Little Fish is a new romantic film relevant to our times with sci-fi elements has just come out in video on demand and a few select theaters which will please sci-fi fans and their dates while offering genuine emotions to all viewers.
Little Fish takes place during a pandemic where people from all walks of life are randomly infected with a debilitating disease that robs them of their memories. The disease, neuro-inflammatory affliction (NIA), can be easily compared to Alzheimer’s disease but young people contract the disease, as well. Little Fish devotes its screentime on how NIA affects a young newlywed couple, Emma (Olivia Cooke) and Jude (Jack O’Connell), as the disease eats away at their treasured memories of their relationship.
Elevated by strong performances and haunting and scintillating cinematography, Little Fish hits the appropriate emotional beats as it explores the couple’s love for each other as they grapple with NIA. At the start of the film, the couple see firsthand how devastating the disease is when their mutual friend Ben (Raul Castillo), a musician, struggles to remember how to play his guitar and then his relationship with his partner, Samantha (Soko). It is not long before she becomes a complete stranger to him, who he sees as an actual threat to him.
Emma and Jude go about their lives; she is a veterinarian who is forced to euthanize dogs after their owners forget them, while Jude is a photographer who begins to forget certain little things like his wedding photography assignment or a recent conversation he had with Emma. Now that Jude has contracted NIA, the couple is desperate to find at least some kind of treatment. Throughout the film, we see other NIA sufferers and the impact on society. These include, roving and constant police patrols searching for missing persons who forgot their addresses or who they are; people who have their personal information tattooed onto themselves; throngs of desperate people rioting as they try to get treated for NIA. Then there are the quacks and conspiracy nutjobs flooding social media and the internet with supposed cures.
Director Chad Hartigan knows enough not to let the film’s focus drift away too much into the outside world. Instead, the attention is kept on Emma and Jude. Olivia Cooke and Jack O’Connell have a pleasant and easygoing chemistry with each other, which makes Jude’s descent into amnesia all the more disheartening. There are many insightful moments when we witness how his memories become faulty. In one scene, we are shown how people in the memory of his wedding become little more than fuzzy silhouettes. Many of their moments are poignant as Emma and Jude clutch onto the small moments in their past that drew them to each other. There are times, the film potentially becomes treacly, but Hartigan has enough restraint to reel in such emotional hazards and keeps the feelings in check.
Little Fish is an emotionally satsifying indie film that leaves you pondering and treasuring your own memories. It is the kind of film that will please romantics without being overly sentimental since it is quite honest with its story and the journey of its characters.
Spoiler Alert: If anyone reading this has not seen the latest episode of WandaVision and do not want to be spoiled then click away!
With that out of the way, it’s time to go over the latest WTF moment in the Disney+ TV show WandaVision, which is the kickoff to Phase Four of the Marvel Cinematic Universe (MCU). The show stars Elizabeth Olsen and Paul Bettany as the Avengers Wanda Maximoff and Vision. Unlike previous MCU incarnations the show was in a sitcom format but recent developments have revealed WandaVision to be much more than a comedy.
Apparently, Wanda has experienced some kind of emotional breakdown and used her powers to create an alternate reality in a New Jersey town called Westview where she lives a sitcom existence with her husband, Vision, complete with a laugh track. However, cracks have manifested in her reality as we are fed clues as to what is actually happening. Each question answered led to new questions including the shock reveal at the end of episode five of WandaVision called “On a Very Special Episode…”, which was a true head spinner.
In the MCU, Wanda’s superpowered brother Pietro aka Quicksilver (Aaron Taylor-Johnson) died during Avengers: Age of Ultron and Wanda is still mourning his death. But at the end of the episode Quicksilver shows up in her front door as her long-lost brother (complete with audience cheers at the revelation of the special guest star). The true shocker was that Quicksilver was not portrayed by Taylor-Johnson but by Evan Peters who played the same character in the Fox X-Men films, a completely different film universe unrelated to the MCU.
Needless to say, fans online are geeking out over Peters’ reprisal of Quicksilver because it now creates a link between the two film universes and is just a taste of what is to come with the MCU films. The next Spider-Man film will bring back several actors from the Sony Spider-Man films to reprise their roles and the sequel to Doctor Strange tells us that the sorcerer will be up to his ears with alternate realities by the sequel’s title, Doctor Strange in the Multiverse of Madness. However, the crossing over of film universes actually began in the most recent Spider-Man film (Spider-Man: Far From Home), which showed J.K. Simmons reprising his role of J. Jonah Jameson from the Sony Spider-Man films.
