Alternate Superheroes & Casting For The DCEU

We’ve been hearing a lot of news about the Flash solo film which is rumored to reboot the DC Extended Universe (DCEU) by loosely adapting the DC Comics mini-series Flashpoint where the Flash time travels and ends up altering his timeline. Evidence of this comes from the fact that Michael Keaton will reprise his role as Bruce Wayne/Batman, who last appeared in 1992’s Batman Returns.

Surely, Keaton returning cannot just be the only actor from a non-DCEU film whou could return. The film is also a great platform to explore never-before-seen alternate versions and castings of our favorite DC heroes or for returning non-DECU favorites. In the same manner that we explored earlier this year alternate castings of Marvel superheroes, here is a list of alternate castings and versions of DC characters that should appear in The Flash. BTW, this includes actors reprising their roles of characters who appeared in non-DCEU films. Be sure to drop a comment on your own choices!

10. Adrianne Palicki as Wonder Woman/Diana Prince

Fans will remember that Palicki was cast as the Amazonian princess in a failed TV pilot spearheaded by David E. Kelly. Despite the flaws with the pilot, Palicki still deserves to showcase her take of Wonder Woman. The same goes for Olga Kurylenko who was considered for the role in the DCEU, but lost to Gal Gadot.

9. The Titans

Officially designated as been on Earth-9 in the DC live-action multiverse, this gritty version of the Teen Titans shoule be given the chance to appear briefly in The Flash. Their appearance would be an organic way to help promote their TV show, Titans, since it is one of the better DC superhero TV shows currently streaming.

8. Ryan Reynolds as Green Lantern/Hal Jordan

Ten years later, everyone is still trying to forget the misfire that was called Green Lantern, which starred Ryan Reynolds. Keep in mind, that Reynolds was not what was wrong with the film and it would be a fun sight gag to see Reynolds return, especially after the casting was lampooned in Deadpool 2. Another twist would be to recast the cosmic superhero with Chris Pine, who was up for the role during the film’s development.

7. Christian Bale as Bruce Wayne/Batman

Rumor had it that if the film studio (Warner Bros.) was unable to convince Michael Keaton to reprise his role, then they would have turned to one of the most revered actors who portrayed the Caped Crusader, Christian Bale. Still, after Bale swore he was done with the role after The Dark Knight Rises, it would have taken a lot of negotiations and money to get him to return, but man that would have been a great payoff!

6. Stephen Amell as Spectre or Oliver Queen/Green Arrow

It’s no secret that Stephen Amell’s performance as the CW’s Batman stand-in, Green Arrow in the recently cancelled Arrow, helped elevate the superhero into an A-lister, at least for the CW. Plus, he turned in a respectable performance as Spectre in the Crisis on Infinite Earths crossover event that deserves to be seen again, but on the big screen with better production values and effects. The same goes for his version of Green Arrow.

5. Bryan Cranston as Lex Luthor

One of the biggest miscastings in superhero films was when Zack Snyder picked Jesse Eisenberg to play the iconic Superman villain Lex Luthor in Batman v Superman: Dawn of Justice. The prefered choice by fans was that of Bryan Cranston who was so chilling in Breaking Bad, and the fantasy casting was not just because Cranston’s Walter White was bald. It was because of his intense and riveting performance which is still remembered to this day. His potential appearance could go a long way to convince the filmmakers to recast the role more appropriately.

4. Nicolas Cage as Clark Kent/Superman

Never mind the missed opportunities with Joe Manganiello and Matthew Goode as Superman in Man of Steel. We want to see the outrageous! Tim Burton’s aborted take on Superman has been chronicled everywhere with the bizarre reimaginings of the Man of Steel right down to the casting of Superman with Nicolas Cage. Fans have been aghast with the behind-the-scenes test footage of cage sporting long hair and a very plastic-looking Superman outfit. How could this vision not be allowed to be glimpsed at least once? Besides it would fullfill Cage’s dream of playing the Man of Tomorrow

3. George Miller’s Justice League: Mortal

Acclaimed director George Miller was so close to filming his take of the Justice League before events doomed the project. Ever since more details came out about the film, fans have been intrigued by what might have been since Justice League: Mortal predated the DCEU and focused heavily on the Flash. We will never see Miller’s vision but an appearance by his version of the Justice League, complete with his casting picks (including Armie Hammer as Batman), would be a small consolation.

