Spider-Man: Life After The MCU

The dust still has not settled over the shocking news last week that Spider-Man is leaving the Marvel Cinematic Universe (MCU). So much for making Spider-Man: Far From Home earn over $1 billion to keep Spidey in the MCU! As we all digest this huge turd sandwich and cling on to every nugget of hope that Sony Pictures and Disney/Marvel Studios can still work out a deal, it’s time to face reality and ponder on what happens next for our favorite Wall-crawler in live-action films.

As mentioned in the previous post, actor Tom Holland still is contracted to do one more Spider-Man film and right now plans for that film are going forward from Sony. The film studio has the right to do a Spider-Man film without Disney’s blessing but obviously, cannot have it connect to the successful MCU. Sony may feel they can get along fine without the MCU and it may very well be the case, but it’s a dangerous gamble now. The animosity towards Sony by many fans is well documented with campaigns starting to boycott any Sony Spider-Man or related film. The question is will this anger keep up next year when Morbius and Venom 2 premiere? If both films falter or just earn less than expected in the box office then it can be attributed to fan backlash and can force Sony back to the negotiating table. This may not happen but then again look at Solo: A Star Wars Story and the backlash it received for The Last Jedi.

One no-brainer way to entice Spider-Fans to make Venom 2 a success is to shoehorn in Spider-Man now that Sony has him. One thing the studio has in its favor is that many fans are dying to see Spider-Man meeting Venom and fighting Carnage. Yes, the two characters fought each other in Spider-Man 3, but that version of Venom was poorly received. The Tom Hardy version was a hit with with fans though the film Venom was not as well thought of. If Spider-Man and Tom Holland are forced to appear in Venom 2 do the filmmakers have the skills to make it an organic appearance rather than an obvious cash grab? We’ll see.

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Spider-Man: Far From Home Is A Winning Epilogue To The Infinity Saga

Spider-Man: Far From Home is the epilogue to the 23-film Infinity Saga or the final Phase 3 film of the Marvel Cinematic Universe (MCU). As such, the film is another winner for Marvel Studios and Sony Pictures, who still owns the film rights to the Marvel Comics superhero.

The film is solidly part of the MCU, as shown in its opening moments as the world is recovering from the events of the last two Avengers films. It was good to see the everyday reaction to Thanos’s snap and the sudden return of half of the world’s population, called the Blip in the MCU. For Peter Parker/Spider-Man (Tom Holland), the impact of the Avengers films weighs heavily on him as his mentor Tony Stark is no longer around. He feels the pressure of trying to be the next Iron Man while enjoying his normal teenage routines. The biggest thing on his mind, aside from his Spider-Man duties, is working up the nerve to tell his fellow high school classmate, MJ (Zendaya) that he likes her. The two of them, along with other classmates, spend most of the film in Europe on a school trip. While in the Old World, Peter is contacted by the clandestine head of S.H.I.E.L.D. Nick Fury (Samuel L. Jackson) to help Quentin Beck/Mysterio (Jake Gyllenhaal) with dealing with these giant elemental creatures that are attacking Europe. Beck is supposedly from a parallel Earth that was destroyed by these creatures and wants to prevent the same disaster from happening in the MCU Earth. Beck quickly earns Peter’s trust who then begins to confide in him all his doubts and fears. But as comic book fans know there is much more to Beck than he would have one believe.

Beck and Parker

The latest Spider-Man film is the quintessential summer film. It’s fun, exciting, humorous and moves at a brisk pace, particularly in the second half. At the same time, unlike most summer blockbusters this film has depth and engages you emotionally. All the actors are spot-on perfect in their roles and embody the characters they portrays. This especially goes to Tom Holland who has an earnest energy and nervousness that makes his Peter Parker very endearing. This portrayal of Spider-Man feels authentic and captures the essence of the beloved superhero. He makes mistakes, big ones, but his heart is in the right place. It’s why we root root for him. Meanwhile, Zendaya adds much more dimension and humanity to her role of MJ. Now, she is more personable while keeping her spunky and sardonic attitude that made her so funny in Spider-Man: Homecoming. She and Holland have a nice chemistry as a budding and sweet romance develops between the two young people, which works. It’s not as intense as with Andrew Garfield and Emma Stone in the The Amazing Spider-Man films, but their romance has a tender sweetness that offers a nice respite from all the fantastic effects and explosions.

