Top 10 Sci-Fi Horror Films

It’s that time of year when we dread the things that go bump in the night…or in deep space or in a mad scientists’ lab. Science fiction and horror have gone together hand in hand for ages. Ever since the dawn of film, these two combined genres presented some of the most memorable genre films for fans. Here for your examination are the top 10 sci-fi horror films.

10. Pandorum (2009):

Colonists onboard a generational starship wake up early during their voyage. They soon learn that their ship is crawling with savage mutants that endanger them and the ship. Full of jump scares, tension and thrills, Pandorum is an underrated gem that continually surprises you until its end.

invasion of body snatchers

9. Invasion of the Body Snatchers (1956):

Echoing the 1950s paranoia about communism, this adaptation of Jack Finney’s novel about aliens taking over humans from within is unsettling. It may make you afraid to go to sleep after watching it! The loss of identity, emotional bonds, and one’s humanity are the central themes in this sci-fi classic. Its 1978 remake is also noteworthy for the same reasons.

frankenstien and gril

8. Frankenstein (1931):

One of the first sci-fi horror films is the legendary James Whale-directed version of Mary Shelley’s literary classic. Featuring Boris Karloff as the resurrected Creature, Frankenstein is still atmospheric and creepy, while evoking sympathy for the Creature.

7. A Quiet Place (2018):

The most recent member of this list is one of the most frightening. Earth has been overrun by vicious alien creatures that hunt by sound, forcing humanity into hiding. A Quiet Place overflows with tension and fear as a family struggles to survive against the alien predators by not making noise.

The Fly brundlemonster

6. The Fly (1986):

David Cronenberg’s classic body-horror classic outdoes the cheesy original version it is based on and is an apt AIDS allegory for its time. Quirky and likeable scientist, Seth Brundle (Jeff Goldblum), experiments on himself with his teleporting machine not realizing he is genetically fused with a fly. Tragically, he begins a hideous body transformation into a human-insect hybrid that will disturb viewers as the completed metamorphosis is revealed in The Fly’s final scenes.

5. The Mist (2007):

The third Frank Darabont adaptation of Stephen King’s literary works is genuinely disturbing and frightening. Residents of a Maine town take refuge in a supermarket after a military experiment accidently opens a dimensional passage that allows monsters into our world. More than a monster movie, The Mist explores the theme that we are our own worst monsters. It also features one of the most unsettling endings in film history. It’s a true gut punch.

4. Event Horizon (1997):

Think of this film as a haunted house in space story. The crew of a rescue spaceship board a lost spaceship that suddenly re-appears on the edge of our solar system. The crew discovers that the lost ship’s experiment with FTL opened a doorway to a hellish dimension and they become the ship’s latest victims. Event Horizon is a chilling cautionary tale with disturbing imagery about how we should be careful about pushing the boundaries of science.

3. 28 Days Later (2002):

This film helped jumpstart the recent zombie craze even though it is not technically about zombies. A man-made virus is accidently released and decimates the UK, rapidly turning its victims into mindless, bloodthirsty killers.

Enhanced with a pounding score, expert direction and a harrowing sense of dread, this film set new standards for sci-fi horror films. 28 Days Later is kinetically terrifying with scenes of the fast-moving killers chasing the film’s characters, while offering a sobering humanist drama about survival and holding onto your humanity.

2. The Thing (1982):

The remake of the 1950s film The Thing From Another World outshone the original while being more faithful to its literary roots. Much more than an alien invasion thriller taking place in an Antarctic outpost, John Carpenter’s The Thing is a claustrophobic and disgusting horror film with ghastly physical effects that still hold up to this day.

However, what made The Thing so memorable was the way Carpenter injected deep paranoia into the film as the isolated characters turned against each other. What is even more remarkable, is that even though the film was remade in 2011 with “modern” CG effects, it pales to the practical effects and makeup of the Carpenter classic, which was also more moody and blood curdling.

alien and ripley1. Alien (1979):

The crew of an interstellar mining ship bring onboard an alien life form that proceeds to kill them off one by one. As simple as that sounds, Alien is much more than its plot implies. It is one of the most influential sci-fi horror films of all time and set standards for gore, character development, thrills, pacing and atmosphere. Let’s not forget that the visual design of the alien xenomoph is disgustingly unique and has never been topped in terms of showing a distinctly inhuman look.

