Science Fiction & Horror: The Perfect Combination

Science fiction and horror have blended well together like peanut butter and chocolate for a long time. One of the earliest examples is Mary Shelley’s classic literary work Frankenstein, or the Modern Prometheus and the melding continues to this day with assorted books, films, comic books, games and other media. Some of the standouts include the Alien films, I Am Legend, The Tommyknockers, the Predator films, Resident Evil, Event Horizon, The Fly, Dead Space, 28 Days Later, A Quiet Place, The Thing (and its source novel Who Goes There?), etc.

Why have the two genres been able to be combine so perfectly? That is to be debated since there are so many reasons and it may not be clear to many. But it can arguably be due for one factor and that is that the genre combo zeroes in to the fear of the unknown. Think about it, what makes horror so tantalizing is that it addresses what we’re afraid of, and that is ultimately death because it is the great unknown. What lies beyond death? Is it truly the end or the pathway to something truly horrific? Science fiction works have dealt with the nature of death and what it entails. As mentioned before, Frankenstein was all about defeating death and the horror of achieving this as Dr. Frankenstein found a way to bring the dead back to life through scientific means rather than using the supernatural.

Obviously it is the use of science or its grounded setting that sets science fiction horror separate from regular horror. And it is why it can be more unsettling…

With the regular horror genre, anyone experiencing it can take some small comfort with the idea in the back of the head that the horror story is implausible. There isn’t any way that a dead corpse will come back to life and start eating you, and despite all the so-called reality ghost hunting TV shows, the existence of spiritual entities still has not been scientifically proven. With films like The Thing, Alien or A Quiet Place, what makes them so terrifying is that we can encounter extra-terrestrial life that means us harm. Science experiments, research and discoveries that should benefit humanity can lead to disastrous results as seen in The Fly, Nightflyers, Event Horizon, Demon Seed, Blindsight, and The Strange Case of Doctor Jekyll and Mr. Hyde.

Then there is the sub-genre in science fiction and horror of humanity grappling with devastating diseases that falls into horror. Some like The Andromeda Strain are clear cut stories where diseases outright decimates us, but other works uses diseases to bring about body horror tales or create tenuously plausible zombie yarns. Examples include The Fireman, Black Hole, 28 Days Later, Cross, I Am Legend, and the Resident Evil franchise. Of course, saying that the events shown in these works are plausible is stretching things and as with any fictional work requires suspension of belief. But when the stories work and terrify us, they work quite well to the point that our rational brains stop questioning and start reacting to the horror of these stories.

Another thing to consider about how well the two genres blend so well is that the stories are often contemporary or take place in the future. These settings also lend to the feeling that what happens in them are possible. We don’t know that the first alien life we will encounter in the future will try to eat us or that using FTL will open a gateway to a hellish dimension. We cannot say for certain that these horrific events will happen.

What is even more unsettling is that what will actually occur in the future or just a few minutes from now can be far worse than what our puny minds can imagine. It all feeds into fear of the unknown and is why science fiction and horror are the perfect combination for storytelling.

 

All Hail Godzilla: King Of The Monsters

Despite what many critics are blaring, the latest American Godzilla film, Godzilla: King of the Monsters, is quite enjoyable. There are issues with the film, which is part of Legendary Entertainment’s Monsterverse cinematic universe, and I was hoping we would have gotten the definitive Godzilla film from Hollywood. That goal still evades us, but this film is a solid B, which is kind of appropriate given this can be considered a B-film even though Godzilla: King of the Monsters is a blockbuster event film.

The film’s plot is not complicated. A bunch of giant monsters are awakened from their prehistoric slumber; these include the famous kaijus Rodan, Mothra and the big baddie himself Ghidorah. These monsters start vying for the top spot as the apex Titan and joining this conflict is humanity’s most unexpected hope: the king himself, Godzilla.

