Category Sci-Fi

Apr 3 2026

Star Trek Twilight

As the Star Trek franchise approaches its 60th anniversary in just a few months, and one takes a look at what is going on with it, it is clear that Star Trek is at one of its lowest points, it’s in a twilight phase, which we last saw in 2005.

Filming concluded for the two current Star Trek shows, Star Trek: Strange New Worlds (SNW) and Star Trek: Starfleet Academy, and as of now there are no Star Trek TV shows in production or active development. Supposedly, the franchise’s owner, Paramount Skydance, is reassessing the property and might shift focus to new Star Trek films, and though a reboot was announced a few months ago, we haven’t heard any news. Thus, the latest film project will probably be shelved and the reason for this pessimism is because Star Trek films have not been able to be greenlit since the last decade.

Star Trek has had its ups and downs throughout its existence, and there have been definite dark periods, such as during most of the 1970s when the original TV show was cancelled in 1969 and what kept the franchise relevant in the following decade were an animated TV show and a dedicated fan base that refused to let Star Trek slip into oblivion.

The film era jumpstarted the franchise in 1979 and reunited the original cast of the original Star Trek and delighted fans as many of the films are still considered to be among the best Trek offerings. However, during the peak of Star Trek’s renewed popularity, a new TV show was created that featured an all-new cast of characters. There was a mix of optimism and dread when Star Trek: The Next Generation (TNG) debuted because it did not feature the original cast and many of the early episodes were quite dull and/or bad. But TNG found its footing and heralded the greatest period for Star Trek in the 1990s. Two additional TV shows, Star Trek: Deep Space Nine (DS9) and Star Trek: Voyager, were launched and are beloved to this day with many fans arguing that DS9 was the best Star Trek TV show ever. Also during this decade the TNG cast graduated into their own film series.

Unfortunately, the well began to run dry in the 2000s as those shows ended and the TV series Star Trek: Enterprise showed a decline in quality and interest began to die off. After Star Trek: Enterprise was cancelled in 2005 and the last TNG film, Star Trek: Nemesis, flopped at the box office, the TV franchise went into a dormant period that lasted a decade. Paramount veered back into the films with a reboot that recast the original characters in 2009. This reboot was at first very successful, but it had its detractors who pointed out how dumbed down the new films were because they focused more on action than story. By the time, the third and final reboot film, Star Trek Beyond, premiered the film series came to an abrupt halt as the film failed at the box office.

Amid mergers and other business dealings, Star Trek was ignored at least as a TV series until 2016. During this time period, fandom produced unofficial short films about Star Trek. Unlike in the past, many of these shorts were very well made and even featured the actors from the TV shows with many shorts that served as sequels to past episodes and one of these unofficial series, Star Trek Continues, actually concluded the original five-year mission of the original Star Trek and led into the original film era. It was a golden age for Trek fandom as the fans took the show for themselves and did what the corporate owners were unwilling to do. The best known of these and arguably the most professional-looking short film was Prelude to Axanar, which was told in the format of a documentary feature in the Star Trek universe that chronicled a war with the Klingon Empire. As the short film achieved acclaim, plans were set into motion to create a feature-length amateur film, Axanar, which would have been about this war. Then Paramount got involved.

Of course, good things like this couldn’t last and naturally the corporate owners feared they were being upstaged by fans and even more importantly did not like the fact that the people behind Axanar were actually trying to make a profit from their endeavor. Enter the studio lawyers. On November 2015, the makers of Axanar and many other amateur Trek film makers were slapped with cease-and-desist demands from Paramount’s lawyers, which marred the celebration of Star Trek’s 50th anniversary. Not even the announcement of a new TV show could erase the ill will Paramount created with their lawsuits. Paramount’s position was that they did not want anyone else trying to profit from their franchise or taking attention away from their upcoming TV show. Eventually the film studios and the amateur filmmakers settled and the result was quite severe for fans. They were given very strict guidelines that made it impossible to produce quality films. For example, they could not hire actors who appeared in official Trek TV shows or films, the films’ lengths were limited to about 15 minutes and not be longer than two parts, the word Star Trek could not appear on the film titles and the filmmakers had to use official merchandise and could not profit in any manner from their efforts.

