Potential Directors 4 The Fantastic Four

The recent news that director Jon Watts left the upcoming Fantastic Four (FF) film by Marvel Studios was a big surprise for fans of the Marvel Comics property and apparently the film studio itself. Unlike Ant-Man and Doctor Strange in the Multiverse of Madness where the original directors of those films were replaced fairly quickly, it seems as if Marvel Studios is taking its time and keeping to its vest who the replacement will be. There are many possible choices and rumors of who will take over. The popular talk was that John Krasinsky, who appeared as an alternate version of Reed Richards/Mister Fantastic in the latest Doctor Strange film was the frontrunner and one reason why Watts left the project. But those rumors have died down since it is not clear that the actor will even be cast as the Marvel Cinematic Universe (MCU) version of Richards.

When choosing the replacement director for the Fantastic Four, the president of Marvel Studios,Kevin Feige, has to pick a solid director with a proven track record. Unlike some other MCU films, the Fantastic Four truly has to be phenomenal because the superhero team is one of Marvel Comics’ top properties and the previous vilm versions of the Fantastic Four have been major letdowns. So, Marvel Studios has to get this film right and cannot afford a misfire. The latest rumor has it that Feige prefers to have a proven veteran filmmaker tackle the film instead of an up-and-coming director. That makes sense because for every Joe and Anthony Russo, who blossomed with MCU films, there have been forgettable picks like Alan Taylor.

With that let’s look at some possible choices, which will include the latest rumored potential directors and some suggested possibilities for the Fantastic Four. Of course, bear in mind Kevin Feige may tap someone completely unexpected for the task.

John Krasinski

As noted above, Krasinski is considered the frontrunner for the job, at least among fans, given all the fan art of his casting and his directing resume. He has shown the ability to not only direct. but star in genre films, as seen with A Quiet Place and A Quiet Place, Part II. One hindrence is that the actor/director may not want to commit to a long-term film deal. At best, he may only star and direct one Fantastic Four film and hand off the directing duties to someone else for the sequels.

Bryce Dallas Howard

She is the latest rumored frontrunner for the directing task, and for the role of Susan Storm. Fueling the rumors are her recent acclaimed directing of the better episodes of The Mandalorian and The Book of Boba Fett. Currently she is set to star in and direct a remake of Flight of the Navigator, so this may prevent her from taking the job, but then again she may jump ship for a higher profie job.

Peyton Reed

The director of the Ant-Man films famously pitched a Fantastic Four film back in the noughties to 20th Century Fox that would have taken place in the 1960s and would have been a comedy. For some time it was rumored that the superhero team would debut in Reed’s upcoming Ant-Man and the Wasp: Quantumania, but that is doubtful since there has been no news or updates and the film’s release has been moved up to early next year. So there goes Reed’s chance to direct the FF, but, given his interest with the property and his MCU background, Reed would be a perfect choice.

Sam Raimi

After a long absence, the Spider-Man director made a superhero film comeback with Doctor Strange in the Multiverse of Madness where he proved he could still deliver an enjoyable superhero venture. His Spider-Man films were very whimsical and adventurous with the unique Raimi camera tricks that should go well with the FF. Plus, Bruce Campbell could cameo as the Impossible Man or some other comedic role!

Chris Columbus

Back in 1995, Columbus was attached to write and direct an adaptation of the Fantastic Four, but unfortunately left the project due to the astronomical cost for the special effects, which would have been difficult to pull off in that time period. The director has solid genre credentials, most famously with the early Harry Potter films, and should be considered.

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Big Changes Coming For DC & The DCEU

This past week Discovery officially took over Warner Bros. and its properties including DC Comics and DC Entertainment. After doing so, the company (rebranded as WB Discovery) announced they were radically overhauling DC Entertainment and its superheroes, specifically their films and TV shows including those of the DC Extended Universe (DCEU). Even though there have been very successful DCEU efforts like Aquaman and Peacemaker, other releases did not exactly hit the high bar when it came to box office sales or critical/fan reception (Wonder Woman 1984). The goal of the restructuring is to make the DCEU genuinely competitive with the Marvel Cinematic Universe (MCU).

This would mean that a head honcho would be hired to oversee the production of DCEU films and TV shows in the same manner that Marvel Studios president, Kevin Feige, does with the MCU. This also implies that the DC films and TV shows will be more coherent and less disjointed, while some once-prominent properties will get more attention. In fact, WB Discovery stated that Warner Bros. allowed top tier properties like Superman “languish” to the detriment of the DCEU and DC.

