Tron: Uprising Presents A Bold Digital Realm

As most of us are staying home as a precaution to the coronavirus, one way to pass time is to binge-watch the myriad of TV shows and films available in our physical media collections or streaming services.

Anyone who has Disney+ will see that the streaming service has the animated series Tron: Uprising. This show aired on Disney XD shortly after Tron: Legacy as a holdover to an expected sequel. Sadly, the sequel to Tron: Legacy never happened and the animated series was cancelled. This was a shame because Tron: Uprising was a well-done show that expanded on the world building of the Tron universe.

Below is a quick review of the show that was done for a previous version of Starloggers back when the show debuted. Tron: Uprising may not be as attention grabbing as other shows nor as fondly remembered but it is certainly a notable sci-fi show, which should be on anyone’s queue list; besides there are other things to watch on Disney+ besides The Mandalorian!

Tron: Uprising, the Disney animated series, follows the adventures of a young program called Beck (Elijah Wood), who becomes a heroic rebel leader in a virtual realm that exists within computers. This reality is the Grid that was visited by humans in the films and the series focuses on the programs that exist as distinct entities within the Grid.

The series actually takes place between the two films and has many aspects and references to the films, which will delight fans, while adding nuances and layers to the unique digital world. The cityscapes are wonderfully detailed and build upon the architecture seen in the Tron films. The result is that the digital world seems more complete, more vibrant, and more alive. Kudos to Disney’s animation team for pulling off this feat.

Disney released a preview episode on iTunes, YouTube and on the Disney Channel that sets up the series and is a must viewing to understand what is going in with the regular series. In that preview called “Beck’s Beginning” viewers are introduced to Beck a young happy-go-lucky mechanic and disc player in the distant Grid city called Argon. He has a joyous existence with his friends until the forces of the tyrannical program called Clu arrive and occupy the city.

Clu, is a doppelganger program of Kevin Flynn (Jeff Bridges in the films) that became corrupted, took over the Grid and betrayed the heroic program Tron (Bruce Boxleitner, who reprises his role by providing the voice of Tron in this series).

After Clu’s forces, which are led by General Tesler (Lance Henriksen), kill or derez Beck’s friend, he decides to strike back against Clu’s reign. Tron by this time has become a cult hero who was supposedly killed by Clu. So Beck decides to assume Tron’s identity to inspire a revolution. Along the way he encounters enemies and allies including Tron himself, who passes on the mantle to young Beck.

Some of the graphics of Tron: Uprising are beautiful and faithfully represent the digital world of Tron but while the series is computer animated the series, on the whole, has a more traditional animated feel. It isn’t an obvious approach but it helps distinguish it from the films. But in trying to set itself apart from the films the series goes too far in terms of the characters’ anatomy that are grossly disproportional; characters are drawn with long, giraffe-like legs! It can be distracting but it doesn’t detract from the show. Many sequences are simply stunning to watch and capture the essence of Tron, especially the latter film Tron: Legacy. It’s an auspicious start for an animated series, one can only hope that future episodes maintain the quality seen in the first few episodes.

The digital world of Tron lives on with Tron: Uprising and it can be enjoyed by fans of those films, and even those who haven’t seen them.

Spider-Man: Life After The MCU

The dust still has not settled over the shocking news last week that Spider-Man is leaving the Marvel Cinematic Universe (MCU). So much for making Spider-Man: Far From Home earn over $1 billion to keep Spidey in the MCU! As we all digest this huge turd sandwich and cling on to every nugget of hope that Sony Pictures and Disney/Marvel Studios can still work out a deal, it’s time to face reality and ponder on what happens next for our favorite Wall-crawler in live-action films.

