanity can now duplicate the benefits of plants. Does this mean air and food can now be easily created without vegetation? Based on the level of technology shown in the film, this does not seem likely. Even if this was true, why discard such precious resources so casually? It’s hard to imagine that all of humanity except for Freeman would be fine with this. If a remake is ever made for this film, these issues can be addressed or its premise should be updated given what we now understand about ecosystems.

There is also an unavoidable fault with Freeman’s thinking that honestly makes him out to be a complete fool. At some point, the plants are withering and the botanist spends significant time trying to figure out why, while the cause and solution are quite obvious.

Still, in spite of these lapses in logic, Silent Running truly was one of the best sci-fi films released in the 1970s and should be seen at least once by sci-fi fans. The film is a true gem with resonating message and images. The best example is Silent Running’s very last scene, which is very emotional and serves as a fitting allegory for our own fragile and special planet in the vast cosmos.

“The Most Profound Experience I Can Imagine” William Shatner Goes Where Few Have Gone Before

On October 13, 2021, history was made as sci-fi melded with science fact when actor William Shatner became the oldest person to ever go into space onboard Blue Origin’s New Shepard suborbital launch vehicle.

At 90 years young, Shatner is, of course, best known for portraying Captain James T. Kirk, in the original Star Trek and the first seven Star Trek films. The resusable suborbital system was conceived by Amazon CEO Jeff Bezos as a means of commencing space tourism. Bezos invited Shatner to become an astronaut/passenger for the New Shepard’s second crewed voyage, which included three other astronauts/passengers.

Obviously Star Trek and sci-fi fans were excited by the news as finally William Shatner would be able to in a sense emulate the sci-fi legend, who voyaged through space as he commanded the starship Enterprise. Needless to say, what Shatner accomplished paled to Kirk’s feats. After all, the actor simply took a suborbital flight while Kirk traversed the galaxy as if it was nothing. Yet Kirk appreciated the situation he was in, to explore and witness what few or none have before. Now, Shatner, too, was able to have as what he said was “the most profound experience I can imagine.”

Originally the flight was to take place on October 12, but was delayed due to weather. During pre-takeoff, it was clear that William Shatner was nervous about his flight and made no secret about his ambivalence. Still, he went through with the flight and was taken aback by the experience.

The New Shepard launched from Blue Origin’s launch site in West Texas at 10:49 a.m. in a short suborbital trajectory that was similar to astronaut Alan Shepard’s first suborbital flight in 1961. The capsule that Shatner and the other three astronauts were in only remained in suborbit for about 11 minutes before it descended back to Earth. Still, that so-brief voyage left a grand impression upon Shatner and his companions.

Once he landed and was greeted by Bezos, William Shatner gave a moving and visceral description of his journey and how it deeply moved him. “I hope I can never recover from this. I hope that I can maintain what I feel now. I don’t want to lose it.” Shatner confessed as he recounted his short voyage 65 miles above the planet.

Some will argue that the event was a publicity stunt for the very rich and that the cost of the flight could have been better used down at Earth. But these trips illustrate the potential of space toursim and open it up to everyday people who are not scientists or engineers. William Shatner’s journey to where few have gone before was truly inspiring and an excellent way to boost space tourism. He pointed out that observing Earth from afar made him appreciate how fragile and beautiful our world is and how it should be cherished. He also added that everyone should experience to see Earth in a new way. Many other space voyagers described a similar feeling and how it made them protective of our planet. Perhaps if more people experienced what the very few have then it could inspire them to take measures to protect Earth.

Eventually, space tourism will become more affordable and attainable for many people to the point that it can become as routine as taking a flight on an airplane. Shatner’s experience and the way he eloquently described it are excellent ways to promote space tourism and inspire countless others.

So, what next? Will Patrick Stewart be invited for a future flight or antoher Star Trek actor? How about Mark Hamill, Sigourney Weaver, or any other prominent sci-fi actor? How about prominent sci-fi visionaries, such as George Lucas or James Cameron? It’s easy to imagine Cameron staying in orbit to film his next sci-fi blockbuster. They could, as Shatner demonstrated, be the best ambassadors to motivate others and who knows? Space tourism could soon become commonplace. Anyway, no matter what, it was a blast to see a small measure of science fiction becoming reality as we can now envision what it is like for Captain Kirk to be in space as the actor who helped create the character took that next step into the final frontier.

José Soto