Top Ten Films & TV Shows of 2025

2025 delivered many exceptional genre films and television shows that surprised us with their quality and pushed boundaries. Many of them will be remembered for quite some time and others set the standards for existing franchises. Here are the ten best films and TV shows of 2025.

Films

10. Good Boy

Indy the dog stole the show in this inventive supernatural horror film told from the point of view of a good dog trying to protect his owner from a supernatural threat. What added to the suspense was the vulnerability of the dog and the fact that only he could sense the danger threatening his owner.

9. The Life of Chuck

2025 was a banner year for good to great Stephen King adaptations, and The Life of Chuck was the best of them as this heartfelt fantasy film explored themes dealing with loss, sadness, endings, and the wondrous joy of simple everyday things and relationships.

8. Jurassic World: Rebirth

Despite many criticisms made about the latest Jurassic World entry, it was unexpectedly thrilling and engaging. Sure, some of the plotlines were rethreads, but they were presented well and the film delivered some great dinosaur action.  

7. How to Train Your Dragon

This live-action remake of the classic DreamWorks animated film about a Viking teen and his pet dragon proved that it is possible to produce a topnotch live-action film based animated classics. This is something Disney sorely needs to study going forward with their endless remakes.

6. The Fantastic Four: First Steps

Finally, a quality film about Marvel Comics’ first family has been done. Great performances, production and special effects are the highlights of this charming film about family and facing cosmic horror. The film gets extra points just for not depicting Galactus as a giant space cloud!

5. Sinners

Michael B. Jordan is at the top of his acting game playing dual roles in Ryan Coogler’s haunting vampire film. What could have been a simple vampire tale was instead of tour de force from Coogler that explored America’s cultural and racial divide with exceptional visual storytelling.

4. Predator: Badlands

Just like last year’s Alien: Romulus reinvigorated that franchise, so too does Predator: Badlands with its own franchise about alien hunters. This time, the eponymous alien hunter is shown in a heroic light in this imaginative sci-fi action/adventure romp that fleshes out the species of the Predator as it skillfully blends with the Alien franchise.

3. Frankenstein

Guillermo Del Toro wowed audiences once again with his vivid imaginative storytelling skills. The latest adaptation of Mary Shelly’s literary masterpiece follows the essence of the book while veering off into unique directions that explore the father and son dynamic between the title character and his monstrous yet sympathetic creation.

2. Superman

Director and head of DC Studios James Gunn successfully launched the new DC Universe (DCU) with a fresh and interpretation of the Man of Steel. Superman and his colorful superhero world is rightfully depicted in a bright, hopeful light that cleverly raises questions about our current events and society. Superman is a very promising start to the DCU and we can’t wait for the latest entry.

1. TIE: Avatar: Fire and Ash/Thunderbolts*

This is a first for this blog, the two best films of 2025 were that great but so close in quality for different reasons that it was too hard to choose one above the other. So the two best films of 2025 are a tie.

Once again James Cameron proves why he is one of our greatest filmmakers with Avatar: Fire and Ash. The visuals and worldbuilding in this sci-fi epic are jaw dropping and must be seen in large screens. Some of the set pieces are too familiar but Avatar: Fire and Ash does develop many characters and kept us engaged with the plight of the moon Pandora as it faced evil human colonists.

Thunderbolts* aka The New Avengers was unexpectedly the best superhero film of 2025 thanks to heartfelt performances and chemistry among its cast and an emotional story of misfit mercenaries who become unlikely superheroes. Unlike the typical superhero romp, Thunderbolts* focused on characters and explored adult themes of mental and emotional health, loneliness, addiction and depression. We’ll be rooting for these underdogs when they return in Avengers: Doomsday.

