The Last Of Us Is First As A Faithful Adaptation

The television adaptation of the video game The Last of Us concluded its first season on HBO Max. Ever since it premiered this past January, the TV show has received widespread acclaim from critics and fans for being both a faithful adaptation and for its quality.

The Last of Us stands apart from your typical post-apocalyptic fare in many ways. For starters, despite its premise being similar to other post-apocalyptic yarns, it does not involve undead flesh-eaters. It is more contemplative and offers richer character studies as the main characters face moral dilemmas every moment of their fragile existence.

The Last of Us takes place in an alternate world where a fungal infection that started in 2003 destroyed our society as the parasitic fungus, called Cordyceps, altered the brains of its victims and turned them into mindless savages. Their humanity gone, the infected victims ran rampant through society as they infected others though bites and savage attacks. During the outbreak, the world descended into anarchy and the United States basically became lawless as murderous gangs and warlords rule the land except for certain cities that are run by the tyrannical FEDRA (Federal Disaster Response Agency). FEDRA is barely able to maintain some meaure of order through an iron fist and are opposed by a rebel group called the Fireflies. The show picks up twenty years later and stars Pedro Pascal as Joel an embittered survivor who lives a hard existence in the crumbling remains of Boston, which is barely controlled by FEDRA.

Joel is hired by the leader of the Fireflies, Marlene (Merl Dandridge, who is the only actor to reprise the same role from the video game), to transport a young teenage girl called Ellie (Bella Ramsey) across the country to a Firefly-operated medical facility. Joel soon learns that Ellie is immune to the Cordyceps and is humanity’s only hope to recover from the pandemic. At first distrustful and hostile towards each other, the two gradually form an intense bond as they travel through the hostile continent.

While it is true the basic premise strongly echoes that of Pedro Pascal’s other popular TV show, The Mandalorian, The Last of Us differs greatly because of its themes and dark nature.

At its core, The Last of Us is a character study of two hardened survivors and the emotional trauma they suffer and how they rely on each other to heal emotionally.

From the very first episode, we see the start of the pandemic and its immediate and devastating effect on our society as we follow Joel, who lost his daughter Sarah (Nico Parker). This event nearly destroys Joe,l who became hard, bitter and even cruel. We get hints that he did evil things in order to survive and his only goal is to reconnect with his brother Tommy (Gabriel Luna), who is located in Wyoming. Unlike Joel, Tommy is shown to be more idealistic and was a member of the Fireflies. Joel, who is desperate to connect with a family member agrees to take Ellie with him from Boston to her destination out west.

During their journey, Joel and Ellie encounter different types of people who have fascinating and even tragic stories. One episode (“Long, Long Time”) was nearly devoted entirely to a survivalist named Bill (Nick Offerman) who finds a renewed purpose in life, which is to protect and love Frank (Murray Bartlett), a survivor that made his way to Bill’s fortified territory. While that episode showcased the good in humanity, the penultimate episode “When We are in Need” showed us the worst as Ellie is captured by David (Scott Shepherd), a monster who poses as a pastor and is a would-be savior for a desperate town.

Unlike the video game, which was more devoted to accomplishing tasks (get certain items to enter a room, as an example) or battling the infected or FEDRA, the TV show focuses more on exploring the characters and themes, such as collectivism versus individualism. This theme is very central in the last episode “Look for the Light” as we see that while Joel and Ellie are able to heal from their mental wounds they still deal with ethical and moral issues, especially Joel. The actions taken by the characters are very morally dubious and leave you wondering about their moral centers.

While this more nuanced and layered exploration of characters and themes will be appreciated by many seeking something different from all the recent zombie shoot-em-ups, it may leave fans of the classic video game disappointed. It is very faithful to the video game, with it even lifting entire lines of dialogue, and it has tons of Easter eggs and references to the game. However, at times the TV show is light on action scenes as the infected barely appear in some episodes. They do not feel like a constant threat like in the game or your typical episode of The Walking Dead, nor is it as violent. Instead we see the impact of the Cordyceps infection in the ruined landscape of America and how the pandemic brought out the worst in people.