The Snyderverse and Stalled Efforts

Frankly, the coming changes are a much needed shot in the arm for DC and the DCEU, which has lacked a strong visionary leader. Previous leaders like Walter Hamada, Geoff Johns and Zack Snyder proved to be unable to present a clear direction for their films. Only Snyder came the closest to presenting a vision that was coherent. Unfortunately, Snyder is also a film director and when his Batman v Superman: Dawn of Justice did not impress critics and fans, and Justice League failed to reach the success of The Avengers, he was ushered out of the door by Warner Bros. and the DCEU that he helped create basically fell apart. Part of the problem with Zack Snyder being in charge with the DCEU (or the Snyderverse as some fans called the early films) is that although Snyder is a gifted director, what was needed to oversee the films was a producer in the mold of Kevin Feige. A producer is tasked with the production of films or TV shows and brings a guided vision to entire productions. Directors are focused on individual films first and bring their own stamp to what they film. It is not possible given a director’s schedule to expect him or her to oversee the vision of several films at once.

Even before Snyder’s exit, projects were stalled after big announcements, while conflict occured with many actors and filmmakers. Directors and writers joined and left projects. Then there were the casting headaches Warner Bros. faced from the fact that Henry Cavill, cast as Superman in the Snyderverse, was for all purposes, dismissed to the outlandish and criminal behavior of Ezra Miller, whose film The Flash has not even come out yet. Then there is the fact that The Flash was in perpetual development hell for the longest time as directors and writers exited the film left and right. Now, there are rumors that Miller will be fired from his role and in his situation it would be easy. Since The Flash deals with the title hero time traveling and alternate universes, just reshoot the ending to replace Miller with a new actor. Even Grant Gustin from the TV version of The Flash would be a better choice, although that casting may be too confusing for some.

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The Eve Of Marvel’s Phase Four

MCU Phase 4

It is hard to believe that the last official offering from the Marvel Cinematic Universe (MCU) was well over a year ago (Spider-Man: Far From Home). We fans underwent a severe drought thanks to the COVID-19 pandemic which left most theaters closed and films delayed. Thanks to the pandemic there weren’t any offerings from the MCU last year unless the TV show Agents of S.H.I.E.L.D. is counted, and there are valid arguments that the show is no longer part of the MCU. However, all this will change later this week with the debut of WandaVision on the streaming app, Disney+.

It feels a bit strange that the MCU event that will kick off its Phase Four will be a TV show instead of a film, but that was inevitable given COVID-19. Black Widow was supposed to launch Phase Four last year followed by the show The Falcon and the Winter Soldier, but many delays killed that plan. Many believed Disney would air Black Widow during the holidays on Disney+ but that never happened. Instead Marvel Studios and its head Kevin Feige were determined that the cinematic start of the MCU’s fourth phase would happen with Black Widow, which is currently scheduled to premiere on May 7. Of course, this is not guaranteed given the nature of the pandemic. Sure, there are vaccines available but the distribution has been awful and unless it ramps up, at this rate our society will not be protected enough by spring. However, if efforts to speed up vaccinations follow through as promised by President-elect Biden and others then it could be safe for a significant portion of the population to go back to theaters by the late spring or summer. Let’s hope so because there already is a scheduling casualty this year.

Sony announced that its Marvel film Morbius, originally scheduled to be released last fall and moved to this March, will be moved again to October 8 now. This is not a severe delay and will be a better fit given the time of the year and the fact that Morbius stars a vampiric anti-hero. But this is concerning. Does this mean other films will be shuffled again? So far, the MCU films slated for this year (Black Widow, Shang-Chi and the Legend of the Ten Rings, and Eternals) are still on schedule. What helps is that after Black Widow, the other two MCU films will premiere in the second half of 2021, The pandemic better be winding down by then. If it isn’t, then Disney may not have a choice but to release Black Widow and maybe the other two films on Disney+ to avoid creating a backlog with 2022’s scheduled releases and causing more delays.

