Finally! The Avengers: Infinity War Trailer Is Upon Us!

Marvel Studios has teased and aggravated us ever since the D23 Expo and this past summer’s Comic-Con. Attendees of those events were treated to an exclusive look at a teaser for next year’s Marvel Cinematic Universe (MCU) epic Avengers: Infinity War. However, the rest of us poor peons were left in the dark, having to console ourselves to grainy, weird-angled bootleg footage of the trailer. While the footage’s quality was crappy to be kind what we saw got us excited! Seeing the Guardians of the Galaxy meeting Thor; Spider-Man, Star-Lord and Doctor Strange teaming up; Steve Rogers in his post-Captain America outfit; Thanos beating the snot out of the Avengers. It was astounding and we fans melted the Internet screaming and begging for the trailer’s official release. We wanted to see the finale of the MCU! But Marvel Studios would not relent. Until now. But they went one better…behold the official trailer for Avengers: Infinity War.

Whew! That is one hell of a trailer. Things look mighty bleak for our Avengers as they meet their match. This trailer alone makes Avengers: Infinity War the most eagerly anticipated movie for next year. Love the line from Black Panther, “Get this man a shield!” The only quibble is that it did not have enough if the Guardians of the Galaxy! From the looks of it, as my mom likes saying, Avengers: Infinity War will be a fitting finale to the decade-long MCU, the greatest film franchise of all time. Yes, even greater than Star Wars! But let’s be real people, this is just a trailer. Hopefully, the film, directed by the Russo Brothers, will be more like Captain America: The Winter Soldier and less like Avengers: Age of Ultron. Six months to go, more or less.

Waldermann Rivera

Advertisements

The Disney/Fox Speculation — Welcome Home X-Men & Fantastic Four?

Xmen-Avengers-Fox-Marvel-Studios

The big news for the past week has been about Disney in talks with 21st Century Fox to buy a bulk of its film studios and its intellectual properties. While the initial news had it that talks have stopped the possibility remains that both parties will resume negotiations. What is driving Disney’s desire to expand its entertainment empire is the need to bolster its upcoming streaming service when it is available in 2019. The film studio 20th Century Fox has a huge film library with many viable franchises such as the Alien films, Avatar, and Planet of the Apes. But more importantly, Fox still has the rights to the original Star Wars films and the missing pieces in Disney’s Marvel films: the X-Men and the Fantastic Four.

The following I wrote back in September 23, 2017 for another site that is going defunct soon. It’s related to the current situation and illustrates how wildly things have changed from just a few weeks ago. I decided to repost it here and will add some final thoughts afterwards.

What rankles many fans of Marvel Studios’ Marvel Cinematic Universe (MCU) is that two of Marvel Comics’ top properties, the X-Men and the Fantastic Four are not part of it.

The obvious reason for this is because the film rights for both properties are being held by 20th Century Fox, who is determined to hold onto them. Long before The Walt Disney Company brought Marvel Comics, the comic book company sold the film rights of its characters to many film studios, including Fox. Over the years, even before the success of the MCU, Marvel Studios sought to regain the rights to its characters. For the most part they have succeeded and the top prize for the studio was getting to share the film rights to Marvel’s top character, Spider-Man.

But the only major hold outs were the X-Men and the Fantastic Four. Fox has had great success with their X-Men films even though some of them were reviled by fans and critics for not being faithful to the source material and being downright terrible. Meanwhile, their efforts with the Fantastic Four never took off. The most recent failure being the DOA 2015 reboot that buried director Josh Trank’s career.

Given the poor track record with their Fantastic Four films, one has to wonder why Fox would want to continue making them. Despite the negative reaction from their reboot, the film studio is still trying to develop more films based on the superhero team and even spinoffs featuring Dr. Doom and the children of Reed and Sue Richards. Naturally the reaction to the news is one of despair and anger. Most fans see that the Fantastic Four would fit naturally into the MCU and their villains are some of Marvel’s greatest. Marvel Studios cannot use Galactus in their films because he is a Fantastic Four villain, the same thing goes for Magneto. While the X-Men films did a terrific job with their presentation of Magneto the same cannot be said for Dr. Doom and Galactus. In fact, in his onscreen debut, Galactus was just a giant space cloud!

what-it-takes-for-fox-to-give-up-the-fantastic-four-x-men

There were rumors that after the reboot debacle, Fox was ready to sell back the rights to Disney/Marvel but a snag in negotiations derailed that idea. Many were hopeful that after Marvel allowed Fox to start making TV shows based on the X-Men properties that perhaps the deal was that the Fantastic Four would go back to Marvel. But that does not appear to be the case.

