Disney Buys Fox And Becomes An Entertainment Supergiant

We’ve all been expecting this for weeks with all the gossip and innuendo. Some salivated over the idea of an expanded Marvel Cinematic Universe (MCU), others feared the rise of a modern-day monopoly. Regardless of opinion, the Walt Disney Company has bought a significant portion of 21st Century Fox and in the process, regained the film rights to several Marvel Comics properties and now own several other intellectual properties. This is truly staggering news and a legitimate cause for celebration and concern.

To be clear, Disney has only purchased (for $52.4 billion) the film division, 20th Century Fox, the Fox TV shows, assorted channels like FX and National Geographic, and other divisions of Fox. These include Sky and a majority share of the Hulu streaming service, while Fox will retain its sports and news divisions.

MCU fans may feel that the biggest prize of the purchase has been the film rights to the X-Men, Fantastic Four and Deadpool, but those are just fringe benefits. Disney would have regained those rights even if Fox was sold to another party. Instead, Disney wants to have a significant film library for its coming streaming service and the Fox properties will provide that. In addition to the missing Marvel properties, Disney now owns several franchises and intellectual properties, which include: Planet of the Apes, Alien, Avatar, Titanic, Ice Age, and The Simpsons. Some of these IPs are a strange fit for Disney since the company is renowned for its family-friendly fare, but more adult offerings are not unheard of for the entertainment giant. Disney once owned Miramax, which produced mature films during its time with Disney. Also, Disney CEO, Bob Iger, assured fans that their Marvel films will explore R-rated offerings, which means that Deadpool should be safe for now.

But will Disney produce hard R-rated fare like the Alien films? They might, but it is possible that they may just sell the IPs to another studio to help recoup some of the mammoth cost of the sale. Other IPs like Avatar and Planet of the Apes should fit well with Disney. After all, Avatar has a heavy presence as a themed land in Disney’s Animal Kingdom park and Planet of the Apes is an obvious addition to the same park.

Bob Iger also announced today the fate of the X-Men films. It was speculated before the sale was finalized that the X-Men films might remain in their own separate continuity or relegated to TV shows for the streaming service. Instead, Iger said that the X-Men, Deadpool and Fantastic Four will be integrated into an expanded MCU from Marvel Studios. The Fantastic Four are an easy addition to the popular cinematic universe and their inclusion is to be celebrated because Fox’s attempts at Fantastic Four films have been terrible. However, the X-Men are a different matter. For the most part, the films worked and adding them to the MCU may make that cinematic universe too crowded. Their addition could take attention away from lesser-known Marvel properties that could have seen their day in the sun. Films like Guardians of the Galaxy, Doctor Strange and Ant-Man may not have been possible if Marvel Studios owned the X-Men back then. Will the big purchase mean that these kinds of films won’t be made in favor for the new mutants on the block? It is hard to imagine Marvel Studios releasing three films per year as it now does and a mutant film or two. This will certainly create superhero fatigue. Plus, how good will the MCU X-Men films be? Will they be hard hitting and successfully tackle the mature themes of bigotry that the current films do?

Right now, Marvel Studios has the task of recasting the X-Men, including Wolverine, and Hugh Jackman has stated that he will not return to the role. Luckily, the film studio has had a good streak when it comes to casting their superheroes. On the other hand, expect the current X-Men film universe to end. This does not mean that upcoming films like Deadpool 2, The New Mutants and X-Men: Dark Phoenix will be canceled. Those films are complete and will be released as planned. But a sequel to The New Mutants is unlikely and the “Dark Phoenix” story may be a fitting conclusion to the films. Another thing to consider is that the X-Men films, for better or worse, are associated with director Bryan Singer, who’s had problems lately with allegations of sexual abuse and unprofessional conduct on film sets. Ending the X-Men films and starting over fresh is Disney’s best option, with the sole survivor being the Merc With a Mouth. He may have a thin connection to the MCU like the Marvel TV properties do and be the snarky commentator of the film universe.

When the dust clears, Disney will have a monumental job of integrating all these properties and divisions into its entertainment empire. Will it be too much for them? Possibly. As mentioned before, it may be best for Disney to sell off some of its IPs or divisions or simply shut them down for the time being. Another thing to consider is will all this disperse the company and dilute it? Iger and his executives may believe they can handle, but they may have bitten off more than they can chew. We will not know for a while.

The most disturbing aspect of the mega purchase is the explosive growth of Disney. They now have their expansive tentacles in many parts of our lives and our entertainment. Under normal circumstances, this sale may have been opposed by the government, but that is unlikely these days. This may take years, but perhaps the company may be forced to get rid of many properties and divisions before they assume too great a control over our entertainment venue.