The starship itself functions as its own haunted house with foreboding shadows and corners, which gives the xenomorph perfect hiding places, while entrapping the crew themselves. Then there is the infamous chestburster scene, which is still horrifying to watch today. That scene alone set Alien above all other sci-fi horror films and is one of many reasons why this film is at the top of this list of top 10 sci-fi horror films.

Do any of these films make your own top 10 list of sci-fi horror films? Leave a comment below.

José Soto

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The Imploding Marvel Netflix Universe

First, Iron Fist was canceled a week ago by Netflix. Now, after the third season of Daredevil dropped during the past weekend, Netflix announced that Luke Cage has also been canceled. While the axing of Iron Fist was not a unexpected, the cancellation of the latter show came as a big surprise given reports that a new season was about to be greenlit. With these developments, which includes the coming of the Disney streaming app, fans of the Marvel Netflix Universe are wondering if this it for the Marvel Netflix shows.

This may be hard to swallow for some given how well received the Marvel Netflix Universe was at the beginning. Daredevil and Jessica Jones are still considered the best of these shows and created the most buzz, even though the second seasons of both shows weren’t as good as the first. But we have to admit the luster has gone from these shows thanks to the uneven nature of recent shows. Namely Iron Fist, Luke Cage and The Defenders mini-series. So in a sense, the cancellations are not all that surprising. Still, the development signals an uncertain future for the shows.

Luke Cage and Iron Fist

What could happen at this point? A common belief is that Disney will take all the shows for their streaming service, Disney Play, when it launches next year, and it is hoped that Iron Fist and Luke Cage will find new lives in the service. However, it needs to be stressed that the Marvel Netflix shows are for Netflix to cancel or continue, not Disney. Also, the service will cater to more family friendly fare that at most will be PG-13. The Marvel Netflix shows are certainly more adult oriented with their violence. Can you see a brutal show like The Punisher airing on Disney Play? One option is for Disney to stream these shows on Hulu where it will soon own a majority share. The entertainment giant has indicated that more adult fare will stream on Hulu instead of Disney Play. These shows will certainly fit in there if this is to be the new model for Hulu and allow Disney to move Runaways over to Disney Play.

The thing is would Disney want to resurrect Luke Cage and Iron Fist? Both shows have had their problems, but they had their merits and the second season of Iron Fist was a vast improvement over the first. Meanwhile, the second season of Luke Cage ended on a semi-cliffhanger where Luke seemed to be headed towards a dark path as he took over as a benevolent crime lord in Harlem. This was a clear set up for a third season storyline, in fact, the scripts were written for the new season, which won’t see the light of day now. Iron Fist, too, ended with an intriguing new direction for the next season as Danny Rand and Colleen Wing displayed awesome new abilities, which promised an adaptation of the “Immortal Iron Fist” story from the comics.

All this handwringing could be for nothing. For all we know, Netflix may announce tomorrow that both shows will be combined into Heroes For Hire. Fans know that this is what happened with their comic book counterparts when their books were combined into Powerman and Iron Fist back in the ’70s and ’80s.

Then again, Netflix probably and justifiably sees Disney as a genuine threat and has enough original material to dispel with the Marvel Netflix shows. After all, these shows are nominally set in the Marvel Cinematic Universe and thus provide a measure of advertising for Disney and Marvel, so why help the competition?

Marvel netflix

New seasons of Jessica Jones and The Punisher have been completed and will stream next year. At that point, we will have a clearer idea of where the Marvel Netflix Universe is headed. The next thing to look out for is if Daredevil is renewed for a fourth season. If so, then fans can relax. If no announcements are made or if Daredevil and the surviving shows are axed then it’s over. Sad as this may be, at least we had several seasons and crossovers to enjoy and we can be confident that we have not seen the last of these urban superheroes.