Right now, there are only vague allusions to Marvel being allowed to use the two properties but in far off terms. One curious thing is that Marvel Studios still has not announced what the Phase 4 MCU films will be. This gives hope that maybe the Fantastic Four could make a splashy debut. It is possible; when Spider-Man joined the MCU it was a surprise.

What it took for Spider-Man to join the MCU was the failure of his recent films and the shaky status of Sony Pictures. Fox does not have the same financial problems of Sony, so they can afford to weather out the storm of bad films until they strike gold. This almost happened with their attempt to reboot Daredevil, but the rights lapsed and Marvel regained him. From there, Marvel saw great success with their Netflix version of Daredevil. Perhaps Fox executives feel that they can find the right formula and are more patient. At that rate, it will be quite some time before Marvel Studios regains the Fantastic Four. That and an insane amount of money.

With the X-Men films doing so well, it is ridiculous to think that Fox would ever relinquish the rights to Marvel. For this to happen, fans would have to vigorously boycott all X-Men-related films and TV shows. The property has to be seen as too unprofitable for Fox to want to keep, but this scenario may not happen. Look at what is going on with the Fantastic Four, their films are poorly received and the property is not as popular as the X-Men yet Fox still won’t let them go.

So, is it just a pipe dream? Are the Fantastic Four and X-Men doomed to never join the MCU? Well, it can happen but be prepared to wait and protest.

Continue reading

Thor: Ragnarok Is Three Times The Fun

For the third film in a trilogy, Thor: Ragnarok is the liveliest one of the bunch. Frankly, after the dire and listless second film Thor: The Dark World, this third Thor film is a spectacular shot in the arm for the God of Thunder’s films set in the Marvel Cinematic Universe (MCU).

Loki and Thor

Thor: Ragnarok quickly picks up where the second film left us, with Thor’s brother Loki (Tom Hiddleston) commanding the throne of otherworldly Asgard under the guise of their father Odin (Anthony Hopkins). Thor (Chris Hemsworth) quickly deduces what Loki is up to and the two find out the consequences of Loki’s actions. In Odin’s absence, the Nine Realms that he ruled over have slipped into anarchy. This also means that Hela (Cate Blanchett), the Goddess of Death, who was imprisoned by Odin to escape and wreck havoc on Asgard. Before Thor could stop her, he is accidentally transported to the planet Sakaar, taken captive and forced to fight in gladiator-type games held by the planet’s ruler, the Grandmaster (Jeff Goldblum). As we all saw in the trailers, Thor’s opponent is the Hulk (Mark Ruffalo), who was last seen going into self exile in Avengers: Age of Ultron. Thor must find a way to stay alive, escape his enslavement and convince the Hulk to join him in saving Asgard from Hela.

thor vs hulk

Now reading the above makes you think this will be another serious-minded Thor film with high stakes and Shakespearean undertones. But that isn’t the case with Thor: Ragnarok. The somber approach worked in the first Thor film thanks to the skillful hands of Kenneth Branagh, who is familiar with Shakespearean drama and brought that to Thor. But this time, Thor: Ragnarok’s director Taika Waititi relied on his comedic tastes and background for the film. In doing so, he brought a welcome change of pace and mood this time around as this film is more of a comedy. This approach mostly works though I have to admit there are times there are just a tad too many jokes and there are moments that should’ve had more weight but come off as too light. It’s clear that Marvel Studios wanted to repeat the look and formula that worked for Guardians of the Galaxy and this is very evident in the scenes taking place on Sakaar. The Guardians of the Galaxy films perfectly balanced its comedic tone with serious drama but Thor: Ragnarok comes up a bit short in keeping that balance.

Hela (1)

Nevertheless, the third Thor film is a fun blast with stunning set pieces and special effects that buttress its lighter tone. Credit for that does not just go to Waititi, but the film’s stars starting with Chris Hemsworth. In other films, Hemsworth has shown that he has quite a comedic gift and he gets to display that in this film. Thor seems less pompous and more laid back in his third outing. It’s almost as if he has thrust off his original regal persona and taken on an ability to crack a joke. This does not mean he takes things lightly. Hemsworth and the director knew which moments to hold back the jokes  and appropriately react to more serious moments. Continue reading

The Defenders Come Together At Last

marvel-defenders-tv-show-images

The Marvel Studios mini-series event The Defenders just premiered on Netflix and is the culmination of the past four Netflix/Marvel superhero streaming shows Daredevil, Jessica Jones, Luke Cage and Iron Fist. The Defenders finally brings the main leads from those shows together at last like in The Avengers, which what fans have been waiting for ever since the superhero shows were announced years ago. Needless to say this is a big deal for fans of the shows for obvious reasons.

