San Diego is host once again to Comic-Con and after a slow couple of days, interest exploded into unbridled passion today with the reveal of several high profile trailers and announcements. By no means does this mean that the news coming out of Comic-Con before today wasn’t anything to laugh off, it’s just everyone was waiting for the big guns today.
Before today’s revelations, the biggest news coming out of the comic book/genre convention could have been considered negative. First, was the rumor that Ben Affleck was stepping away from the role of Batman in the DCEU. That was disturbing to the fledgling cinematic universe since his character was supposed to be the lynchpin tying the DCEU films together. It was kind of ironic because when he was first announced as Batman/Bruce Wayne in Batman v Superman: Dawn of Justice, his casting was widely derided among fans but since the release of that film, many have come around to embrace his portrayal as an older and embittered Batman. In fact, many have claimed that Affleck has been the best actor to play the legendary superhero to date. Today, the actor dispelled the gossip and stated his intention of remaining in the role. Whether that holds up as filming starts with The Batman remains to be seen, but hopefully it will be true.
Next was the unveiling of the second trailer for Marvel’s upcoming TV show Inhumans. Overall, it was a better looking trailer compared to the first bland teaser, but what ruined it was the cheap looking CG used to animate Medusa’s hair, something that everyone was waiting for and it was a disappointment. With the IMAX pilot coming in less than two months it is hard to see how the effects will improve significantly. The other disheartening news was that 20th Century Fox is apparently not letting go of the Fantastic Four film rights with the announcement that a Doctor Doom film is in development. If this were to happen, the rights will stay with the studio instead of going back to Marvel Entertainment since Marvel’s premier supervillain is so closely associated with the Fantastic Four. The fact that the film is being developed by the showrunner of Legion is a bittersweet salve for fans hoping and desperately wishing that Marvel Studios would get back the rights to the superhero team given Fox’s abysmal record with their versions of the Fantastic Four.
Today, the big guns were brought to bear as trailers after trailers were released to hungry fans attending the crowded convention or scouring the Internet. In many ways, Warner Bros. and DC Studios won the day with the universal acclaim received for the third trailer for this year’s Justice League. Building on the success of this summer’s Wonder Woman, the new trailer opens with the Amazonian princess doing her thing then quickly cuts to showcase the other members of the team and a tantalizing tease of the film’s villain Steppenwolf. The Flash stole the trailer with his awkward and funny demeanor that called to mind Spider-Man. Sadly, although he was teased, there still isn’t any sign of Superman. Come on DC throw us a bone!
Speaking of Superman’s absence, DC Studios announced their updated slate of films and a sequel to Man of Steel was not on the roster, which is disappointing. However, some of the announcements made up for it with Green Lantern Corps, Justice League Dark, Batgirl, Wonder Woman 2, Shazam, Aquaman (this one is no-brainer given that it’s currently filming and footage was shown tonight), Suicide Squad 2, The Batman and The Flash: Flashpoint. The last film sounds very exciting since it can be the method used to reboot the DCEU if needed, and on the other hand could explain the recasting of Batman if that were to happen.
Marvel Studios, like DC Studios, had a huge presentation with stunning announcements and teases of their upcoming films. We got a glimpse of concept art for Captain Marvel and sweetening that presentation was the news that Captain Marvel will be set in the ’90s and have her fighting the Skrulls, one of the core enemies of the Fantastic Four. We also learned that Lawrence Fishburne and Michelle Pfeiffer are joining the cast of Ant-Man and the Wasp as Bill Foster/Black Goliath and Janet Van Dyne, the original Wasp.
The highlights for Marvel Studios’ presentation were the trailers for Thor: Ragnarok, Black Panther, and Avengers: Infinity War. While the visually stunning and trippy Thor: Ragnarok trailer was released online, the ones for the latter two films so far are absent. This has been super frustrating for fans online since we have all been teased for a week about how jaw-dropping the footage is in Avengers: Infinity War. It was first shown in the ultra-exclusive D23 expo last week and everyone was hoping to see it this weekend. For some reason, probably for marketing, Marvel has refused to drop the trailer and most of us have to contend with leaked grainy footage. Our best hope is that enough leaks forces Marvel to release the trailer like DC did with Suicide Squad two years ago. But seriously, Marvel stop the tease, you could have topped DC tonight but you let that victory slip from your fingers!
