A Brief Look Back At David Lynch’s Dune

Dune is a classic 1965 novel by Frank Herbert that chronicles a feudal family, House Atreides, in the far future that gains control of the desert planet Arrakis (also known as Dune) that has a precious substance called The Spice. They are betrayed by the Emperor of the Known Universe, who conspires with their hated rival House Harkonnen, to seize the planet and kill off the Atreides leader Duke Leto, while his concubine Jessica and son Paul escape to the desert. They ally with the native people know as the Fremen and rebuild their empire with Paul becoming the Fremen’s long awaited messiah to lead them to freedom.  

This complicated story has been adapted several times, most recently by Denis Villeneuve with his two-part film adaptation. The very first live-action film adaptation of Dune, however, was done by famed director David Lynch in 1984, whose take on the material was interesting if not always accurate to the book. The lavish production and look of the whole thing was a highlight as well as its all-star cast. Twin Peaks lead Kyle MacLachlin starred as Paul Atreides, and other stars included Patrick Stewart, Brad Dourif, Jurgen Prochnow, Dean Stockwell, and Sting.

The film was basically the same as the book, but there were deviations from it. Most notable was the inclusion of a sound weapon used by the Atreides to battle the Harkonnens. This doesn’t appear in the original book and was somewhat weird to see on the screen. The ending was basically the same but had one crucial difference. After vanquishing the Harkonnen heir, Feyd Rautha, played by a manic Sting, Paul takes control of the empire, and then makes it rain on Arrakis. This is strange as in the book, Paul doesn’t have any magical powers, he just pretends to in order to fulfill the Fremen prophecy of being their “Voice from the outer world”. Nevertheless, Dune as a whole was a good retelling of Herbert’s intriguing tale of outer space intrigue, religion, politics and conflict. 

The special effects were somewhat of a mixed bag. The overall look of everything was very good and had the feeling of the book coming to life, but some of the scenes with the enormous sandworms on Dune and the Spacing Guild navigators do look dated. The costumes were both strange and exotic which was appropriate given that the story takes place tens of thousands of years in the future, although the Imperial Sardarkar troops look like they’re wearing garbage bags.

Dune was a struggle to make for Lynch, and subsequently there was an extended edition made without his approval that aired on television. This longer version removed his name from the credits at his insistence and featured new footage and a different opening that explained more of what happened in the years before the film with paintings and a husky voiced narration. This was nice to see for fans of the book who were familiar with what was being described, such as the Great Revolt against thinking machines, but casual viewers might be baffled by it, as some were by the theatrical version. This was probably due to the time constraints of fitting in the whole book into a 2 1/2-hour film. It was inevitable that many of the details of the novel would be lost.

A later TV adaptation on the Sci-Fi Channel in 2000 rectified this as a three-part mini-series that lasted over four hours. This version, sometimes called Frank Herbert’s Dune, was able to be more faithful to the novel, albeit with a lower budget as seen with some of the background scenes that looked like paintings in some instances. The latest adaptations in 2021 and now this year have wisely spilt the book into two parts to have a story that retains much of the book as well as the feel of a big budget, Hollywood production. This seems to be the best of both worlds and their success bodes well for the Dune franchise.

Overall, David Lynch’s Dune does a good job of showcasing Frank Herbert’s story. Lynch basically washed his hands of it after issues with the film studio Universal, but I see it as one of his better films. While it has its flaws, it is still a quality science fiction film that is interesting to watch and still holds a place in the franchise as an alternative look into what happened to the Atreides family in their epic struggle against the Harkonnens and a very unique window into the fascinating Dune universe.

C.S. Link

Dune, Part Two Is Truly An Epic Cinematic Experience

Visionary director Denis Villeneuve’s Dune, Part Two concludes his epic live-action adaptation of the sci-fi classic novel, Dune, with a sweeping flourish. At the same time, by splitting the adaptation into two films Villeneuve is able fully flesh out the scope of the novel, which was impossible to do with just one film, as we saw with David Lynch’s film from 1984.