As mentioned in the previous post, actor Tom Holland still is contracted to do one more Spider-Man film and right now plans for that film are going forward from Sony. The film studio has the right to do a Spider-Man film without Disney’s blessing but obviously, cannot have it connect to the successful MCU. Sony may feel they can get along fine without the MCU and it may very well be the case, but it’s a dangerous gamble now. The animosity towards Sony by many fans is well documented with campaigns starting to boycott any Sony Spider-Man or related film. The question is will this anger keep up next year when Morbius and Venom 2 premiere? If both films falter or just earn less than expected in the box office then it can be attributed to fan backlash and can force Sony back to the negotiating table. This may not happen but then again look at Solo: A Star Wars Story and the backlash it received for The Last Jedi.

One no-brainer way to entice Spider-Fans to make Venom 2 a success is to shoehorn in Spider-Man now that Sony has him. One thing the studio has in its favor is that many fans are dying to see Spider-Man meeting Venom and fighting Carnage. Yes, the two characters fought each other in Spider-Man 3, but that version of Venom was poorly received. The Tom Hardy version was a hit with with fans though the film Venom was not as well thought of. If Spider-Man and Tom Holland are forced to appear in Venom 2 do the filmmakers have the skills to make it an organic appearance rather than an obvious cash grab? We’ll see.

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Top 10 Films and TV Shows of 2018

This year had a splendid offering of memorable films and TV shows. We are truly living in a golden age of geekdom with so many films and TV shows to choose from. These are the best of 2018; keep in mind this list is purely subjective and if you have your own list, be sure to leave a comment.

Films

10. Incredibles 2:

incredibles 2

It took over a decade but it was worth the wait! Like the original film, Incredibles 2 delighted us and had us laughing with its family situations and high-octane superheroics.

9. Hereditary:

The creepiest horror film of the year unsettled us with its haunting imagery and scenes. This tale of demonic forces assaulting a fragile family will keep you up late into the night.

8. Ralph Wrecks the Internet:

This joyful sequel to Wreck-It Ralph takes the oversized and loveable video game titular character to new digital frontiers. His humorous journey into the Internet was fantastic to watch with all the puns and satires about the world wide web.

7. Black Panther:

black panther at wakanda

Marvel Studios delivered another stirring superhero film that was highlighted with its political/royal drama and was a genuine cultural phenomenon when it was released. Michael B. Jordan’s turned in a bravura performance as Killmonger, the bitter challenger to King T’Challa/Black Panther’s (Chadwick Boseman) throne.

6. Solo: A Star Wars Story:

solo and chewie at bar

Too bad the backlash over The Last Jedi and other factors doomed this Star Wars spinoff film that explored Han Solo’s early days. It captured the adventurous spirit of Star Wars that was missing lately thanks to its adventurous tone, Ron Howard’s expert direction and inspired performances. This included Alden Ehrenreich who pulled off a near impossible task of emulating a younger version of our favorite space pirate.

5. Aquaman:

Aquaman and Mera

The DCEU’s sole superhero film of 2018 was bold, splashy, action-packed, outrageous (cue the octopus playing drums!), but most of all fun. Aquaman singlehandedly resurrected the DCEU with this sprawling epic.

Its bright color palate, sweeping underwater landscapes, and breakneck pace made it stand out from the other DCEU films with imagery that captured the spirit of Avatar and Star Wars. Aquaman proved that DC and Warner Bros. can deliver a popular and crowd-pleasing superhero movie just like their competitor.

4. A Quiet Place:

Director and star John Krasinski kept audiences petrified in their seats with this sci-fi/horror classic about a family living in an Earth overrun by voracious alien creatures that hunt by sound. The premise of the family not being able to make noise underlined the unbearable tension throughout the film.

At the same time, A Quiet Place was memorable because it endeared us to the family in the film as they struggled to survive such a situation.

3. Spider-Man: Into the Spider-Verse:

The greatest animated film of the year was a true surprise given how little it was regarded when it was first announced. After all, this was not Disney who was behind this film. Spider-Man: Into the Spider-Verse popped out immediately with unique animation that literally brought a comic book story to life.

However, its involving story about Spider-Man’s successor, Miles Morales, learning the ropes and struggling to live up to a legend just crushed it. Hands down, it’s one of the best Spider-Man films to date.