It goes without saying that Pedro Pascal and Bella Ramsey are the highlights of The Last of Us as the two have a natural chemistry which made their characters so endearing. Bit by bit, we see Joel quietly dropping his emotional barriers and rekindle his humanity as he forms a parental relationship with Ellie. She too, undergoes an emotional transformation as she learns about survival from Joel and looks up to Joel as the father figure she never had and needed. Through their ordeals, the two find a renewed purpose in life. For Joel his goal is to protect this young girl as he transferred his feelings over Sarah to her and in a sense accomplished with Ellie what he could not with Sarah. For Ellie, she becomes a Moses-like figure who is resolved to be able to lead humanity out of darkness with her immunity to the Cordyceps. How well they accomplished their purpose made for a wrenching finale as its emphasized how fragile and flawed the two really are.

The Last of Us is as captivating and intense as the classic video game. It also demonstrates that it is possible to be able to faithfully adapt engrossing video games into live-action media, as by the last seconds of the final episode, we’re left wanting to see more of this world and its characters.

Top Ten Films & TV Shows Of 2022

2022 is done and it is time to briefly look back at the best genre films and television shows that came out in 2022. Of course, every reader’s preference and ranking will be different and everyone will have their opinions about these lists and are entitled to them. Drop a comment if you agree with the rankings or have different ones.

TV Shows

It is clear that we are in the middle of a Golden Age of genre TV shows given there so many high-quality shows that came out in just one year. Many of the streamed or aired TV shows are genuine classics with the top three shows being virtually tied for first place and their ranks can be interchanged.

10. The Peripheral

Loosely based on William Gibson’s book, this was one sci-fi show worth watching. Chloë Moretz Grace stars as a VR gamer in the near future caught up in a mind-bending conspiracy involving time travel and alternate realities.

9. The Sandman

This turned out to be a remarkably faithful adaptation of the classic DC/Vertigo dark fantasy comic book. More like a traditional episodic show with standalone stories, The Sandman was inventive, colorful, disturbing and brilliant.

8. Peacemaker

James Gunn sojourn into the DC Extended Universe (DCEU) took a hysterical turn with the first (and possibly final) DCEU TV show. It took one of the least likeable anti-heroes from The Suicide Squad and turned him into a relatable and emotionally complex character.

7. The Guardians of the Galaxy Holiday Special

Director James Gunn delivered an awesome, heartfelt and funny holiday special starring the Guardians of the Galaxy. In between the gooey holiday scenes were moments of pure laughter as the alien Guardians went to Earth to kidnap the actor Kevin Bacon to present as a Christmas present. The songs were great, too.

6. The Boys

With the introduction of Soldier Boy, The Boys took a turn at satirizing the Marvel Comics heroes with his clear similarities to Captain America. Meanwhile, the series continued to be outrageously violent with gross-out humor and in-your-face commentary about our times.

5. Obi-Wan Kenobi

Ewan McGregor reprised the role he made his own in the Star Wars prequels. The series served as both a sequel to those films and a prequel to the original Star Wars. Despite some flaws, McGregor elevated the show with his brilliant performance as a fallen Jedi who has to rediscover his faith.

4. Star Trek: Strange New Worlds

Despite some Star Trek shows that faltered in 2022, Star Trek: Strange New Worlds breathed new life in the franchise. This was due to smart scripts that emulated the original Star Trek, a charming cast, and a back-to-basics approach with its storytelling that favored standalone episodes.

3. Andor

Cassian Andor (Diego Luna) in Lucasfilm’s ANDOR, exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

This Star Wars show was the ultimate slow burn as the prequel to Rogue One: A Star Wars Story centered on the anti-hero Rebel agent, Cassian Andor. Separate arcs thoroughly examined Andor’s personal growth and the people around him. It also realistically depicted of how a rebellion grows in an authoritarian society.

2. House of the Dragon

Many who were disappointed by the final season of Game of Thrones were pleasantly surprised by this fascinating prequel that focused on the dragon-worshiping Targaryen royal family. Despite its prequel limitations, the show quickly captivated audiences who were drawn back to the fantasy world of George R.R. Martin.

1. Stranger Things 4

The fourth season of Stranger Things managed to reinvigorate the series with fascinating origin stories and situations, and new and memorable characters. At the same time, this season focused on the core characters that were so beloved and who were allowed to grow as they faced terrifying new threats from the Upside Down dimension.