Picking up immediately after the first film, Dune, Part Two, further develops the saga of young Paul “Muad’Dib” Atreides (Timothée Chamolet), the heir to House Atreides and future messiah to the Fremen people of the planet Arrakis. Now, it must be said that you need to have seen Dune, Part One, or be at least aware of the situations in the story. Basically, in the far future, humanity has spread throughout the universe with the aid of a substance called spice mélange that enables humans to perform complex intergalactic navigation. This spice can only be produced on the desert planet called Arrakis, which becomes the center of a dispute between two royal houses, House Atreides and House Harkonnen. In the first film, the Atreides were assigned by the emperor of the Known Universe to administer Arrakis and harvest the spice, but they were ambushed by the forces of the Harkonnens. This led to the death of Paul’s father, Duke Leto, and with the downfall of his House. By the end of the first film, Paul and his mother, Lady Jessica (Rebecca Ferguson) fled to the deep desert and were adopted by the nomadic Fremen.

If any of this sounds complex, then you are correct, and there is much more to the story. This complexity has made the novel nearly impossible to adapt in the past, yet Denis Villeneuve was able to pull it off while adding his own stamp to the story. It’s similar to what Peter Jackson was able to do with his adaptation of The Lord of the Rings trilogy.

Where the first Dune film was devoted to setting up the complex worldbuilding and multiple characters, the second film centers on Paul’s rise to power as the Kwisatz Haderach, the messianic savior of the Fremen who will liberate their world from outside forces. However, Paul is wracked with doubt because of prophetic visions he has that reveal that billions of people throughout the universe because of his followers. In Dune, Part Two, Paul ingratiates himself to the Fremen and rises to prominence among them as they fight the Harkonnen forces on Arrakis as many of them see him as the fulfillment of the Kwisatz Haderach prophecy. He also begins a romantic relationship with Chani (Zendaya), a brave and lethal Fremen fighter who is skeptical of the Fremen’s religious deference to Paul and even the Fremen religion. It is revealed that the religion was developed by Lady Jessica’s matriarchal order the Bene Gesserit in order to control the Fremen.

Like the novel, the films, especially Part Two, explore the perils of religious fanaticism as it blinds followers who will only see what they want to see. In this case, despite Paul’s early protestations that he is not their savior, many Fremen refuse to heed him and twist their logic to justify their beliefs. The analogies to today’s religious strife are quite obvious and damning but illuminating. Even more incredible is that how closely the film translates the same cautionary themes about religion from Frank Herbert’s novel which came out over 50 years ago, and demonstrates the timeless nature of the book.

There are a few distinct departures from the novel that won’t be spoiled but may upset Dune fans, but the basic plot structure of the novel remains, such as Paul’s development, and the intergalactic politics that turns its attention to the barren Arrakis that turns out to be the most important world in the universe. For non-fans who enjoy rich and intricate political storylines, Dune is basically Game of Thrones set in space, except that it should be the other way around since Dune novel came out decades before the fantasy epic.

While Villeneuve was able to successfully translate the dense story, what is even more impressive with Dune, Part Two is its epic nature that puts other adaptations to shame. Many of its visuals are clearly inspired by Lawrence of Arabia, which itself has many of the same themes as with Dune: an outsider who joins desert people and becomes their liberator.

The visuals and cinematography are just gorgeous to witness, as they engross you completely into the rich alien worlds. Also impressive were the performances by the actors who imbue their characters with complexity. Along with Chamalet and Zendaya, Javier Bardem as the Fremen leader Stilgar and Austin Butler as the psychotic Feyd-Rautha Harkonen were excellent in their roles. Many scenes were heart stopping and instantly iconic, like Paul’s first ride on a giant sandworm, the Fremen attack on the Harkonnens or Paul’s duel with Feyd-Rautha. Together, all these elements have been able to create a true cinematic experience that will be remembered for years to come and prove that serious sci-fi can be a vehicle for a complex and enriching film.

Summing up, Dune, Part Two is one of the very best sci-fi films ever made thanks to its complex themes and visual richness that rivals the greats. Needless to say, it must be experienced on the biggest screen possible.

José Soto

Top Ten Films & TV Shows Of 2022

2022 is done and it is time to briefly look back at the best genre films and television shows that came out in 2022. Of course, every reader’s preference and ranking will be different and everyone will have their opinions about these lists and are entitled to them. Drop a comment if you agree with the rankings or have different ones.

TV Shows

It is clear that we are in the middle of a Golden Age of genre TV shows given there so many high-quality shows that came out in just one year. Many of the streamed or aired TV shows are genuine classics with the top three shows being virtually tied for first place and their ranks can be interchanged.

10. The Peripheral

Loosely based on William Gibson’s book, this was one sci-fi show worth watching. Chloë Moretz Grace stars as a VR gamer in the near future caught up in a mind-bending conspiracy involving time travel and alternate realities.

