Big Changes Coming For DC & The DCEU

This past week Discovery officially took over Warner Bros. and its properties including DC Comics and DC Entertainment. After doing so, the company (rebranded as WB Discovery) announced they were radically overhauling DC Entertainment and its superheroes, specifically their films and TV shows including those of the DC Extended Universe (DCEU). Even though there have been very successful DCEU efforts like Aquaman and Peacemaker, other releases did not exactly hit the high bar when it came to box office sales or critical/fan reception (Wonder Woman 1984). The goal of the restructuring is to make the DCEU genuinely competitive with the Marvel Cinematic Universe (MCU).

This would mean that a head honcho would be hired to oversee the production of DCEU films and TV shows in the same manner that Marvel Studios president, Kevin Feige, does with the MCU. This also implies that the DC films and TV shows will be more coherent and less disjointed, while some once-prominent properties will get more attention. In fact, WB Discovery stated that Warner Bros. allowed top tier properties like Superman “languish” to the detriment of the DCEU and DC.

The Snyderverse and Stalled Efforts

Frankly, the coming changes are a much needed shot in the arm for DC and the DCEU, which has lacked a strong visionary leader. Previous leaders like Walter Hamada, Geoff Johns and Zack Snyder proved to be unable to present a clear direction for their films. Only Snyder came the closest to presenting a vision that was coherent. Unfortunately, Snyder is also a film director and when his Batman v Superman: Dawn of Justice did not impress critics and fans, and Justice League failed to reach the success of The Avengers, he was ushered out of the door by Warner Bros. and the DCEU that he helped create basically fell apart. Part of the problem with Zack Snyder being in charge with the DCEU (or the Snyderverse as some fans called the early films) is that although Snyder is a gifted director, what was needed to oversee the films was a producer in the mold of Kevin Feige. A producer is tasked with the production of films or TV shows and brings a guided vision to entire productions. Directors are focused on individual films first and bring their own stamp to what they film. It is not possible given a director’s schedule to expect him or her to oversee the vision of several films at once.

Even before Snyder’s exit, projects were stalled after big announcements, while conflict occured with many actors and filmmakers. Directors and writers joined and left projects. Then there were the casting headaches Warner Bros. faced from the fact that Henry Cavill, cast as Superman in the Snyderverse, was for all purposes, dismissed to the outlandish and criminal behavior of Ezra Miller, whose film The Flash has not even come out yet. Then there is the fact that The Flash was in perpetual development hell for the longest time as directors and writers exited the film left and right. Now, there are rumors that Miller will be fired from his role and in his situation it would be easy. Since The Flash deals with the title hero time traveling and alternate universes, just reshoot the ending to replace Miller with a new actor. Even Grant Gustin from the TV version of The Flash would be a better choice, although that casting may be too confusing for some.

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Getting Over Recasting Gripes

Recasting roles for films and TV shows has gone on ever since the first roll of film was developed over a century ago. This included many iconic characters like James Bond, Dracula, and Sherlock Holmes. This is a normal thing and widely accepted among filmgoers and TV viewers, but lately there has been so much griping over the recasting and potential recasting of several superhero roles in upcoming films and TV shows. This especially goes for Superman, Batman, and the Black Panther, but there is no need to fret over this.

The most obvious reason for the uneasiness is that many fans are devoted to a certain interpretation and portrayal of the character and cannot move on after an actor leaves that role. They behave like it is the endo of the world and focus on the negative.

It’s funny but most of these fans have very short memories. For example, there is the current issue with Henry Cavill being replaced as Superman in the DC Extended Universe (DCEU) films. Before Cavill was cast, Brandon Routh played the role in Superman Returns and many fans complained about Routh not being allowed to continue the role for Man of Steel and wondered why was he replaced by Cavill. Now, given the mess the DCEU is in, and the clear disdain Warner Bros. has for the current version of Superman and the director that cast the role and set the tone for the DECU (Zack Snyder), it is a certainty that Henry Cavill will be replaced. In TV, Superman is currently played by Tyler Hoechlin in Superman & Lois, and he is receiving wide acclaim for his portrayal of the Man of Steel. So, fans have to face facts, Henry Cavill is not the only person who is allowed to play Superman. There are many capable characters who could pull it off as Hoechlin is now showing and this has gone on for decades. Many thought it was impossible to recast Superman after Christopher Reeve’s iconic performance in his films, yet it was done. To be blunt it had to be done given that Reeve passed away years ago.