Honorable Mentions:

Doom Patrol; For All Mankind; Halo; The Handmaid’s Tale; Love, Death + Robots; Moon Knight; The Orville; Raised By Wolves; Severance; She-Hulk: Attorney At Law; Snowpiercer, Star Trek: Picard; Star Trek: Prodigy; Superman & Lois; Tales of the Jedi; Titans; Werewolf By Night; The Umbrella Academy; Undone

Films

Surprisingly, the genre offerings for 2022 were not as plentiful as in previous years. Superhero films still dominate the release schedule though many other genre films (horror, animated, sci-fi, fantasy) have made their presence felt as well in a solid year for genre films.

10. Sonic the Hedgehog 2

The sequel film delivered the best family film of the year. It was also an exciting, colorful and largely faithful live-action adaptation of the classic Sega video game hero and his expanded roster of friends and foes.

9. The Black Phone

This film by Scott Derrickson proved why he is one of the best visionary horror directors today with The Black Phone. He cleverly combined classic horror elements from serial killers to psychic phenomenon to ghosts.

8. Nope

Director Jordan Peele’s latest genre offering was an intriguing and original take on the U.F.O. phenomenon. Nope had its fair share of suspense, horror and the contemplative character studies Peele is known for, as well as elements of a neo-Western.

7. Prey

The Predator franchise was unexpectedly revived with the latest film that took the franchise in a new and fresh direction. Placing the film centuries ago, Prey amped up the thrills as the human characters had to rely on their wits and skills instead of technology against the inhuman Predator hunting them.

6. Everything Everywhere All at Once

Michelle Yeoh turned in a fantastic performance as several variations of the same character in this film that gave us a true multiverse of madness. The film truly went out there with its sometimes bizarre depictions of colliding parallel universes.

5. Jurassic World: Dominion

The conclusion to the second Jurassic Park film trilogy ended on a high note full of dinosaurs rampaging in modern-day society. However, the film’s true high note was when it had the main heroes from both trilogies meeting and teaming up to save the world from extinction.

4 Black Panther: Wakanda Forever

Director Ryan Coogler pulled off the impossible with a sequel that does not feature the star or main character from the original film. This film was full of depth as it explored grief and loss, while expanding the popular Marvel Cinematic Universe (MCU) with the introduction of one of Marvel’s best anti-heroes, Namor.

3. The Batman

We actually got to see the Dark Knight Detective do some actual detective work in this grounded and gritty version of Batman. The dark and brooding film delivered intense action, intrigue and a horrifying version of the Riddler that rivaled classic cinematic serial killers.

2. Doctor Strange in the Multiverse of Madness

While the year’s top MCU film did not exactly deliver a multiverse of madness, it was a fun deep dive into the MCU with chilling horror elements and wild visuals. Sam Raimi was an inspired choice of a director who utilized his horror and comic book film background to full effect.

1. Avatar: The Way of Water

The sequel to Avatar, the biggest box office hit of all time, surprised many who dismissed it for being an empty special effects-heavy sequel. However, director James Cameron’s breathtaking vision of an alien world and its solid world building and characters helped propel Avatar: The Way of Water into a must-see event.

Honorable Mentions:

Barbarian; Beavis and Butthead Do the Universe; Black Crab; Chip ‘n’ Dale Rescue Rangers; DC League of Super Pets; Lighthyear; Moonfall; Puss in Boots: The Last Wish; Smile; Strange World; Thor: Love and Thunder; Turning Red

Phase Four Of The MCU: Ranked

The fourth phase of the Marvel Cinematic Universe (MCU) turned out to be a mixed bag in terms of quality. It was also different in that the MCU now officially incorporated TV shows and as a result, we had plenty to watch and enjoy. Some of the films and TV shows were bonafide gems, others were hugely disappointing. As we prepare for Phase Five, let’s look back at Phase Four of the MCU and rank them. If anyone has a different list order, please feel free to drop a comment.

18. Ms. Marvel

Where to start with this MCU TV show? Not only does it turn Ms. Marvel into a poor person’s Green Lantern, it betrays her comic roots by making her a mutant. Then it commits the deadly sin by veering too much into dull Pakistani family drama that took up valuable screen time.

17. Eternals

This is a contender for being the worst MCU film. It’s dull, plodding and pretentious. What’s worse is that it insults comic book legend Jack Kirby’s original vision of these superheroes by changing their origin and purpose. It ranks higher than Ms. Marvel only because its special effects and cinematography were better.