Quicksilver’s appearance in WandaVision raised many questions such as is that actually the Quicksilver from the Fox X-Men films? He acted differently than the speedster featured in the last X-Men films. Or is that his personality has been supplanted by Wanda’s powers? In “On a Very Special Episode…” it was revealed that the townspeople in Westview had their true personalities supplanted by fictional characters to serve the comedic hijinks in Wanda’s sitcom reality.
Also, if this is the Fox X-Men Quicksilver then he is replacing the MCU version of Quicksilver because he is dead and Wanda clearly makes a point in the episode five that she cannot resurrect the dead. That contradicts the fact that Vision is alive in the Westview reality and she is aware that her husband is dead in the MCU. then again Vision is an artificial being so she may have been able to bring him back to “life” with her powers. Also, since the episode takes place in the 1980s, Quicksilver in the Fox X-Men films was alive during this time period and it would have been easier to transport him to the 80s setting of the Westview reality.
The special guest appearance of Quicksilver gives us hope that other Fox X-Men characters portrayed by the original actors may appear in the MCU. Olsen has said WandaVision will feature a surprise cameo on the level of Luke Skywalker/Mark Hamill appearing in The Mandalorian. Who could that be? Patrick Stewart as Professor X? Hugh Jackman as Wolverine? There were reports a year or so ago that those actors met with Marvel Studios for undisclosed reasons. Maybe it was to negotiate them returning? On the other hand, both actors made it clear they were done with their roles. Perhaps Deadpool (Ryan Reynolds) will be the surprise. His breaking of the fourth wall would fit in well with the meta nature of WandaVision, if one thinks about it.
Of course, there could be another explanation and Quicksilver could be Mephisto in disguise or another hapless townsperson whose personality was altered to becoming Pietro, but not his appearance. In other words, Peters is playing a Westview resident forced to assume the Quicksilver personna and the fact that Peters is playing the person is just a nod and wink to viewers and fans. Still, the casting was a bonafide treat not just for MCU fans but for those fans of the Fox X-Men films who can take heart that those films have not been forgotten.
OK, the title of this post does come off a might hyperbolic, but the feeling is justified among many fans of the Marvel Cinematic Universe (MCU) who have been without any new MCU films in over a year and a half.
Of course, this is not the fault of Marvel Studios or even Disney since the COVID-19 pandemic has been so disruptive in our society. Disney cannot do any widescale release of films in theaters because most of them are closed for safety reasons. Who wants to go to a crowded movie theater during the middle of a pandemic? Even if Disney was inclined to release a film widescale now they would lose money. Just look what happened last year when Warner Bros. released Tenet in the summer.
Last month, Disney and Marvel Studios announced a release schedule for their films for this year with Black Widow due on May 7th. This announcement was done with the understanding that the pandemic would be under control. However, at this point it will take some more time, with the latest estimates of widescale vaccine distribution happening during the late spring, summer and early fall. This jeopardizes the release schedule of the MCU films with Black Widow, Shang-Chi and the Legend of the Ten Rings (due on July 9th) and even Eternals (November 5th).
The problem with the MCU films, and one of its strengths, is their interconnected nature. To fully appreciate the films they have to be watched in order as certain scenes connect with the other films. For example the post-credits scene in Captain Marvel deliberately led into the next MCU film Avengers: Endgame. Another example can be seen with the Infinity Stones. The Reality Stone was the main macguffin in Thor: The Dark World and was seen been placed in a specific spot for safe keeping at the end of that film. But in Avengers: Infinity War, the main villain traveled to that spot and obtained the Reality Stone.
A new wrinkle is that are the new MCU TV shows on Disney+ are certainly part of the MCU, and what happens in those shows will be referenced in upcoming films.
Rumor had it that even though Black Widow was a prequel film, it set up future events in the MCU from the introduction of the Thunderbolts or Dark Avengers to Black Widow’s sister, Yelena Belova, becoming the new Black Widow. Yelena has already been confirmed to appear in the Disney+ show The Falcon and the Winter Soldier. So this is a strong reason why Marvel Studios wants Black Widow to be the first MCU film out of the gate and not launch the cinematic part of the MCU’s Phase Four with Shang-Chi or Eternals.
But the problem is that pushing back Black Widow pushes back other slated MCU films. Some of us are eager to see the next Doctor Strange film, which was already delayed to next year, as an example. What would be the reaction if it got bumped to 2023? Would this imperil other announced films in pre-production to the point of them being cancelled?
