Thanks to the success of Rogue One: A Star Wars Story and the promise of next year’s Han Solo film, all Star Wars fans are speculating over what other Star Wars spinoffs will see the light of day. Due to the fact that the Star Wars universe is so rich and layered with fantastic characters and captivating stories, there are many possibilities. Here are the best ideas and characters for future Star Wars spinoff films.
10. Rise of the Knights of Ren—An exploration of the time period in between the Original Trilogy (OT) and the new one would largely depend on the next two films coming out. They will probably provide some more details of how the new Jedi Order fell and how Snoke and Kylo Ren rose to power. From there, Lucasfilm can use the new information to build a film dealing with that time period.
9. Knights of the Old Republic—The popular RPG video game and comic book is ripe for a Star Wars spinoff film or three. Taking place thousands of years before the films, the story explores the early conflicts between the Jedi and the Sith, which would give filmmakers a fresh slate of characters and situations or adapt the characters from the game and comics.
8. House Organa—While we’ve seen much about the Skywalkers and will learn Han Solo’s back story, we still don’t know a lot about Princess Leia and her adopted noble family. Actor Jimmy Smits is certainly game to reprise his role of Leia’s stepfather, Bail Organa, as seen in Rogue One. The character also appeared in Star Wars: The Clone Wars and Star Wars Rebels, so a Star Wars spinoff film could easily focus on the ruling family of Alderaan and the role they played in the Galactic Republic and the Empire.
7. Seeds of the Rebellion—This could be expanded from the current animated series Star Wars Rebels, actually such a film could simply be a live-action adaptation of the series. In that show we’ve seen how the Rebellion started to gain traction against the Empire before the OT. A live-action film could either use the characters and situations seen in Star Wars Rebels or go back to an earlier period and show how the Rebellion began right after the Prequel Trilogy (PT).
6. Boba Fett and the Bounty Hunters— Originally Josh Trank was supposed to direct a Boba Fett film and it was close to being produced. But Trank’s career meltdown following his ill-fated Fantastic Four reboot placed the Fett film on hold. Boba Fett is a favorite among fans and a showcase for the galactic bounty hunter is a film too good to pass up. Throw in other galactic bounty hunters like Bossk, Cad Bane, Aurra Sing and IG-88 and you’ve got a classic Star Wars film.
5. Shadows of the Empire—The popular multimedia project from the ‘90s would do for The Empire Strikes Back and Return of the Jedi what Rogue One did for Star Wars Episode III and A New Hope. That is to be a companion piece that sets up and bridges those two films. It may be tricky to pull off since convincing CG will be needed to recreate young versions of the original Star Wars cast, but the storyline could largely focus on the smuggler Dash Rendar, the evil Prince Xizor, Boba Fett and, of course, Darth Vader.
4. Clone Troopers—Thanks to Star Wars: The Clone Wars the nameless and countless clone soldiers have been given distinct identities like Captain Rex, Cody, Fives, and Echo. Many great episodes of that animated series were devoted to the clone troopers and a film could cover their point of view in the Clone Wars or their part in the infamous Order 66. As long as Temeura Morrison is willing to revisit the role(s) then a film focusing on the grunt soldiers of the Republic is an idea worth exploring.
3. Yoda—The wise and surprisingly mighty Jedi Master has a way of throwing people off guard as to his true nature. This was best demonstrated in The Empire Strikes Back when he first appeared as a harmless and daffy creature that later showed a jaw-dropping mastery of the Force. Another instance came in Star Wars Episode II when he displayed his fighting prowess to the shock of audiences. His small stature and Zen-like demeanor hide much about Yoda, which is why a Star Wars spinoff film is a perfect vehicle to explore his centuries-long history.
2. Ahsoka Tano—As the most popular original character in Star Wars: The Clone Wars, the young Padawan of Anakin Skywalker won over many fans with her plucky attitude and bravery. Throughout the series Ahsoka grew from an immature warrior into a more seasoned and moral-centered Jedi who surprised everyone when she left the Jedi Order in disillusionment. Later, she turned up in Star Wars Rebels as an adult fighting for the Rebel cause and even confronted her former teacher, Anakin, now turned into Darth Vader. She is one of the best developed female characters in all of Star Wars and a live-action film devoted to Ahsoka Tano is just begging to be made.
1. Obi-Wan Kenobi—The noble Jedi Knight, as portrayed by Ewan MacGregor, was one of the best characters in the PT films. The actor has expressed an eagerness to return to the role and rumors are swirling that one or two films are being planned featuring Kenobi. We’ve made the case before as to why Obi-Wan Kenobi deserves a Star Wars spinoff film and it could explore his history as a Padawan and his time in between the PT and OT when he watched over the one who would truly bring balance to the Force, Luke Skywalker.