 

Jodie Whittaker Provides A Refreshing Regeneration To Doctor Who

Dr Who S11 poster

The world premier of the new season of Doctor Who just aired earlier today to much fanfare. The reason for the hoopla is not just because a new actor debuted as the new Doctor, but for the first time, a woman is playing the iconic time-traveling alien.

Jodie Whittaker had large shoes to fill with the role of the Doctor being that so many memorable actors left their mark in the role. But she pulls it off splendidly and provides a refreshing take on the character now that the Doctor is a woman. This does not mean that Doctor Who turned into a show with a feminist agenda. Rather, Whittaker and the first episode “The Woman Who Fell to Earth” have given the new showrunner, Chris Chibnall (who also wrote this episode), an invigorating chance to reboot the series.

While the new version of Doctor Who that premiered in 2005 has been terrific, for some time the show felt formulaic and needed a shot of creativity. The regeneration episodes of Doctor Who are seen as a way of reintroducing the character and the show’s premise. “The Woman Who Fell to Earth” follows the same beats as other regeneration episodes-the Doctor is confused as the regeneration cycle completes, new Companions are introduced, and some kind of alien menace threatens the Earth. In the end, the Doctor gathers his/her wits to foil the extra-terrestrial menace and concludes with the Companions being invited into the TARDIS to join the Doctor in new adventures.

woman who fell to earth

“The Woman Who Fell to Earth” actually felt different because it took an alternate route. The Companions that are introduced are diversely different, made up of dissimilar races, ages and backgrounds. The plot felt more grounded and far less outlandish than previous Doctor Who episodes. It was refreshingly simple without any convolutions or the Doctor gabbing away nonsensically. In fact, the Doctor has never seemed this gathered, resourceful and centered since the Ninth Doctor’s introduction. Basically, an alien warrior shows up to gather human trophies as a rite of passage to become a leader. The alien threat was not buffoonish and was rather creepy and menacing. The enemy alien looked appropriately gross with all his victim’s teeth embedded onto his face.

Since the episode was more grounded, it felt more real and the moments of suspense and danger were much more engaging. The pseudo-magical science that was prevalent in past seasons is downplayed. The Doctor is without the safety net of the TARDIS and the usual trappings. In this manner, Doctor Who seemed like it is no longer aimed at young viewers. This may upset some fans, but the show needed a change of pace and gearing it to slightly older audiences is the right thing to do. This does not mean that Doctor Who lost its sense of wonder and passion. Those elements are still there, best expressed by Whittaker and the new Companion, Ryan Sinclair (Tosin Cole). Needless to say that Jodie Whittaker has a stunning, electric debut as the 13th Doctor. Keep in mind that the episode was not perfect. There are some pacing issues and the behavior of some characters was not natural at certain moments.

Still, “The Woman Who Fell to Earth” is a refreshing way to regenerate Doctor Who and leaves you curious as to what happens next to the Doctor and her Companions.

Lewis T. Grove

Battlestar Galactica: The TV Space Saga Turns 40

BSG poster

“There are those who believe that life here began out there. Far across the universe, with tribes of humans who may have been the forefathers of the Egyptians, or the Toltecs, or the Mayans, that they may have been the architects of the Great Pyramids, or the lost civilizations of Lemuria, or Atlantis. Some believe that there may yet be brothers of man, who even now fight to survive…somewhere beyond the heavens.Opening narration of Battlestar Galactica

Nowadays, it is easy to find original sci-fi shows on TV or streaming and it is hard for younger fans to imagine a TV landscape where sci-fi was virtually non-existent. So, when a sci-fi show like Battlestar Galactica premiered back in the 1970s to big fanfare, it truly was a big deal for fans back then.