To be clear, this film is a continuation of the Garth Edwards Godzilla released in 2014. The events from that film are mentioned here with a couple of characters returning, though this film focuses on a largely new cast. Godzilla was an enjoyable reboot of the Hollywood version of Godzilla and comparing the two, I’d have to say I prefer Godzilla: King of the Monsters because of all the epic kaiju battles. The monster scenes are the film’s best parts, they’re just amazing and beautifully choreographed. Their scale is simply jawdropping. The special effects are topnotch and the super powerful fight scenes are meant to be seen on the big screen!  Even compared to the Japanese versions, this film has the best Godzilla fight scenes I’ve ever seen. Godzilla: King of the Monsters also does an interesting job of showing the monsters’ place in world history and expands upon the mythology shown in the previous two films of the Monsterverse, Godzilla and Kong: Skull Island.

Believe it or not, the scenes with the humans are well done for the most part except for a flaw I’ll get to. The actors like Kyle Chandler and Millie Bobby Brown turn in fine performances that are not one-note like in Godzilla. The first Monsterverse film was hobbled with forgettable actors except for Bryan Cranston and he was not around too long in Godzilla. The big issue with the humans in this sequel, which bogs the film is that the humor falls flat most of the time. It feels forced and annoying. We came to see the film for giant monsters not bad attempts at comedy. Another problem with the film is that it lacks a suspension of disbelief. There a many scenes where the characters are right in the middle of intense monster action or are interacting directly with the kaiju and nothing happens to them, even though there is debris flying all around them. In previous kaiju films, the humans were always far away from the action and it was believable that they did not get hurt. But here, they’re right in the middle of the action and nothing happens to them. Sorry, but this is unbelievable and took me out of the film.

Putting the gripes about the film aside, Godzilla: King of the Monsters is an enjoyable blockbuster. It has its issues and deserved to be better but it is what it is, a big romp of a kaiju movie. While not as great as other cinematic universes, the Monsterverse is delivering consistently entertaining films and hopefully next year’s Godzilla vs. Kong will up the ante and be an improvement.

Walter L. Stevenson

Top 10 Sci-Fi Horror Films

It’s that time of year when we dread the things that go bump in the night…or in deep space or in a mad scientists’ lab. Science fiction and horror have gone together hand in hand for ages. Ever since the dawn of film, these two combined genres presented some of the most memorable genre films for fans. Here for your examination are the top 10 sci-fi horror films.

10. Pandorum (2009):

Colonists onboard a generational starship wake up early during their voyage. They soon learn that their ship is crawling with savage mutants that endanger them and the ship. Full of jump scares, tension and thrills, Pandorum is an underrated gem that continually surprises you until its end.

invasion of body snatchers

9. Invasion of the Body Snatchers (1956):

Echoing the 1950s paranoia about communism, this adaptation of Jack Finney’s novel about aliens taking over humans from within is unsettling. It may make you afraid to go to sleep after watching it! The loss of identity, emotional bonds, and one’s humanity are the central themes in this sci-fi classic. Its 1978 remake is also noteworthy for the same reasons.

frankenstien and gril

8. Frankenstein (1931):

One of the first sci-fi horror films is the legendary James Whale-directed version of Mary Shelley’s literary classic. Featuring Boris Karloff as the resurrected Creature, Frankenstein is still atmospheric and creepy, while evoking sympathy for the Creature.

7. A Quiet Place (2018):

The most recent member of this list is one of the most frightening. Earth has been overrun by vicious alien creatures that hunt by sound, forcing humanity into hiding. A Quiet Place overflows with tension and fear as a family struggles to survive against the alien predators by not making noise.

The Fly brundlemonster

6. The Fly (1986):

David Cronenberg’s classic body-horror classic outdoes the cheesy original version it is based on and is an apt AIDS allegory for its time. Quirky and likeable scientist, Seth Brundle (Jeff Goldblum), experiments on himself with his teleporting machine not realizing he is genetically fused with a fly. Tragically, he begins a hideous body transformation into a human-insect hybrid that will disturb viewers as the completed metamorphosis is revealed in The Fly’s final scenes.

5. The Mist (2007):

The third Frank Darabont adaptation of Stephen King’s literary works is genuinely disturbing and frightening. Residents of a Maine town take refuge in a supermarket after a military experiment accidently opens a dimensional passage that allows monsters into our world. More than a monster movie, The Mist explores the theme that we are our own worst monsters. It also features one of the most unsettling endings in film history. It’s a true gut punch.

