The DCEU: How It Should Have Launched

Whether we’re excited for what James Gunn and Peter Safran have planned for their relaunched films based on DC Comics properties or lamenting the demise of the DC Extended Universe (DCEU), it is clear by now that the DCEU has lost its way.

There are many reasons why the DCEU ultimately faltered and a common factor that many point to has to do with the schedule of its early films and who they were centered on. Many fans have griped that there never was a proper sequel to Man of Steel or that Batman never had a solo film, while other announced films have yet to materialize.

So, could the DCEU have succeeded early on? It is possible and there are many avenues the films could have taken. Some have suggested that the DCEU films should have taken a gradual approach in introducing the heroes before releasing Justice League in the same way Marvel Studios led up to the release of The Avengers. There were many reasons why Warner Bros. did not take this approach with their reps publicly stating they did not want to copy the formula used by Marvel Studios. But if they did try to emulate the formula, how would the DCEU have turned out? Let’s look further.

The first film of the DCEU, Man of Steel, is released in 2013 as it happened in real life. Except, this time the film would have more Easter eggs to a greater DCEU instead of a quick glimpse of a satellite belonging to Bruce Wayne. The film would have a post-credits scene which would show a news montage about the Kryptonian invasion of Earth and the revelation of Superman. As the talking heads would debate about an alien being walking among us, the images would pull back to show they are coming from a TV screen or monitor and we would see that this scene is taking place in the Batcave or in S.T.A.R. Labs.

2015

Instead of waiting until 2016 to release the next DCEU film, Warner Bros. would release two films in 2015. A proper sequel to Man of Steel called Man of Tomorrow, which would be a solo Superman film, and a solo Batman film called The Caped Crusader.

Man of Tomorrow would have been very similar to Batman v Superman: Dawn of Justice except that Lex Luthor would have been recast and Batman/Bruce Wayne would only make brief appearances. He never would have fought or even met Superman. That opening in Batman v Superman: Dawn of Justice where Bruce Wayne personally witnesses the destruction in Metropolis from Superman’s fight with the Kryptonians would swap out Wayne with Luthor. This gives Luthor more of a reason to hate Superman because he saw firsthand the danger of this superpowered alien. The rest of the film would have explored the ramifications of Superman’s presence in the world with Luthor trying to discredit him. The film could have had references to other DC heroes who at this time are operating in the shadows or have not become superheroes yet.

Like Batman v Superman: Dawn of Justice, Man of Tomorrow would have concluded with Superman confronting by himself a genetic monstrosity that Luthor created but instead of Doomsday it would have been an evil Superman clone, who we would know was a malevolent version of Bizarro. The film would include two post-credits scenes. One would show that Luthor had created another genetic opponent for Superman that was locked up. This creature would have been revealed to be Doomsday. The other scene would take place in another world and reveal that the recent superhuman activities have caught the attention of Darkseid.

The Caped Crusader film would be a proper solo film for Batman and it would have shown Batman to be coming out of semi-retirement. It also would have shown that Batman is largely considered to be an urban myth but by the end of the film, Batman would be revealed to be an actual person who fights crime. The Joker would not appear in the film or even be hinted at. Instead the villain would be Deathstroke as The Caped Crusader would have been based on Ben Affleck’s script for the scrapped Batman solo film where Deathstroke blamed Batman for the death of his son and tried to get revenge on Batman. As with Man of Tomorrow, the Batman film would have had references to the greater DCEU and possibly featured Superman in a cameo, probably as part of a newscast. It possibly could have introduced Diana Prince as a mysterious and potential love interest for Wayne. The film also would have post-credits scenes that set up a sequel and have Prince revealed to be Wonder Woman.

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Alternate Superheroes & Casting For The DCEU

We’ve been hearing a lot of news about the Flash solo film which is rumored to reboot the DC Extended Universe (DCEU) by loosely adapting the DC Comics mini-series Flashpoint where the Flash time travels and ends up altering his timeline. Evidence of this comes from the fact that Michael Keaton will reprise his role as Bruce Wayne/Batman, who last appeared in 1992’s Batman Returns.