When Battlestar Galactica debuted forty years ago in Sept. 1978, it generated tremendous buzz for many reasons. The most important being its cost (about $1 million per episode) and for its superficial similarity to Star Wars. In fact, 20th Century Fox sued Universal Studios (the studio behind the show) for plagiarism, though that case was dismissed. We have to remember that when a movie is a huge hit it is never long before TV shows with similar premises popped up. It’s just the way the things go. This does not mean that Battlestar Galactica was a rip-off of Star Wars. Of course, both properties featured expensive space battles, rich, bombastic scores, and took place far from Earth, but it ends there. Battlestar Galactica was a space saga about the remnants of an advanced human civilization trying to find a safe haven from their robotic enemies, the Cylons, in a convoy of spaceships led by Commander Adama (Lorne Greene) from his flagship the Galactica. The twist was that the humans sought safety in a long-lost colony world called Earth.

This was a clever twist, which spun around the sci-fi concept of survivors fleeing a doomed Earth. Actually, according to series creator, Glen A. Larson, the original concept for the show used the premise of humanity fleeing Earth in a quest to find a new world. It was called Adam’s Ark and like the show it morphed into, incorporated many aspects of Mormon theology. It is important to remember that Larson conceived of Adam’s Ark back in 1968, nearly a decade before Star Wars came along.

Battlestar Galactica captured the imaginations of many sci-fi fans who were hungering for something similar to Star Wars to at least tie them over until the inevitable Star Wars sequel came out. Others, however, were more critical over the show’s scientific inaccuracies, limited production values and scripts. Keep in mind, that though the show was expensive, it was easy to see that it tried to keep its budget in line. Hence, the overuse of stock footage, especially when it came to space battles. These same critics also decried its so-called juvenile nature and lack of vision.

BSG cast

These critics could not have been more wrong. Of course, Battlestar Galactica had its faults, but given its limitation, it was unusually imaginative and did a credible amount of world building. Most episodes added interesting lore and mystery to the world of Battlestar Galactica. This was best seen in its mid-season episodes, “War of the Gods” where the Galactica crew encountered an enigmatic being called Count Iblis (Patrick Macnee) who promises salvation. The episodes explored concepts of good vs. evil, faith, and temptation. What helped was that by this time, we had grown to care for the show’s leads. Although Adama was the leader, the show focused on his son, the heroic fighter pilot, Apollo (Richard Hatch) and his best friend, the roguish fighter pilot Starbuck (Dirk Benedict), along with many supporting characters.

Sadly, as things goes, Battlestar Galactica was canceled after one season. It garnered moderate ratings, but not enough to justify its hefty price tag. What made things worse was that the show was terminated before it could resolve its central storyline. The Galactica and its convoy never found Earth, though they had clues. A mixed blessing came about a year later when a sequel show was commissioned. In the show, Adama and the Galactica convoy finally found Earth, but Galactica 1980 was truly juvenile and lacked any of the charm of the original.

Books, comics, fan fics, etc. followed, which helped keep interest alive in the show. It never reached the heights of popularity like Star Trek or Star Wars, but the devotion was solid. There have been many attempts to bring the original show to a proper conclusion, including some by Bryan Singer and Richard Hatch. Of course, we all know of the popular reboot that came out in 2003, which is considered to be one of the finest sci-fi shows ever made. While the reboot has its justified accolades it is important to remember the original TV show that spawned it and to imagine that there is much more to that space saga that is yet untold, even now, forty years later.

“Fleeing from the Cylon tyranny, the last battlestar, Galactica, leads a ragtag fugitive fleet on a lonely quest: a shining planet known as Earth.”Commander Adama, closing narration of Battlestar Galactica

José Soto

Henry Cavill, Superman No More?

superman no more

When the news came out this week that Henry Cavill was done with portraying Superman in the DC Extended Universe (DCEU) or Worlds of DC or whatever the hell the cinematic universe is called now, my reaction was “WTF, Warner Bros.?!”

