Science Fiction & Horror: The Perfect Combination

Science fiction and horror have blended well together like peanut butter and chocolate for a long time. One of the earliest examples is Mary Shelley’s classic literary work Frankenstein, or the Modern Prometheus and the melding continues to this day with assorted books, films, comic books, games and other media. Some of the standouts include the Alien films, I Am Legend, The Tommyknockers, the Predator films, Resident Evil, Event Horizon, The Fly, Dead Space, 28 Days Later, A Quiet Place, The Thing (and its source novel Who Goes There?), etc.

Why have the two genres been able to be combine so perfectly? That is to be debated since there are so many reasons and it may not be clear to many. But it can arguably be due for one factor and that is that the genre combo zeroes in to the fear of the unknown. Think about it, what makes horror so tantalizing is that it addresses what we’re afraid of, and that is ultimately death because it is the great unknown. What lies beyond death? Is it truly the end or the pathway to something truly horrific? Science fiction works have dealt with the nature of death and what it entails. As mentioned before, Frankenstein was all about defeating death and the horror of achieving this as Dr. Frankenstein found a way to bring the dead back to life through scientific means rather than using the supernatural.

Obviously it is the use of science or its grounded setting that sets science fiction horror separate from regular horror. And it is why it can be more unsettling…

With the regular horror genre, anyone experiencing it can take some small comfort with the idea in the back of the head that the horror story is implausible. There isn’t any way that a dead corpse will come back to life and start eating you, and despite all the so-called reality ghost hunting TV shows, the existence of spiritual entities still has not been scientifically proven. With films like The Thing, Alien or A Quiet Place, what makes them so terrifying is that we can encounter extra-terrestrial life that means us harm. Science experiments, research and discoveries that should benefit humanity can lead to disastrous results as seen in The Fly, Nightflyers, Event Horizon, Demon Seed, Blindsight, and The Strange Case of Doctor Jekyll and Mr. Hyde.

Then there is the sub-genre in science fiction and horror of humanity grappling with devastating diseases that falls into horror. Some like The Andromeda Strain are clear cut stories where diseases outright decimates us, but other works uses diseases to bring about body horror tales or create tenuously plausible zombie yarns. Examples include The Fireman, Black Hole, 28 Days Later, Cross, I Am Legend, and the Resident Evil franchise. Of course, saying that the events shown in these works are plausible is stretching things and as with any fictional work requires suspension of belief. But when the stories work and terrify us, they work quite well to the point that our rational brains stop questioning and start reacting to the horror of these stories.

Another thing to consider about how well the two genres blend so well is that the stories are often contemporary or take place in the future. These settings also lend to the feeling that what happens in them are possible. We don’t know that the first alien life we will encounter in the future will try to eat us or that using FTL will open a gateway to a hellish dimension. We cannot say for certain that these horrific events will happen.

What is even more unsettling is that what will actually occur in the future or just a few minutes from now can be far worse than what our puny minds can imagine. It all feeds into fear of the unknown and is why science fiction and horror are the perfect combination for storytelling.

 

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Alien: In Space No One Can Hear You Scream 40 Years Later

This month marks the 40th anniversary of one of the most influential sci-fi/horror films, Alien. Directed by Ridley Scott and written by Dan O’Bannon from a story by O’Bannon and Ronald Shusett, the film shocked and thrilled unsuspecting audiences in theaters and continues to scare us to this day.

Alien is still regarded as a landmark film that successfully merged two of the best genres in cinema, science fiction and horror. Its success is evident in the way that it showcases a universe that seems real and almost used up in a way and draws us in with its terrifying premise. The movie starts with a crew of interesting characters that are in basically an outer space version of a tug ship called the Nostromo carrying ore back to Earth. Their journey is interrupted by a signal from a planet along their path that gets them to stop at a desolate world that houses what turns out to be a parasitic alien life form that impregnates one of their crew and then kills him as it bursts out of his chest in one of the most iconic and horrifying scenes in movie history.

The claustrophobic atmosphere of the ship gives off the vibe of a haunted house in outer space that builds tension as the crew is killed off one by one until only Lt. Ellen Ripley (played by Sigourney Weaver) is left to fend off the creature. The death of Captain Dallas (played by Tom Skerritt) earlier in the film was shocking and let audiences know that no one was safe and ratcheted up the tension even more.