Spidey and MJ

As far as Spider-villains go, Mysterio is certainly a fantastic entry into Spidey’s rogues gallery with a unique power set, comic-book accurate costume, and motivation. His background and purpose differs a lot from his comic book roots, but they fit in easily within the MCU and there are some great and surprising call backs to previous MCU films. His drive and presence in the film doesn’t quite match the depth and desperation of the Vulture in Spider-Man: Homecoming, but Gyllenhaal is just great in the role and injects a lot of passion into his role. The fight sequences between him and Spidey capture the spirit of their comic book encounters complete with the weird illusions that rival some of what we’ve seen in Doctor Strange.

mysterio

There are some issues with Spider-Man: Far From Home, namely the high school antics and gags. Unlike the previous film, here they fall flat many times, which is puzzling since director Jon Watts pulled it off so well in Spider-Man: Homecoming. With this film, the antics come off as unfunny distractions, though some gags hit the mark. Still, it is not a fatal flaw with the film, but for the next film, the filmmakers should consider retooling this aspect or getting rid of it altogether.

Right now, the future of the MCU Spider-Man films is uncertain because Spider-Man: Far From Home is supposedly the last Spider-Man film in the agreement between Marvel Studios and Sony. It would be a horrific shame if these films couldn’t continue and Sony took Spidey back because there is so much more that can be done with him.

This is clearly evident in one of the post-credits scenes that is an absolute shocker. Seriously, they cannot leave us hanging like they did. On another note, the other post-credits scene is equally as important because it heralds the direction that the MCU will take from this point on. Spider-Man: Far From Home both stands on its own as a winning Spider-Man film and as an coda to the wondrous 23-film MCU.

José Soto

The Fox X-Men Film Series Burns Out With Dark Phoenix

dark phoenix poster

It’s been interesting to read and watch all the negativity and vitriol hurled against the final Fox X-Men film, Dark Phoenix. Yes, technically there is still the unreleased film The New Mutants, but from all accounts that upcoming film (if it is ever released) does not appear to be connected to the Fox X-Men films and it will be radically retooled. Who knows, now that Disney owns the film property, The New Mutants could be retconned to be part of its own Marvel Cinematic Universe (MCU), though that is a risk.

Getting back to Dark Phoenix, the reaction to the conclusion of the X-Men film saga has been harsh, perhaps a bit too harsh. It’s not that bad and has its moments, though it is flawed. It certainly isn’t a Logan or X-Men: Days of Future Past, just a missed opportunity, which is sad.

Dark Phoenix takes place in 1992 where the X-Men are revered celebrities with their heroics, thanks to the efforts of their leader Charles Xavier'(James McAvoy) to show the world that mutants shouldn’t be feared. By this time, he even has a direct phone line with the U.S. president. Xavier gets called for help with stranded astronauts onboard an orbiting space shuttle. The X-Men are dispatched to go rescue them with the team consisting of field leader Mystique (Jennifer Lawrence), Beast (Nicholas Hoult) Cyclops (Tye Sheridan), Jean Grey (Sophie Turner), Storm (Alexandra Shipp), Quicksilver (Evan Peters) and Nightcrawler (Kodie Smit-McPhee). They are able to save the astronauts from a coming solar flare, but Jean Grey is blasted by the flare which turns out to be the elemental Phoenix Force. This transforms her, increasing her telepathic and telekinetic powers beyond measure and leaves her struggling to control them and her fragile emotions. Her plight draws conflict not just from outside forces wishing to either kill her or control her but by the X-Men themselves, who are divided on how to deal with Jean Grey.

The film is very loosely based on the monumental “Dark Phoenix Saga” from the Marvel Comics X-Men books, which is widely considered to be one of the greatest comic book stories of all time. The previous attempt to bring this story to film, X-Men: The Last Stand, was a poor one and the latest attempt is only marginally better. Unlike Last Stand, Dark Phoenix is solely centered on the Jean Grey’s story, but the execution feels pedestrian many times. By itself, Dark Phoenix is competent but lacks the true epic scale of the comic book story and needed a better visual and filmmaking punch from a more competent and experienced director.