2. Ready Player One:

Director Steven Spielberg shows us that he still is the master of cinema with this adaptation of Ernest Cline’s book about a young man adventures in the virtual world that is bursting with countless pop culture references and Easter eggs. How many viewings will it take to spot them all?

Ready Player One is a loving ode to geek and gaming culture that respects and celebrates it. The film is also a noteworthy addition to Spielberg’s impressive library of genre films as it displayed many of his visual touches and directing techniques that catapulted Spielberg to prominence.

1. Avengers: Infinity War:

The culmination of ten years of the MCU was certainly an unforgettable epic. It captured the mood of those sweeping comic book epic storylines with its all-star cast of actors and characters that was any fanboy and fangirl’s dream come true.

Directors Joe and Anthony Russo pulled off a miracle by keeping the pace smooth and intense while giving the heroes their own engaging moments. Any praise for Avengers: Infinity War is not complete without mentioning the chilling, menacing presence of the film’s villain, Thanos. Josh Brolin and the effects masters brought to life one of the greatest comic book film villains with an unforgettable mo-cap performance. More importantly Avengers: Infinity War presented a complex character study with Thanos’ mad quest to kill half the universe.

Honorable Mentions:

Annihilation, Ant-Man and the Wasp, Bumblebee, Deadpool 2, Jurassic World: Fallen Kingdom, Isle of Dogs, Overlord, Rampage, Teen Titans Go! To the Movies, Venom, Upgrade

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Spider-Man: Into The Spider-Verse Swings & Soars!

Sony’s latest entry into their burgeoning Spider-Man cinematic universe, Spider-Man: Into the Spider-Verse, is a boon not just for the film studio but for Spider-Man films in general. This is not a small feat given Sony’s recent spotty record with their own Spider-Man films.

Spider-Man: Into the Spider-Verse follows the adventures of Miles Morales (Shameik Moore), a young middle schooler who gains the spider-like powers of his hero Spider-Man (Chris Pine) in a universe similar to the Marvel-616 and the live-action films. This universe’s version of Spider-Man is killed after trying to stop the Kingpin’s (Liev Schreiber) dangerous machine which breaches dimensions. As Miles struggles to honor his hero and grow into his role as a new Spider-Man, other versions of the hero from different universes start appearing. He forms an uneasy teacher/student relationship with an older, jaded version of Spider-Man/Peter B. Parker (Jake Johnson), who has suffered a series of downers in his life like divorce, poverty, and is out of shape. Together, the two work with other Spider folk like Spider-Gwen (Hailee Steinfeld) and Spider-Man Noir (Nic Cage) to find a way to return to their proper dimensions and destroy the machine before it irreparably destroys all universes.

The film has a wild and kinetic animated style that carefully combines 3D animation with conventional line and dot comic book art to create an organic and  moving comic book come to life. Adding to the effect were numerous word panels that conveyed characters’ thoughts and complimentary sound effects, just like in the comics. Producers Phil Lord and Chris Miller (remember them? They were the directors fired by Lucasfilm), along with directors Bob Persichetti, Peter Ramsey and Rodney Rothman, pulled off this loving ode to Spider-Man and superhero comic books that will be remembered for a long time.

But as great as that sounds what makes Spider-Man: Into the Spider-Verse soar are its characters and story. It is too easy for a story like this about parallel universes and derivative characters to go off the rails, but the film gets us involved with not only Miles, but the other versions of Spider-Man, particularly the older Parker. Even though he is jaded, Parker is still a heroic person and is protective of Miles, though the younger Spidey wants to prove himself. What is impeding Miles, are his own insecurities stemming from his awkward relationship with his father and his inexperience. What was great to see is that Miles does not become an instant hero, he has to grow into his role and learn not just how to swing, but about responsibility and sacrifice. Remarkably, in this crowded film, the other Spider heroes have their own moments to stand out and shine, and this goes for the supporting characters. The only exceptions to this and a nitpick about the film, are the villains, who are a bit one-dimensional. But they server their purposes and help move the plot. Overall, the film moves along at a brisk pace and is quite exciting and fun.