With that said, Marvel Studios has quite a trove of MCU fare for waiting fans. Except for the third MCU Spider-Man film from Sony, the MCU films slated for this year may not be eagerly anticipated like Thor: Love and Thunder, but the TV shows coming out this year will more than make up for that until 2022. The 2021 shows will feature beloved MCU heroes and villains played by the same actors and boasting movie-quality production values and effects. However, many of the shows promise to be quite…unique. The trailers for WandaVision have shown that it will be as unconventional and bizarre as Legion or Doom Patrol, which will be a creative boost for the MCU. Although the MCU films are revered worldwide, they can be faulted for following a familiar formula and look. WandaVision, Loki and What If…? should push the envelope and take chances as promised by Feige and Marvel Studios. 

Meanwhile for the more conventional shows, it is rumored that mutants will make their MCU debut in The Falcon and the Winter Soldier. Some have observed from BTS set photos that part of the show seems to take place in Madripoor, a country heavily featured in the Wolverine comics. The enemy mutant Omega Red is supposedly appearing either in this show or in the Shang-Chi movie. The final TV shows scheduled for late 2021, Hawkeye and Ms. Marvel will debut more modern and popular heroes, such as Kate Bishop and Kamala Khan. 

hawkeye kate bishop and pizza dog

 

Disney+ will premiere new TV shows next year starring other popular Marvel heroes making their live-action debuts. These are Moon Knight (with Oscar Isaac playing the psychotic title hero), She-Hulk (supposedly a legal comedy…the jury is out if this is the case, pun intended), Ironheart (perhaps this will have Robert Downey, Jr. coming back as an AI mentor this time?) and the event series based on important storylines from the Marvel comics Secret Invasion and Armor Wars. One other TV special will be mentioned below.

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Marvel (MCU) & Star Wars Have A Bright Future At Disney

By now, everyone reading this must have heard of the Disney 2020 Investor Day announcements on Decelber 10, which left us geeks and nerds salivating and tickled pink with excitement over what Disney has planned with our favorite IPs in their Disney+ streaming platform and theatrically. That last point alone is enough to hearten us since Disney more or less declared that the theatrical viewing experience will not die out. The best example of their commitment came when presenter and Marvel Studios head, Kevin Fiege, affirmed that the long-delayed Black Widow film will debut in theaters next May. This squashed any rumors that the film would premiere first on Disney+ and marks a return of the Marvel Cinematic Universe (MCU).

MCU Phase 4

Marvelous News

Kevin Feige gave perhaps the most anticipated presentation since we’ve all been suffering from MCU withdrawal this year. Fortunately the wait will soon end as WandaVision will finally stream next month on Disney+ and the new trailer shown on Disney 2020 Investor Day was just as bizarre and trippy as the previous trailers. WandaVision looks like it will be a pivotal anchor in the MCU going forward and is rumored to be the first of a multiverse-connecting trilogy that will be further explored in the next Spider-Man film before concluding with Doctor Strange in the Multiverse of Madness. It was confirmed that the Doctor Strange sequel will feature America Chavez.

By the way, very little information was given about the new Spider-Man, probably because it’s a Sony film, but the non-stop reports about cast members from all the previous Spider-Man  films coming back just leaves us very ecstatic.

Other highlights from Feige’s presentation were the news that the She-Hulk TV show will star Orphan Black’s Tatiana Maslany, have appearances by Mark Ruffalo as Bruce Banner, and Tim Roth will return as the Abomination; two mini-series about the Secret Invasion and Armor Wars comic book events will stream on Disney+; the third Ant-Man film (Ant-Man and the Wasp: Quantumania) will feature Kang the Conqueror as the villain; Christian Bale will play Gorr the God Butcher in Thor: Love and Thunder; and from the footage shown the best were the previews of the new Loki series which will deal with the Time Variance Authority, the animated What If…, and the tantalizing behind-the-scenes footage of Ms. Marvel, who will also appear in Captain Marvel 2. Perhaps the most exciting news was the confirmation that Marvel Studios will produce a proper Fantastic Four film to be directed by Jon Watts, who directed the MCU Spider-Man films. Finally, a chance to do the Fab Four correct! Hopefully Spidey can make an appearance in that film!

Aside from Black Widow it is at this point too early to go into the release dates announced by Feige because we all know the schedule can change. But it is exciting and comforting to know that Marvel Studios is plowing full-steam ahead with their productions and 2021 will mark the Great MCU Comeback. Continue reading

Farewell To Agents Of S.H.I.E.L.D.