9. The Sandman

This turned out to be a remarkably faithful adaptation of the classic DC/Vertigo dark fantasy comic book. More like a traditional episodic show with standalone stories, The Sandman was inventive, colorful, disturbing and brilliant.

8. Peacemaker

James Gunn sojourn into the DC Extended Universe (DCEU) took a hysterical turn with the first (and possibly final) DCEU TV show. It took one of the least likeable anti-heroes from The Suicide Squad and turned him into a relatable and emotionally complex character.

7. The Guardians of the Galaxy Holiday Special

Director James Gunn delivered an awesome, heartfelt and funny holiday special starring the Guardians of the Galaxy. In between the gooey holiday scenes were moments of pure laughter as the alien Guardians went to Earth to kidnap the actor Kevin Bacon to present as a Christmas present. The songs were great, too.

6. The Boys

With the introduction of Soldier Boy, The Boys took a turn at satirizing the Marvel Comics heroes with his clear similarities to Captain America. Meanwhile, the series continued to be outrageously violent with gross-out humor and in-your-face commentary about our times.

5. Obi-Wan Kenobi

Ewan McGregor reprised the role he made his own in the Star Wars prequels. The series served as both a sequel to those films and a prequel to the original Star Wars. Despite some flaws, McGregor elevated the show with his brilliant performance as a fallen Jedi who has to rediscover his faith.

4. Star Trek: Strange New Worlds

Despite some Star Trek shows that faltered in 2022, Star Trek: Strange New Worlds breathed new life in the franchise. This was due to smart scripts that emulated the original Star Trek, a charming cast, and a back-to-basics approach with its storytelling that favored standalone episodes.

3. Andor

Cassian Andor (Diego Luna) in Lucasfilm’s ANDOR, exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

This Star Wars show was the ultimate slow burn as the prequel to Rogue One: A Star Wars Story centered on the anti-hero Rebel agent, Cassian Andor. Separate arcs thoroughly examined Andor’s personal growth and the people around him. It also realistically depicted of how a rebellion grows in an authoritarian society.

2. House of the Dragon

Many who were disappointed by the final season of Game of Thrones were pleasantly surprised by this fascinating prequel that focused on the dragon-worshiping Targaryen royal family. Despite its prequel limitations, the show quickly captivated audiences who were drawn back to the fantasy world of George R.R. Martin.

1. Stranger Things 4

The fourth season of Stranger Things managed to reinvigorate the series with fascinating origin stories and situations, and new and memorable characters. At the same time, this season focused on the core characters that were so beloved and who were allowed to grow as they faced terrifying new threats from the Upside Down dimension.

Honorable Mentions:

Doom Patrol; For All Mankind; Halo; The Handmaid’s Tale; Love, Death + Robots; Moon Knight; The Orville; Raised By Wolves; Severance; She-Hulk: Attorney At Law; Snowpiercer, Star Trek: Picard; Star Trek: Prodigy; Superman & Lois; Tales of the Jedi; Titans; Werewolf By Night; The Umbrella Academy; Undone

Films

Surprisingly, the genre offerings for 2022 were not as plentiful as in previous years. Superhero films still dominate the release schedule though many other genre films (horror, animated, sci-fi, fantasy) have made their presence felt as well in a solid year for genre films.

10. Sonic the Hedgehog 2

The sequel film delivered the best family film of the year. It was also an exciting, colorful and largely faithful live-action adaptation of the classic Sega video game hero and his expanded roster of friends and foes.

9. The Black Phone

This film by Scott Derrickson proved why he is one of the best visionary horror directors today with The Black Phone. He cleverly combined classic horror elements from serial killers to psychic phenomenon to ghosts.

8. Nope

Director Jordan Peele’s latest genre offering was an intriguing and original take on the U.F.O. phenomenon. Nope had its fair share of suspense, horror and the contemplative character studies Peele is known for, as well as elements of a neo-Western.

7. Prey

The Predator franchise was unexpectedly revived with the latest film that took the franchise in a new and fresh direction. Placing the film centuries ago, Prey amped up the thrills as the human characters had to rely on their wits and skills instead of technology against the inhuman Predator hunting them.

6. Everything Everywhere All at Once

Michelle Yeoh turned in a fantastic performance as several variations of the same character in this film that gave us a true multiverse of madness. The film truly went out there with its sometimes bizarre depictions of colliding parallel universes.