4. Event Horizon (1997):

Think of this film as a haunted house in space story. The crew of a rescue spaceship board a lost spaceship that suddenly re-appears on the edge of our solar system. The crew discovers that the lost ship’s experiment with FTL opened a doorway to a hellish dimension and they become the ship’s latest victims. Event Horizon is a chilling cautionary tale with disturbing imagery about how we should be careful about pushing the boundaries of science.

3. 28 Days Later (2002):

This film helped jumpstart the recent zombie craze even though it is not technically about zombies. A man-made virus is accidently released and decimates the UK, rapidly turning its victims into mindless, bloodthirsty killers.

Enhanced with a pounding score, expert direction and a harrowing sense of dread, this film set new standards for sci-fi horror films. 28 Days Later is kinetically terrifying with scenes of the fast-moving killers chasing the film’s characters, while offering a sobering humanist drama about survival and holding onto your humanity.

2. The Thing (1982):

The remake of the 1950s film The Thing From Another World outshone the original while being more faithful to its literary roots. Much more than an alien invasion thriller taking place in an Antarctic outpost, John Carpenter’s The Thing is a claustrophobic and disgusting horror film with ghastly physical effects that still hold up to this day.

However, what made The Thing so memorable was the way Carpenter injected deep paranoia into the film as the isolated characters turned against each other. What is even more remarkable, is that even though the film was remade in 2011 with “modern” CG effects, it pales to the practical effects and makeup of the Carpenter classic, which was also more moody and blood curdling.

alien and ripley1. Alien (1979):

The crew of an interstellar mining ship bring onboard an alien life form that proceeds to kill them off one by one. As simple as that sounds, Alien is much more than its plot implies. It is one of the most influential sci-fi horror films of all time and set standards for gore, character development, thrills, pacing and atmosphere. Let’s not forget that the visual design of the alien xenomoph is disgustingly unique and has never been topped in terms of showing a distinctly inhuman look.

The starship itself functions as its own haunted house with foreboding shadows and corners, which gives the xenomorph perfect hiding places, while entrapping the crew themselves. Then there is the infamous chestburster scene, which is still horrifying to watch today. That scene alone set Alien above all other sci-fi horror films and is one of many reasons why this film is at the top of this list of top 10 sci-fi horror films.

Do any of these films make your own top 10 list of sci-fi horror films? Leave a comment below.

José Soto

The Pixar Films Ranked

Now that Incredibles 2 has been released, Pixar AnimationStudios has twenty full-length films in its library. This is a good number to rank the Pixar films. Bear in mind that these animated films are among the best films ever made and even those that rank at the bottom have their moments. Be sure to comment below on how you would rank the Pixar films, which are universally considered the gold standard with animated films these days.

20. Brave

It was neck and neck between this and Cars 2 for the bottom spot.  What made Brave earn this spot was that ultimately the story was dull and came off as a generic Disney princess-proves-herself yarn we’ve seen too often. The hair animation was nice, though.

19. Cars 2

This is possibly the most unwanted sequel in Pixar’s history. The only thing going for the first sequel to Cars is its above-average animation, but the story about ‘Mater caught up in a spy caper is strictly aimed at kids who won’t know any better.

18. Cars 3

The third film in the Cars trilogy has some good moments about making comebacks and passing the torch for the next generation. Although the animation is up to Pixar’s loftiest standards, Cars 3 cannot shake the stigma of being an unwanted sequel to one of Pixar’s lesser efforts.

17. The Good Dinosaur

It seems as if Disney (and Pixar) has a hard time coming up with a memorable dinosaur film. How hard can it be? This film about a dinosaur and his pet human boy was interesting to watch but it lacked the special Pixar touch. What’s worse is that there isn’t anything remarkable about this film.

16. Cars

This can be considered Pixar’s first misfire, but that is unfair. Cars is not a bad movie, it’s just that it didn’t knock it out of the park as previous Pixar films have done. It’s an enjoyable film though its underwhelming plot about a hotshot racecar finding himself in a backwater town was lifted straight from Doc Hollywood.