magneto and dark phoenix

For some bizarre reason 20th Century Fox deemed it OK to give this film about the beloved story to a first-time director (Simon Kinberg) who just lacks the skill to give us the epic story this X-Men film saga deserves. By the time the film series was nearing its conclusion, the upper management of Fox must have known they were to be sold off to Disney, so if they wanted to conclude their successful film series why hand this finale off to Kinberg? Yes, he wrote and produced the previous films and has clout, but allowing someone who never directed anything at all to handle Dark Phoenix was a risky move that blew up in their faces. The direction is very workman-like and too safe. Many pivotal and emotional scenes lack the flair shown in other X-Men films and shockingly the film is shot like a low-budget or TV film. To be fair, the third act of Dark Phoenix was re-shot because it was too similar to another recent film (probably Captain Marvel) and its done quite well, but it will disappoint comic book fans looking for the original story’s spectacular space showdown. Still, the confrontation between the X-Men, Jean Grey and other forces was exciting and probably the best part of the film.

There are many good elements in the film, aside from the final act. Chief among them is the acting by Sophie Turner in the pivotal role of Jean Grey. Her character is the core of the film and it was vital that we be invested in her struggle and we are. In spite of some actions that she carries out in the film, it is hard to see Grey as evil and she comes off as sympathetic. Most of the other actors bring their A-game to the role including McAvoy, whose Xavier must come to grips of mistakes he’s made with his disciple Grey when she was younger and how he let fame get to him. Other standouts are Hoult as Beast, who takes a less understanding view with Grey, Michael Fassbender who is always great as the conflicted Magneto, and Smit-McPhee, who while not getting much screen time manages to make his Nightcrawler a standout, sympathetic superhero with awesome teleporting powers.

mystique and jean grey

Other actors don’t fare as well. The worst of which is Lawrence, who is so checked out with playing the shapeshifting Mystique that you could tell she was counting down how much longer she had to play the role. Another one is Jessica Chastain, who portrays Vuk, a mysterious alien that is invested in the Dark Phoenix. Unfortunately the subplot involving Vuk and the aliens she leads is very uninspired and dull. Chastain basically sleepwalks through her lines and has zero charisma. While Magneto is one of the best supervillains on film, Vuk is clearly one of the worst. The problem here is that the alien angle is a major story point and a detriment to the film.

 

To be clear, Dark Phoenix is not the disaster that some hyperbolic and offended critics are claiming it to be. Seriously, this is not the worse Fox X-Men film. That dishonor still belongs to X-Men Origins: Wolverine. However, the Dark Phoenix story needs to be properly told or not at all. Kinberg probably should have chosen a more low-scale story to tell which would have been suited to his limited skill set. It is easy to tell that Fox and many of those involved were burned out of the X-Men and ready to hand the film rights to Disney. It’s a shame really, the X-Men films had a suitable conclusion with Logan and the Fox X-Men film series deserved a better send off than Dark Phoenix. But the film is OK to watch if you keep in mind the film won’t properly re-tell the classic comic book story. But at least we get to see some terrific actors play their iconic roles one last time and see the film series come to a conclusion.

José Soto

 

Daredevil Cancelled

Daredevil, the crown jewel in the Marvel Netflix Universe, has been cancelled by the same streaming service. Many saw this coming in light of recent developments, nevertheless, the news still hit us fans pretty hard. After all, it is the best of the Marvel Netflix shows and we’re still celebrating its triumphant third season, which was released just weeks ago. Now many are asking what’s next for Daredevil? Will Disney pick up a fourth season to stream on its upcoming streaming service, Disney+, or promote the character into the greater Marvel Cinematic Universe (MCU)?

Here is what is known. After Daredevil was canceled by Netflix on Thursday, November 29, Marvel quickly released this statement on the same day:

“We are tremendously proud of the show’s last and final season and although it’s painful for the fans, we feel it best to close this chapter on a high note. We’re thankful to our partners at Marvel, showrunner Erik Oleson, the show’s writers, stellar crew and incredible cast including Charlie Cox as Daredevil himself, and we’re grateful to the fans who have supported the show over the years. While the series on Netflix has ended, the three existing seasons will remain on the service for years to come, while the Daredevil character will live on in future projects for Marvel.”