The final episode of Agents of S.H.I.E.L.D. that aired last night marked the end of an era in Marvel Comics-related television fare. The show was the last TV show produced without the involvement of Marvel Studios guru Kevin Feige. Of course, there are a couple of other shows that are coming soon like Hellstrom and some animated fare, which are not spearheaded by Feige. But with Agents of S.H.I.E.L.D.’s conclusion a chapter has been closed in a time of shows not directly related to the Marvel Cinematic Universe (MCU).

Early Missions

When Agents of S.H.I.E.L.D. debuted in 2013, there was a lot of anticipation for it. After all, Joss Whedon, the director of the hit film The Avengers, created it and directed the pilot episode, but more importantly it was supposed to be set in the MCU. It did star Clark Gregg, who played S.H.I.E.L.D. agent Phil Coulson, a recurring character in the MCU films. The complication was that Coulson was killed off in The Avengers so a big mystery in the early episodes was how he was resurrected. There were numerous other connections to the MCU such as guest appearances by Samuel L. Jackson as Nick Fury, Jaimie Alexander as Sif, Maximiliano Hernandez as Agent Jasper Sitwell, Powers Boothe as Gideon Malick and a few other actors that appeared in the MCU films. Not to mention, the early seasons of the show were directly connected to MCU films, notably Captain America: The Winter Soldier and Thor: The Dark World.

However, many viewers came away disappointed with Agents of S.H.I.E.L.D. in that many episodes were bland, unimaginative and did little to satisfy the cravings for the MCU between films. That was not entirely the fault of the show’s producers. It turned out the show was the victim of a turf war between Kevin Feige and the head of Marvel Entertainment, Ike Perlmutter. The two men often clashed over the direction of the MCU and while Feige was in charge of the films, Perlmutter handled the TV shows and other media. As we all know, Feige ultimately was allowed to directly control Marvel Studios and the MCU without having to report to Perlmutter and Agents of S.H.I.E.L.D. began its slow divorce from the MCU.

Tenuous Connections

Even before the schism fans complained about how the show was never referenced in the MCU films. Meanwhile, for a time it seemed as if Agents of S.H.I.E.L.D. namedropped whenever it could every single MCU character or incident. It was clear any connection to the MCU was a one-way street.

Still, despite its missteps, Agents of S.H.I.E.L.D. did find its legs and made the most of its tenuous connection to the MCU. This was best seen during the latter half of its first season which tied-in with Captain America: The Winter Soldier and that film’s plotline of the S.H.I.E.L.D. spy organization revealed as having been infiltrated by the terrorist organization Hydra. Agent Grant Ward (Brett Dalton), one of the core characters in the show, was revealed to be a Hydra agent and the show fully dealt with the ramifications of the film’s events.

A major story line that was supposed to be carried over into the films was with the Inhumans. Originally, Ike Perlmutter wanted a film made based on the characters since he wanted these superhumans to fill in the role of the mutant X-Men. At this time, Marvel Entertainment did not have the film rights to the X-Men and Permutter did not want to promote them in the remaining media. Thus, characters who were Inhumans popped up in Agents of S.H.I.E.L.D. and took on prominent roles. It went so far as to retroactively make another major character, Daisy Johnson (Chloe Bennett), to be an Inhuman (the Marvel superhero Quake). But once Feige was allowed to go his own way, he dropped any plans for an Inhumans film and the show was left holding the bag.

While this was frustrating, this gave the show the opportunity to find its own voice. It wholeheartedly embraced the Inhumans plot point and then embarked on season-long arcs that allowed the show to shine. It introduced other characters from the Marvel Comics such as Ghost Rider, Mockingbird, the Hive and the Aborbing Man, and they were well received by fans. At one point, Ghost Rider was to be spun off into a new series but those plans were cancelled.

Arguably its best arc was during its fifth season when Coulson’s team was hurtled into a future where Earth was destroyed and the remnants of humanity were slaves of the alien Kree. A new character Deke Shaw (Jeff Ward) a scruffy, goofy, Peter Quill-type character was introduced and became part of the team after he and the agents returned to the present to prevent Earth’s destruction. Another interesting character that joined the team was Enoch (Joel Stoffer), a Chronicom anthropologist (a race of alien androids). He was perpetually fascinated with humanity and the actor’s befuddled and whimsically befuddled mannerisms were often the highlights of episodes.

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