Other trailer highlights include these nuggets:
Stranger Things 2! With our favorite ’80s geeks cosplaying the Ghostbusters as they come upon another sci-fi mystery!
Defenders, which has a kick ass trailer featuring a grounded and gritty version of the Avengers and Justice League!
A new trailer for Star Trek: Discovery, looks stunning though the Klingons seem weak compared to the classic space viking look!
But the most exciting trailer for the day was the first teaser for Steven Spielberg’s next sci-fi epic, Ready Player One. This trailer about a futuristic video game player is so loaded with genre Easter eggs, it warrants multiple viewings! Who knows how jammed the final film will be? But the awesomeness of this trailer will make anyone want to go out and read the book that inspired Ready Player One. Those shots of the Iron Giant and the DeLorean from Back to the Future sold it!
That does it for this year, sure there is one more day left of Comic-Con 2017, but no major announcements are expected, but you never know. Maybe first looks of Jurassic World: Fallen Kingdom, The Predator, or Avengers: Infinity War will finally be unveiled to the entire world. Check out our Facebook and Twitter pages for updates, and here, of course!
The San Diego Comic-Con for 2016 has come and gone and we’re all the more hyped up after the event. Unlike previous Comic-Cons most of the film studios were all too eager to share the trailers for their upcoming films and TV shows. That is except for 20th Century Fox who took their marbles and went home…actually didn’t even present. They wanted to avoid having their presentations pirated. Nice way to promote Alien: Covenant and the third Wolverine flick, people. Result: DC and Marvel ruled the event by bringing their A game.
The other studios made their announcements and presentations. For TV shows, the third season teaser for The Flash got everyone up in arms in anticipation at seeing the live-action version of Flashpoint. For those in the dark, that’s the comic book event where the Flash saved his mom in the past and created a dark reality. This adaptation won’t be literal but more like what we saw with the Marvel Comics Civil War event in Captain America: Civil War. But it still looks awesome. The other DC shows on the CW also had interesting presentations and announcement, the best of those being that the Legends of Tomorrow will be facing the Legion of Doom and meet the rest of the Justice Society of America.
Marvel Studios raised some eyebrows with the revelation that Ghost Rider will be appearing in the fourth season of Agents of S.H.I.E.L.D. and this should be interesting. As for their Netflix stuff, we got teasers of The Defenders (check out our Twitter account with a link to it), Iron Fist, and Luke Cage. The last show looked undeniably badass and thankfully we only have to wait a couple more months.
The biggest TV announcement had to be for Star Trek: Discovery. We saw a glorious 2001: A Space Odyssey-like opener with a starship launching out of a hollowed-out asteroid. What was most intriguing was that the ship’s design is based on one of Ralph McQuarrie’s unused Enterprise designs for the lost Star Trek film Planet of the Titans.
As cool as it was to see one of McQuarrie’s design come to life, what is sure to get everyone even more excited is that Bryan Fuller, one of the showrunners, confirmed the show will take place in the Star Trek Prime universe! No reboots, people! The real Star Trek has indeed returned! Ahem, apologies to those that love nuTrek, Star Trek Beyond is a fun film that redeems the Star Trek reboots.
DC Comics and Warner Bros. are still smarting over the lukewarm reception to Batman v Superman: Dawn of Justice. So they didn’t hold back anything in Comic-Con 2016. Amidst the flood of trailers for Suicide Squad, which makes us feel already as if we’ve seen the entire film, came trailers for Wonder Woman and Justice League. The Justice League trailer was very enticing and actually sold us on the Snyderverse version of the Flash. Sure, Grant Gustin rules as Barry Allen but it’s undeniable that Ezra Miller had a lot of charm as the new Flash. The trailer had much more humor than anything seen in Batman v Superman, but where’s Superman? Meanwhile, Gal Gadot clearly shines in the footage shown in both the Justice League and in the trailer of Wonder Woman kicking ass in World War I.