5. Jurassic World: Dominion

The conclusion to the second Jurassic Park film trilogy ended on a high note full of dinosaurs rampaging in modern-day society. However, the film’s true high note was when it had the main heroes from both trilogies meeting and teaming up to save the world from extinction.

4 Black Panther: Wakanda Forever

Director Ryan Coogler pulled off the impossible with a sequel that does not feature the star or main character from the original film. This film was full of depth as it explored grief and loss, while expanding the popular Marvel Cinematic Universe (MCU) with the introduction of one of Marvel’s best anti-heroes, Namor.

3. The Batman

We actually got to see the Dark Knight Detective do some actual detective work in this grounded and gritty version of Batman. The dark and brooding film delivered intense action, intrigue and a horrifying version of the Riddler that rivaled classic cinematic serial killers.

2. Doctor Strange in the Multiverse of Madness

While the year’s top MCU film did not exactly deliver a multiverse of madness, it was a fun deep dive into the MCU with chilling horror elements and wild visuals. Sam Raimi was an inspired choice of a director who utilized his horror and comic book film background to full effect.

1. Avatar: The Way of Water

The sequel to Avatar, the biggest box office hit of all time, surprised many who dismissed it for being an empty special effects-heavy sequel. However, director James Cameron’s breathtaking vision of an alien world and its solid world building and characters helped propel Avatar: The Way of Water into a must-see event.

Honorable Mentions:

Barbarian; Beavis and Butthead Do the Universe; Black Crab; Chip ‘n’ Dale Rescue Rangers; DC League of Super Pets; Lighthyear; Moonfall; Puss in Boots: The Last Wish; Smile; Strange World; Thor: Love and Thunder; Turning Red

Farewell To The Expanse

After six seasons, The Expanse ended its television run when its last episode “Babylon’s Ashes” streamed on Amazon Prime Video this week.

The sixth and final season of The Expanse was the culmination of the long-running storyline of the tensions among human societies in the solar system. Based on the novels by James. S.A. Corey (the pen name for Daniel Abraham and Ty Franck), The Expanse takes place in a future where humans have an uneasy existence throughout our solar system. Earth and Mars are locked in a cold war with each other, while at the colonies in the outer planets, people, called “Belters”, live under harsh and meager conditions. They detest the “Inners” for their lush lifestyle and strive to be recognized as a legitimate power. During the TV series an alien substance called the protomolecule was discovered. It was able to alter both organic and inorganic matter and eventually formed a gigantic Ring structure near Uranus that functioned as an intergalactic gateway to other solar systems. The latter seasons dealt with the ramifications of this event as humanity began spreading to other worlds.

In the fifth season, a Belter terrorist named Marco Inaros (Keon Alexander) rose to power in the colonies and decimated Earth by bombarding it with multiple asteroids. Meanwhile, he joined forces with rogue Martian factions to form the Free Navy and seized control of the Ring and the gateway to other star systems. By the start of the sixth season, Earth was on the verge of becoming uninhabitable from the fallout of the asteroid impacts. In the final season Earth and Mars allied with each other to hunt down Inaros regain access to the Ring and negotiate a peace with the Belters.

The Expanse

The show centered on the crew of the Rocinante, James Holden (Steven Strait) of Earth, Naomi Nagato (Dominique Tipper), a Belter who bore a son with Inaros, Amos Burton (Wes Chatham), a tough mechanic from Earth, and Clarissa Mao (Nadine Nicole), a former criminal struggling to find some measure of redemption. Together they joined the fight against Inarus and his followers. Other characters include Bobbie Draper (Frankie Adams), a battle-hardened Martian marine allied with the Rocinante crew, United Nations Secretary-General Chrisjen Avasarala (Shohreh Aghdashloo), a caustic and practical leader who wants nothing more than to save Earth and end the war, Naomi and Inaros’ son Filip (Jasai Chase-Owens), who joined his father in the struggle but started questioning his father’s fanatic ideaology, and Camina Drummer (Cara Gee), a Belter pirate who rebeled against Inaros and the Free Navy.