The setting of the movie is also interesting from a sci-fi standpoint. It is very different from previous films that came before it such as 2001, which had a very clean, almost sterile look to it. Alien basically features a group of truckers in space flying what looks like an oil rig, trying to make a living hauling fuel for a faceless corporation that ultimately sees them as expendable.

Alien is set in the near future (early 22nd century), but still has a somewhat familiar feel with the bridge and living quarters having a lived-in look. The tension and mistrust between the crew members, caused by things like pay disputes and later on the threat of the alien, is also realistic and puts the characters in a relatable light. This universe would be expanded in subsequent sequels, some more successful than others, that further explored this unique take on our future that featured colonial marines and prison planets that always had humans facing off against the insidious aliens trying to wipe them out.

Another landmark of Alien is the design of the creature itself. Designed by H.R. Giger, it is both hideous and beautiful at the same time as well as incredibly original. Its dual mouth and razor sharp teeth and skeletal appearance is the stuff of nightmares and stands with any other horror icon.

The slow but methodical way in which the alien kills off the crew of the Nostromo builds the suspense of the film until the very end. The design of the crab-like creature that plants the alien xenomorph in unfortunate crew member Kane is also something that is instinctively unnerving to the audience, as well its brutal way of giving birth to its offspring. Later movies would add some wrinkles to the xenomorph design but the basic look of the creature is still based on Giger’s incredibly unique design.

All of these unique qualities resulted in a new genre of film, sci-fi/horror, which led to such films like Event Horizon, and Life and even influenced other mediums like video games such as popular fare like Doom and Dead Space that also feature humans in space facing off against similar alien threats. Alien’s success also inevitable led to a veritable industry of cheaper knockoffs that has the same basic plot of space crew finding an alien that wipes them out. Obviously none of them could match the seemingly perfect combination of chills, mystery and monsters in space that makes the original Alien still a classic film four decades after its release.

Weaver’s portrayal of Ripley is iconic as well and served as the blueprint for subsequent strong female leads in movies such as Linda Hamilton’s role of Sarah Connor in the Terminator series, Katniss Everdeen, Kira Nerys, Furiosa, and most recently the film version of Alita.

Needless to say, Ripley is one of the many influential aspects of Alien and among the greatest on-screen heroines that re-shaped the role of the female protagonist in cinema.

The franchise spawned by this movie is still ongoing as well, all these years later. The first sequel Aliens is a classic sci-fi action movie. Subsequent entries and spinoffs such as Alien 3, Alien: Covenant, Prometheus, and Alien vs. Predator were not as well received, but I have enjoyed all of them and look forward to more movies that take us back to this rich universe populated by arguably the scariest creatures in space ever imagined.

C.S. Link

The Greatest Sci-Fi Hallmark Ornaments

While Hallmark’s Star Wars and Star Trek ornaments are well known holiday merchandise, we cannot forget the other related Hallmark genre ornaments. No, not the Harry Potter stuff, though those ornaments are great, but the ornaments based on popular science fiction films and TV shows. Although they’re not as numerous as Star Trek and Star Wars ornaments, they’re just as well-crafted. It’s too bad more aren’t produced because these sci-fi Hallmark ornaments are great gifts and additions to any fan’s Christmas tree. These are the best ones created to date, hopefully more will come in the future.

avatar ornament

10. Avatar Jake Sully (Avatar, 2010):

Fans can easily imagine that the tatted-up warrior hero from Avatar is protecting a giant mother tree with this dynamically posed ornament.

9. Nautilus (20,000 Leagues Under the Sea, 2011):

The miniature version of Captain Nemo’s steampunk sub is a faithful recreation of the Disney’s 1950s adaptation.

rocketeer ornament

8. High Flying Hero (The Rocketeer, 2014):

This was one of those limited-edition Hallmark ornaments that is hard to find, even when it was released. It would make a fine gift for any fan of the underrated gem of a film.

7. Alien (Alien, 2014):

One would think this kind of ornament would never work. Seriously, this alien creature is the stuff of nightmares. But it works thanks to its meticulous detailing and organic exo-skeletal look that somehow fits within a tree.

6. Cylon Centurion (Battlestar Galactica, 2011):

The sound effects of the distinctive robotic Cylon voice (“By your command”) is the highlight of this sci-fi Hallmark ornament. If only Hallmark would make more ornaments of either version of Battlestar Galactica, including the ships. “Sigh”

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Top 10 Sci-Fi Horror Films

It’s that time of year when we dread the things that go bump in the night…or in deep space or in a mad scientists’ lab. Science fiction and horror have gone together hand in hand for ages. Ever since the dawn of film, these two combined genres presented some of the most memorable genre films for fans. Here for your examination are the top 10 sci-fi horror films.