The delay also could jeopardize the release of the Disney+ shows and in fact already has. The Falcon and the Winter Soldier was supposed to be the first Disney+ TV show to stream followed by WandaVision. Now that has been reversed with The Falcon and the Winter Soldier coming out this March as WandaVision is currently streaming. But who knows how more film delays would affect the future Disney+ shows?
Something has to be done. At this point it would be best if Black Widow and even Shang-Chi and the Legend of the Ten Rings were released on Disney+ this year. This would satisfy fans who are eager for new film content (though many are pleased with WandaVision), entice more subscribers to the streaming service, free up the backlog of films piling up now, and maintain the viewing order of both films and TV shows. Also consider this, is there a great demand to see Black Widow knowing the character’s fate or Shang-Chi and the Legend of the Ten Rings, which features a character who was last popular during the 1970s?
Yes, this will hurt Disney financially but the company is already losing money and are going all in with their streaming platform. Releasing the films on their app would generate revenue so it would not be a complete loss. Of course, this endangers the filmgoing experience later on but this is inevitable. No matter what Marvel Studios and Disney decides, this situation cannot continue, but we’ll know soon what they decide.
It could have been worse. Take comfort that at least we got to see Avengers: Endgame in theaters before all this started.
The third season of Star Trek: Discovery concluded the other week with the finale “The Hope That Is You, Part II”, which was a peculiar title since the premiere episode was part I. This helps illustrate the off-kilter nature of Star Trek: Discovery’s third season. It had a great premise which functioned as a soft reboot for the show, but the execution was lacking at times and has turned off fans.
In the final second season episode of the show, the U.S.S. Discovery was hurled over 900 years into the distant future and the latest season chronicles the crew of the Federation starship after they arrive in the year 3188. Or rather the series lead Commander Michael Burnham (Sonequa Martin-Green) arrives in that year ahead of her starship. After Burnham and her crewmates are reunited they set out to find out what happened to the United Federation of Planets. At this time in history, the Federation is a shadow of its former glorious self. Roughly a hundred years prior, the galaxy suffered an event called The Burn that destroyed most of the Federation’s Starfleet and Star Trek’s crystalline power source, dilithium crystals became a rare commodity. Meanwhile, the Federation was forced to contract its vast borders as core member worlds like Earth and Vulcan (now called Ni’Var) left it to become independent states.
Before long, the Discovery and its crew encounter the remnants of the Federation and soon offer their services to help rebuild the Federation with the aid of their ship’s unique spore drive that can travel instantly throughout the galaxy. By the way, the ship received a nifty upgrade.
To repeat, this is a terrific premise but the execution was woefully uneven and frustrating at times.
First the good: The production was exceptional with film-quality special effects and production design that rivals the J.J. Abrams films (fans of those films will be pleased to know that that alternate universe was mentioned in one episode).
Many of the new characters were instantly engaging and memorable such as Cleveland “Book” Booker (David Ajala), your typical space rogue with a heart of gold and Burnham’s love interest. Book was a fascinating rogue who had selfish motives in the beginning but quickly allowed his inner goodness come to light and he strove to become part of Starfleet. Speaking of Starfleet, the show introduced one of Star Trek’s best admirals with Admiral Charles Vance (Oded Fehr) who projected the gravitas of a seasoned and reasonable leader. He also helped make up for the loss of Captain Pike, one of the best highlights of the second season. The Discovery also recruited a young human Adira Tal (Blu del Barrio), who is co-joined with a Trill symbiont and possesses a keen scientific mind. Occassionally, they (as Adira asked to be referred to) interacts with their deceased lover and previous Trill host Grey Tal (Ian Alexander). It turned out that Grey was not a hallucination and in a later episode when other Discovery crew members were able to see and interact with Grey, these encounters were one of the best emotional highlights of the season.
The new baddies in the Star Trek universe are the Emerald Chain, a criminal organization led by Orions and Andorians who now occupy significant portions of former Federation space. Their leader is Osyrra (Janet Kidder), a vicious and manipulative thug who will stop at nothing to capture the Discovery and steal its technology. Basically the Emerald Chain are the Ferengi on super steroids and gave us a hint of how the Ferengi were supposed to be portrayed in early episodes of Star Trek: The Next Generation (TNG).
Some episodes were quite good like the premier episode and season finale; “There is a Tide…”, which basically was Die Hard on the Discovery with Michael Burnham doing a bang up job as as 32nd century John McClane; “Far From Home” reunited Burnham with the Discovery; and “Unification III” had the Disocvery travleing to the former Vulcan. This episode functioned as a distant sequel to the TNG episodes “Unification I and II” and gave us a brief cameo of Leonard Nimoy as Spock.