Honorable Mentions:

28 Years Later, Bring Her Back, Bugonia, Captain America: Brave New World, Companion, The Electric State, The Gorge, The Great Flood, It Ends, The Long Walk, Predator: Killer of Killers, Primitive War, Weapons, Zootopia 2

Television

10. Paradise

This murder mystery that took place in a post-apocalyptic underground town shelter was elevated by great performances by Sterling K. Brown and James Marsden and an engrossing storyline that kept viewers guessing about what happened to the world and who murdered the U.S. president.

9. Star Trek: Strange New Worlds

The third season of the only remaining Star Trek show (for now) had its problems such as its uneven tone and showcasing too much of James T. Kirk (the show is supposed to be about Captain Pike). Still, some of the episodes were true standouts that proved there were still great Star Trek episodes to be presented.

8. Marvel Zombies

Put together classic characters from the MCU and zombie horror and what do you get? A terrifically gory and fast-moving series with some outrageous zombie action that demands a second season! Hopefully there will be more than four episodes.

7. Peacemaker

While the season finale dropped the ball as it turned out to be a drawn-out coda with concert footage, the second season of Peacemaker was for the most part a captivating look exploration of the title character’s wounded psyche as he second guessed his place in the DCU.

6. Stranger Things 5

The final season of Netflix’s breakout sci-fi/horror show was a bit all over the place with multiple characters and such, but it was still a solid sendoff to our favorite young residents of Hawkins as they had their final confrontations with the extra-dimensional horrors of the Upside Down realm.

5. Daredevil: Born Again

Marvel’s premier superhero TV show had a solid comeback in this sequel to the original Netflix show. Even though Daredevil and his crime-ridden world are now firmly part of the MCU, the TV show was just as gritty and grounded as the original. Stars Charlie Cox and Vincent D’Onofrio turn in some of the best performances of their careers as they reprised their roles as Daredevil and Wilson Fisk, respectively.

4. Severance

The sophomore season of this dark psychological workplace thriller threw audiences for a loop with many unexpected plot twists and character developments. It was very easy to relate to the plight of the office worker drones forced to have their out-of-work identities and memories erased and their efforts to fight the cold company they work for.

3. Pluribus

Vince Gilligan (famous for his TV shows Breaking Bad and Better Call Saul) returned to his sci-fi roots with this quietly disturbing slow-burn TV show about a disgruntled novelist (Rhea Seehorn in one of the year’s best performances) forced to fight isolation, her inner demons, and to save humanity after an extra-terrestrial signal transforms nearly everyone into a global hive mind.

2. It: Welcome to Derry

Part sequel, part prequel to the It films from a few years ago, It: Welcome to Derry was one of the best surprises when it came to TV shows. Each episode was horrifying with macabre set pieces and featured rich character development that fleshed out Stephen King’s fictional town. In addition to the characters, the TV show also had many unexpected twists and fleshed out the expansive King multiverse in an organic manner that made us want to further explore it, no pun intended.

1. Andor

No other TV show came close to matching the artistry of Andor, which is easily the best Star Wars television show of all time and one of the best TV shows of any genre. The second and final season was a tense spy thriller set in the Star Wars universe with many brutal and heart wrenching political storylines that echoed our own civil strife as it chronicled the death of democracy and the bitter origins of the resistance to stand against tyranny. Andor also engaged audiences with thought-out character development which showcased their ambivalent nature in their fight for and against the Galactic Empire.

Honorable Mentions:

Alien: Earth, Black Mirror, Doctor Who, The Eternaut, Eyes of Wakanda, Fallout, Foundation, Gen V, The Handmaid’s Tale, The Institute, Invincible, Ironheart, The Last of Us, Murderbot, Wednesday, Your Friendly Neighborhood Spider-Man

  

Phase Five Of The MCU Ranked

Now that Ironheart has been released on streaming, Phase Five of the Marvel Cinematic Universe (MCU) has concluded, and the films and TV shows of Phase Five can now be ranked. On the whole, this phase suffered for many reasons, some of which were beyond the control of Disney and Marvel Studios, and included entertainment strikes, the conviction of actor Jonathan Majors (who played the would-be MCU big baddie, Kang), and rushed productions without completed scripts. However, there were certainly some projects that are considered as some of the MCU’s best and should be lauded. As we move on to Phase Six, let’s rank all the Phase Five MCU films and TV shows. Just note that X-Men ’97 is not included because officially the animated series is not considered part of the MCU, but if it was it would be placed in sixth place.