10. Pandorum (2009):

Colonists onboard a generational starship wake up early during their voyage. They soon learn that their ship is crawling with savage mutants that endanger them and the ship. Full of jump scares, tension and thrills, Pandorum is an underrated gem that continually surprises you until its end.

invasion of body snatchers

9. Invasion of the Body Snatchers (1956):

Echoing the 1950s paranoia about communism, this adaptation of Jack Finney’s novel about aliens taking over humans from within is unsettling. It may make you afraid to go to sleep after watching it! The loss of identity, emotional bonds, and one’s humanity are the central themes in this sci-fi classic. Its 1978 remake is also noteworthy for the same reasons.

frankenstien and gril

8. Frankenstein (1931):

One of the first sci-fi horror films is the legendary James Whale-directed version of Mary Shelley’s literary classic. Featuring Boris Karloff as the resurrected Creature, Frankenstein is still atmospheric and creepy, while evoking sympathy for the Creature.

7. A Quiet Place (2018):

The most recent member of this list is one of the most frightening. Earth has been overrun by vicious alien creatures that hunt by sound, forcing humanity into hiding. A Quiet Place overflows with tension and fear as a family struggles to survive against the alien predators by not making noise.

The Fly brundlemonster

6. The Fly (1986):

David Cronenberg’s classic body-horror classic outdoes the cheesy original version it is based on and is an apt AIDS allegory for its time. Quirky and likeable scientist, Seth Brundle (Jeff Goldblum), experiments on himself with his teleporting machine not realizing he is genetically fused with a fly. Tragically, he begins a hideous body transformation into a human-insect hybrid that will disturb viewers as the completed metamorphosis is revealed in The Fly’s final scenes.

5. The Mist (2007):

The third Frank Darabont adaptation of Stephen King’s literary works is genuinely disturbing and frightening. Residents of a Maine town take refuge in a supermarket after a military experiment accidently opens a dimensional passage that allows monsters into our world. More than a monster movie, The Mist explores the theme that we are our own worst monsters. It also features one of the most unsettling endings in film history. It’s a true gut punch.

4. Event Horizon (1997):

Think of this film as a haunted house in space story. The crew of a rescue spaceship board a lost spaceship that suddenly re-appears on the edge of our solar system. The crew discovers that the lost ship’s experiment with FTL opened a doorway to a hellish dimension and they become the ship’s latest victims. Event Horizon is a chilling cautionary tale with disturbing imagery about how we should be careful about pushing the boundaries of science.

3. 28 Days Later (2002):

This film helped jumpstart the recent zombie craze even though it is not technically about zombies. A man-made virus is accidently released and decimates the UK, rapidly turning its victims into mindless, bloodthirsty killers.

Enhanced with a pounding score, expert direction and a harrowing sense of dread, this film set new standards for sci-fi horror films. 28 Days Later is kinetically terrifying with scenes of the fast-moving killers chasing the film’s characters, while offering a sobering humanist drama about survival and holding onto your humanity.

2. The Thing (1982):

The remake of the 1950s film The Thing From Another World outshone the original while being more faithful to its literary roots. Much more than an alien invasion thriller taking place in an Antarctic outpost, John Carpenter’s The Thing is a claustrophobic and disgusting horror film with ghastly physical effects that still hold up to this day.

However, what made The Thing so memorable was the way Carpenter injected deep paranoia into the film as the isolated characters turned against each other. What is even more remarkable, is that even though the film was remade in 2011 with “modern” CG effects, it pales to the practical effects and makeup of the Carpenter classic, which was also more moody and blood curdling.

alien and ripley1. Alien (1979):

The crew of an interstellar mining ship bring onboard an alien life form that proceeds to kill them off one by one. As simple as that sounds, Alien is much more than its plot implies. It is one of the most influential sci-fi horror films of all time and set standards for gore, character development, thrills, pacing and atmosphere. Let’s not forget that the visual design of the alien xenomoph is disgustingly unique and has never been topped in terms of showing a distinctly inhuman look.

The starship itself functions as its own haunted house with foreboding shadows and corners, which gives the xenomorph perfect hiding places, while entrapping the crew themselves. Then there is the infamous chestburster scene, which is still horrifying to watch today. That scene alone set Alien above all other sci-fi horror films and is one of many reasons why this film is at the top of this list of top 10 sci-fi horror films.