After a good amount of fandom were slighted, Star Trek: Discovery premiered on the streaming app CBS All Access (later renamed Paramount +), and it sharply divided fans. Sure, the production design was gorgeous and rivaled anything seen on film, but the stories and characters were lacking. But more importantly, Star Trek: Discovery did not feel like Star Trek with its cynical characters, the non-stop swearing and focus on dark storylines. Still, it was successful enough to encourage the creation of more Star Trek TV shows, which led to a new age for the TV shows. The quality of the subsequent TV shows varied from great to meh with some series like Star Trek: Picard, Star Trek: Prodigy, Star Trek: Lower Decks, and SNW having both great and mediocre episodes. Eventually, the TV shows came to an end with the last ones being SNW and Starfleet Academy, which have both being cancelled, and nothing certain to follow up.

There are talks about a proposed Star Trek: Year One, which would be about the adventures of a young James T. Kirk during the early days of the Enterprise’s five-year mission, but most fans have their hearts set on a potential show called Star Trek: Legacy. This would be a sequel to Star Trek: Picard, which was very well received in its final season thanks to showrunner Terry Matalas, who understood what made Star Trek work. But for whatever reason, Paramount refuses to consider this even though the reception from fans to Star Trek: Year One has been very lukewarm. The fans have been very vocal that they do not want another series focused on the early days of Starfleet and Captain Kirk, or a series set in the unpopular distant future of Starfleet Academy and Discovery. Instead they want a series set immediately after the TNG/DS9/Voyager era.

Many fans point the blame for the franchise’s current twilight to showrunner Alex Kurtzman. He helped shaped Star Trek: Discovery and is the current executive in charge of Star Trek TV shows. Many of them feel that he does not understand what made Star Trek so beloved in the first place and want a new showrunner for the franchise.

That could come very soon since Kurtzman’s contract will expire in August 2026 and there are rumors that his contract may not be renewed. There are many reasons why Paramount Skydance would not want to renew the contract and it is not necessarily because Kurtzman made Star Trek “woke”. Right-wing critics of current Trek should note that the franchise has usually been progressive ever since the original show. Star Trek famously featured an integrated multiracial crew with people of color in command positions, it’s just that this is the kind of thing that is taken for granted today, but back in the 1960s this was revolutionary. No, the reason for not renewing Kurtzman’s contract and moving away from future TV shows could be blamed on the cost. The current TV shows have topnotch special effects which means they are expensive to produce. The cost would be justified if the ratings for the shows were high, but they are not, Star Trek: Starfleet Academy did not do well ratings well and it was too expensive to continue making it. Perhaps the film studio believes that another mastermind could come in and bring fresh ideas and more importantly be more economical. So who could they hire? Here are some possibilities:


Terry Matalas:The showrunner of the third and best season of Star Trek: Picard is a fan of the franchise and knows how to create great stories and characters. He’s had experience executive producing other sci-fi shows like 12 Monkeys and is currently producing VisionQuest. So depending on how VisionQuest is received (and gets renewed), he may be too busy to tackle Star Trek: Legacy or any other Trek show, but he still must be strongly considered.


Manny Coto: Another executive producer who nearly pulled off a miracle and produced the best season of Star Trek: Enterprise. Sadly the show was cancelled just as Coto helped breath new life into it and he had interesting ideas for future seasons. It’s been a long time since he was involved with Star Trek but his efforts with Star Trek: Enterprise earns him a shot a bringing in a bold new approach to the franchise that respects its core essence.


Jonathan Frakes: The former TNG actor has had a prolific career as a director and executive producer. He directed many acclaimed Trek shows during the 90s and current era and certainly has a handle on crafting compelling stories and characters. His deep Trek background and behind-the-scenes experience should make Frakes a strong contender to take over the Star Trek franchise.


Ronald D. Moore: The legendary showrunner of the popular Battlestar Galactica reboot and the current series, For All Mankind and Outlander, got his start with the TNG era of Star Trek. As executive producer for TNG, Moore wrote some of that show’s best episodes which were grounded yet adhered to Trek’s unique nature. Moore is a fan favorite and his taking over of the franchise would bring back many who have given up on it.

Seth MacFarlane: The prolific writer, producer and actor for all intents and purposes created his own version of Star Trek with The Orville. This show is clearly patterned after Star Trek, but it does not just ape the show but demonstrated that a modern Star Trek show could successfully tell stories that evoke the best aspects of the older Star Trek shows with modern production values and solid scripts and characters.


Mike McMahan: He had great success with the animated Trek comedy Star Trek: Lower Decks, a show which wound up being a love letter to all things Trek. The only drawback is that his show was comedic and the studio heads may hesitate to promote someone with this background to more serious TV shows.