2. Grant Gustin as Barry Allen/The Flash

The best thing about the CW crossover event, Crisis on Infinite Earths, was when Ezra Miller (who will reprise his role in The Flash) briefly appeared in one scene and met the current TV version of the Flash, played by Grant Gustin. It would be a hoot if the scene was revisted in The Flash but from Miller’s point of view and it would be even better if Gustin later played a role in the film along with John Wesley Shipp who appeared as the Scarlet Speedster in the 1990s live-action TV show, The Flash.

Josh Brolin as Bruce Wayne/Batman

Before Ben Affleck was cast as the newest Dark Knight in Batman v Superman: Dawn of Justice, Josh Brolin was seriously considered for the role. While Affleck defied expectations and turned in a memorable performance as Batman, we cannot stop wondering how Brolin’s interpretation of Batman would have been like. Of course, we have an idea of how Brolin would have fared thanks to his previous experience in superhero films as he played Thanos and Cable in Marvel films. So, portraying Batman should come naturally to this gifted actor. Another possibility would be to have Jeffrey Dean Morgan reprise his role as Thomas Wayne in the DCEU, which would more closely adapt the Flashpoint story line.

José Soto

Zack Snyder Presents His Idealized Vision Of Justice League

Zack Snyder’s Justice League is the culmination of over three years of an internet campaign that started soon after the release of the much-maligned Justice League from 2017, a movie that I personally liked, but that was seen as not in tune with the previous two movies directed by Snyder that came before it, Man of Steel and Batman v Superman: Dawn of Justice. Joss Whedon was brought on to finish and reshoot much of what Snyder had done after he left the project due to the death of his daughter. The rise of streaming services, in this case HBO Max has allowed this long-awaited version to be completed and finally see the light of day.

The basic plot points from the theatrical version of Justice League are the same here. Batman gathers together the Justice League by seeking out Aquaman, the Flash and Cyborg with the help of Wonder Woman, resurrecting Superman and confronting Steppenwolf. He is an alien attempting to steal ancient technology called the Mother Box, which is hidden throughout the world in three parts and if the parts are united he will be able to conquer Earth in the name of his master, Darkseid.

The differences between Zack Snyder’s Justice League and the theatrical Justice League are the fact that the Snyder cut is a much deeper experience with backstory added for each character, especially Cyborg whose relationship with his father is given center stage on many occasions, as well as The Flash rescuing his future love interest Iris West, and Aquaman speaking with his mentor Vulko, who was previously seen in the Aquaman standalone movie. We had glimpses of these backstories in the theatrical version, but with its studio-mandated two-hour running time, things had to move at a quicker pace. The extra time in the Snyder cut allows for more of these characters to be established which makes it an enjoyable experience, provided you have four hours to spare. The fact that this is meant to be seen at home is a big plus since you can stop and start at anytime. This is helpful due to the fact that the first two hours set everything up, which can make the film seem slow.

The action picks up at the halfway point in an underground tunnel battle, which shows the League fighting as a group for the first time. The fight scenes are more visceral in this version and are a highlight. This is also true for the other action scenes, such as Superman’s resurrection and battle with the other League members, and the final showdown with Steppenwolf. Speaking of which, the main villain has undergone a redesign and has a kind of flowing metal armor which is more interesting and menacing than his design in theatrical cut. Another highlight is the on-screen, live-action premiere of DC supervlillain Darkseid, who is shown in his home world directing Steppenwolf in his quest to unify three Mother Boxes to conquer Earth. This whole plot point is fleshed out in this extended version and explains Steppenwolf’s obsessive desire to acquire these artifacts and sets up Darkseid’s attempt to conquer all of existence. This is one of several other plots that are hinted at in the original version, such as Lex Luthor teaming up with Deathstroke to take on Batman, as well as the onscreen debut of Martian Manhunter, who warns Batman’s alter ego, Bruce Wayne, of Darkseid’s coming invasion. Lastly, some new scenes showcase the anticipated Knightmare sequence of a future world ruled by Darkseid and an evil Superman similar to the Injustice storyline. Here Batman is leading a resistance and allying with his nemesis the Joker, played by Jared Leto. This finally gives viewers these two versions of the iconic rivals interacting for the first time.