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The Lord Of The Rings: The Fellowship Of The Ring 20 Years Later

The Lord of the Rings: The Fellowship of the Ring is celebrating its 20th anniversary this month and looking back, it’s clear now, how influential this highly successful film has become. Peter Jackson’s epic start to The Lord of the Rings (LOTR) trilogy paved the way for a fantasy film revival that is still going strong today and led to similar adaptations such as HBO’s Game of Thrones, Amazon Prime’s The Wheel of Time, and other fantasy-themed films and shows. The Fellowship of the Rings’ success wasn’t a sure thing though, as author J.R.R. Tolkien’s massive novel was deemed unfilmable due to its intricate plot and long back story which spanned thousands of years.

The earliest film version was the animated adaptation from Ralph Bakshi in 1978. Tje animated version of LOTR was well received, but due to time constraints the film only told half the story. Jackson’s take is a fully fleshed out world that showcases his native New Zealand’s beautiful landscapes and scenery that show the viewers what Middle-earth would look like if it really existed. He also takes his time in setting up the tale of the diminutive hobbit Frodo Baggins and his quest to destroy an evil mystical ring created by the sorcerer Sauron. His journey would culminated in casting the ring into a volcanic pit in the dreaded land of Mordor.

The Lord of the Rings: The Fellowship of the Ring starts off by showing some of Tolkien’s back story and the history of Middle-earth where the rings of power were created for men, elves and dwarves, as well as the epic battle against Sauron where he is defeated, but only temporarily. After the battle, the all-powerful one ring was lost and found its way to the distant land of hobbits known as the Shire.

Frodo’s journey begins when the wizard Gandalf arrives at the Shire and enlists him and his companions Samwise Gamgee, Merry and Pippin to accompany Gandalf to Mordor to destroy the one ring which Sauron needs to conquer the world. Along the way, the group encounters the heroic ranger, Strider (later to be known as Aragorn) and the stalwart dwarf, Gimli and his rival the elf, Legolas as they all join forces to become the Fellowship of the Ring. Together they vow to end the threat of Sauron once and for all.

Their journey through the elf kingdom Rivendell and the mines of Moria are all classic set pieces that are fully brought to life and culminate in an epic battle against swarms of orcs (Sauron’s minions) and a final clash between Gandalf and a massive demon known as a Balrog. Fate has the fellowship splinter and go their own way as Frodo and Sam are left to go on alone to Mordor while Strider, Legolas and Gimli race to rescue the other hobbits who were captured by orcs. This sets up the excellent sequel, The Lord of the Rings: The Two Towers, which was just as successful as The Lord of the Rings: The Fellowship of the Ring.

The success of The Fellowship of the Ring was crucial as it paved the way for the subsequent films and established LOTR as a huge cinematic franchise that spawned further adaptations of the earlier Middle-earth book The Hobbit, as well as a new TV series coming from Amazon that will explore the earlier time periods of Middle-earth. It also led to the groundbreaking success at the Academy Awards of the third film in the trilogy The Lord of the Rings: The Return of the King, which won 11 Oscars including Best Picture. This was the first time a genre film won this honor and led to increased respect and awareness for genre films as valid, cinematic art. It was also a blueprint for how book adaptations can be done, even for complex works, such as the recently released Dune or even earlier films like Watchmen.

The film studio New Line Cinema committed to Jackson’s vision and gave him the required financial resources and time to have his ideas come to life and Jackson committed to filming all three LOTR movies back to back, which was a massive undertaking and spanned multiple years. This was seen in throughout all three movies as the details of the imaginary world are incredible to see and experience. Of all three movies, I think The Lord of the Rings: The Fellowship of the Ring is the best one as its story is paced very well and has elicits a whirlwind of emotions for viewers. It has moments of terror, such as when Frodo first encounters the ring wraiths who were hunting him and the ring; instances of wonder when the group arrives at Rivendell; and pure excitement when the Fellowship has its last battle in the mines of Moria. It is also the only time you see all of the main characters together until the end of the last film as they are separated at the end of the first movie and go their own separate ways. Their interaction as a group is a highlight as their differences in personality and stature are humorous and flesh out their characters.

Overall, The Lord of the Rings: The Fellowship of the Ring is a masterpiece film, not just in the fantasy genre, but in all of cinema with superb storytelling mixed with unforgettable characters and stunning visual effects. Its impact is still being felt and will continue to be enjoyed and imitated for decades to come, as will its sequels. Hopefully the upcoming Amazon series will be able to recapture some of the magic that was apparent as soon as Frodo walked out of his home and we saw the Shire and Middle-earth in live action for the very first time.

C.S. Link