Mike Sussman: This former writer from Star Trek: Enterprise helped conceive a new political Trek drama starring Scott Bakula that would serve as a sequel to Star Trek: Enterprise and focus on its lead character’s time serving as president of the United Federation of Planets. If the show is successful, it could help move Star Trek away from its current concept of starship crews exploring space.

While Star Trek seems to be in its twilight, fans should not despair. The franchise has reached the end of a period and will have to undergo a process of rest to create demand. This period should be used to reflect on how to reinvent the franchise with bold new approaches, stories and characters that will bring back the fans. Fans should keep in mind that Star Trek has had its dormant periods but always bounced back reinvigorated. It’s just a matter of knowing when this will happen. Fingers crossed that we won’t have to wait too long.

José Soto

Mar 22 2026

The Emotional Journey Of Project Hail Mary

Project Hail Mary is the big-screen adaptation of Andy Weir’s book of the same name and stars Ryan Gosling as Dr. Ryland Grace, a science teacher and former molecular biologist recruited by an international space agency to journey to the star system of Tau Ceti to investigate a strange phenomena. What he finds at his destination or rather who he encounters forms the emotional core of this uplifting sci-fi film.

Grace’s story on Earth is told through flashbacks where we learn that the sun is slowly starting to dim because of these interstellar microorganisms called astrophage. They form a line to the planet Venus because the planet’s atmosphere of dense carbon dioxide allows them to breed, but they are slowly consuming the sun’s energy and in 30 years, the Earth will suffer a catastrophic global cooling that threatens life. Grace, who discovers that the astrophage are alive, learns that all the nearby stars are undergoing the same situation except for Tau Ceti and he is recruited to join the crew of the spaceship, Hail Mary, on a one-way voyage to investigate why the star is still intact.

After he arrives and is awoken from cryosleep, Grace finds out his crewmates died during the voyage and that an alien spaceship is approaching the Hail Mary. The spacecraft is piloted by a non-humanoid, possibly silicate-based, being that Grace nicknames Rocky (voiced and animated by James Ortiz) because of his rock-like appearance. After some back and forth in learning to communicate with each other, Rocky informs Grace that he is also the sole survivor of a mission from his world 40 Eridani, which is also infested with the astrophage. Together, the two beings work to find out why Tau Ceti is not dimming, how they could save their worlds, and along the way, the two also form a close friendship.

Putting aside the stunning special effects and that Project Hail Mary is unafraid to dwell on actual science, the most engaging aspect of the film is the relationship between the two beings. It is inspiring to see these two go through herculean efforts to learn to communicate, learn about their cultures, and form an unlikely friendship. The two were lonely in their quests and had to find some kind of emotional connection to help drive their efforts to save their worlds.

Of course, what sells this friendship is Ryan Gosling’s emotional performance and his interactions with Rocky. Gosling should be applauded in one of his strongest performances for engaging audiences as a flawed but likeable and lonely man who is able to connect with the strange alien. What’s amazing is that Rocky was largely brought to life with a puppet instead of CG, and this is why we are able to emotionally connect with him. For a strange, five-legged rock creature, Rocky feels not just alive but as a genuine sentient being that we come to care about. This was best seen at certain points in the film when the two made personal sacrifices to save each other.

One thing to note is that though Project Hail Mary is very emotionally intense at times, it is still very uplifting and showcases the best of humanity. Sure, Grace has his doubts and fears like the rest of us, but he is able to convey a sense of goodness that wins out in the end. In addition to the heartwarming relationship, the film is a visual wonder that explores the beauty of space, and the wonder of Earth. It’s just a bit regrettable that we did not get to see much of Rocky’s world or his spaceship, but that would have probably made this long film even longer!

Project Hail Mary is an emotional triumph that puts the heart into space exploration and first contact. Directors Phil Lord and Christopher Miller and screenwriter Drew Goddard have put together an engaging sci-fi wonder that must be celebrated for engaging audiences and instilling a sense of awe, warmth, and friendship across the stars.

Feb 9 2026

Requiem For The Sisko

Ever since the Star Trek: Deep Space Nine (DS9) series finale, “What You Leave Behind”, aired in 1999, many DS9 fans wondered what became of Starfleet Captain Benjamin Sisko. In the closing moments of the final episode, Sisko sacrificed himself to prevent his arch-nemesis, Gul Dukat, and the evil Pah-Wraiths from trying to take over the galaxy. But there was more to his final noble act.

