Personal Reflections About Stan Lee

Heroes aren’t born they’re developed, and Stan Lee created a universe full of Superheroes. It’s sad we have lost the greatest mind in the history of comics.

When I was young, I wrote to Mr. Lee with a storyline and an idea for a comic. Basically, it was about a cabbie who picks up Spider-Man characters like J. Jonah Jameson and Robbie Robertson and gets different viewpoints of Spidey. I also gave him an idea about doing a comic on how to create your own versions of Marvel costumes. I was surprised that Stan personally wrote back to me and actually liked my ideas. He gave me the names of the people I should contact at Marvel Comics. It was too bad that nothing came of it but I was grateful for Stan’s input and advice.

Years later, I actually got the meet Stan the Man at Shea Stadium, the former home of the New York Mets. Spider-man was getting married to Mary Jane Watson in the Marvel comic books and in the newspaper comic strips that Lee was writing at the time. He decided to have a wedding ceremony for the super couple the same week the wedding happened in the print versions. Back then I worked at Starlog magazine and we ran stories covering Spider-man’s wedding in Starlog and Comics Scene magazines.

I spoke to Lee after a photo shoot inside the stadium. I told him I had written to him and that he personally replied. He shocked me by saying he remembered the letter.

Stan wrote to us and said he enjoyed the stories and really loved the photos especially the one of him on the shoulders of his superheroes. He asked if we could send him a print copy, and we sent him a few 8x10s of the photos he requested. We were more than happy to do so, and it turned out to be a blessing. From that moment on, Marvel Comics always sent us press materials at a faster rate than before.

I later gave him copies of the other pictures when I saw him years at a NY Comic Con. I was thrilled that he loved them all.

Below is the story with some photos of our coverage of Spider-man’s wedding that appeared in the September 1987 issue of Starlog:

“Webbing Bells, It’s a Marvelous Life

He has escaped the villainous clutches of Dr. Octopus, the Kingpin, the Hobgoblin, the Green Goblin and even Kraven the Hunter, but the friendly neighborhood Spider-man was finally snared on June 5, 1987 before a sellout crowd of 51,402 at New York’s Shea Stadium.

The superhero’s co-creator Stan Lee was there to join the web-slinger to his longtime love, model/actress Mary Jane Watson in weblock. The wedding party included Spidey super friends Firestar, Iceman, the Hulk and Captain America. The Green Goblin made a rare return-from-the-dead appearance. The bride and groom entered through centerfield in separate limousines, making their way to the white heart-shaped altar from which Stan the Man presided over the ceremony.

“Now, in the sight and presence of a coterie of our other costumed crusaders, please prepare to recite your vows,” announced Lee. “Do you, Spider-man, being of sound mind and super body, take Mary Jane to be your lawfully wedded bride, forsaking all other superheroines? Do you promise to never leave footprints on the ceiling, or cobwebs in the corners? And do you agree to pinch-hit for the Mets if they ask you?” Spider-sense tingling, the groom replied, “I do.”

“Mary Jane, do you, being of sound mind and spectacular body, agree to forsake other masked Marvelites,” Lee continued, “to never, ever swat a spider, and to hug, comfort and kiss away any bruises incurred after a long day of bashing bad guys—and stay out of the Mets’ locker room?”

After a moment’s thought, Mary Jane echoed, “I do.”

“The rings please,” said Lee, “Repeat after me—With this ring I thee web,” and both participants did so.

“By the power vested in me by Marvel Comics,” said Lee, “I now pronounce you Spider-man and wife. You may kiss the bride.”

With this, Spidey carried the new Mrs. Peter Parker off to their limo and they drove off to tumultuous applause. The remaining superheroes and villain hoisted Stan Lee on their shoulders and carried him off the field.

Jim McLernon”

I’ve always treasured those memories of meeting Stan and am touched that he loved those photos. It was a small way of giving thanks to him in person for all that he has done for us and the Marvel Universe.

Thank you, Stan for creating a whole universe.

Jim McLernon

 

More Reflections on a Comic Book Legend

Stan Lee was the greatest superhero pop culture celebrity and the last of the great original co-founders of Marvel Comics.

He gave us characters and stories that strongly resonate with us even to this day. He was a powerful storyteller whose literary ideas and words would pair up with talented visual artists. Together, they would come up with colorful heroes and wild adventures that are recognized all over the world.

On a personal note, I met him a couple of times in the comic book conventions.  On both occasions he was as we always saw him to be—energetic, and quite inspirational.