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Superman & Lois Takes Off To A Promising Start

When the latest DC superhero TV show on the CW, Superman & Lois, was announced, many of us shrugged our shoulders based on the previous quality of superhero shows on that network. While the so-called Arrowverse DC TV shows are usually entertaining, they quickly fell into a worn-out formula that catered to the YA audiences of the CW. These shows were known for humdrum cinematography, average-to-obvious CG effects, a quirky support team for the main character complete with a nerdy IT person who talks too much. and a light tone with angst-driven melodrama.

Adding to the preconception about Superman & Lois was this version of Superman (Tyler Hoechlin) was the same one introduced in Supergirl and many fans complained loudly over how the showrunners intentionally made Superman inferior to Supergirl in her show. This was the last thing the character needed in this day and age where he struggles to stay relevant. 

Well, after viewing the pilot episode of Superman & Lois, it is  great to discover that the show, so far, has taken a different approach with an emphasis on quality that approaches what one would see on HBO Max and even on film. 

The pilot begins with a summary of Superman/Clark Kent’s life from the moment he arrived on Earth as an infant to how he met his future wife, Lois Lane (Bitsie Tuloch) and to the birth and raising of their twin sons, Jon (Jordan Elsass) and Jordan (Alex Garfin). During the pilot, a life-altering event occurs which forces Clark to return with his family to his childhood home in Smallville, Kansas. He and Lois find themselves at a crossroads in their lives and careers as they find out being journalists does not offer career or financial security. Real world problems invade their lives. Throughout the episode, Superman investigates a mysterious villain, while the boys struggle with their sense of identity and finding their way in a changing world.

From the start, the show featured exceptional special effects and cinematography, a more mature tone, and actual characters. Tyler Hoechlin turned in a fine performance as Superman and Clark Kent, who is conflicted with his responsibility to his family versus his life as a superhero who is constantly on call. Even though he is invulnerable, can bend steel with his bare hands and is faster than a speeding bullet, Clark still struggles to relate with his teenage sons. One of them has a social anxiety disorder while the other is an up-and-coming jock. These revelations showcase a more vulnerable and relatable side to the superhero, which is needed since he is criticized often for being a perfect boy scout. 

A caveat with the pilot episode of Superman & Lois is that it does feel at times like a CW show, especially when it devotes screentime to the boys. Their moments of teenage angst comes off as an updated version of Smallville complete with the dumb jocks, coy would-be girlfriends and teenage social gatherings that go awry. The partial reveal of the villain’s identity could produce some groans because Superman has a large gallery of villains to pick from that have yet to appear in live action. The episode could have used a bit more humor to liven up the mood. Then again being that the Arrowverse usually goes overboard with humor to the point it detracts from the drama, the more serious tone of Superman & Lois is very welcome.

Another point to be made is that Superman & Lois casts off much of the Arrowverse trappings to the point that it can be argued that it does not take place in the Arrowverse. It takes its inspirations from Man of Steel instead of Supergirl and it shows from the redesign of Superman’s costume to its hand-held photography (it is more brightly lit than Man of Steel, however) to its grittier tone. Be that as it may, Tyler Hoechlin’s take on Clark Kent and Superman is much closer to Christopher Reeve in the early Superman films than Henry Cavill in the recent films. the rest of the cast are also fine in their respective roles. 

Also, there is a terrific nod early in the pilot to the Max Fleischer Superman cartoons and even the first cover image of Action Comics #1 where Superman sports an early prototype costume complete with the red trunks. The cinematography during the opening segments/flashbacks contrast nicely with the current setting and helped set this episode apart from the other Arrowverse pilots. 

The first episode of Superman & Lois is a welcome surprise in a crowded TV landscape of underwhelming superhero shows. The makers realized that unlike the early Arrowverse shows, it is competing with other shows that raised the bar in terms of production values and writing. It is only the first episode and it remains to be seen if it can maintain this tone. The big test will come with the inevitable crossover episodes with the Arrowverse properties. But based on the pilot, Superman & Lois has taken off to a promising start. 