So, would any of these characters and stories make your own list of future Star Wars spinoffs? Or are there others missing from this list? Let us know!
Out of the many sci-fi TV shows currently airing, the most surprising one happens to be Colony, now in its second season. The reason is that it continues to be intriguing and compelling to watch.
For anyone unfamiliar with Colony, the show is about life in Los Angeles about one year after mysterious aliens have taken over the world. Or that’s what we think. It isn’t flat out stated that aliens are our conquerors, but that is the general assumption. So little has been revealed about the conquerors and they’ve only been shown two times so far, and all we’ve been shown is something that is heavily armored and probably unable to breathe our air. This may be frustrating to some but anyone enjoying slow burns and reveals will be thrilled. For instance, we, and even Colony’s characters are unsure about the aliens and their objective. Why have they come? They’ve shown that they outclass humanity very easily and could have just exterminated the entire species. Instead, they were content to just take out our power grid and separate our cities with these giant walls. More importantly, they remain unseen and let human proxies run things for them with their ultimate goal unclear. The only clue we have been shown is that human prisoners on Earth and its moon are put to hard labor.
While viewers have the overall mystery of the aliens, the show concentrates on the cost of alien occupation to humanity, in particular, the Bowman family. Led by Will (Josh Holloway) and his wife Katie (Sarah Wayne Calles), the family lives a desperate and paranoid life in a cut-off L.A. that is boiling with tension. The end of the last season had the human authorities, which Bowman is a part of, hunting down human rebels that managed to capture one of the aliens. What the rebels, (oh, by the way, Katie worked with them) didn’t realize is that acts of rebellion lead to cities being wiped out. So, L.A.’s existence is a precarious thing as shown in one cold opener this season where the human ruling council in Europe were trying to decide if the city should have been punished for the acts of a few rebels. Adding to this mess, is that the aliens and human authorities have increased their surveillance capabilities a thousandfold. Now as shown in the second season, every citizen in Los Angeles is actively and discreetly monitored. This has driven the human resistance deep underground and made the stakes much more dire. Frankly, we’re asking how can you fight back with the constant surveillance?
Making things difficult for the Bowmans are the issues with their three children. A driving force last season was the family’s search for their missing son Charlie (Jacob Buster), who was trapped in Santa Monica when the walls came down during the aliens’ arrival. Will managed to make his way into the city in between seasons and found him, but Charlie’s more of a feral child because Santa Monica is a literal hell hole where gangs and warlords rule. So, now this preteen is emotionally damaged and obviously has issues. Then their young daughter Gracie (Isabella Crovetti) is being re-educated by a creepy tutor (Erin Way) to worship the aliens. Finally, their oldest son Bram (Alex Neustaedter) was caught trying to cross the wall and is now sentenced to hard labor. Now we’re seeing the occupation from his point of view at a brutal prison camp.
As all this is going on, we’re wondering how can humanity fight back and what will be the cost? It’s riveting watching the Bowmans trying not to attract attention and just survive. Is this even possible in the long run? Colony isn’t like V or other humans vs. aliens TV shows were it seemed that humanity had some kind of fighting chance. This show can seem bleak and has shown that people are ready to give up. A case in point was shown in one episode that showcased Will’s co-worker, Jennifer (Kathleen Rose Perkins), who struggled internally with the idea of turning in Will and Katie for their activities. Unable to betray the family, and wracked with loneliness since her family is now gone, it was implied that she committed suicide. Other episodes show how the rebels are near the breaking point. As for the Bowmans, they just want to be left alone, but more and more they are realizing that is impossible and recent episodes have shown their coming to this conclusion.
Colony succeeds because it is able to deftly juggle being a spy drama, a sci-fi mystery and an entertaining look at family dynamics during a war and under occupation. A big hurdle was the sophomore curse and Colony has dealt with it nicely and in its own way has become must-see viewing in its second season.
Lewis T. Grove
Everyone is excited over the just-released behind-the-scenes video of Avengers: Infinity War, and what it promised–namely the teaming up of diverse characters like Iron Man, Star-Lord and Spider-Man. That is all well and good, but the teaser didn’t erase the growing feeling that the films in the Marvel Cinematic Universe (MCU) and the TV shows set in the MCU are unrelated to each other.