I first met him at a NYC convention in the mid 80s. There was a huge line to meet Stan even back in those days, but I didn’t wait for long. When I finally had the moment to say hi and take a picture with him, he also gave me some great advice about improving my little art sketches and doodles.

For someone who changed the course of pop culture, Stan enjoyed being playful about his celeb status. He really was both insightful and self-deprecating, and sincerely enjoyed being with the fans.

Thank you, Stan for providing more than seventy years of heroes winning the day.

Rest In Peace.

‘Nuff said.

GEO

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Stan Lee—The Man, The Legend

We’ve been expecting this for some time now given his frail age, but today’s sad news that Stan Lee passed away still hurts. Why? Because Stan the Man is a comic book legend and his influence not just in comic books, but in our culture resonates so powerfully. That may be a bit hyperbolic, but appropriate given Lee’s penchant for promoting the Marvel Comics superheroes he co-created.

Most of us know his biography better than our own. Born Stanley Martin Lieber in 1922, Stan Lee was introduced to the world of comic books when he began working for Timely Comics in 1939 and soon started writing for the company. Before long, he became an editor and worked on numerous titles and was quite prolific. During his tenure he came up with the pseudonym “Stan Lee” (a playful jib of his first name) because he wanted to use his real name when he got around to writing his Great American Novel. Although that never happened, what he created would have more of an impact in American pop culture than any old Great American Novel.

Eventually, Timely Comics morphed into Marvel Comics and in the early 1960s, Lee wanted to help boost sales for his company’s books. Seeing that the best-selling title in rival DC Comics was the superhero team book Justice League of America, he decided to create Marvel’s own superhero team. He teamed with his longtime collaborator, artist Jack Kirby, to create the Fantastic Four, thus the Marvel Age of Comics was born.

Comes the Marvel Age

From there, Lee and Kirby quickly grew the Marvel Universe and introduced such iconic characters and teams like the Hulk, the Avengers, Black Panther, Thor, Silver Surfer, Iron Man and the X-Men. Lee also worked with other artists, which resulted in his greatest creation and contribution to pop culture. That being Spider-Man, who he co-created with Steve Ditko.

What set his creations apart from traditional, square-jawed superheroes was that the Marvel heroes were flawed and relatable. This was best seen with Spider-Man, who broke the mold of a superhero, and was Lee’s favorite character. His alter ego, Peter Parker, was an insecure everyman type who like us had to grapple with real-life, ordinary problems like paying the rent or trying to get a date. It seemed like the more Spider-Man won a battle, the more Peter would lose a war in his personal life. Other superheroes and even the supervillains were just as conflicted and dimensional.

Lee’s books introduced novel concepts and explored themes of bigotry and social strife and issues as seen with The X-Men and The Amazing Spider-Man. His works also ushered in more diverse characters such as Black Panther, the first black superhero, and Daredevil, a disabled superhero. Readers reacted positively to these innovative comic books and the result was that Marvel Comics exploded into the pop scene.

Lee’s bombastic personality and prolific writing helped promote the books. During his time as editor and editor-in-chief, Lee helped create the “Marvel Method” of creating comics that would become controversial when it came to designate whom was actually responsible for Marvel’s success. Being that he was writing so many titles and pressed for time, Lee would come up with a basic plot and pass it on to the artists. They in turn would flesh out the stories and when they were done, Lee would add the snazzy dialogue.

Over time, many artists were irked over the growing perception from the outside world that Lee was solely responsible for Marvel’s success. This would eventually cause Kirby and Ditko to leave Marvel. They went on to work on their own creations but looking at their post-Lee work it is easy to see how much of an impact Lee had in the Marvel works since the artists’ solo efforts lacked the pizzazz and sharpness that Lee’s dialogue added.

As the so-called Marvel Age of Comics began, the superheroes became a large part of popular culture when the heroes appeared in cartoons and were featured in merchandising. As this went on, Marvel’s biggest spokesperson and cheerleader continued to be Stan Lee himself. He always came off as energetic and jovial in interviews, appearances, and his column, which appeared in Marvel Comics. Often his posts were lettered with his memorable one-liners like “Face front, true believers!” “’Nuff said!”, and “Excelsior!”.