There are so many details that are unknown to the general public and we won’t know for some time. Until then all we can do is wait and keep an eye on new developments, which will be covered here as they happen.

To think it all started with a mouse.

José Soto

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Quentin Tarantino’s F!*#@ing Star Trek

One entertainment news item that came out of left field lately has been about a new Star Trek movie. What was unusual about the news is that famed director and writer Quentin Tarantino pitched an idea for a new Star Trek film and might direct it. Today, Deadline reported that Tarantino will be heavily involved and part of his deal with Paramount Pictures and J.J. Abrams, who runs the movie series, is that the film be rated R. The shocker is that the film studio and Abrams agreed to this.

OK this is really out there for Star Trek and reflects the state of the franchise. This development will certainly upset fans clamoring for a return to traditional Star Trek. Already, many of these purists are up in arms over the radical departure taken by Star Trek: Discovery such as featuring a black, female lead, a potentially evil starship captain, and an openly gay couple. There was a mini-meltdown in the Internet over one episode where F-bombs were dropped in one scene. As shocking as it was to hear on Star Trek, it certainly was an attention grabber. Now imagine countless F-bombs and other types of swearing from the stars of a new Star Trek film.

Aside from foul language, an R-rated Star Trek film will revel in violence and possibly sex or nudity. All this is fine for most of us who can handle it, but is this the right direction for Star Trek? The franchise is noted for pushing the envelope but by exploring themes and making observations about our current society. And Star Trek: Discovery has been pushing the envelope in showcasing more adult fare such as the cursing, brief nudity and it is violent. It’s no wonder that the show is behind the pay premium wall of the CBS All Access streaming service. Actually there are stronger reasons for this, namely wanting to milk Star Trek fans, but that is for another post.

But why go this route? The answer is that Star Trek has to experiment and try new things. The franchise has been showing its age lately and something needed to be done to shake things up. Of course, this runs the risk of alienating die-hard Trek fans, but it seems as if there are not enough of them to support the franchise. As proof of this notion, Paramount will point to the disappointing box office of Star Trek Beyond. That film, which was the best of the rebooted films, was more of a traditional Star Trek, but it did not have legs. Meanwhile, Star Trek: Discovery has created some buzz with its edgier stories even though the series, as a whole, wildly deviates from the Star Trek formula.

Already, the news of Quentin Tarantino’s involvement is generating a lot of needed attention for Star Trek and that has the potential to pay off. Tarantino is a top-tier director, who is often nominated for Oscars, plus, he is a big Star Trek fan, unlike J.J. Abrams. On top of that, the frontrunner to write the film’s script is Mark L. Smith, who penned the acclaimed film The Revenant. These are reasons to be optimistic. Other genre films have recently gone into the R-rated club to great success like Logan or Deadpool. So perhaps fans are ready for an edgier Star Trek.

But there is also cause for concern. Zack Snyder and others at Warner Bros. tried presenting a darker and edgier DC Cinematic Universe but that did not work out well for those films. Many fans outright rejected the gritter takes on Superman and others, while the latest effort, Justice League, has not turned out to be the blockbuster. Many critics complained about how dark and dreary the films were since they are used to bright colors and lighter themes from superhero films. This same problem could befall an R-rated Star Trek film.

No matter what, a Star Trek film by Quentin Tarantino will be controversial and bold and it will alienate many fans much worse than the Abrams reboots have done. However, they could be better received. Just remember that Tarantino is an avowed fan, so as Seth MacFarlane does with The Orville, he may show the proper reverence and respect to the material. At this point, the franchise (and Paramount) has to take a chance and boldly go where no Star Trek has gone before.

Lewis T. Grove

Finally! The Avengers: Infinity War Trailer Is Upon Us!

Marvel Studios has teased and aggravated us ever since the D23 Expo and this past summer’s Comic-Con. Attendees of those events were treated to an exclusive look at a teaser for next year’s Marvel Cinematic Universe (MCU) epic Avengers: Infinity War. However, the rest of us poor peons were left in the dark, having to console ourselves to grainy, weird-angled bootleg footage of the trailer. While the footage’s quality was crappy to be kind what we saw got us excited! Seeing the Guardians of the Galaxy meeting Thor; Spider-Man, Star-Lord and Doctor Strange teaming up; Steve Rogers in his post-Captain America outfit; Thanos beating the snot out of the Avengers. It was astounding and we fans melted the Internet screaming and begging for the trailer’s official release. We wanted to see the finale of the MCU! But Marvel Studios would not relent. Until now. But they went one better…behold the official trailer for Avengers: Infinity War.