Running only eight episodes, The Defenders stars Charlie Cox as Matt Murdock/Daredevil, Krysten Ritter as Jessica Jones, Mike Colter as Luke Cage and Finn Jones as Danny Rand/Iron Fist along with the supporting actors from their respective shows and Sigourney Weaver as Alexandra, the show’s main villain. The Defenders does not take long to get into the action and meat of the story. It starts with all four heroes separately running afoul of the mysterious Alexandra and by the third episode they all meet in the heat of battle and the story just moves along from there. As expected with these Marvel Comics stories, the four don’t exactly get along at first, which is best shown with Rand actually hurting the invulnerable Cage with his Iron Fist. But all ends well as they put aside their differences to face their mutual foes.

In their separate investigations, they learn  that the shadowy criminal organization, The Hand, who have appeared in Daredevil and Iron Fist, are making an ominous move in New York City. In a nutshell without giving too much away, the leaders of the Hand, which includes Alexandra, are carrying out an operation that will wind up destroying the city and it’s up to our heroes to stop them.

alexandra and gao

Overall, The Defenders is an enjoyable and brisk-moving mini-series that should delight fans and casual viewers. All the actors bring their A game to the show with the standouts being Cox and his own show’s cast. Fans of the shows should be pleased that all the characters are faithfully presented. Matt Murdock carries the weight of the world on his shoulders, Jessica Jones drinks whenever she can, Luke Cage stands around and gets shot at without any injury and Danny Rand finds any opportunity to say “I am the Immortal Iron Fist!”

Despite all the complaints about Jones and his show, his character here is much better portrayed and less insufferable. Fortunately, Jones proves that he can bring something to the role and Iron Fist’s appearance here presents the case that the faults with the Iron Fist TV show were due to those showrunners, not the character or actor. For example, Jones seems more at ease during his fight scenes, a critical flaw with Iron Fist, and on the whole, the fight choreography was crisp and full of power. The standout fight scene was probably in the third episode when the four Defenders finally all meet each other, but the others spread out in the other episodes are fun to watch and grab your attention, though at times they are too dark and it is clear that some of the actors seem more natural at fighting than others. That criticism does not apply to Jones, believe it or not.

defenders hall fight

The villains are another quibble with The Defenders. Unlike The Avengers which had the breakout villain, Loki, the villains in this show are not particularly compelling. Basically, they are just a bunch of super ninjas and though that is appropriate for the power levels of the Defenders, they could have been more threatening or had more clear motives. Another gripe about the show and the villains has to do with the fact that the show takes place in the Marvel Cinematic Universe (MCU).  It is not the fault of the show, but it is annoying that with the severity of the threat to the city, no one has the notion to try to contact the Avengers or even Dr. Strange given the supernatural aspect of the Hand. We don’t even see the Avengers Tower in the New York skyline, whereas in Spider-Man: Homecoming that film took every opportunity to show the tower whenever there was a shot of the city. Then there is the reaction of some of the characters to what is going on; basically they have a hard time believing in the Hand and their threat, and even the nature of the leads’ powers. This goes for especially Luke Cage, who cannot accept that Danny Rand spent time in another realm and became a mystical warrior. That is a strange reaction for an inhabitant of the MCU that has seen open alien invasions and big league superhuman battles. Let’s not forget that Cage himself has superhuman powers. For these reasons it is hard to accept that The Defenders takes place in the MCU. But that is something that fans have to ignore and just go with the story.

daredevil and defenders

What ultimately makes The Defenders work is the camaraderie between the leads and seeing them all together. Thankfully, after taking time to introduce them individually in the first episode with interesting cinematography that presents each hero with a different color scheme, the show quickly has them teaming up and getting to the meat of the story. Their interactions were very amusing and some of the show’s best moments. They all had good chemistry and complemented each other well to the point we were sold that they came to care about one another. While The Defenders may not have the same thrilling impact and joy of The Avengers, it is quite enjoyable in its own right and helps set a path forward for the future of these grounded heroes.