Then there is the casting of Batman in the upcoming films, The Batman and The Flash. Originally, the character was played in the DCEU by Ben Affleck, but before that the Caped Crusader was portrayed by Christian Bale and before that by Michael Keaton, Val Kilmer and George Clooney. In another case of short memories, Bale was considered the best actor to play Batman and when Affleck’s casting was announced for the next Batman film, Batman v Superman: Dawn of Justice, it was widely panned. But guess what? Affleck shocked many people with how good he was in the role. Many now claim that at least in that film, Ben Aflleck gave the best interpretation of the superhero.

Sadly, one calamity after another hobbled the DCEU, which is now rumored to be rebooted in The Flash and will likely remove Cavill and Affleck. But, Batman has been played numerous times by different actors who added their own unique interpretations to the brooding superhero which can be enjoyed in different ways. In a few weeks, we’ll see the latest take of the Dark Knight as Robert Pattinson has his turn in The Batman.

In similar situation, the role of Black Panther/T’Challa in the Marvel Cinematic Universe (MCU) might have to be recast in the future and this is creating controversy. The originator of the role, Chadwick Boseman, passed away and Marvel Studios hastily announced that the role would not be recast in honor of Boseman. While this decision is commendable, it put Marvel Studios in a bind. Given the mammoth success of Black Panther, a sequel was inevitable and one is underway, but without the character. The details are under wraps but supposedly another character will assume the title of the Black Panther. This is a sound plot choice but needless. The role of T’Challa could have easily been recast and there plenty of actors who could pull it off. It has happened in the MCU when Mark Ruffalo took over for Edward Norton as Bruce Banner/the Hulk and Don Cheadle replaced Terrence Howard as James Rhodes/War Machine. The MCU did not collapse, people adjusted to the changes and everything went well. So, why not just recast T’Challa? On top of that, the sequel film, Black Panther: Wakanda Forever, is going through a production hell with countless halts and difficulties. The film studio probably regrets not recasting the role and continuing T’Challa’s adventures.

Spider-Man fans also underwent their own bout of negativity when the role was recast twice after Tobey Maguire left the role. At first many complained about Andrew Garfield as the replacement Spider-Man/Peter Parker. He was too Emo, too broody, too much of a wiseguy. Still, he won over many fans who lamented him being replaced by Tom Holland when Spider-Man joined the MCU; and people fell in love with Holland’s version of Spider-Man. Yet, Andrew Garfield earned his redemption in his appearance in Spider-Man: No Way Home. After people could easily compare the three actors together, a consensus is emerging that Garfield is the best Spider-Man, which is fueling talk of him returning to the role.

This development gets to the heart of the gripe. With the other actors mentioned, they never got to do their farewell performance or do a proper goodbye. This gave the impression of lost opportunity and wondering if these actors had more time or a better film then their time doing the role would have been viewed as being more successful. That may be but at least they left a positive impression and a film legacy that can be repeatedly enjoyed.

Alternate Superheroes & Casting For The DCEU

We’ve been hearing a lot of news about the Flash solo film which is rumored to reboot the DC Extended Universe (DCEU) by loosely adapting the DC Comics mini-series Flashpoint where the Flash time travels and ends up altering his timeline. Evidence of this comes from the fact that Michael Keaton will reprise his role as Bruce Wayne/Batman, who last appeared in 1992’s Batman Returns.