José Soto and Walter L. Stevenson

 

The Greatest DC Hallmark Ornaments

dc ornaments

The Holiday season is when the ornaments based on popular genre start to shine as they adorn our Christmas trees or desks. Hallmark ornaments based on characters from DC comics, films and TV shows are some of the company’s most popular and enduring line of ornaments. Here is a list of the best DC Hallmark ornaments released to date.

10. Beware My Power (2012):

This Green Lantern ornament was clearly inspired by the mediocre Green Lantern film, but it still is a well-sculpted ornament with a nifty feature. Press the button and see the ornament emit a green light as Green Lantern charges his ring and recites his famous oath against evildoers. 

9. The Bat Cycle (2010):

There are many Bat vehicle ornaments released by Hallmark throughout the years. Most of them related to the Batmobile. While the vehicle ornaments are well done, the Bat Cycle is the best of them simply because of the attention to detail not just on the Bat Cycle but the heroes riding it, Batman and Robin.

8. Descending Upon Gotham (2009):

Batman, naturally is the most popular DC Comics superhero done by Hallmark. The Caped Crusader often is shown in dramatic striking poses and this one is his most dynamic one yet as the pose captures him in mid leap ready to go into action.

Superman shield

7. A Symbol of Hope (2017):

The instantly recognizable and legendary Superman symbol stands out from other DC Hallmark ornaments not just for the simplicity of the “S” symbol but because it plays John Williams’ masterful and iconic Superman theme.

6. Wonder Woman (2018):

This DC Hallmark ornament captured the best moment from Wonder Woman as the Amazonian warrior charged the enemy German line during World War I. The pose is quite dramatic and intense as Wonder Woman uses her shield to ward off gunfire.

5. The Bat Symbol (2006):

One of the best DC Hallmark ornaments has a simple yet imaginative feature of having a light projecting a small Batman logo symbol. It may not be as striking as the one Commissioner Gordon uses to summon the Dark Knight but it looks great on any Christmas tree.

4. The Last Son of Krypton (2010):

Most Hallmark ornaments about Superman have him in a flying pose, which after a while becomes unimaginative and hard to tell the difference from each other. This one differs because it shows the Last Son of Krypton in mid-flight throwing a punch, which signifies Superman is doing something heroic and action packed besides flying. 

dark knight returns ornament

3. The Dark Knight Returns (2012):

Hallmark sold many exclusive ornaments in conventions such as Comic-Con. This exclusive is a recreation of Batman as imagined by Frank Miller from his classic graphic novel mini-series, The Dark Knight Returns. Like many Hallmark ornaments this one has a sculpture which is painstakingly accurate down to Batman’s squared jaws  and bulky physique as seen in The Dark Knight Returns. 

2. Comic Heroes #2: Superman (2008): 

Remarkably, this was the only ornament in Hallmark’s short-lived Comic Book Heroes series to feature a DC Comics superhero. This ornament doubled as mini-comic book with a 3D sculpture in the front cover of Superman bursting through the pages of his comic book, which retold his origin story. It’s too bad, Hallmark never got around to doing such an ornament about Batman and a mini-comic book from his line. 

 

1. Batman v Superman: Dawn of Justice (2016):

Actually this diorama is made up of three separately sold ornments featuring Batman, Superman and Wonder Woman as seen in the controversial film Batman v Superman: Dawn of Justice. These ornaments can be displayed separately or put together to form a diorama which represents how the heroic trio joined forces in the film and inspired the formation of the Justice League.The poses and sculpts are excellent as the DC superheroes strike dramatic poses. 

Honorable Mentions:

The following are huntworthy DC Hallmark ornaments for any fan of the superheroes or quality ornaments whether online or at a random store or flea market. 

Aquaman: Justice League (2017); The Bat: The Dark Knight Rises (2012); The Batmobile (2020); Christopher Reeve as Superman (2019); The Fastest Man Alive (2009); The Flash (2018); Green Lantern (2011); Harley Quinn (2010); Holy Hit TV Show, Batman! (2014); The Joker (2013); The Joker (2015); Princess Diana Returns: Wonder Woman 1984 (2020); Superman (1995); Villain Database (2007)

José Soto

 

DC FanDome Brings The DC Universe To Fans

 

We were robbed of Comic-Con this year thanks to the ongoing pandemic (the less said about their virtual convention, the better). However, comic book and DC fans were entreated to the virtual event DC FanDome which showcase all that is going on with the DC Universe in comics, film, TV, video games and much more.