15. Secret Invasion

Not only is this limp, would-be spy thriller about alien Skrulls infiltrating our civilization the weakest entry of Phase Five, but it is the worst MCU project ever produced. The goal of the Skrulls was moronic, as was the execution of the pedestrian scripts that failed to live up to the premise of the comic book event this limited series was based on. For a supposed paranoid thriller, Secret Invasion lacked any tension, drama, suspense or sense.

14. I Am Groot (season two)

Eh, the animation was well done, and the stories were cute, but as with the first season, the animated shorts were strictly for the kids. One segment, however, was buoyed by the appearance of the enigmatic Watcher and it was rather humorous.

13. Echo

It is clear that this TV show was a leftover from the Bob Chapek era of Disney were anything and everything was rushed into production whether it deserved to or not. The former gangster Echo was one of the dullest characters from Hawkeye, yet somehow, she was given her own TV show which largely came off as a standard and dull crime drama. The appearance by Daredevil and later Wilson Fisk livened things up, but that was about it.

12. What If…? (seasons two and three)

The animated series that explored the Multiverse was a mixed bag with an average second season and a disappointing third season. There were many great premises that could have been explored in the third season, but sadly that never happened. Instead, we got Howard the Duck and his girlfriend protecting their egg in a painfully unfunny episode. But there were a couple of gems featuring Agatha, Winter Solider and Red Guardian. The second season was definitely the stronger of the two as it further explored the more interesting variant characters from the first season like Captain Carter and Stephen Strange. But overall, the Multiverse animated show did not live up to the promise of the first season or the comic books.  

11. The Marvels

The semi-sequel to Captain Marvel is not bad, but it is not good either. There are some interesting character developments that are only glossed over, like Ms. Marvel’s hero worship of Captain Marvel vs. reality or Photon’s abandonment issues with Captain Marvel. But the villain was completely forgettable, and the film felt very rushed. What did not help were some Godawful moments like the alien cats swallowing people as “Memory” played in the soundtrack, or the planet populated by singing people. The introduction of the X-Men into the Multiverse Saga in the post-credits scene was great and nearly salvaged the film, but it was not enough.

10. Ironheart

Here’s another case of a TV show starring an unpopular MCU character. This time it’s Riri Williams from Black Panther: Wakanda Forever. However, Ironheart does a good job presenting Riri Williams/Ironheart. She is a painfully flawed person trying to do what is best but some of her decisions are questionable, as are her associates. The effects were surprisingly good despite the reputation MCU TV shows gained over the years, and many characters were interesting. Not the greatest MCU TV show ever, but it’s still worth watching.

9. Ant-Man and the Wasp: Quantumania

The third Ant-Man film gets a lot of unwarranted hate from fans who were disappointed by the introduction of Kang, the would-be big baddie of the MCU and the Multiverse Saga. Many fans who expected another caper heist film instead were treated to a loopy sci-fi adventure in another dimension featuring giant ants and weird creatures like the floating head MODOK. It did not help that some of the special effects were sketchy. Still, the film was fun in its own way and had some solid performances and was a decent entry into the Multiverse Saga, although its importance has diminished since Kang has been sidelined.

8. Agatha All Along

This sequel to WandaVision was unexpectedly effective thanks to an inspired performance by Kathryn Hahn as the anti-hero sorceress, Agatha Harkness, as she traverses the mystical Witch’s Road with a ragtag coven of eccentric witches. The character development of Agatha was surprisingly effective and made her more of a sympathetic character with a rather tragic backstory. Agatha All Along is a solid entry into the darker and more mystical part of the MCU and a worthwhile middle part of the Scarlett Witch saga that will be conclued with the upcoming Vision Quest.