As expected, there are too-many-to-list references to Spider-Man films and his history. Many of them will leave you on the floor laughing, especially with the recreations of infamous dancing scenes from Spider-Man 3. Of course, the Stan Lee cameo was one of the better ones and there is a loving, heartfelt dedication to the departed Lee and Steve Ditko at the end that is worth hanging around for. Adding to that is a hysterical post-credits scene starring a couple of versions of Spider-Man that features Stan Lee voicing J. Jonah Jameson. It has to be seen to be believed, it’s that great!

It’s hard to believe, but Sony delivered quite possibly the best Spider-Man film since Sam Raimi’s Spider-Man 2. After the debacle of The Amazing Spider-Man 2, it is safe to say that the film studio has found an amazing (pun intended) avenue for their own spin on Spider-Man films.  Hopefully, this can be the beginning of classic animated films that rivals anything that their competitors can come up with…just as long as Lord and Miller are left alone to work their magic. I already look forward to seeing other versions of Spider-Man joining the fray in a sequel.

This animated film is the best surprise of the year not only with superhero films, but films in general. As 2018’s most dazzling animated film, Spider-Man: Into the Spider-Verse will make any true Spider-fan smile and rejoice. Do not take this statement lightly, in this year of outstanding animated and superhero films, Spider-Man: Into the Spider-Verse is an instant classic.

José Soto

Wreck-It Ralph Continues Charming Us With Ralph Breaks The Internet

Ralph Breaks the Internet is the sequel to the popular Disney 2012 animated film Wreck-It Ralph. The first film about a video game character wanting to break out of his bad-guy mold charmed audiences and won over many fans. When Ralph Breaks the Internet was announced many wondered if it would have the charm and fun of the original. Thankfully, it does.

John C. Reilly and Sarah Silverman return to voice their roles of Wreck-It Ralph and Vanellope and the easy camaraderie between these two unlikely heroes is still there and is just as engaging. The creative team behind the sequel wisely knew what to keep and what to do differently. Instead of having another film taking place in the video game world, the boundaries were pushed and as the title suggests, the action mostly takes place in the expansive world of the Internet. Ralph and Vanellope venture out into this new virtual world in order to get a new part for Vanellope’s broken game console Sugar Rush or else the game will be permanently deleted.

Their journey lets them to experience all the intricacies of the Internet including spam, online shopping, the Fortnite phenomenon and so on, to often hysterical results. There are many LOL moments in Ralph Breaks the Internet as they explore the Internet. One of them includes a visit to the realm of the Disney properties, which has been seen in the trailers. You would think that all the good moments would have been spoiled by the trailers, but there are tons more Easter eggs and references and cameos. Even though the Disney stuff may seem as gratuitous on the surface, they often serve the story, plus it manages to sneak in a nice Stan Lee cameo. And the segment with the Disney princesses is pure gold. But video game enthusiasts should note that this sequel continues to have nifty video game cameos.

More often than not Ralph Breaks the Internet has many moments that will either bring out heartfelt guffaws or unexpected food for thought. The latter begins later in the film as the subject of friendship and how it changes over time is brought up. As with all friendships, Ralph and Vanellope’s friendship begins to evolve and this brings up conflict between the two. Vanellope wants something different with her life while Ralph is content with his situation. The film then takes the unusual step of having Ralph commit acts that are questionable and expose him as a flawed person. This was refreshing and honest since Ralph became more dimensional and conflicted within himself. It was a gamble for Disney to allow this unflattering development with its title hero, but it pays off. Even though Ralph feels insecure about his relationship, he is still a relatable character and has a great heart.

Some may think this makes the film darker than the original Wreck-It Ralph but it enables the sequel to stand out and be its own film. Ralph Breaks the Internet is a cut above the standard animated sequel because it dared to explore not just new territory, but logical character development. Not to mention it is downright funnier than the original film and is just as emotionally heartfelt.