15. Monsters University

The prequel to Monsters, Inc. (and the first Pixar prequel ever done) presents the unasked for tale of how the leads Mike and Sully first met as college roommates. It’s a fun watch, and much of the humor was aimed at children, but its message about accepting your limitations in life came off as a downer.

13. Finding Dory

The sequel to Finding Nemo is a worthy followup that further explores the enchanting underwater world and the popular characters from the first film. We also meet great new characters, and overall it’s a fun film with some tender moments, though its message about animal captivity is a bit too-on-the-nose.

13. Monsters, Inc.

The fourth Pixar film introduced a fascinating world of monsters that was quite hysterical at times. The highlights of the film were the voice acting by John Goodman and Billy Crystal who had great chemistry and timing. The relationship between Sully and the human girl “Boo” was simply adorable and would melt any cynic’s heart.

12. A Bug’s Life

The sophomore effort from Pixar kind of got lost among all of Pixar’s other offerings. This is because the animation is a bit rough by today’s standards and other films better captured fans’ hearts. Still, A Bug’s Life is a splendid tribute to Seven Samurai (or The Magnificent Seven) with a great score.

11. Ratatouille

This animated film stood out from the others with its ode to the art of cooking. It’s an unusual tale about a rat that wants to become a great chef which may not resonate as well as other Pixar films. But it’s beautifully animated and the themes about perception and artistry are well executed.

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Jurassic World: Fallen Kingdom Delivers Dino-Sized Thrills & Scares

jurassic world fallen kingdom poster

The latest film in the Jurassic Park films, Jurassic World: Fallen Kingdom, has finally been released here in North America. Many of the reviews have been downright negative and nasty, and honestly, for the most part, it’s undeserved. The fifth Jurassic Park film is an exciting and suspenseful film that adds to the film series.

Taking place three years after Jurassic World, the latest sequel follows up on the disaster that befell the live-dinosaur theme park, Jurassic World. Now abandoned, the park and the island it is on has been overtaken by dinosaurs. However, the island has an active volcano that threatens the lives of the dinosaurs. A worldwide debate opens up over whether or not to save the endangered animals. Some believe nature should take its course and drive the dinosaurs to extinction again while others have taken up the cause of the dinosaurs.

own and claire and indoraptor

An obvious homage to Jurassic Park

One of that movement’s leaders is Claire Dearing (Bryce Dallas Howard), former operations manager of Jurassic World. She is approached by a Eli Mills (Rafe Spall) who represents Benjamin Lockwood (James Cromwell), a former partner of Jurassic Park’s creator John Hammond. Lockwood wants to evacuate the dinosaurs to an island sanctuary and enlists Claire’s help. She in turn recruits her ex-boyfriend, Owen Grady (Chris Pratt), a former raptor wrangler. Once they get to the island, the volcano erupts and as shown in trailers that revealed too much of the film’s plot, they are betrayed by Mills. He only wants to evacuate the dinosaurs to sell them on the black market and has also spearheaded the creation of a new hybrid dinosaur, the indoraptor. Now it’s up to Owen, Claire, and a couple of colleagues to stop Mills’ plans.

jurassic world fallen kingdom

All hell breaks loose in Jurassic Park: Fallen Kingdom

For the fifth film in a film franchise, Jurassic World: Fallen Kingdom is surprisingly fresh and exciting. It has plenty of thrilling and suspenseful scenes, as well as some unexpected heart-breaking moments. One thing that sets it apart from the other films is that it brings up the notion of whether or not these prehistoric animals have rights. They were artificially created so are they entitled to be protected as an endangered species? The film presents both sides of the argument fairly and it leaves you conflicted. You see the majesty of these creatures, but know that they should not be alive now. Is it right to share our current world with them? Why defy nature again? Some of these messages get lost in the action and dinosaur action, but they stay with you nonetheless. Then an unusual twist comes up with Lockwood’s young granddaughter, Maisie (Isabella Sermon), that adds a new wrinkle to the film series.

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