7. Captain America: Brave New World

In this mishmash of a film there are elements that could have made it a truly great political thriller. But constant reshoots and rewrites of the script noticeably impaired it, although the fourth Captain America film tries very hard and has many memorable elements. For instance, it has great performances by Anthony Mackie and Harrison Ford and many action scenes are well shot and choreographed. A couple of these feature a terrific battle of Captain America fighting the Red Hulk and an intense segment where Captain America and his partner take to the skies to prevent a major war over the ocean. What ultimately harmed the film were the clumsy exposition dumps and haphazard editing that could not quite salvage the film.

6. Your Friendly Neighborhood Spider-Man

This animated series was one of the best surprises in Phase Five of the MCU. At the same time, this exploration of the high school years of Peter Parker/Spider-Man was quite refreshing with its poignant coming-of-age storyline and genuine. The highlight of the series was not the fight scenes or appearances of superheroes like Doctor Strange or Daredevil but the exploration of Peter’s angst and his complicated relationships, especially with Norman Osborn. We know Osborn will become his greatest foe, but in the show, he serves as his hardened mentor who teaches him lessons about having “great power”.

5. Daredevil: Born Again

Charlie Cox and Vincent D’Onofrio make their triumphant returns as Matt Murdock/Daredevil and Wilson Fisk in this sequel to the original Netflix series. As a loose adaptation of the storyline in the comics where the criminal Fisk becomes mayor of New York City, the series was quite engrossing, especially the early and final episodes. It soon became clear that the middle episodes were produced by a different team when it came to their quality. These middle episodes were fine but were wildly outclassed by the early and final episodes, which were nearly perfect works of television art that thankfully we will see more of in the second season.

4. Deadpool & Wolverine

Ryan Reynolds and Hugh Jackman return to their iconic superhero/mercenary roles that were the highlights of the Fox-era X-Men films. Teaming up for the first time, the two have a wild multidimensional romp as they encounter classic and forgotten characters from the pre-MCU Marvel films ranging from the X-Men to Blade. Some may criticize the film for just being a collection of callbacks to previous films and the script did quite have the wit and energy of the first two Deadpool films. Still, Deadpool & Wolverine was a hysterical, gross and action-packed tribute to the pre-MCU era of Marvel films.

3. Loki (season two)

The second and final season of Loki was a time-traveling and mystical marvel (pardon the pun) that was highlighted by the title character’s transformation. The episodes were witty and inventive as Loki worked with his allies to keep time from unraveling. Loki also featured wonderful acting, not just from Tom Hiddleston as Loki, but from Ke Huy Quan, Jonathan Majors and Owen Wilson. The best part of the show, however, was seeing Loki’s emotional journey as he grew into someone much more noble and magnificent as he made the ultimate sacrifice to save the Multiverse and achieve his “Glorious Purpose.”

2. Thunderbolts*

Or The New Avengers as marketing both in the film and IRL would rather you call this misfit team of mercenaries. The film was unexpectedly engaging and full of emotion as it focused on the characters’ inner turmoil. Even though we’ve seen this before: a bunch of losers form a dysfunctional team and actually become heroes, it was done splendidly. After a few misfires during Phase Five, Thunderbolts* signaled that Marvel Studios finally got its act together and went out of its way to present a winning MCU film. While it’s regrettable that the film had disappointing box office returns, this almost does not matter because of the film’s quality. Here’s hoping that the film resonates later on with home viewings.

1. Guardians of the Galaxy, Vol. 3

James Gunn sends of the beloved Guardians of the Galaxy with a masterful finale that hit all the right emotional spots. Focusing on the team’s soul, Rocket (later Rocket Raccoon), Gunn gave us a painful and traumatizing origin story that doubles as an animal rights tale that deserves to be told. Everyone involved was on point and beyond with Guardians of the Galaxy, Vol. 3, as it was the last hurrah for our favorite cosmic superhero team of misfits. This was classic Guardians at its best with goofy moments, perfect needle drops, wild visuals, a terrifying villain and exciting fight scenes. Gunn’s final film for the MCU is to be cherished because now that he has moved on to Warner Bros. to lead their superhero films, he is already sorely missed by MCU fans.