Let’s be frank here, how can Warner Bros. and DC let one of the few bright spots in their struggling cinematic universe leave? Superman is the originator of the DCEU being that Man of Steel was the first film. It was a successful revamp of the character’s films, though it has its critics. Sure, it was not a runaway success, but it fared better than the ill-fated Superman Returns, so why isn’t there an actual, proper sequel to Man of Steel?

Most fans know that the sequel morphed into Batman v Superman: Dawn of Justice, where Superman was forced to share the spotlight with Batman in a clumsy attempt to adapt the famous comic book storylines, “The Dark Knight Returns” and “The Death of Superman”. What is frustrating is that Batman v Superman: Dawn of Justice had the elements of a great Superman film in there. It followed the aftermath of Man of Steel where the world reacted to the existence of Superman, a powerful alien living among humanity. It showed how many people were uncomfortable with this. A proper sequel could have developed this theme more, included the Lex Luthor story, how he created something to kill Superman and end with his death. This would have had more of an impact with audiences as people would have been more explicitly remorseful over how they treated Superman and realized that he actually was a force of good. Then a third film could have adapted the entire “The Return of Superman” stories, introduce other heroes, and lead up to the Justice League.

But no, Warner Bros. felt they had to rush out their answer to The Avengers and we all know how that turned out. This is not a criticism of Justice League, which was enjoyable, but the entire DCEU by that point seemed so rushed and hastily executed.

Ever since the failure of Justice League, the DCEU has been adrift with announced then abandoned films. We still don’t know when a standalone Batman film will come out. It may be one thing if a Batman film was actively developed with Ben Affleck on board to play the Caped Crusader. This may have softened the blow of Henry Cavill no longer playing Superman. But it’s becoming clear that Affleck is done with the role and the proposed Batman film seems to be in limbo. Instead we get announcements of secondary characters and concepts like Supergirl, Gotham City Sirens and so on.

What the film studios fails to realize is that they are abandoning the heart and core of DC. Yes, Batman is the most popular DC hero, but Superman is right up there, and without those two, the DCEU now feels crippled and aimless. What is worse is that aside from the CG mess over mustache removals, Superman (and Cavill’s performance) was considered the best thing in Justice League because he was a bright beacon of hope. In other words, the proper way he should have been presented.

There are many stories and rumors circulating about what happened. It appears that Henry Cavill either wants more money and/or is getting impatient over the lack of progress over a new Superman film. Meanwhile, the film studio is hesitant to greenlight another Superman film because they think it won’t make much money. The thing is, aside from Wonder Woman, none of the DCEU films have been true blockbusters and Man of Steel is considered to be one of the best DCEU films. Plus, Cavill’s star power is on the rise thanks to his praised appearances in films like Mission: Impossible-Fallout. Now he has signed on to star in the upcoming TV series The Witcher for Netflix. This was a clear clue that he would not return to the DCEU.

Warner Bros. is being extremely short-sighted and obtuse in their unwillingness to increase Cavill’s salary and produce another Superman film. Of course, this could all be one massive and public game of chicken where the film studio and the actor are trying to negotiated the best deal. Who knows? For all we know this could be a ploy by Warner Bros. to see how much demand there is for another Superman and wanted to see what the reaction would be if it “leaked” out that Cavill was leaving.

Well, all of this certainly got our attention!

What is not helping the anxiety felt by fans are the non-answers given by Warner Bros. and the bizarre Instagram video by Cavill where he holds up a Superman figure. Is he trying to tell us that he is done with Superman? Let’s not forget the rumblings that Michael B. Jordan is allegedly being considered to take over the role.

Saying all of this is exasperating is an understatement by impatient fans who are still waiting for a proper Man of Steel sequel. If it never happens or Cavill doesn’t return, and with the Batman film in disarray, the film studio might as well pull the plug and kill the DCEU. After that, wait some time and reboot the entire thing, except this time have a clear leader who can properly guide their superhero cinematic universe. But no matter what happens, at least we got to behold Henry Cavill’s superb performances as Superman/Clark Kent. Just like Christopher Reeve, Cavill will be Superman forever in our hearts.

Lewis T. Grove