Marvel Mascot

Eventually, Lee stepped down from his day-to-day writing and editing duties at Marvel and took on the ambassadorial role for Marvel full time. During this period, the 1970s and 1980s, Lee worked to bring the Marvel heroes to live-action medium. The results were not great with many movie projects stalling out and TV efforts being sub-par, although The Incredible Hulk was well received. Regardless, his efforts paved the way for the later success of Marvel films years later.

Still, Lee would continue to write when time permitted and penned several comics for Marvel and even did a notable stint for DC Comics where he re-imagined heroes like Superman, Wonder Woman and Batman.

In recent years, Lee’s status and standing with fans grew and grew as he embraced his role as a mascot for all things Marvel. These were best seen with his numerous cameos in Marvel films like Iron Man, Guardians of the Galaxy, Vol. 2, the Spider-Man films, and the Captain America films. Many of these appearances were crowd-pleasing scene stealers.

By this time, Marvel and comic books grew out of their niche and became a prominent part of our culture. The phenomenal success of superhero films and the cultural presence of superheroes can be attributed to Lee’s efforts.

As we look back fondly on Stan Lee, it is best to keep in mind that while we mourn him, it’s best that we continue to celebrate what he has created. For truly his works will endure for generations to come.

Thanks, Stan. Rest easy now.

Excelsior!

José Soto

Daredevil Season Three Is A Triumph!

Daredevil S3 poster

When Netflix dropped the third season of Daredevil a few weeks ago, viewers witnessed why Daredevil is the best of the Marvel Netflix shows. As the first of these streaming shows, Daredevil was an immediate hit with critics and fans, although it faltered in its second season. Then following the missteps of other Marvel Netflix shows, many doubted the quality of them, including Daredevil. Fortunately, the third season of the Marvel superhero show re-affirmed our faith with a triumphant season.

The third season takes place after the events of The Defenders where Daredevil/Matt Murdock (Charlie Cox), the blind superhero with enhanced senses, was presumed dead. He barely survived and is in the care of Sister Maggie Grace (Joanne Whalley) in the church where he grew up. As he recovers, the notorious crime boss, Wilson Fisk/Kingpin (Vincent D’Onofrio), is in prison thanks to Daredevil and carries out a complex scheme to get out of prison and manipulating members of the FBI to serve him as he re-enters public life. Part of the scheme includes destroying Daredevil’s reputation by having an impersonator murder people in cold blood. While this goes on, Matt goes through a crisis of self and faith as he struggles with his ideals when dealing with Fisk and his lackeys. One of them happens to be FBI Agent Ben Poindexter (Wilson Bethel), a deeply disturbed man with a supernaturally deadly aim. Fans know that this is the villain Bullseye and he is more than a match for Daredevil. He is so deadly with his skills that he defeats our hero on more than one occasion, and these fight scenes were actually terrifying to watch with their brutality.

daredevil vs bullseye

Speaking of fight scenes, the third season of Daredevil continues the tradition of presenting “one-take” fight scenes that are so memorable and the one shown in the fourth episode (“Blindsided”) does not disappoint fight fans. In fact, the fight scene, which takes place in a prison, probably tops these scenes with its elaborate and long nature. It features savage fisticuffs, lines of dialogue and a well-choreographed riot scene that all lasts over ten minutes! One has to wonder with the intensity of these fight scenes why it is so difficult for the other Marvel Netflix shows to match the ones featured in Daredevil.

On the other hand, other episodes pack emotional punches and are haunting character studies. One of them, “Karen” explores the back story of Karen Page (Deborah Ann Woll) and it features some powerful acting by Woll as we learn she is not the innocent person Matt and his buddy Foggy Nelson (Elden Henson) believe her to be. There are several surprising twists and revelations. Some are inspired by the comic books while others keep us guessing. We’re never sure who will live or die and its often unexpected and tragic.

What makes Daredevil such a triumph is that it focuses on characters, which are perfectly played by topnotch talent. Cox, D’Onofrio and Bethel are the standouts in the stellar cast as they exude raging demons within them and we see how each of the three grapple with their inner turmoil. Charlie Cox continues to sell his Matt Murdock as a decent, tortured man who is pushed to the edge and has to find a way to center himself. Meanwhile, Vincent D’Onofrio’s Kingpin (called by that name for the first time in this Marvel Netflix show) is a terrifying monster who is barely able to control his inner fury. There are some wincing moments when he lets his volcanic temper explode which you can’t help but watch. Bethel’s Poindexter is a true psychotic but great pains are taken to show what led this FBI agent to fall from grace. There is a new character who has an impressive arc. That being FBI Agent Ray Nadeem (Jay Ali), an honorable man who is tragically ensnared in Wilson Fisk’s complex web.