As for DC’s rival Marvel, well they had their goodies as well. Unlike DC, most of the trailers for their upcoming movies are still under lock and key being they are “exclusives” for Comic-Con. There’s no point in trying to scrounge the Internet for pirate footage of Guardians of the Galaxy, Vol. 2 or Spider-Man: Homecoming, it will look like crap and be taken down anyway. But here’s a quick look at Thor: Ragnarok, which will be gone soon:
Marvel should take a cue from DC and present their goods to the larger world who could not attend. The one trailer they released was the second one for Doctor Strange. Make all the snarky remarks that it looks like Inception, but this movie looks astounding! If it works, it will take the Marvel Cinematic Universe in a whole new direction and that is how you keep the superhero film genre afloat. The highlights of Marvel Studios reveals were Brie Larson’s casting as Captain Marvel, the Vulture will be the villain in Spider-Man: Homecoming, and Kurt Russell will play Peter Quill’s dad, aka Ego the Living Planet, in Guardians of the Galaxy, Vol. 2!
In closing, Comic-Con 2016 had a lot more to show for the general public than in recent years. A lot of the announcements and trailers were ho hum like Guy Ritchie’s King Arthur: Legend of the Sword. But more than a few were quite enticing like the one for the return of Mystery Science Theater 3000 (to be shown on Netflix), a Blair Witch sequel and this one for Kong: Skull Island.
It’s great to see the big ape back on the screen! On the whole, we have plenty of fun things to watch in the coming months and into 2017.
The rivalry between DC Comics and Marvel Comics has many fronts in media like toys, films, video games, etc. But as it stands right now, DC Entertainment dominates the television medium with its current slate of TV shows on the air and their plans for additional programs coming in the near future.
DC’s Television Summit
Once Smallville ended in 2011, a void needed to be filled by DC Entertainment in terms of having a superhero presence in the TV landscape. Rather than mining the Superman/Batman lore, the decision was made to showcase DC’s other heroes and it was a wise choice. For some time, DC and Warner Bros. fell into a crutch and relied too much on Superman and Batman to represent DC in other media. This was understandable since those were the company’s two biggest heroes. It makes perfect business sense to take advantage of the popularity of those heroes. The problem, though, is that with all the marketing and attention focused on Batman and Superman, DC’s other heroes were left out and helped give the impression that the rest of the DC roster consisted of second stringers. That couldn’t be farther from the truth. The DC universe is populated by many captivating heroes and villains and the problem was that the company wasn’t taking full advantage of that notion. Marvel, and specifically Marvel Studios, faced a similar problem but for different reasons. They didn’t have the film rights to Spider-Man or the X-Men, so they had to rely on their lesser known properties. It turned out for the best, otherwise we wouldn’t have gotten live-action adaptations of Guardians of the Galaxy or Thor.
In DC’s case, they too were forced to look elsewhere since the Superman well had run dry with Smallville and Batman was considered off limits because of the Dark Knight films. Thus, DC Entertainment looked to an urban vigilante that had many of Batman’s characteristics – Green Arrow.
All things considered, he is a solid alternative for Batman when it came to being featured in a live-action TV show. After all, both are urban crimefighters without superpowers and use specialized weapons. When Arrow premiered in 2012, it presented a more grounded, realistic world for the superhero. In the first season, the main character, who wasn’t even called Green Arrow (in one episode his alter ego, played by Stephen Amell, thought that name Green Arrow was “lame”), wore a practical uniform with only a hoodie and grease paint to conceal his identity. Moving away from fanciful superhumans allowed Arrow to concentrate more on character development and street-level fight scenes. This meant that it was more inviting and relatable for casual viewers.
What the producers of Arrow did correctly is that they embraced the DC universe. They weren’t afraid to name drop places like S.T.A.R. Labs and Blüdhaven. Likewise, the series featured recognizable DC characters like Amanda Waller (head of the Suicide Squad), Slade Wilson and even the Batman villain Ra’s al Ghul and his League of Assassins. It was enough bones thrown to DC fans to keep them glued to their TVs. Arrow then took a step further and introduced superpowered characters in its second season thanks to this strength-enhancing drug called Mirakuru and the introduction of Barry Allen (Grant Gustin), whose Flash origin occurred at the end of one of the Arrow episodes.