Even though Sisko was seemingly incinerated in the Fire Caves of Bajor, he was actually transported into the interdimensional realm within the Bajoran wormhole by the non-corporeal beings that reside there. He was told by his mother (who was actually one of these beings) that he would exist in the timeless realm and become one with the beings who were called Prophets by the Bajorans, who also worshipped them. During the run of DS9, Sisko was seen by the Bajorans as an important religious figure and referred to as the Emissary of the Prophets because of his prophesized connection to the Prophets. We next see Sisko appearing in a vision to his wife Kasidy and he promised to return one day. That was the last time we saw Benjamin Sisko, although in the non-canon comic books, novels and such, he did appear after the events of “What You Leave Behind.”

The mysterious fate of Benjamin Sisko, or The Sisko, as the prophets call him, was the main plot of the fifth episode of Star Trek: Starfleet Academy, which just streamed. The episode “Series Acclimation Mil” focuses on SAM, a holographic or photonic being who is a Starfleet cadet, but is also an emissary to her people. She is struggling to explain corporeal beings to her people, who are all photonics, and she decides to study Sisko since he also was an emissary. Before long, SAM becomes obsessed with trying to solve the mystery of Sisko’s fate.

Spoiler alert: SAM never learns what became of Benjamin Sisko, although she gains new insight into the Star Trek legend, both as a man and as a religious figure. That alone was worth the effort for SAM because her study helped her understand humanity a bit better while the audiences got some intriguing insights to the world of Star Trek: Deep Space Nine after the finale. “Series Acclimation Mil” is littered with many fascinating Easter eggs related to DS9 and Benjamin Sisko and how the show and its main character are remembered far into the 32nd century.

Probably the best part of this episode of Star Trek: Starfleet Academy was when the actor Cirroc Lofton reprised his role of Jake Sisko, Benjamin’s son, but now as a fully grown adult. He appeared first in a hologram where he is interviewed about his father. But more poignantly, he appeared later as an interactive hologram to SAM and we learn that Sisko never returned, although he is still in Jake’s heart as it should be.

Another nugget thrown our way was the revelation that the instructor that helped SAM in her study was a new incarnation of Dax, Illa Dax. She still fondly rembered her old friend Ben, and was played by Tawny Newsome under tons of alien makeup. Then there was the virtual visit to the Sisko Museum in New Orleans, which is littered with many items from the TV show.

The way the episode ended was very touching. As SAM looks off into the sunset and thanks Sisko, we hear a line of poetry from Avery Brooks, who played him. The screen faded to black and the words “Thank you, Avery” appear along with the majestic theme song from Star Trek: Deep Space Nine to accompany the closing credits. It was a a heartfelt tribute that should delight DS9 fans.

It’s a shame that it has taken decades for Star Trek to getting around to revisiting the world of Star Trek: Deep Space Nine, considering that it is regarded by many to be the best Star Trek TV show. Unfortunately given that many actors from the show are no longer with us and Avery Brooks has retired from acting, we may never see a DS9 reunion. However, the powers-that-be could always figure out how to bring back the remaining actors for a special or a limited series. If Paramount could greenlight garbage like Star Trek: Section 31, they can give us a story about DS9. For example, even though recorded history stated that Benjamin Sisko never returned, there could be a story where he did return after Jake made the hologram. Or maybe after Sisko returned, his loved ones like Jake and Dax swore to never reveal this fact. We may never know for certain. This enigma about The Sisko’s fate was one of the best aspects of “Series Acclimation Mil” since it was left as an unsolved mystery and a fitting tribute to both Sisko and Star Trek: Deep Space Nine.

Feb 1 2026

The Unexpected Surprise Of Wonder Man

Wonder Man is the latest Disney+ Tv show based on the Marvel Cinematic Universe (MCU) and it is so unlike the typical MCU project, which can be either a pleasant surprise for some or disappointing for fans expecting your typical superhero fare. No matter how a viewer may judge the show, it has to be admitted that it is different.

Yahya Abdul-Mateen II stars as Simon Williams a down-on-his-luck actor in Hollywood looking for his big break and learns that an ‘80s sci-fi action film, Wonder Man, is being remade by the renowned eccentric director Von Kovak (Zlatko Burić). Simon is eager to be cast in the title role because it was a favorite film of his when he was young. What needs to be mentioned is that he learned about the role from Trevor Slattery (Ben Kingsley), the disgraced actor who was jailed for portraying the terrorist, the Mandarin, in Iron Man 3.