16. I Am Groot

Basically, it was a cute animated show. Actually it was a bunch of five-minute segments featuring Baby Groot doing silly antics. So, pretty much it was geared for kids and the young at heart, but otherwise, it’s harmless fluff for the rest of us to skip over or watch to kill a few minutes of time.

15. Moon Knight

Despite Oscar Isaac’s winning performance as the title character and some good fight scenes, the show was too uneven. It seemed as if the showrunners could not decide if Moon Knight was a psychological mystery, an Indiana Jones-type of adventure story or a downright fantasy. What we got was a narrative mess.

14. Loki

This show that first expanded on the concept of the multiverse is a perfect case for showing not telling. It did have some interesting concepts and the introduction of Kang was chilling, the show was weighed down by too many scenes of exposition that was not particularly engaging.

13. She-Hulk: Attorney At Law

Unlike other uneven MCU TV shows that fell apart at the end, this one stuck the landing hard. Unfortunately, many episodes of this supposed comedy were simply not funny. Still, Tatiana Maslany turned in an endearing performance as the title character while she went through the downside of being a superhero celebrity.

12. Black Widow

A film set during Phase Three starring a now-dead character was an unusual way to start the film side of Phase Four of the MCU. Some complained the film was unnecessary, but it cannot be denied that it was an exciting spy thriller with some memorable characters.

11. Hawkeye

This could have been one of the greatest superhero TV shows due to onscreen buddy chemistry between Jeremy Renner and Hailee Steinfeld and presenting the physical and emotional toll Hawkeye suffered from the MCU films. But, the writing and directing was inconsistent, though some episodes were terrific.

10. Thor: Love and Thunder

While it is not as good as Thor: Ragnarok, the fourth Thor film was downright hysterical and enjoyable at times. However, it was hampered with its uneven tone that made too light of some sober themes like cancer and deity worship that were often overwhelmed by poorly timed slapstick scenes.

9. Werewolf By Night

After the uneven results of its MCU TV shows, Marvel Studios tried a new approach with a one-off TV special. It not only worked spectacularly, but the special expanded the MCU with more horror elements and intriguing new characters that must be brought back again.

8. What If…?

This animated series sometimes went wild with its exploration of the multiverse with interesting alternate MCU worlds that led to an epic showdown at the end of the season that teamed up several familiar heroes with new twists. Unlike Avengers: Age of Ultron, the Ultron featured in this series was truly terrifying.

7. The Guardians of the Galaxy Holiday Special

Both funny and heartfelt, this holiday special from director James Gunn is everything a holiday special should be. Aside from presenting the usual heart-tugging and whimsical elements of a holiday special, it also served as an excellent way of preparing us for the upcoming Guardians of the Galaxy, Volume 3.

6. The Falcon and the Winter Soldier

The second MCU TV show did a great job of examining the impact of the events from Avengers: Endgame on the world and several Captain America-related characters. What made the character moments so memorable were that they were so grounded and relatable to viewers, and touched on real-world issues.

5. Shang-Chi and the Legend of the Ten Rings

This action fantasy film is a perfect example of taking an obscure character and turning him and his world into a popular sensation. The film impressed all of us with the stunning and exciting fight sequences and its eye-popping fantasy scenes were quite breathtaking and wondrous. It’s easy to see why its director was tapped to film the next Avengers film.  

4. Black Panther: Wakanda Forever

The sequel to Black Panther proved to be a worthy followup to the original film, even without its main character. Director Ryan Coogler co-wrote this heartfelt and somber film that dwelled on the devastating aftermath from the loss of Black Panther as felt by his loved ones and his nation. Also, Namor was a brilliantly presented anti-hero/antagonist with a thought-provoking back story.

3. Doctor Strange in the Multiverse of Madness

While the multiverse was not exactly mad in the second Doctor Strange film, the concepts of other realities was well explored with a visual relish by director Sam Raimi. Drawing from his horror film repertoire, Raimi infused the film with chilling horror elements and imagery, and fantastic (forgive the pun) references to other Marvel Comics properties and Marvel film universes.