Actually, that isn’t quite accurate, the TV shows have proven to be set in the MCU with its references to the films and Easter eggs, but it’s a one-way connection. That is because the MCU films have not made any references to the TV shows aside from Captain America: The Winter Soldier, which dealt with S.H.I.E.L.D. at the same time that the TV show Agents of S.H.I.E.L.D. was running. Ever since that film the MCU disconnect has widened to the point that an argument can be made that the two media are set in different universes.
How is this so? Starting in the second season of Agents of S.H.I.E.L.D. that program has focused on the coming of the Inhumans, and are now a constant presence in the show as the superhumans have taken the place of mutants. We all know that was done because of rights issues with 20th Century Fox who make the X-Men films. Originally, the intent of the Inhumans’ introduction (and let’s be clear that the Inhumans featured in Agents of S.H.I.E.L.D. weren’t the well-known heroes like Black Bolt and Medusa, but minor ones) was to set up a big-screen Inhumans film.That was the plan.
It isn’t a secret that tensions had been raw between the mastermind behind the MCU, Kevin Feige, and the head of Marvel Entertainment, Ike Perlmutter, who was in charge of Marvel’s media. Feige ran the films while Perlmutter did the TV shows and the comic books. Perlmutter was incensed about the Fox X-Men rights and wanted to de-emphasize the mutants throughout Marvel and as a substitute for the mutants it was decided to focus on Inhumans and how they are persecuted by our society. Apparently, Perlmutter was responsible for pushing an Inhumans film and wanted to use the MCU TV shows and comic books to build interest, hence why Agents of S.H.I.E.L.D. shifted from a spy actioner in its first season into a soapbox about the plight of Inhumans in later seasons.
Feige and Perlmutter were butting heads over many issues and it became so bad that supposedly Feige was ready to jump ship until Disney intervened. Feige was allowed to become autonomous from Perlmutter and there is probably were the disconnect went into full swing. The first noticeable sign of this was in Avengers: Age of Ultron, which didn’t mention anything about what was going on with S.H.I.E.L.D. and the TV show. This raised many questions among fans in the film’s climax when a S.H.I.E.L.D. helicarrier appeared with many S.H.I.E.L.D. personnel and it would’ve been a perfect place to include cameos from Agents of S.H.I.E.L.D. characters but this didn’t happen. There were many vague explanations about why this didn’t happen but none of them were satisfactory.
Around this time (2015) Netflix premiered its entries in the Marvel Cinematic Universe, Daredevil and Jessica Jones. Both shows made references to the larger MCU but to date the films haven’t acknowledged the superheroes that appeared in the Netflix shows. In fact, there isn’t any noticeable connection between the Netflix shows and Agents of S.H.I.E.L.D., which airs on ABC. There has been a couple of cryptic Easter eggs in the ABC show where a type of bullet created in Luke Cage was used in Agents of S.H.I.E.L.D. but was never named; there was a news blotter in one episode mentioning a gang war going on in Hell’s Kitchen, a focal location in the Netflix shows.
Now with so many characters slated to appear in Avengers: Infinity War, the fact that the bigwigs at Marvel Studios and the TV shows will not say if the film will include the TV characters is beyond frustrating. Feeble explanations about not over-crowding the film or scheduling conflicts just won’t satisfy fans. True, it’s not the end of the world if Avengers: Infinity War doesn’t feature Daredevil but it would be a wasted opportunity. In the comic books, The Infinity Gauntlet event (the basis for this film) was a major crossover event that was packed with many Marvel characters. We already had to make peace with the notion that this film won’t include the X-Men (thanks Fox) or the Fantastic Four (blame the deal with Fox again), but Kevin Feige and company could at least throw in some kind of cameo of the TV characters. Wouldn’t it be cool if during one scene set in Hell’s Kitchen, Captain America, Iron Man and the other Avengers are besieged by Thanos’ forces and are saved at the last second by timely assists from Daredevil, Luke Cage and the other Defenders? They wouldn’t have to stay around long, just make their appearance and move on. Would it be too much to just drop the word Inhuman during some dialogue or show some news headline featuring the Punisher or Ghost Rider?
We can complain all we want about the DCEU, but at least from the beginning Warner Bros./DC Studios made it clear that the DCEU films and the Arrowverse TV shows were in two separate universes and so no one expected to see Stephen Amell popping up as Green Arrow in a DCEU film. With Marvel they dangle this illusion about a connected universe but in reality it does not exist. If that is the case, the TV shows should be freed to go off in their own direction and drop the references to the Marvel Cinematic Universe.