José Soto

Fourth Time’s The Charm With The Fantastic Four: First Steps

Finally! It took a few missteps (looking at you, Fant4stic!) but with the latest Marvel Studios film, The Fantastic Four: First Steps, we now have the definitive live-action version of Marvel Comics’ First Family, the Fantastic Four.

Unlike most films set in the Marvel Cinematic Universe (MCU), The Fantastic Four: First Steps does not take place in the MCU’s 616 universe but in an alternate world designated 828, in honor of Fantastic Four co-creator Jack Kirby. And what a fantastic (couldn’t help it) world this is!

The Fantastic Four: First Steps takes place in a alternate 1960s-era world that has a colorful retro-futuristic vibe with flying cars, clean energy, clunky robots and a New York cityscape that looks like something that Stanley Kubrick, Walt Disney, and architects Eero Saarinen and Oscar Niemeyer would have conceived and executed.

This optimistic world celebrates the superhero team, the Fantastic Four, who were four astronauts that gained superpowers after a mission in space went wrong. The team is made up of its leader, Reed Richards (Pedro Pascal) aka Mr. Fantastic, his wife Susan Storm (Vanessa Kirby) aka the Invisible Woman, her younger brother Johnny Storm (Joseph Quinn) aka the Human Torch, and Reed’s best friend, the pilot Ben Grimm (Ebon Moss-Bachrach) aka the Thing.  

For anyone who is unaware of the team, Reed is an Einstein-level genius who can stretch his body like rubber, Susan is the grounded foundation of the team and can project invisible force fields, Johnny is an impetuous hot-head who can burst into flames and shoot fire, while Ben is trapped in an orange rock body but has super strength. These heroes (and the other characters) were splendidly cast, and the actors perfectly emulate the essence of the Fantastic Four, while capturing the family chemistry that is essential to this superhero team. It was important for Marvel Studios to pull this off since the Fantastic Four are famous for being a family first and a superhero team second. Thankfully, Marvel Studios was able to accomplish this with a casting miracle.  

Unlike the previous Fantastic Four films, this one relegates the team’s origin story to archival footage in the film’s inventive and colorful opening montage. After the montage, the film jumps right into the story. As the Fantastic Four go about living their somewhat normal lives and prepare for the birth of Reed and Susan’s child, an alien being called the Silver Surfer (Julia Garner) appears over Times Square in New York City and announces that the world is slated to be consumed by her master, Galactus (Ralph Ineson). As the last and only hope for the Earth, the Fantastic Four set off in their spaceship to confront Galactus, who is on his way to Earth. What follows after meeting the cosmic colossus pushes the team to their emotional limits as they and the world prepare for the coming of Galactus.

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The Eve of MCU’s Phase Six

Phase Six of the Marvel Cinematic Universe (MCU) starts this week with the release of The Fantastic Four: First Steps, a film that will begin the finale of the MCU’s Multiverse Saga. As Phase Six commences it is clear that the MCU has had some challenges recently and it remains to be seen if the latest phase will course correct the cinematic universe.

A major issue with the last two phases that will affect Phase Six was that they did not tell a cohesive or coherent storyline that progressed the overall story of the Multiverse Saga. This ran counter to the first three phases that told a progressive story that culminated with the last two Avengers films, Avengers: Infinity War and Avengers: Endgame. One thing to note with the first three phases was that they concluded more or less with an epic Avengers film. This did not happen with Phase Four (*Thunderbolts the last film of Phase Five ended with the revelation that it was actually a film about a new team of Avengers), and the Multiverse Saga had to do a course correct for outside reasons.