2. WandaVision

The very first MCU TV show is still the best one to date. Elizabeth Olsen gave a genuine standout performance as the emotionally fragile Wanda Maximoff dealing with immense grief in an unusual way. The show quickly became must-see viewing as we pondered the mystery of what was going on with Wanda’s reality that was presented by amusing takes of American sitcoms through the decades. WandaVision also expanded the MCU in an organic, supernatural way that did not feel forced and teased us of what was to come.

1. Spider-Man: No Way Home

The third MCU Spider-Man film turned out to be one of the best MCU films ever as the film truly opened up and introduced audiences to the concept of the multiverse. Fans were elated over Andrew Garfield and Tobey Maguire reprising their roles as Spider-Man, as well as the return of classic Spider-Man villains like Doctor Octopus and the Green Goblin (reprised by the actors who originated the roles: Al Molina and Willem Dafoe). What made the film truly stand out was its deeply emotional core as Spider-Man is forced to learn that with great power, comes great responsibility.

Top Ten Horror Video Games

Video game players know quite well there are tons of horror video games out there in the market. Naturally some are better than others, while a select few are so well developed and memorable that they helped define the genre of horror video games and even crossed over into other media. These are the best horror video games to play in the dark, by yourself, or maybe not…

10. Outlast

This game has an investigative journalist going to an asylum that is overrun by homicidal patients. The first-person perspective makes this experience truly frightening as you are chased by people who have been subjected to terrible mind control experiments, which turned them into dangerous lunatics. The sequel also has a journalist investigating a creepy cult in the desert that has also been subjected to similar experiments. The stealth action and lack of weapons makes this series of games a truly frightening experience.

9. Alan Wake

In a story that features a quirky town in the Northwest, Alan Wake is an author that goes in search of his missing wife while fighting shadow men that attack in the dark. Players have to run to areas of light amid dark forests and highways while using their flashlight to keep enemies at bay before destroying them. This makes the action both tense and interesting. The DLC Alan Wake’s American Nightmare continues the story and the upcoming sequel is finally coming out after more than a decade in the making. 

8. The Evil Within

This game from the creator of Resident Evil has a detective trapped in a dream world induced by a machine that can access people’s dreams. It causes their subconscious to create horrific creatures based on the persons’ own fears. While investigating a mass murder, he is caught in this strange cycle of nightmares and monsters while questioning his own sanity. This title is a great blend of horror and action and is a call back to classic survival horror games.

7. F.E.A.R.

F.E.A.R., or First Encounter Assault Recon, is a horror first-person shooter that has an elite army unit investigating a private military company’s secret research program where they encounter a powerful psychic girl named Alma who can kill with her thoughts. Her appearance is reminiscent of Sadako from The Ring movies and the ability of the player to slow down time while fighting makes this franchise a unique FPS experience.

6. Castlevania

This classic series features the Belmont clan fighting Dracula and his minions. The ongoing saga spans centuries and numerous side scrolling adventures, as well as some less regarded 3D action titles. The first game showcased Simon Belmont and his trusty whip, storming Dracula’s castle and confronting the Grim Reaper as well as Dracula himself. Subsequent games featured both his ancestors and descendants still fighting the forces of evil. There is also a highly regarded animated series on Netflix that revitalized the franchise and has fans hoping for more entries of vampire-busting action.

5. Fatal Frame

An Asian horror story franchise, these games feature female protagonists that actually combat ghosts with their mystical cameras. This unique spin on the survival horror genre gives it a different feel. The spooky atmosphere and tales of sacrifice and hauntings in Japan are a real treat for fans of films such as The Ring and The Grudge. This series has numerous sequels as wel,l and hopefully this original series will see more installments in the future. 

4. Doom

This series is more of an action game, but its setting with demons invading Mars shows its horror roots, especially with Doom 3, which is basically a survival horror FPS. Its numerous sequels have gamers literally traveling to Hell to confront the demonic creatures that threaten to destroy Earth. The numerous strange looking beings that arrive through inter-dimensional gates in the Doom games are always a terror to behold.

3. Dead Space

A perfect combination of outer space horror and cults that spawn hideous creatures, this series is also on the rebound with an upcoming remake of the original from 2008 that showed an astronaut going to an outpost overrun with parasitic creatures that reanimated corpses and transformed them into deadly and horrific monsters. Legendary filmmaker John Carpenter is a fan of the franchise and has expressed interest in making a movie of it, which shows how far reaching this game is. If only a film studio would let Carpenter actually film it a live-action version of Dead Space, the film could wind up becoming an instant classic.