True, production has begun on Avengers: Infinity War but it’s not too late to work in some kind of bone to throw to the fans. Some kind of gesture would appease the legion of geeks out there who dream of seeing a true interconnected film and TV universe.
Lewis T. Grove
We all just learned that The Flash, the big-screen version of the Scarlet Speedster, has gone back to a page one rewrite over at Warner Bros. OK, this is not good for the DC Extended Universe (DCEU).
This latest mishap with Warner Bros/DC is now fermenting the common thought that the DCEU is veering out of control. To date, the film studio has released three films in the DCEU and all of them have received mixed reactions to outright hostility from fans and critics. Box office-wise, Man of Steel, Batman v Superman: Dawn of Justice and Suicide Squad have done well, but they haven’t exactly taken the world by storm unlike their competitors Marvel Studios.
All three films weren’t complete turds, in fact, they have many admirable traits. IMHO Man of Steel is a misunderstood classic while Suicide Squad introduced us to many memorable anti-heroes like Harley Quinn and Deadshot. But to say that they have been controversial is an understatement.
Now comes rumors that this year’s Justice League and even Wonder Woman are considered to be unfixable messes. Sure, these could just be nasty rumblings from nervous executives, but it leads us to wonder if it’s time for Warner Bros. and DC to start panicking. Hell, they could all be quivering already for all we know.
The sad part is that these developments are truly shameful because it’s a disservice to the wonderful DC Comics characters and their fans. Many of them must be rightfully rankled that Marvel Studios’ Marvel Cinematic Universe (MCU) and even the Fox X-Men films are for the most part well received. These woes do not mean that DC’s superheroes are inferior to Marvel’s, it’s just that the films these days are being mismanaged. It’s frustrating because the potential is there for some exceptionally classic films.
This doesn’t mean that all hope is lost. At least with The Flash, Warner Bros./DC, at least, knew something must have been wrong with the script and instead of just plowing ahead, decided to start over. In the long run this could mean we’ll get a quality film, but don’t get your hopes up that The Flash will premiere in 2018. No, get your Flash fix from the excellent TV show that is still airing. Now, the problem is that too many people have felt burned with the uneven Batman v Superman: Dawn of Justice and Suicide Squad. Then add to that the fear that Justice League may turn out badly and now all hopes are turning to Wonder Woman for being the film that knocks it out of the park for the DCEU. If neither film can deliver, then expect to see a radical shake up over at the film studio over how these films are made.
The obvious problem is that there are too many cooks in the the DCEU kitchen and no clear boss who can provide a strong hand in the films’ direction. Basically, Warner Bros. needs their version of Kevin Feige, the mastermind behind the MCU’s success. Sure they recently appointed Geoff Johns to run the DCEU, but it’s too early to tell if he will have a positive impact. What if he fails?The good news is that the film studio probably does have their own Feige and that person is Greg Berlanti, who is responsible for the success of DC’s television efforts. Arrow, The Flash, Legends of Tomorrow and Supergirl are all successful, well-regarded TV shows that have a lot of energy and stay mostly faithful to the superheroes’ roots. Berlanti has skillfully interwoven a shared universe that isn’t clunky or convoluted and encourages viewers to sample all the shows. The DC shows are actually better than some of Marvel’s MCU TV shows like Agents of S.H.I.E.L.D. because they are more lively and explore the full potential of their stories and characters.
Another thing to remember is that it is still early for the DCEU. There have only been three films and if memory serves us correctly at the same point with the MCU they had their share of growing pains. When there were only three films in the MCU, it wasn’t certain if the MCU could have succeeded. Those films happened to be Iron Man, The Incredible Hulk and Iron Man 2. Only the first Iron Man film was well received but all was forgiven with the later films. The same situation could happen with the DCEU, so patience is called for and better management at the studio. For instance, stop making all these announcements (like Dwayne “the Rock” Johnson will play Black Adam) before the films are ready. Another thing is to slow down and stop trying to compete with the MCU. Marvel Studios carefully crafted their shared universe and the payoff was and continues to be huge. That is the lesson that Warner Bros. should take; slow and steady will yield higher rewards.
The DCEU’s woes continue with the latest news that Ben Affleck is stepping down from directing the upcoming Batman solo film. This is especially disheartening because Affleck has the directing chops to elevate a superhero film. We’ll find out later what caused him to relinquish his directing task, but let’s be thankful that Affleck is still producing and starring in the next Batman film. Supposedly one of the short list directors that Warner Bros. Is considering is Matt Reeves. If Reeves or another talented director is tapped then all may not be lost for the Dark Knight in the DCEU.
Lewis T. Grove