This naturally led to The Flash spinoff that premiered recently. Taking a lighter tone than Arrow, The Flash is more of a throwback to the fast-moving comic books with outlandish supervillains, while utilizing the same kind of engrossing subplots that Arrow uses. What’s more is that both shows are definitely in the same universe. Although the concept of a shared universe isn’t new in TV shows, this was the first time this was done for superhero shows (not counting The Six Million Dollar Man and The Bionic Woman) and it’s exciting to watch characters appearing in both programs with even more allusions to a wider world.
Both Arrow and The Flash are huge hits on The CW network and should be around for the long haul. Gotham, a show set in the title city and taking place after the killing of Bruce Wayne’s parents, is a hit on Fox. In fact, it pulls in more ratings than The CW superhero shows but that is due to the wider audience that Fox has compared to The CW. Even though Gotham is a hit, there should be some caution because it’s on Fox, so there isn’t any guarantee that it will last as long as if it was on The CW. That is a problem that DC and Warner Bros. faces. Sure they can put anything on The CW, a fledging network, but it won’t reach as large an audience as in the major networks. But on the big networks, there is more pressure to succeed. Already, Constantine airs on NBC and has dismal ratings–it was recently announced that the show won’t go beyond initial 13 episodes and its fate is unknown. Constantine’s rating woes are due to its time slot: Fridays at 10 pm. How can any show succeed on that slot? It probably would’ve been better if it aired on a cable network where it could’ve thrived and be allowed to be darker like its comic book counterpart.
One of the great corporate rivalries is the one between the comic book giants Marvel Comics and DC Comics. It’s a competition that has spilled over to other media. When it comes to films, Marvel has won the war on that front due to the monumental successes of their Marvel Cinematic Universe (MCU) films. However, take a quick glance at the current TV schedule. From looking at that and television history, it’s obvious that DC has won the TV War…for now.
In reality, DC had the war won for decades now. This goes way back to the 1950s with the success of the first TV show based on Superman. That would be, of course, the landmark series Adventures of Superman, which starred George Reeves. It’s well known that the series was very popular and helped cement Superman’s legendary status in pop culture. Marvel at that time period didn’t even exist, nor did their most popular heroes because the company was concentrating on non-superhero comic books.
Following the cancellation of Adventures of Superman, the next DC superhero to bask in the television spotlight was Batman. Beginning in 1966, Batman was an instant hit and a genuine pop culture phenomenon. Starring Adam West and Burt Ward as Batman and Robin, the show was a decidedly goofy sendup of comic books and introduced characters like the Joker and Catwoman to non-comic book readers. Although, it was and is still popular, many decried the way Batman belittled the Caped Crusader and comic books in general.
In the 1970s, there were a few TV shows and specials based on DC Comics superheroes. The best known was Wonder Woman, starring Lynda Carter and it aired from 1975 to 1979. The show wasn’t as cheesy as Batman, nor as popular, but it was noted for its pro-feminist stance since the title character was a superhuman woman. The women’s lib messages obviously went over the heads of most younger viewers, who were enamored with Lynda Carter and her skimpy outfit.
Other TV shows airing in the 1970s were strictly aimed at children like Shazam! and The Secrets of Isis. In fact, these half-hour programs only aired on Saturday mornings and had limited appeal.
Around this time period, Marvel got into the act with the premieres of TV shows and TV films based on their characters. The first superhero to make a live-action appearance was Spider-Man, who made non-speaking appearances on The Electric Company. Some of the Marvel TV films and shows were truly awful like Captain America and The Amazing Spider-Man, which thankfully did not last long as a series. But a couple were actually decent like Doctor Strange and Marvel’s biggest hit on TV The Incredible Hulk. Airing in November 1977 and starring Bill Bixby and Lou Ferrigno, the TV film was a big hit and led to a successful TV series the following year.
The decade that followed, the 1980s, was slow for comic book properties on TV. After The Incredible Hulk was cancelled in 1982 there wouldn’t be another superhero TV show until the syndicated program Superboy debuted in 1988. Coming after the film disaster Superman IV: The Quest for Peace, Superboy was a welcome respite for fans who just wanted to see good, old-fashioned superheroics and teenage angst. Plus, Superboy was a competent place holder until DC and its parent company Warner Bros. could bring out another Superman TV series or film.