On another statement released on Friday, November 30, Marvel added, “Marvel is extremely grateful to the huge audience that loved Marvel’s Daredevil. From the moment of young Matt’s first act of heroism to the birth of Page, Murdock and Nelson, it has been an unbelievable journey. We are incredibly proud of the amazing showrunners and writers starting with [exec producers] Drew Goddard and Steven DeKnight, Marco Ramirez and Doug Petrie and Erik Oleson, [stars] Charlie Cox, Deborah Ann Woll, Elden Henson, Vincent D’Onofrio and our casts who brought our characters to life with such excellence, and every one of the fantastic crews in NYC. We look forward to more adventures with the Man without Fear in the future,”

Looking Ahead

So what does this mean? Is there hope we haven’t seen the last of Daredevil and the other heroes of the Marvel Netflix Universe? Sure, Jessica Jones and The Punisher have new seasons coming up, but with Daredevil’s cancellation, the writing is on the wall for those shows and the Marvel Netflix Universe. Well, trying to read between the spin, the real message is mixed…and most of us won’t be happy.

Marvel (and Disney) owns Daredevil, the character. They have the right and the power to bring him back immediately in any form, whether as an animated film, a live-action movie, appearances in MCU films, etc. But it seems that Netflix owns the rights to the current incarnation, that is the one starring Charlie Cox, who made the character his own. Think of it this way, if Disney got back the rights to the X-Men, but didn’t have the right to use Hugh Jackman as Wolverine or showing the mutants in those black, leather outfits. They could do that now since they own 20th Century Fox, but just imagine this situation as to what might occur with Daredevil.

From the statements, Daredevil will return, but most likely as a reboot. The same way Marvel Studios recast and rebooted Spider-Man, and from all indications it appears that Marvel Studios will do this with the future X-Men films. In Spider-Man’s case, the rebooting was welcome since Sony Pictures’ latest films had fallen short. As for the X-Men, their films have been a mixed bag and lauded stars like Jackman and Patrick Stewart were done with their characters. This situation with Daredevil is especially stinging because the show is so damn good and the third season is arguably its best and lived up to the full potential of the character. The casting was perfect, starting with Cox as the down-to-earth and conflicted superhero and D’Onofrio’s Kinpin just crushes it.

So what is next? Marvel Studios may use the character but not for a while. There is recasting and such to deal with. Disney+ won’t pick up the show for new seasons because Daredevil is more adult-oriented, meaning violent. It would not gel with the family-friendly image of Disney. Perhaps Hulu, which is co-owned by Disney, could pick it up. We would all like that, but it’s not likely. Ditto with the character appearing in the MCU in the short term. No, it most likely means that Cox and the others are out, we won’t see the Man Without Fear for some time and this confirms that the Marvel Netflix shows were never really part of the MCU anyway.

Why Cancel It?

How can Marvel let this go? There were reports that a fourth season of Daredevil was being prepared before the cancellation. The correct question is why did Netflix do this and effectively kill the Marvel Netflix Universe?

Doomed Defenders

There isn’t an official reason for the cancellation. Some theorize that viewership was down, even though the third season received rave reviews and buzz, but Netflix won’t release its numbers. The writing has been on the wall with the Marvel Netflix shows ever since the announcement of Disney+. Tensions between Disney and Netflix came to a boil with the announcement because Netflix will lose many of the Disney films and shows currently airing on the streaming service.

By creating and promoting new episodes of Daredevil, Jessica Jones, Luke Cage and Iron Fist, Netflix is promoting one of the brand IPs of their new competitor. Why would anyone do that? Plus, Netflix reached a deal with Mark Millar to create new non-Marvel superhero shows so why spend resources for their competition? Given how successful Netflix is, the service didn’t need the Marvel brand to pull in subscribers as in the past. It’s hard to fault Netflix though we don’t like the decision.

This development is just terrible, but at least we have the three seasons (and his appearance in The Defenders) to rewatch and enjoy over and over again. Unlike other superhero adaptations, Daredevil hit it out of the park from the very start and we have to thank Netlix and Marvel for finally bringing us a version of the Man Without Fear that lived up to its potential and surpassed it.

Lewis T. Grove

 

Personal Reflections About Stan Lee

Heroes aren’t born they’re developed, and Stan Lee created a universe full of Superheroes. It’s sad we have lost the greatest mind in the history of comics.

When I was young, I wrote to Mr. Lee with a storyline and an idea for a comic. Basically, it was about a cabbie who picks up Spider-Man characters like J. Jonah Jameson and Robbie Robertson and gets different viewpoints of Spidey. I also gave him an idea about doing a comic on how to create your own versions of Marvel costumes. I was surprised that Stan personally wrote back to me and actually liked my ideas. He gave me the names of the people I should contact at Marvel Comics. It was too bad that nothing came of it but I was grateful for Stan’s input and advice.