Phase Five of the MCU was plagued with several misfires and undeniable box office disappointments as films and TV shows did not live up to expectations. This was unfortunate since Phase Four was disappointing, as well, and failed to live up to the glory days of the first three phases. Phase Five was supposed to correct this but could not.

Namely that Marvel Studios decided to eliminate the main villain of the Multiverse Saga, Kang the Conqueror, and instead abruptly chose to have Doctor Doom as the main villain. This change happened because the actor who played Kang, Jonathan Majors, was fired by Marvel Studios for being convicted of domestic abuse and the character did not resonate with fans. This happened as Phase Five was well underway and did not allow the MCU to organically pivot to Doctor Doom, but the film studio could have tried. Films and TV shows in the latter half of Phase Five should have, at the bare minimum, dropped Easter eggs and references to Doctor Doom but that has not happened. In fact, many TV shows from Phase Six like Secret Invasion or Agatha All Along did nothing to advance the Mulitverse Saga. Meanwhile, only about half of the Phase Five films were relevant to the Multiverse Saga.

What makes this situation worse is that Doctor Doom, the main villain of the Fantastic Four, will not appear in The Fantastic Four: First Steps. This is a mistake considering that Doom will be the villain of next year’s Avengers: Doomsday and it is unlikely that upcoming MCU projects before that film will include any appearances or references to Doctor Doom and the Multiverse Saga. It is head scratching that Doctor Doom will not at least have a cameo in The Fantastic Four: First Steps but we won’t know this for sure until the film is released. On the other hand, there are reports that one of the post-credits scene from The Fantastic Four: First Steps will directly tie into Avengers: Doomsday so there is that, at least.

Another thing that is evident with the slate of Phase Six is that unlike the last two phases there will be noticeably less films and TV shows released. One major complaint about the last two phases, especially with Phase Four, was that too many projects were released, and this stretched the resources of Marvel Studios. The result was that many subpar films and TV shows were released before they could be fine tuned to be better. With Phase Six, Marvel Studios has chosen to emphasize quality over quantity, though this means that many threads and characters introduced in the previous phases will be ignored. This will frustrate many fans, but it was inevitable given that Marvel Studios has to concentrate on popular characters instead of greenlighting TV shows or films about obscure superheroes that may or may not resonate with the larger public. So, expect many films and TV shows dealing with the core Avengers lineup, Spider-Man, the Fantastic Four (if the first film is successful) and of course, the mutants.

At this time, we can only speculate on what films and TV shows Marvel Studios will release for Phase Six. Unlike the previous phases the studio is remaining tight lipped about its upcoming releases since they have been burned by prematurely announcing projects before they were ready like Blade. To date, the only known projects are The Fantastic Four: First Steps, Eyes of Wakanda, Marvel Zombies, Wonder Man, Spider-Man: Brand New Day, second seasons for Daredevil: Born Again and Your Friendly Neighborhood Spider-Man, Vision Quest, a Punisher TV special, Avengers: Doomsday, Avengers: Secret Wars, and at least one other film that we have no information about. Who knows what it will be? A new Doctor Strange film? A third Black Panther film?

While it’s regrettable that Marvel Studios is pulling back on the quantity of projects it is for the best since the limited amount of films and TV shows will lead to improved products. We already are seeing this as the more recent offerings from Marvel Studios like Deadpool and Wolverine, Your Friendly Neighborhood Spider-Man and *Thunderbolts have received a lot of acclaim. It is also interesting to see that certain projects that were not as well received as Ironheart, parts of Daredevil: Born Again and Captain America: Brave New World were produced before Marvel Studios began to course correct with its offerings. Daredevil: Born Again offers clear proof of this as the most acclaimed episodes were made after the film studio decided to emphasize its commitment to quality.