Do any of these films make your own top 10 list of sci-fi horror films? Leave a comment below.

José Soto

The Disney/Fox Speculation — Welcome Home X-Men & Fantastic Four?

Xmen-Avengers-Fox-Marvel-Studios

The big news for the past week has been about Disney in talks with 21st Century Fox to buy a bulk of its film studios and its intellectual properties. While the initial news had it that talks have stopped the possibility remains that both parties will resume negotiations. What is driving Disney’s desire to expand its entertainment empire is the need to bolster its upcoming streaming service when it is available in 2019. The film studio 20th Century Fox has a huge film library with many viable franchises such as the Alien films, Avatar, and Planet of the Apes. But more importantly, Fox still has the rights to the original Star Wars films and the missing pieces in Disney’s Marvel films: the X-Men and the Fantastic Four.

The following I wrote back in September 23, 2017 for another site that is going defunct soon. It’s related to the current situation and illustrates how wildly things have changed from just a few weeks ago. I decided to repost it here and will add some final thoughts afterwards.

What rankles many fans of Marvel Studios’ Marvel Cinematic Universe (MCU) is that two of Marvel Comics’ top properties, the X-Men and the Fantastic Four are not part of it.

The obvious reason for this is because the film rights for both properties are being held by 20th Century Fox, who is determined to hold onto them. Long before The Walt Disney Company brought Marvel Comics, the comic book company sold the film rights of its characters to many film studios, including Fox. Over the years, even before the success of the MCU, Marvel Studios sought to regain the rights to its characters. For the most part they have succeeded and the top prize for the studio was getting to share the film rights to Marvel’s top character, Spider-Man.

But the only major hold outs were the X-Men and the Fantastic Four. Fox has had great success with their X-Men films even though some of them were reviled by fans and critics for not being faithful to the source material and being downright terrible. Meanwhile, their efforts with the Fantastic Four never took off. The most recent failure being the DOA 2015 reboot that buried director Josh Trank’s career.

Given the poor track record with their Fantastic Four films, one has to wonder why Fox would want to continue making them. Despite the negative reaction from their reboot, the film studio is still trying to develop more films based on the superhero team and even spinoffs featuring Dr. Doom and the children of Reed and Sue Richards. Naturally the reaction to the news is one of despair and anger. Most fans see that the Fantastic Four would fit naturally into the MCU and their villains are some of Marvel’s greatest. Marvel Studios cannot use Galactus in their films because he is a Fantastic Four villain, the same thing goes for Magneto. While the X-Men films did a terrific job with their presentation of Magneto the same cannot be said for Dr. Doom and Galactus. In fact, in his onscreen debut, Galactus was just a giant space cloud!

what-it-takes-for-fox-to-give-up-the-fantastic-four-x-men

There were rumors that after the reboot debacle, Fox was ready to sell back the rights to Disney/Marvel but a snag in negotiations derailed that idea. Many were hopeful that after Marvel allowed Fox to start making TV shows based on the X-Men properties that perhaps the deal was that the Fantastic Four would go back to Marvel. But that does not appear to be the case.

Right now, there are only vague allusions to Marvel being allowed to use the two properties but in far off terms. One curious thing is that Marvel Studios still has not announced what the Phase 4 MCU films will be. This gives hope that maybe the Fantastic Four could make a splashy debut. It is possible; when Spider-Man joined the MCU it was a surprise.

What it took for Spider-Man to join the MCU was the failure of his recent films and the shaky status of Sony Pictures. Fox does not have the same financial problems of Sony, so they can afford to weather out the storm of bad films until they strike gold. This almost happened with their attempt to reboot Daredevil, but the rights lapsed and Marvel regained him. From there, Marvel saw great success with their Netflix version of Daredevil. Perhaps Fox executives feel that they can find the right formula and are more patient. At that rate, it will be quite some time before Marvel Studios regains the Fantastic Four. That and an insane amount of money.

With the X-Men films doing so well, it is ridiculous to think that Fox would ever relinquish the rights to Marvel. For this to happen, fans would have to vigorously boycott all X-Men-related films and TV shows. The property has to be seen as too unprofitable for Fox to want to keep, but this scenario may not happen. Look at what is going on with the Fantastic Four, their films are poorly received and the property is not as popular as the X-Men yet Fox still won’t let them go.

So, is it just a pipe dream? Are the Fantastic Four and X-Men doomed to never join the MCU? Well, it can happen but be prepared to wait and protest.

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