2. Silent Hill

More of a psychological horror tale as opposed to Resident Evil’s focus on action yarn, the haunted town of Silent Hill has unnerved gaming fans since the original game showed Harry Mason looking for his lost daughter in the fog and creature infested town, while traveling to a creepy and eerie alternate dimension. Its sequel is regarded as one of the best games of all time. The just announced remake of Silent Hill 2 has generated huge excitement and is seen as a comeback for the dormant franchise.

1. Resident Evil

The ultimate horror video game zombie franchise, this game has spawned dozens of sequels, as well as movies and TV shows, and is still going strong to this day with a highly anticipated remake of Resident Evil 4 coming next year and a just released movie and Netflix series. The original story of a police SWAT team known as STARS getting trapped in a decrepit mansion filled with not only zombies, but other mutated creatures still terrifies fans to this day, and its evolving story of corporate intrigue and bio-terror is a true horror video game classic.

C.S. Link

Werewolf By Night Harkens Back To Classic Horror Films

The latest offering from the Marvel Cinematic Universe (MCU), Werewolf by Night, was just released on Disney + in time for the Halloween season. Werewolf by Night is actually a rarity these days, a television film and only about an hour, at that. More interesting is that like many projects in the MCU’s Phase Four, it is not the typical superhero slugfest. In fact, the film does not make any kind of overt connection to the larger MCU, but it ends up enriching the MCU with its solidly supernatural motif.

Filmed largely in black and white, the film follows Jack Russell (Gael Garcia Bernal), a so-called monster hunter, who arrives at a spooky manor and participates in a ceremonial hunt of a captured monster held in a maze in the manor’s grounds. The prize for finding the monster is a mystical stone called the Bloodstone that was once wielded by Ulysses Bloodstone, who died recently. During the hunt, Jack teams up with fellow monster hunter Elsa Bloodstone (Laura Donnelly), the estranged daughter of Ulysses Bloodstone. Jack is only interested in finding the monster, while Elsa wants the Bloodstone. During the hunt the two must deal with rival monster hunters and Jack’s hidden secrets.

Werewolf by Night, is surprisingly fun and spooky. It clearly harkens back to the old Universal classic horror films from the ’40s featuring Dracula, the Wolfwman and other famous monsters. But the film also has a grindhouse, 1970s feel with its graphic violence (muted by the black and white photography), it is probably the most violent MCU offering to date and is appropriate for this kind of project.

The film’s atmosphere is perfect for the story it tells and has the right amount of jump scares and thrills. The film could have benefited from a slightly longer length to flesh out the story and characters, but supposedly there was extra footage that was deleted because they were too comical and Marvel Studios is smarting over recent criticism that their projects are too comical. It would be a joy to see a followup to Werewolf by Night, as there is so much about Jack Russell and Elsa Bloodstone that we viewers are not aware of and there is a lot of potential with the those two. Also, it would be interesting to see how they fit in with the larger MCU, and the same goes for the third standout character in the film, Man-Thing. In addition to the Werewolf, the hulking, moss-covered monstrosity is perfectly comics accurate and imposing. The effects used to bring the creature to life were very impressive, in fact, it was clear most of the film’s budget was held back to benefit Man-Thing’s appearances. If anything, a Man-Thing spinoff film or series must be made.

As for the title character, he was obviously a person wearing monster makeup, but it was a refreshing throwback to the CG that has taken over. More importantly despite the low-tech approach to how he is presented, the monstrous Werewolf was very terrifying with his savage and animalistic fights.

Director Michael Giacchino creates a moody and dark atmosphere filled with shadows and a sense of dread, which is what made the old Universal horror films so beloved. His directorial debut is quite impressive given that he is best known for his distinct film scores (by the way, he also scored this film and his work was brilliant as always). Given the way he was able to bring out the scares and deliver a solid horror film, he should be seriously considered to direct the Blade film, given that Marvel Studios is now scrambling to find a director for that project. Werewolf by Night demonstrates that Giacchino has the skills to give us a great vampire film.

Unlike some misfires in Phase Four of the MCU, Werewolf by Night is a textbook example of doing something different that engages the viewers and unveals spooky new corners of the growing MCU.

José Soto