There were many highlights in the virtual event and many avenues for fans to explore. Visiting the website, one could see there were different sections to view such as the Hall of Heroes, WatchVerse, KidsVerse, InsiderVerse, and so on. The most talked about highlights of course were the exclusive looks at the upcoming DC films and TV shows seen in the Hall of Heroes. For example, we were treated with a new trailer for Wonder Woman 1984 and a glimpse at Wonder Woman’s chief villain, the Cheetah (a bit too CGish but that’s fine). Other clicks revealed the first look at the re-designed Flash suit for the upcoming film of the Scarlet Speedster. Looking at the sleeker suit, it is obvious the DC Extended Universe (DCEU) version of the Flash was clearly inspired by his brief encounter with The CW version of the Flash as seen in his cameo in the “Crisis on Infinite Earths” TV crossover event. Frankly, the new suit is a great improvement as it looks more aerodynamic and befitting of the character.

There also was a lively panel of The Suicide Squad hosted by the film’s director, James Gunn. For the first time the roster of supervillains was revealed and what a motley crew! Leave it to Gunn to pick some of the most obscure and goofy villains for The Suicide Squad. Comic book speculators and collectors will have their hands full trying to hunt down the comics that debuted the likes of the Polka-Dot Man or the Weasel. The panel itself was quite funny and gives fans who were disappointed by the previous Suicide Squad that the sequel will be injected with James Gunn’s humor and be reverant to the original comic book as he promised in the panel.

The suicide squad panel

Director Zack Snyder presided over a presentation of his original vision for Justice League. Featuring appearances from the film’s stars like Ben Affleck (who made news recently when it was revealed he would reprise his role as Batman/Bruce Wayne in the upcoming film, The Flash) and Henry Cavill, who looked really buffed out–a hint that he will return to the DCEU as Superman? After taking questions from fans who championed for his original cut, Zack Snyder unveiled a teaser trailer for Justice League. What stood out is the huge amount of original footage including a new and better version of Steppenwolf, Darkseid and Superman in his black suit. With a running time of four hours, the original vision of Justice League promises to be a true superhero epic.

The other big movie news was the premiere trailer for next year’s film The Batman. What can be said that has not already been written online about this first look at the new Batman film? As it has been said everywhere, this film looks awesome. Easily one of the most anticipated films next year, The Batman seems to be a spiritual successor to the Christopher Nolan Batman films, especially Batman Begins. The film looks gritty and promises to be more of a crime thriller peppered with intimidating scenes with the Caped Crusader.

Aside from giving us previews and first looks at upcoming property, DC FanDome was a celebration of all things DC. The event showcased brilliant and imaginative fan art and cosplayers, which captured the spirit of past conventions. Visitors got to see how influential and widespread DC was as videos showcased fans and creators from all over the globe. The Celebration of DC Pets was really cute, by the way. It was impressive to see how DC captured our imagination. DC FanDome also took time to celebrate the rich and vast history of DC with clips and images from past incarnations of its superheroes and villains.

On a technical level, there were the usual technical glitches that we are all experiencing these days with our Zoom meetings and other video calls, but for the most part, the event went off smoothly and was slickly produced. Their online store, there should have had more variety of merchandise because the only thing on sale were different kinds of t-shirts. But fans were able to read online comics and check out all the things related to DC, whether it be the latest with the DCEU or the thrilling video game Gotham Knights.

The DC FanDome was a great success and was actually better than what could have been done at Comic-Con. For a long while, Comic-Con was too exclusive as tickets to the yearly event were rare and expensive and frustrated nearly all of the fan community who were not privy to view first looks at trailers or concept art. We were forced to scour online for amateur videos taken at Hall H for just a glimpse or an upcoming film. The way DC FanDome was done should be continued in the future and can be done by other companies (hint, hint Marvel) as a way to better reach fans.