Surely, Keaton returning cannot just be the only actor from a non-DCEU film whou could return. The film is also a great platform to explore never-before-seen alternate versions and castings of our favorite DC heroes or for returning non-DECU favorites. In the same manner that we explored earlier this year alternate castings of Marvel superheroes, here is a list of alternate castings and versions of DC characters that should appear in The Flash. BTW, this includes actors reprising their roles of characters who appeared in non-DCEU films. Be sure to drop a comment on your own choices!

10. Adrianne Palicki as Wonder Woman/Diana Prince

Fans will remember that Palicki was cast as the Amazonian princess in a failed TV pilot spearheaded by David E. Kelly. Despite the flaws with the pilot, Palicki still deserves to showcase her take of Wonder Woman. The same goes for Olga Kurylenko who was considered for the role in the DCEU, but lost to Gal Gadot.

9. The Titans

Officially designated as been on Earth-9 in the DC live-action multiverse, this gritty version of the Teen Titans shoule be given the chance to appear briefly in The Flash. Their appearance would be an organic way to help promote their TV show, Titans, since it is one of the better DC superhero TV shows currently streaming.

8. Ryan Reynolds as Green Lantern/Hal Jordan

Ten years later, everyone is still trying to forget the misfire that was called Green Lantern, which starred Ryan Reynolds. Keep in mind, that Reynolds was not what was wrong with the film and it would be a fun sight gag to see Reynolds return, especially after the casting was lampooned in Deadpool 2. Another twist would be to recast the cosmic superhero with Chris Pine, who was up for the role during the film’s development.

7. Christian Bale as Bruce Wayne/Batman

Rumor had it that if the film studio (Warner Bros.) was unable to convince Michael Keaton to reprise his role, then they would have turned to one of the most revered actors who portrayed the Caped Crusader, Christian Bale. Still, after Bale swore he was done with the role after The Dark Knight Rises, it would have taken a lot of negotiations and money to get him to return, but man that would have been a great payoff!

6. Stephen Amell as Spectre or Oliver Queen/Green Arrow

It’s no secret that Stephen Amell’s performance as the CW’s Batman stand-in, Green Arrow in the recently cancelled Arrow, helped elevate the superhero into an A-lister, at least for the CW. Plus, he turned in a respectable performance as Spectre in the Crisis on Infinite Earths crossover event that deserves to be seen again, but on the big screen with better production values and effects. The same goes for his version of Green Arrow.

5. Bryan Cranston as Lex Luthor

One of the biggest miscastings in superhero films was when Zack Snyder picked Jesse Eisenberg to play the iconic Superman villain Lex Luthor in Batman v Superman: Dawn of Justice. The prefered choice by fans was that of Bryan Cranston who was so chilling in Breaking Bad, and the fantasy casting was not just because Cranston’s Walter White was bald. It was because of his intense and riveting performance which is still remembered to this day. His potential appearance could go a long way to convince the filmmakers to recast the role more appropriately.

4. Nicolas Cage as Clark Kent/Superman

Never mind the missed opportunities with Joe Manganiello and Matthew Goode as Superman in Man of Steel. We want to see the outrageous! Tim Burton’s aborted take on Superman has been chronicled everywhere with the bizarre reimaginings of the Man of Steel right down to the casting of Superman with Nicolas Cage. Fans have been aghast with the behind-the-scenes test footage of cage sporting long hair and a very plastic-looking Superman outfit. How could this vision not be allowed to be glimpsed at least once? Besides it would fullfill Cage’s dream of playing the Man of Tomorrow

3. George Miller’s Justice League: Mortal

Acclaimed director George Miller was so close to filming his take of the Justice League before events doomed the project. Ever since more details came out about the film, fans have been intrigued by what might have been since Justice League: Mortal predated the DCEU and focused heavily on the Flash. We will never see Miller’s vision but an appearance by his version of the Justice League, complete with his casting picks (including Armie Hammer as Batman), would be a small consolation.

2. Grant Gustin as Barry Allen/The Flash

The best thing about the CW crossover event, Crisis on Infinite Earths, was when Ezra Miller (who will reprise his role in The Flash) briefly appeared in one scene and met the current TV version of the Flash, played by Grant Gustin. It would be a hoot if the scene was revisted in The Flash but from Miller’s point of view and it would be even better if Gustin later played a role in the film along with John Wesley Shipp who appeared as the Scarlet Speedster in the 1990s live-action TV show, The Flash.