The season may come off a bit slow in the first couple of episodes but after having seen the entirety of Daredevil season three it is clear that the quieter pace of the early episodes were needed to set up the characters and situations. The payoff starts fairly soon and it is worth the wait.

Daredevil season three proves that not only is it the best of the Marvel Netflix shows but the best superhero TV show out right now. It would be a shame if Netflix were to cancel it given the recent uncertainty of the Marvel Netflix shows. The showrunners were hoping to have the show run five seasons and there is plenty of story left to tell with the Devil of Hell’s Kitchen. Besides without not given too much away, it would be nice to see Matt don the red suit again.

Lewis T. Grove

Top 10 Sci-Fi Horror Films

It’s that time of year when we dread the things that go bump in the night…or in deep space or in a mad scientists’ lab. Science fiction and horror have gone together hand in hand for ages. Ever since the dawn of film, these two combined genres presented some of the most memorable genre films for fans. Here for your examination are the top 10 sci-fi horror films.

10. Pandorum (2009):

Colonists onboard a generational starship wake up early during their voyage. They soon learn that their ship is crawling with savage mutants that endanger them and the ship. Full of jump scares, tension and thrills, Pandorum is an underrated gem that continually surprises you until its end.

invasion of body snatchers

9. Invasion of the Body Snatchers (1956):

Echoing the 1950s paranoia about communism, this adaptation of Jack Finney’s novel about aliens taking over humans from within is unsettling. It may make you afraid to go to sleep after watching it! The loss of identity, emotional bonds, and one’s humanity are the central themes in this sci-fi classic. Its 1978 remake is also noteworthy for the same reasons.

frankenstien and gril

8. Frankenstein (1931):

One of the first sci-fi horror films is the legendary James Whale-directed version of Mary Shelley’s literary classic. Featuring Boris Karloff as the resurrected Creature, Frankenstein is still atmospheric and creepy, while evoking sympathy for the Creature.

7. A Quiet Place (2018):

The most recent member of this list is one of the most frightening. Earth has been overrun by vicious alien creatures that hunt by sound, forcing humanity into hiding. A Quiet Place overflows with tension and fear as a family struggles to survive against the alien predators by not making noise.

The Fly brundlemonster

6. The Fly (1986):

David Cronenberg’s classic body-horror classic outdoes the cheesy original version it is based on and is an apt AIDS allegory for its time. Quirky and likeable scientist, Seth Brundle (Jeff Goldblum), experiments on himself with his teleporting machine not realizing he is genetically fused with a fly. Tragically, he begins a hideous body transformation into a human-insect hybrid that will disturb viewers as the completed metamorphosis is revealed in The Fly’s final scenes.

5. The Mist (2007):

The third Frank Darabont adaptation of Stephen King’s literary works is genuinely disturbing and frightening. Residents of a Maine town take refuge in a supermarket after a military experiment accidently opens a dimensional passage that allows monsters into our world. More than a monster movie, The Mist explores the theme that we are our own worst monsters. It also features one of the most unsettling endings in film history. It’s a true gut punch.

4. Event Horizon (1997):

Think of this film as a haunted house in space story. The crew of a rescue spaceship board a lost spaceship that suddenly re-appears on the edge of our solar system. The crew discovers that the lost ship’s experiment with FTL opened a doorway to a hellish dimension and they become the ship’s latest victims. Event Horizon is a chilling cautionary tale with disturbing imagery about how we should be careful about pushing the boundaries of science.

3. 28 Days Later (2002):

This film helped jumpstart the recent zombie craze even though it is not technically about zombies. A man-made virus is accidently released and decimates the UK, rapidly turning its victims into mindless, bloodthirsty killers.

Enhanced with a pounding score, expert direction and a harrowing sense of dread, this film set new standards for sci-fi horror films. 28 Days Later is kinetically terrifying with scenes of the fast-moving killers chasing the film’s characters, while offering a sobering humanist drama about survival and holding onto your humanity.

2. The Thing (1982):

The remake of the 1950s film The Thing From Another World outshone the original while being more faithful to its literary roots. Much more than an alien invasion thriller taking place in an Antarctic outpost, John Carpenter’s The Thing is a claustrophobic and disgusting horror film with ghastly physical effects that still hold up to this day.