It will take some time for Marvel Studios’ course corrections to resonate with the general public. Not too long ago, the MCU brand was golden and a guarantee of quality and box office success. That’s not the situation anymore as many recent films have underperformed, even if they were acclaimed like *Thunderbolts. It is no longer a guarantee that an MCU film will be a box office hit. But it is important that they maintain a high level of quality because this will create positive buzz for MCU films and TV shows. Do not be surprised if properties like *Thunderbolts develop cult followings, which is good for Marvel Studios as this will demonstrate the studio’s commitment to quality products. Eventually the public will catch on and begin seeing them the films and TV shows in droves again. Then again with important tentpole films like Avengers: Doomsday, Avengers: Secret Wars and Spider-Man: Brand New Day, it is practically certain that Phase Six of the MCU will be successful.

José Soto

Meet The Thunderbolts*…Er, The New Avengers!

By now, most fans of the Marvel Cinematic Universe (MCU) are aware of how the latest MCU film, Thunderbolts* ended, including its post-credits scene. Anyone who hasn’t at this time should stop reading this because we’re going into full on SPOILERS for Thunderbolts* and what is next for the MCU, including next year’s Avengers: Doomsday.

Introducing the New Avengers

To no one’s real surprise, the asterisk in the film title Thunderbolts* was an indication that the title team of dysfunctional mercenaries with personal demons, stood for something else. For most of the film, the team’s comic relief, Alexi Shostakov, the Red Guardian, kept referring to the team as the West Chesapeake Valley Thunderbolts, after the soccer team his adopted daughter, Yelena Belova, played in as a child. By the end of the film, after the Thunderbolts saved New York City, they were introduced to the world as the New Avengers by the film’s antagonist, Valentina Allegra de Fontaine, in a move to save her political career and to stay out of prison.

Speculation had been going on among fans ever since the film title included the asterisk. Some thought maybe it was a placeholder for a subtitle that would be spoilery. They were right to an extent because the asterisk was actually a placeholder for the film’s supposed real title, The New Avengers, which Marvel Studios began to openly flaunt just a few days after the film’s release.

Was the supposed title change to The New Avengers a desperate marketing attempt to drum up more interest in Thunderbolts*? Maybe. Then again, the marketing has been incredibly inventive for the film with innovative posters and some trailers that made the film out to be something that A24 would release. In any event, the fact that the Thunderbolts are actually the New Avengers does increase their profile and hints at what lies ahead for Avengers: Doomsday and Avengers: Secret Wars.

In the film’s two post-credits scenes and the montage shown during the initial credits, the so-called New Avengers are not well received by the world. Who could blame them? Just as how many of us complained about the lackluster lineup of the Thunderbolts when the film was announced, it was natural that most people would have a negative reaction to the replacement for the original Avengers. Where were the heavy hitters like Hulk or Thor? The New Avengers was made up of a bunch of mercenaries/super soldiers with similar and limited skill and power sets. As Yelena quipped at one point, “we just punch and shoot.” Then add in their questionable pasts, which probably could not be glossed over by marketing; although the original Avengers team members also had checkered backgrounds, including Yelena’s sister, Natasha Romanov, a fellow assassin.

But unknown to most of the world, deep down, these characters had heart and faced down their insecurities and flaws, which made them more endearing to audiences. Each of the Thunderbolts wanted a chance at redemption and to be part of something greater. This was obvious with Alexi who dreamed of recapturing the glory he had during the Cold War in Russia, Yelena dealing with depression and wanting something else in her life, or John Walker, who couldn’t fill in the shoes of Captain America as seen in The Falcon and the Winter Soldier and wanted to prove himself. They just didn’t expect it to be as the lineup for the new incarnation of the Avengers.

Sure, these Thunderbolts were not superstars like Tony Stark, but they grew on us as they created a sort of family bond forged by the events they underwent together. What made the film so quickly beloved was that these characters were deeply flawed, yet had great chemistry, which helped them succeed in the end as they came together as a team. How they will carry on going forward is anyone’s guess, but we can speculate based on the final post-credits scene.

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