Lewis T. Grove

 

 

Spider-Man: Homecoming Brings Spider-Man To The MCU With Flourish

Spider-Man: Homecoming is a glorious celebratory homecoming for Marvel’s flagship superhero into the highly successful Marvel Cinematic Universe (MCU). Ever since the MCU took off nine years ago and grew, fans have pined for Spider-Man to join the MCU ranks. We got a taste of how the MCU would interpret the Wall-Crawler with his scene-stealing cameo in last year’s Captain America: Civil War. Now, an entire film is devoted to him as Sony Pictures (who holds the film rights to Spider-Man) have joined forces with Marvel Studios. The result is the best Spider-Man film since the early Sam Raimi efforts.

om-Holland-as-Peter-Parker-in-Spider-Man-Homecoming

The film takes place shortly after Spider-Man’s debut in Captain America: Civil War and Spider-Man/Peter Parker (Tom Holland) has to go back to a humdrum life as a teenager in Queens, New York. Aching for the glory of a superhero and joining the Avengers, Peter has to contend with the usual teenage gripes like fitting in socially in high school. These aspects of Spider-Man: Homecoming are clearly influenced by the John Hughes teenage comedies and they work perfectly, by the way, this film has a great soundtrack evocative of those Hughes films. Thanks to Holland’s sincere performance, we are able to empathize with Peter and his best friend Ned (Jacob Batalon). The young cast in the film are for the most part engaging, though some may be put off with the unconventional casting choices, but it should not be a deal breaker. One of the reveals about a certain character near the end feels very forced and detracts from that character who was at that point one of the film’s quirkiest and memorable characters.

Speaking of casting, Michael Keaton as Adrian Toomes/The Vulture is terrific as a working-class villain. The film takes the adequate amount of time to set him up and making him a bit sympathetic by showing him as being inadvertently pushed out of a lucrative living by Tony Stark (Robert Downey, Jr.). Instead of craving revenge like in an average superhero film, Toomes finds an inventive way of earning a living by scavenging parts and wreckage from superhuman battles. Then his gang turns these parts into futuristic weapons for the black market.

During the course of Spider-Man: Homecoming, the Vulture’s activities catches Spider-Man’s attention, and this leads to conflict between the two. On one side, Toomes sees the world with a cynical eye and just wants to take advantage of an opportunity to make some money. Parker, on the other hand, is a young idealist who wants to impress Stark and sees Toomes’ activities as being wrong. In the comic books, the Vulture has always been one of the weaker members of Spidey’s rogues gallery, but in this film he shines. He is actually one of the best villains ever featured not just in Spider-Man films, but in those of the MCU.

This Spider-Man film is clearly a film set in the MCU with its Easter eggs, references and character appearances. Despite the marketing, Iron Man is not a co-star of Spider-Man: Homecoming, though his influence is there with the constant name dropping and the high-tech Spider-Man suit that the title character dons in the film. The suit worn by Spider-Man is a true marvel with all of its gadgets and gimmicks, but it strays too much from the core of Spider-Man’s character that this film otherwise gets so right. Meaning that Spidey is more of an everyman, someone who is relatable to you and I and has the same problems we face.  Hopefully in the sequel they will address this and depower the suit. On a side note, this film proves what many fans have felt over the years: Tony Stark and Happy Hogan are a couple of dicks.

Spider-Man: Homecoming’s emphasis on the hero’s hardscrabble roots and normal problems is why it’s so successful. Past Spider-Man films have shown this and were rightfully revered for doing so and this latest film continues that tradition. Not only that, but the film is a lot of fun and quite exciting at the right times. It zips along nicely without a dull moment since we are so invested in the characters when there aren’t any fisticuffs. Like The Amazing Spider-Man 2 there is some world building and set ups for sequels but unlike that film Spider-Man: Homecoming does not go overboard and as a result flows more smoothly and focuses rightfully on Spider-Man. The film does a great job of showing how Peter is still a novice at what he does, which led to some truly funny moments. Other times he gets in over his head and has to deal with the consequences. One interesting example is one scene where he crawls up a building that is higher than he’s ever scaled and when he realizes this has to deal with a fear of heights!

Now how does it compare to the Sam Raimi films? That is hard to say and will take some time to fully compare them, though the action sequences in the Raimi films were better filmed and on the whole those films were more evocative of the comic books. Also, the romances not just in Raimi’s, but in Marc Webb’s films were much better done as those actors had better onscreen chemistry than here. Still, Spider-Man: Homecoming feels more authentic and more grounded than the bombastic Raimi films. What this film has in common with the early films are the tributes and shout outs to unique Spider-Man moments and scenes directly lifted from the comic books. Remember that famous scene in Spider-Man 2 that was inspired by The Amazing Spider-Man #50? This film has another tribute to an equally famous moment from Spider-Man’s comic books, which will delight Spider-Fans.

Spiderman Homecoming in truck

After the misfire of The Amazing Spider-Man 2, Spider-Man: Homecoming successfully re-launches the franchise with this amazing (pun intended) entry. At the same time, this is a spectacular (another pun!) standalone MCU film in its own right that is another winner for the cinematic universe. Hopefully, Sony and Marvel Studios will keep this up in future films.

José Soto