Josh Brolin as Bruce Wayne/Batman

Before Ben Affleck was cast as the newest Dark Knight in Batman v Superman: Dawn of Justice, Josh Brolin was seriously considered for the role. While Affleck defied expectations and turned in a memorable performance as Batman, we cannot stop wondering how Brolin’s interpretation of Batman would have been like. Of course, we have an idea of how Brolin would have fared thanks to his previous experience in superhero films as he played Thanos and Cable in Marvel films. So, portraying Batman should come naturally to this gifted actor. Another possibility would be to have Jeffrey Dean Morgan reprise his role as Thomas Wayne in the DCEU, which would more closely adapt the Flashpoint story line.

José Soto

Zack Snyder Presents His Idealized Vision Of Justice League

Zack Snyder’s Justice League is the culmination of over three years of an internet campaign that started soon after the release of the much-maligned Justice League from 2017, a movie that I personally liked, but that was seen as not in tune with the previous two movies directed by Snyder that came before it, Man of Steel and Batman v Superman: Dawn of Justice. Joss Whedon was brought on to finish and reshoot much of what Snyder had done after he left the project due to the death of his daughter. The rise of streaming services, in this case HBO Max has allowed this long-awaited version to be completed and finally see the light of day.

The basic plot points from the theatrical version of Justice League are the same here. Batman gathers together the Justice League by seeking out Aquaman, the Flash and Cyborg with the help of Wonder Woman, resurrecting Superman and confronting Steppenwolf. He is an alien attempting to steal ancient technology called the Mother Box, which is hidden throughout the world in three parts and if the parts are united he will be able to conquer Earth in the name of his master, Darkseid.

The differences between Zack Snyder’s Justice League and the theatrical Justice League are the fact that the Snyder cut is a much deeper experience with backstory added for each character, especially Cyborg whose relationship with his father is given center stage on many occasions, as well as The Flash rescuing his future love interest Iris West, and Aquaman speaking with his mentor Vulko, who was previously seen in the Aquaman standalone movie. We had glimpses of these backstories in the theatrical version, but with its studio-mandated two-hour running time, things had to move at a quicker pace. The extra time in the Snyder cut allows for more of these characters to be established which makes it an enjoyable experience, provided you have four hours to spare. The fact that this is meant to be seen at home is a big plus since you can stop and start at anytime. This is helpful due to the fact that the first two hours set everything up, which can make the film seem slow.

The action picks up at the halfway point in an underground tunnel battle, which shows the League fighting as a group for the first time. The fight scenes are more visceral in this version and are a highlight. This is also true for the other action scenes, such as Superman’s resurrection and battle with the other League members, and the final showdown with Steppenwolf. Speaking of which, the main villain has undergone a redesign and has a kind of flowing metal armor which is more interesting and menacing than his design in theatrical cut. Another highlight is the on-screen, live-action premiere of DC supervlillain Darkseid, who is shown in his home world directing Steppenwolf in his quest to unify three Mother Boxes to conquer Earth. This whole plot point is fleshed out in this extended version and explains Steppenwolf’s obsessive desire to acquire these artifacts and sets up Darkseid’s attempt to conquer all of existence. This is one of several other plots that are hinted at in the original version, such as Lex Luthor teaming up with Deathstroke to take on Batman, as well as the onscreen debut of Martian Manhunter, who warns Batman’s alter ego, Bruce Wayne, of Darkseid’s coming invasion. Lastly, some new scenes showcase the anticipated Knightmare sequence of a future world ruled by Darkseid and an evil Superman similar to the Injustice storyline. Here Batman is leading a resistance and allying with his nemesis the Joker, played by Jared Leto. This finally gives viewers these two versions of the iconic rivals interacting for the first time.