Whew! That is one hell of a trailer. Things look mighty bleak for our Avengers as they meet their match. This trailer alone makes Avengers: Infinity War the most eagerly anticipated movie for next year. Love the line from Black Panther, “Get this man a shield!” The only quibble is that it did not have enough if the Guardians of the Galaxy! From the looks of it, as my mom likes saying, Avengers: Infinity War will be a fitting finale to the decade-long MCU, the greatest film franchise of all time. Yes, even greater than Star Wars! But let’s be real people, this is just a trailer. Hopefully, the film, directed by the Russo Brothers, will be more like Captain America: The Winter Soldier and less like Avengers: Age of Ultron. Six months to go, more or less.

Waldermann Rivera

The Fallout From Justice League

Come together

This was not how things were supposed to turn out for Warner Bros. and DC. Justice League, the culmination of the studio’s version of their own shared cinematic universe, is not getting the reception they were expecting. The film’s main selling point was the fact that it featured the long-awaited teamup of DC Comics’ greatest superheroes, Superman, Batman, Wonder Woman, the Flash, Aquaman and Cyborg. However, its opening weekend take was only $94 million, the lowest for any film in the DC Extended Universe (DCEU). It’s being ravaged by critics and it’s not drawing in the numbers it should be. Now, Justice League’s weak performance brings up a very important question, where does the DCEU go from here?

DCEU’s Uncertain Status

It is foolish to think plans for the DCEU will continue as if anything is wrong. Something has to change. Surely, Warner Bros. executives are taking a long, hard look at their superhero franchise and determining how viable it is. Expect announced films to be canceled, new personnel, and other radical changes to the DCEU, including a reboot.

The DCEU will not suddenly go away. Right now, Aquaman has finished filming and is slated for next year. Then a sequel for the successful Wonder Woman will certainly be made given Wonder Woman is the DCEU’s biggest hit. A Shazam film is also slated to begin filming next year to join the Wonder Woman sequel for release in 2019.

An Aquaman solo film…dig it

After that things get murky. There will be a Batman solo film directed by Matt Reeves, but that has been mired in controversy. Originally, Ben Affleck was to direct and star in The Batman, but the actor/director has had a falling out with Warner Bros. and first it was announced that he would only star in The Batman. That began the Internet rumblings that he would vacate the role, which is too bad since he is quite good as Batman. Adding fuel to the fire are Affleck’s recent statements suggesting that he is ready to move on from the role. At this point, it may be easier for DC and Warner Bros. to set the film apart from the DCEU.

Affleck’s swan song?

To date, there aren’t any solid plans to give Superman a sequel to Man of Steel and it’s unknown if it will ever happen. Henry Cavill, who portrays Superman, is contracted for one more film and it is possible that Warner Bros. and DC may just have him appear in someone else’s film before recasting the role. It is a shame because Cavill, like Affleck, has done an excellent job in portraying the superhero, but it is not the end of the world. As we saw with Spider-Man it is fairly easy to replace actors, though overall, it is regrettable that we may never see a full evolution of Superman into a beacon of hope as shown in the end of Justice League.

Other projects with uncertain fates include Batgirl, Gotham City Sirens, Green Lantern Corps, Cyborg and a Suicide Squad sequel. Given the problems Warner Bros. has had with its core superheroes it may be best to put those projects on hold so they can right their cinematic ship.

A Flashpoint To The Future

On a related note, a Flash solo film has been stuck in development hell for years as writers and directors join then leave the project. Most recently, the film is supposed to be an adaptation of the Flashpoint mini-series where the Flash time travels and resets the DC Universe. Using this storyline would give Warner Bros. a convenient way of rebooting the DCEU, but the story, with its alternate takes on characters and situations, sounds expensive and may go over the heads of casual viewers. It would be easier for the film studio to just do a hard reboot without any explanation. This has worked in the past for other franchises, and the one instance where time travel was used to reboot a franchise was Star Trek and it left fans with a bad taste.

Flash to the reboot/rescue?

One option for the studio is to repeat what happened with Wonder Woman. The solo film was set in the past and largely apart from the DCEU. Reportedly, the sequel will also take place in the past and this example could be a way to ease out of the DCEU. The same thing can be done with Aquaman and Shazam; remove references to the DCEU and focus on the characters. That is why Wonder Woman succeeded. Concentrate on solo films with little to no references to a larger universe and let the shared universe grow organically.