However, what made The Thing so memorable was the way Carpenter injected deep paranoia into the film as the isolated characters turned against each other. What is even more remarkable, is that even though the film was remade in 2011 with “modern” CG effects, it pales to the practical effects and makeup of the Carpenter classic, which was also more moody and blood curdling.

alien and ripley1. Alien (1979):

The crew of an interstellar mining ship bring onboard an alien life form that proceeds to kill them off one by one. As simple as that sounds, Alien is much more than its plot implies. It is one of the most influential sci-fi horror films of all time and set standards for gore, character development, thrills, pacing and atmosphere. Let’s not forget that the visual design of the alien xenomoph is disgustingly unique and has never been topped in terms of showing a distinctly inhuman look.

The starship itself functions as its own haunted house with foreboding shadows and corners, which gives the xenomorph perfect hiding places, while entrapping the crew themselves. Then there is the infamous chestburster scene, which is still horrifying to watch today. That scene alone set Alien above all other sci-fi horror films and is one of many reasons why this film is at the top of this list of top 10 sci-fi horror films.

Do any of these films make your own top 10 list of sci-fi horror films? Leave a comment below.

José Soto

The Imploding Marvel Netflix Universe

First, Iron Fist was canceled a week ago by Netflix. Now, after the third season of Daredevil dropped during the past weekend, Netflix announced that Luke Cage has also been canceled. While the axing of Iron Fist was not a unexpected, the cancellation of the latter show came as a big surprise given reports that a new season was about to be greenlit. With these developments, which includes the coming of the Disney streaming app, fans of the Marvel Netflix Universe are wondering if this it for the Marvel Netflix shows.

This may be hard to swallow for some given how well received the Marvel Netflix Universe was at the beginning. Daredevil and Jessica Jones are still considered the best of these shows and created the most buzz, even though the second seasons of both shows weren’t as good as the first. But we have to admit the luster has gone from these shows thanks to the uneven nature of recent shows. Namely Iron Fist, Luke Cage and The Defenders mini-series. So in a sense, the cancellations are not all that surprising. Still, the development signals an uncertain future for the shows.

Luke Cage and Iron Fist

What could happen at this point? A common belief is that Disney will take all the shows for their streaming service, Disney Play, when it launches next year, and it is hoped that Iron Fist and Luke Cage will find new lives in the service. However, it needs to be stressed that the Marvel Netflix shows are for Netflix to cancel or continue, not Disney. Also, the service will cater to more family friendly fare that at most will be PG-13. The Marvel Netflix shows are certainly more adult oriented with their violence. Can you see a brutal show like The Punisher airing on Disney Play? One option is for Disney to stream these shows on Hulu where it will soon own a majority share. The entertainment giant has indicated that more adult fare will stream on Hulu instead of Disney Play. These shows will certainly fit in there if this is to be the new model for Hulu and allow Disney to move Runaways over to Disney Play.

The thing is would Disney want to resurrect Luke Cage and Iron Fist? Both shows have had their problems, but they had their merits and the second season of Iron Fist was a vast improvement over the first. Meanwhile, the second season of Luke Cage ended on a semi-cliffhanger where Luke seemed to be headed towards a dark path as he took over as a benevolent crime lord in Harlem. This was a clear set up for a third season storyline, in fact, the scripts were written for the new season, which won’t see the light of day now. Iron Fist, too, ended with an intriguing new direction for the next season as Danny Rand and Colleen Wing displayed awesome new abilities, which promised an adaptation of the “Immortal Iron Fist” story from the comics.

All this handwringing could be for nothing. For all we know, Netflix may announce tomorrow that both shows will be combined into Heroes For Hire. Fans know that this is what happened with their comic book counterparts when their books were combined into Powerman and Iron Fist back in the ’70s and ’80s.

Then again, Netflix probably and justifiably sees Disney as a genuine threat and has enough original material to dispel with the Marvel Netflix shows. After all, these shows are nominally set in the Marvel Cinematic Universe and thus provide a measure of advertising for Disney and Marvel, so why help the competition?

Marvel netflix

New seasons of Jessica Jones and The Punisher have been completed and will stream next year. At that point, we will have a clearer idea of where the Marvel Netflix Universe is headed. The next thing to look out for is if Daredevil is renewed for a fourth season. If so, then fans can relax. If no announcements are made or if Daredevil and the surviving shows are axed then it’s over. Sad as this may be, at least we had several seasons and crossovers to enjoy and we can be confident that we have not seen the last of these urban superheroes.