The two actors form an unlikely bromance as the elder actor mentors the younger one about being a true thespian and how to navigate the Hollywood filmmaking landscape. Unfortunately, Trevor was forced to initiate the friendship with Simon because he was arrested by the Department of Damage Control (DODC) for escaping jail and was promised his freedom if he entrapped Simon. The DODC suspects Simon of harboring superpowers and wants to jail him for being dangerous and to meet quotas. Meanwhile, Simon, who actually has superpowers, is desperate to keep his powers a secret from everyone because superpowered people are banned from acting in Hollywood and obviously his acting career would be over if the world learned his secret.

That is basically it about Wonder Man. Anyone expecting superhero escapades and world-ending threats will be sorely disappointed. There are not even any pesky villains or any deep connections to the MCU aside from Trevor and the DODC. So, the TV show can be enjoyed and understood by non-MCU fans. Anyone with an open mind will find out that Wonder Man is an enjoyable and slightly humorous look at the plight of modern actors. In many ways, the TV show is Marvel Studios’ version of Entourage or The Studio but not as comedic, but that’s fine. The emotions are in the right place and anyone can’t help but feel for Simon as he navigates his life and the quirky people he meets. We get enough details about Simon to relate to him, which was best seen in the episode “Pacoima” where Simon visited his mother (Shola Adewusi) for her birthday and had to defend his acting career, especially with his older brother Eric (Demetrus Grosse). Highlighting that episode was the classic sitcom trope of the main character’s buddy, in this case Trevor, tagging along for the family gathering.

What helps Wonder Man tremendously is the terrific and genuine chemistry between Abdul-Mateen II and Kingsley. The two have great rapport with each other and the friendship between them feels very authentic and natural. Kudos, of course, go to both actors, and Kingsley turns in one of his best performances and this MCU vehicle is the best one to showcase Trevor. It would be a crime if we never saw the duo again since they light up every scene they are in.

The future for Wonder Man is unknown at this time, since Marvel Studios has reduced their offerings in light of recent disappointments. Unlike other MCU TV shows, this one was released with all eight episodes simultaneously, which implied that Disney did not have confidence in the TV show. But anyone dismissing it for that reason would be mistaken since it is one of the better MCU TV shows that tried something different that worked thanks to the talent in front and behind the cameras. This is a case where being different worked for Marvel Studios. As long as the talent is there, they should do more of this.

Wonder Man is under the Marvel Spotlight label, which implies it was just a limted series. But even if a second limited series never comes to fruition, Simon and Trevor deserve to be seen again whether dealing with Hollywood politics or L.A. living or just shooting the breeze in a movie theater as they discuss film and TV shows. Besides, without giving anything away about the final episode, anyone who enjoyed Wonder Man should know what else happened to Simon and Trevor.

José Soto

Jan 18 2026

Beyond Avatar: Fire And Ash

There have been many questions from those who saw Avatar: Fire and Ash about the state of affairs following that film and more importantly if we will see another Avatar sequel. James Cameron, the director and creator of the Avatar films said at the time of the release of Avatar: Fire and Ash that future films would depend on the third film’s box office performance. Since then, the film has proven to be an undeniable hit, having grossed $1.3 billion and climbing, but is that enough and where would the Avatar saga go? There will be spoilers ahead for Avatar: Fire and Ash.

After the Fire and Ash

When Avatar: Fire and Ash finished, the human colonizers were dealt a huge defeat by the native Na’vi of Pandora, but they were not driven off the world. Meanwhile, the human teen Spider was accepted by the Na’vi as one of their own, and his new ability to breath Pandoran air indicated that humanity would be able to adapt biologically to live on Pandora. This was what Jake Sully and his lover Neytiri feared would happen because humanity was desperate to flee a dying Earth and settle on a new world. It is all but certain that despite their defeat, more humans would show up in waves to settle on Pandora.

Then there were unresolved personal issues faced by the main characters. Although many arcs were resolved such as Neytiri’s hatred of humans and Jake Sully accepting his destiny as Toruk Makto, the warrior leader who would unite the Na’vi tribes against the humans, others were left incomplete. Namely, Sully’s children with their own stories, the fate of his enemies Quaritch and Varang, and what would ultimately come of the human/Na’vi relations. Yes, we saw Quaritch plunge to his fiery death at the end of the film, but come on we saw him killed by arrows to the heart in the first film, drowned in the second, so the powers-that-be will concoct some way to resurrect him.