Years later, I actually got the meet Stan the Man at Shea Stadium, the former home of the New York Mets. Spider-man was getting married to Mary Jane Watson in the Marvel comic books and in the newspaper comic strips that Lee was writing at the time. He decided to have a wedding ceremony for the super couple the same week the wedding happened in the print versions. Back then I worked at Starlog magazine and we ran stories covering Spider-man’s wedding in Starlog and Comics Scene magazines.

I spoke to Lee after a photo shoot inside the stadium. I told him I had written to him and that he personally replied. He shocked me by saying he remembered the letter.

Stan wrote to us and said he enjoyed the stories and really loved the photos especially the one of him on the shoulders of his superheroes. He asked if we could send him a print copy, and we sent him a few 8x10s of the photos he requested. We were more than happy to do so, and it turned out to be a blessing. From that moment on, Marvel Comics always sent us press materials at a faster rate than before.

I later gave him copies of the other pictures when I saw him years at a NY Comic Con. I was thrilled that he loved them all.

Below is the story with some photos of our coverage of Spider-man’s wedding that appeared in the September 1987 issue of Starlog:

“Webbing Bells, It’s a Marvelous Life

He has escaped the villainous clutches of Dr. Octopus, the Kingpin, the Hobgoblin, the Green Goblin and even Kraven the Hunter, but the friendly neighborhood Spider-man was finally snared on June 5, 1987 before a sellout crowd of 51,402 at New York’s Shea Stadium.

The superhero’s co-creator Stan Lee was there to join the web-slinger to his longtime love, model/actress Mary Jane Watson in weblock. The wedding party included Spidey super friends Firestar, Iceman, the Hulk and Captain America. The Green Goblin made a rare return-from-the-dead appearance. The bride and groom entered through centerfield in separate limousines, making their way to the white heart-shaped altar from which Stan the Man presided over the ceremony.

“Now, in the sight and presence of a coterie of our other costumed crusaders, please prepare to recite your vows,” announced Lee. “Do you, Spider-man, being of sound mind and super body, take Mary Jane to be your lawfully wedded bride, forsaking all other superheroines? Do you promise to never leave footprints on the ceiling, or cobwebs in the corners? And do you agree to pinch-hit for the Mets if they ask you?” Spider-sense tingling, the groom replied, “I do.”

“Mary Jane, do you, being of sound mind and spectacular body, agree to forsake other masked Marvelites,” Lee continued, “to never, ever swat a spider, and to hug, comfort and kiss away any bruises incurred after a long day of bashing bad guys—and stay out of the Mets’ locker room?”

After a moment’s thought, Mary Jane echoed, “I do.”

“The rings please,” said Lee, “Repeat after me—With this ring I thee web,” and both participants did so.

“By the power vested in me by Marvel Comics,” said Lee, “I now pronounce you Spider-man and wife. You may kiss the bride.”

With this, Spidey carried the new Mrs. Peter Parker off to their limo and they drove off to tumultuous applause. The remaining superheroes and villain hoisted Stan Lee on their shoulders and carried him off the field.

Jim McLernon”

I’ve always treasured those memories of meeting Stan and am touched that he loved those photos. It was a small way of giving thanks to him in person for all that he has done for us and the Marvel Universe.

Thank you, Stan for creating a whole universe.

Jim McLernon

 

More Reflections on a Comic Book Legend

Stan Lee was the greatest superhero pop culture celebrity and the last of the great original co-founders of Marvel Comics.

He gave us characters and stories that strongly resonate with us even to this day. He was a powerful storyteller whose literary ideas and words would pair up with talented visual artists. Together, they would come up with colorful heroes and wild adventures that are recognized all over the world.

On a personal note, I met him a couple of times in the comic book conventions.  On both occasions he was as we always saw him to be—energetic, and quite inspirational.

I first met him at a NYC convention in the mid 80s. There was a huge line to meet Stan even back in those days, but I didn’t wait for long. When I finally had the moment to say hi and take a picture with him, he also gave me some great advice about improving my little art sketches and doodles.

For someone who changed the course of pop culture, Stan enjoyed being playful about his celeb status. He really was both insightful and self-deprecating, and sincerely enjoyed being with the fans.

Thank you, Stan for providing more than seventy years of heroes winning the day.

Rest In Peace.

‘Nuff said.

GEO