On a side note, there were a trio of TV films that continued the Hulk’s adventures and the first two introduced live-action versions of Thor and Daredevil. The Hulk and his alter ego David Banner actually died at the end of the third film, but there were plans to do more TV films. However, those ended after Bixby’s untimely death in 1993.
The humongous success of the film Batman in 1989 helped jumpstart new DC-based TV shows in the 1990s. Not wanting to rest with the success of Superboy, Swamp Thing: The Series premiered on the basic cable channel USA Network in 1990, while a show based on the comic book Human Target aired briefly on ABC in 1992.
There were two shows that made the largest impact in that decade. They were The Flash and Lois & Clark: The New Adventures of Superman. The Flash, starring John Wesley Shipp, premiered in the fall of 1990 fresh off the success of Batman and seemed to copy the stylistic direction of the Tim Burton film. Even though it only lasted one season, the show is revered by fans because of its fun stories, dazzling effects, and character work. Lois & Clark: The New Adventures of Superman, which aired on ABC, was targeted more towards women since it concentrated more on the relationship between Lois Lane (Teri Hatcher) and Clark Kent (Dean Cain). The superhero aspects of Superman took a back seat to the romantic shenanigans and it was laden with light humor. Of course, this displeased some fans, but it was still a successful program.
As for Marvel, the 1990s was a decade best left forgotten. There were DOA pilots based on Power Pack, Generation X and Nick Fury. As for the syndicated show Night Man, the less said about it the better.
As DC dominated the television medium, there was another TV venue that it conquered. That was with their animated TV shows. Since the 1960s, there have been numerous TV shows that aired on Saturday mornings and on syndication based on DC’s superheroes. DC enjoyed early successes like Superfriends in the 1970s, but their animated shows weren’t acclaimed until Batman: The Animated Series premiered in 1992. Boasting memorable characters, villains and plots, the show was a huge hit and led to other superior animated gems like Batman Beyond, Superman: The Animated Series and Justice League. DC’s animated renaissance probably culminated with the recent Young Justice. It just lasted two seasons, but its smartly written scripts, mature themes, and complex character development won wide appraisals from fans and critics.
In this venue, Marvel actually presented itself as a viable counterpart to DC since the 1960s with series based on Spider-Man, the Hulk, the Avengers and other stalwarts. The results were quite admirable in many instances, but DC on the whole produced more noteworthy animated TV shows.
New Century, New Renaissance
As DC celebrated their animated successes in the 1990s, the live-action field was stagnant after the cancellation of Lois & Clark in 1997. There was an infamous pilot made for the Justice League that thankfully never made it into a series. It can be found on Youtube for anyone that is curious.
The live-action drought ended a few years later in 2001 with Smallville. This long-running show starred Tom Welling as Clark Kent in his teenage years and early twenties. It ran on The WB and later The CW networks and explored many aspects of the Superman mythos while concentrating on Clark’s emotional development and how he came to be Superman. It had its faults like the producers’ insistence of “no tights, no flights”, which meant Clark never put on his iconic Superman suit. (The final episode doesn’t count since he was never fully shown wearing it.) This was strange because many other superheroes featured on Smallville like Green Arrow, the Justice Society and Supergirl were allowed to fully embrace their comic-book roots. The Warner Bros. network tried to capitalize on the success of Smallville with other programs, but weren’t successful. Efforts included the short-lived Birds of Prey in 2002 and a pilot for Aquaman.
Around the time that Smallville came to an end, the superhero genre exploded in theaters. Super hits like The Dark Knight, Iron Man, and The Avengers cemented the permanence of superhero films. As it goes, whenever there is a mammoth box office hit, TV executives take notice and follow suit. Warner Bros. and DC took advantage of the heightened interest in superheroes and produced many TV shows. Not all of them bore fruit like pilots for Aquaman and Wonder Woman, or another iteration of Human Target, but others blossomed and are now hit shows. These include Arrow, The Flash, Gotham and to a lesser extent Constantine. And that is just the beginning.
José Soto and Lewis T. Grove
To Be Continued