Regarding Quaritch and the Na’vi

Quaritch has become one of the most interesting and nuanced characters in the Avatar films. Originally, he was a one-note villain in the first film that was killed off, but after his memories were implanted into a Na’vi avatar in the second film, his character became more intriguing. Quaritch hates the Na’vi and actively fights for the humans, but he is actually one of the Na’vi now. Yet, he refuses to open his eyes and acknowledge the wonder of Pandora as Sully chided him in the third film. The actual Quaritch died in Avatar and for all intents and purposes the Na’vi replacement has the opportunity to chart a new course but is stuck in his old ways. However, in the third film there were signs of Quaritch starting to soften his ways. This was best seen with his wanting to establish a relationship with his human son, Spider, who adopted Na’vi culture. He also began to “go native” when he began a sexual relationship with Verang since they shared a common bloodthirst for violence. Then there is also the fact that he ignored the orders from his human military leader, General Ardmore, who was more openly disdainful of Quaritch, Verang and her tribe. The natural progression for Quaritch in the final two films would be for him to have a change of heart and side with the Na’vi and probably sacrifice himself to either save Spider or Pandora or even the child that he would have conceived with Verang. Given how Quaritch has become such a great character it would be a shame if we never see him again.

As for the Na’vi, the humans are still on Pandora and more will come. How can they survive this? In our history, whenever a culture encountered one with a high-level of technology, they would end up being defeated in the long run. The Na’vi are a non-industrial society that consider the use of metal weapons to be taboo and won’t use them, except for the Ash People who were all too willing to use human armaments to fight their fellow Na’vi. But we’ve seen traditional Na’vi starting to use human technology. In Avatar: The Way of Water, Sully led a raiding party who quickly stole human weapons and used them against the humans. Neytiri herself even began to use Na’vi weapons modified with human technology to rescue Jake in the third film. This enforces a theme that in order to survive one must be willing to adapt. This theme of adapt or die was also shown when the powerful aquatic tulkuns abandoned their pacifistic ways to fight the humans who were slaughtering them. No matter what ultimately happens the Na’vis are forever changed by the arrival of humans.

One nagging situation with the Na’vi is their origin. On Pandora, the native fauna have six limbs, no nostrils, two neural queues, and two sets of eyes. Despite their blue skin and gigantic nature and tails, the Na’vi are more human-like with four limbs, nostrils and one set of eyes. We have not had an explanation as to why the Na’vi are so biologically different from other Pandoran lifeforms. This implies that the Na’vi may not be natives of Pandora. They could have come from another world perhaps under similar circumstances to the humans or they were stranded there. Perhaps they were more technologically oriented and abandoned this lifestyle to become more attuned to the land and eventually forgot their origins. This would be a fascinating plot to explore in the fourth or fifth film and point a way towards humanity’s destiny of learning to live harmoniously with the land.

Humanity’s Fate

Then there is the nagging question of will the humans be able to live on Pandora peacefully with the Na’vi? Instead of using MacGuffins like unobtanium to explain why the humans are so set on razing Pandora, the fourth and fifth film should focus more on humanity’s desperate mission to find a new world. This could lead to ethical questions on both sides. It’s one thing to fight back hard against invaders from the sky out to plunder your world but it’s another to attack families with children who are only looking for refuge. Sure, Verang and her Ash People would not hesitate to kill any human but would others like Neytiri be willing to go that far?

As for the humans, we have to see more people that are against the military/corporate factions who are too eager to kill Na’vi and pillage Pandora. It’s unrealistic to think that most of the humans in the Avatar films are evil scumbags. We saw more signs of humans fighting for the Na’vi in the earlier films with Sully himself, a few allies, and in the third film when the marine biologist Dr. Ian Garvin helped Jake escape from jail and warned him of a pending tulkun slaughter. But we need to see some kind of redemption for the whole of humanity. They have to take a stance and find a way to live harmoniously with the Na’vi.The next films could have a development were a faction of the colonizers rebel and fight on the side of the Na’vi. One really awesome sequence could have several of the arriving ships from Earth unexpectedly attacking other human ships. Then these rebel ships could land on Pandora and the humans emerging from them could declare their allegiance to the Na’vi.

On that note, if there is never another Avatar film, we do have an ultimate conclusion of sorts to the Avatar Saga. In Pandora, the World of Avatar, the Avatar-themed land in Disney’s Animal Kingdom, it takes place generations after the Avatar films and both species now exist peacefully with each other. If that won’t suffice, Cameron himself promised to hold a press conference and reveal the end of the saga and even write a novel about it.

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