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Superman & Lois Takes Off To A Promising Start

When the latest DC superhero TV show on the CW, Superman & Lois, was announced, many of us shrugged our shoulders based on the previous quality of superhero shows on that network. While the so-called Arrowverse DC TV shows are usually entertaining, they quickly fell into a worn-out formula that catered to the YA audiences of the CW. These shows were known for humdrum cinematography, average-to-obvious CG effects, a quirky support team for the main character complete with a nerdy IT person who talks too much. and a light tone with angst-driven melodrama.

Adding to the preconception about Superman & Lois was this version of Superman (Tyler Hoechlin) was the same one introduced in Supergirl and many fans complained loudly over how the showrunners intentionally made Superman inferior to Supergirl in her show. This was the last thing the character needed in this day and age where he struggles to stay relevant. 

Well, after viewing the pilot episode of Superman & Lois, it is  great to discover that the show, so far, has taken a different approach with an emphasis on quality that approaches what one would see on HBO Max and even on film. 

The pilot begins with a summary of Superman/Clark Kent’s life from the moment he arrived on Earth as an infant to how he met his future wife, Lois Lane (Bitsie Tuloch) and to the birth and raising of their twin sons, Jon (Jordan Elsass) and Jordan (Alex Garfin). During the pilot, a life-altering event occurs which forces Clark to return with his family to his childhood home in Smallville, Kansas. He and Lois find themselves at a crossroads in their lives and careers as they find out being journalists does not offer career or financial security. Real world problems invade their lives. Throughout the episode, Superman investigates a mysterious villain, while the boys struggle with their sense of identity and finding their way in a changing world.

From the start, the show featured exceptional special effects and cinematography, a more mature tone, and actual characters. Tyler Hoechlin turned in a fine performance as Superman and Clark Kent, who is conflicted with his responsibility to his family versus his life as a superhero who is constantly on call. Even though he is invulnerable, can bend steel with his bare hands and is faster than a speeding bullet, Clark still struggles to relate with his teenage sons. One of them has a social anxiety disorder while the other is an up-and-coming jock. These revelations showcase a more vulnerable and relatable side to the superhero, which is needed since he is criticized often for being a perfect boy scout. 

A caveat with the pilot episode of Superman & Lois is that it does feel at times like a CW show, especially when it devotes screentime to the boys. Their moments of teenage angst comes off as an updated version of Smallville complete with the dumb jocks, coy would-be girlfriends and teenage social gatherings that go awry. The partial reveal of the villain’s identity could produce some groans because Superman has a large gallery of villains to pick from that have yet to appear in live action. The episode could have used a bit more humor to liven up the mood. Then again being that the Arrowverse usually goes overboard with humor to the point it detracts from the drama, the more serious tone of Superman & Lois is very welcome.

Another point to be made is that Superman & Lois casts off much of the Arrowverse trappings to the point that it can be argued that it does not take place in the Arrowverse. It takes its inspirations from Man of Steel instead of Supergirl and it shows from the redesign of Superman’s costume to its hand-held photography (it is more brightly lit than Man of Steel, however) to its grittier tone. Be that as it may, Tyler Hoechlin’s take on Clark Kent and Superman is much closer to Christopher Reeve in the early Superman films than Henry Cavill in the recent films. the rest of the cast are also fine in their respective roles. 

Also, there is a terrific nod early in the pilot to the Max Fleischer Superman cartoons and even the first cover image of Action Comics #1 where Superman sports an early prototype costume complete with the red trunks. The cinematography during the opening segments/flashbacks contrast nicely with the current setting and helped set this episode apart from the other Arrowverse pilots. 

The first episode of Superman & Lois is a welcome surprise in a crowded TV landscape of underwhelming superhero shows. The makers realized that unlike the early Arrowverse shows, it is competing with other shows that raised the bar in terms of production values and writing. It is only the first episode and it remains to be seen if it can maintain this tone. The big test will come with the inevitable crossover episodes with the Arrowverse properties. But based on the pilot, Superman & Lois has taken off to a promising start. 

José Soto and Walter L. Stevenson