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And A Justice League For All

Justice League is the latest film for the DC Extended Universe (DCEU) franchise and I think it is one of the best. Once again, a DCEU film has for some bizarre reason received a divisive reception, but to me this film works on just about every level. The story continues from Batman v Superman: Dawn of Justice and in a nutshell, shows Bruce Wayne (Ben Affleck) seeking out other meta-human super heroes: Wonder Woman (Gal Gadot), Aquaman (Jason Momoa), the Flash (Ezra Miller), and Cyborg )Ray Fisher) to form a team capable of stopping an alien invasion led by supervillain Steppenwolf (Ciaran Hinds).
The action and stunts in this movie are top notch and the story is relatively straightforward. Some would say too much so since it is a two-hour film as opposed to Batman v. Superman, which was two and a half hours long. I would have liked to have seen more world-building and perhaps another 10-15 minutes of runtime to do so, but Justice League still did not feel rushed to me. Another complaint I’ve heard is the CGI, especially with Superman’s missing facial hair due to actor Henry Cavill having a mustache during reshoots. There were maybe a few seconds where I noticed this, but it did not ruin any scenes and the rest of the effects in the movie were quite good. Everything from Cyborg’s armor to Steppenwolf’s parademons were all well done. The fight scenes were a thrill to watch and the history lesson shown early in the film that depicts a previous invasion was a special treat since it shows alien Green Lanterns for the first time in the DCEU, as well as massive armies of Atlanteans and Amazonian warriors facing off against the hordes of Apokalips. I do wish this scene was longer to set up the whole invasion storyline, but what we did see was great.
 
The acting was also a positive as the chemistry between the team members was a highlight. Ben Affleck continues his role as the definitive live-action Batman, Gal Gadot is just as good as she was in this summers big hit Wonder Woman, Ezra Miller(the Flash) provides hysterical comic relief as the youngest member of the team, Ray Fisher is effective as the troubled hero Cyborg and Jason Momoa gives fans a good preview of Aquaman, the next DCEU film in December 2018. The underwater battle sequence shown was a sight to behold and should be great to see for a whole film come next year. Finally, Henry Cavill returns as the iconic Superman. His resurrection is handled well and showcases his awesome powers as things don’t go quite the way Batman planned because Supes isn’t in a good mood when he does wakes up. His eventual return to battling the villains is a great moment and gives fans their first glimpse of the hopeful Superman in the DCEU they’ve been waiting for. I also enjoyed Steppenwolf’s portrayal by Ciaran Hinds. He was a powerful adversary for the League and his parademons were also scary looking henchmen. I did not see him as a weak villain, however I would have liked to have seen more of where he came from, the planet Apokalips, as well as his ruler Darkseid, who is only mentioned but not seen.
The tone of this film is lighter than Batman v Superman, and there is more banter between the heroes which is not surprising since Joss Whedon took over from Zack Snyder during reshoots. Most of the quips are amusing and they didn’t take away from the stakes the Justice League faced with the fate of the world hanging in the balance. Batman is a changed character from the previous film since Superman’s sacrifice and death gave him a new outlook on what it means to be a hero. This propels him first to form the Justice League and then to bring Superman back to life when he realizes that the League are overmatched and need the Man of Steel to get them over the top against Steppenwolf and his legion of parademons. Wonder Woman is shown still dealing with the aftermath of losing Steve Trevor in her solo outing and even argues with Bruce about having to come to terms with your past. I liked seeing this character progression and it seems to bring the heroes full circle from where they started in previous films.
 
Aside from the minor quibbles of the shorter run time and mustaches, Justice League is a film that I definitely enjoyed. The ending sets up further adventures for our heroes and villains with a  post-credit scene (SPOILER ALERT!) showing a freed Lex Luthor wanting to create his own group of supervillains starting with Deathstroke. Whether this happens or not is unclear due to the mixed reception the film has gotten.
I would love to see another JL film, especially if it features the League battling a rival group of supervillains and having Green Lantern joining the team as the seventh member. New characters joining the league is hinted at in the end and this is something that should be explored in future films. Previous incarnations of the Justice League in both comic book and animated films, plus, characters like Martian Manhunter and Shazam, would be nice to see. In any case, even if this doesn’t happen, it was great to finally have a live-action Justice League film featuring these legendary characters. It was a pure joy seeing them joining together on the big screen for the first time, showing off their amazing powers, and saving the world. Any future team-up movies with them are something we all can look forward to.
C. S. Link