Surely, Keaton returning cannot just be the only actor from a non-DCEU film whou could return. The film is also a great platform to explore never-before-seen alternate versions and castings of our favorite DC heroes or for returning non-DECU favorites. In the same manner that we explored earlier this year alternate castings of Marvel superheroes, here is a list of alternate castings and versions of DC characters that should appear in The Flash. BTW, this includes actors reprising their roles of characters who appeared in non-DCEU films. Be sure to drop a comment on your own choices!

10. Adrianne Palicki as Wonder Woman/Diana Prince

Fans will remember that Palicki was cast as the Amazonian princess in a failed TV pilot spearheaded by David E. Kelly. Despite the flaws with the pilot, Palicki still deserves to showcase her take of Wonder Woman. The same goes for Olga Kurylenko who was considered for the role in the DCEU, but lost to Gal Gadot.

9. The Titans

Officially designated as been on Earth-9 in the DC live-action multiverse, this gritty version of the Teen Titans shoule be given the chance to appear briefly in The Flash. Their appearance would be an organic way to help promote their TV show, Titans, since it is one of the better DC superhero TV shows currently streaming.

8. Ryan Reynolds as Green Lantern/Hal Jordan

Ten years later, everyone is still trying to forget the misfire that was called Green Lantern, which starred Ryan Reynolds. Keep in mind, that Reynolds was not what was wrong with the film and it would be a fun sight gag to see Reynolds return, especially after the casting was lampooned in Deadpool 2. Another twist would be to recast the cosmic superhero with Chris Pine, who was up for the role during the film’s development.

7. Christian Bale as Bruce Wayne/Batman

Rumor had it that if the film studio (Warner Bros.) was unable to convince Michael Keaton to reprise his role, then they would have turned to one of the most revered actors who portrayed the Caped Crusader, Christian Bale. Still, after Bale swore he was done with the role after The Dark Knight Rises, it would have taken a lot of negotiations and money to get him to return, but man that would have been a great payoff!

6. Stephen Amell as Spectre or Oliver Queen/Green Arrow

It’s no secret that Stephen Amell’s performance as the CW’s Batman stand-in, Green Arrow in the recently cancelled Arrow, helped elevate the superhero into an A-lister, at least for the CW. Plus, he turned in a respectable performance as Spectre in the Crisis on Infinite Earths crossover event that deserves to be seen again, but on the big screen with better production values and effects. The same goes for his version of Green Arrow.

5. Bryan Cranston as Lex Luthor

One of the biggest miscastings in superhero films was when Zack Snyder picked Jesse Eisenberg to play the iconic Superman villain Lex Luthor in Batman v Superman: Dawn of Justice. The prefered choice by fans was that of Bryan Cranston who was so chilling in Breaking Bad, and the fantasy casting was not just because Cranston’s Walter White was bald. It was because of his intense and riveting performance which is still remembered to this day. His potential appearance could go a long way to convince the filmmakers to recast the role more appropriately.

4. Nicolas Cage as Clark Kent/Superman

Never mind the missed opportunities with Joe Manganiello and Matthew Goode as Superman in Man of Steel. We want to see the outrageous! Tim Burton’s aborted take on Superman has been chronicled everywhere with the bizarre reimaginings of the Man of Steel right down to the casting of Superman with Nicolas Cage. Fans have been aghast with the behind-the-scenes test footage of cage sporting long hair and a very plastic-looking Superman outfit. How could this vision not be allowed to be glimpsed at least once? Besides it would fullfill Cage’s dream of playing the Man of Tomorrow

3. George Miller’s Justice League: Mortal

Acclaimed director George Miller was so close to filming his take of the Justice League before events doomed the project. Ever since more details came out about the film, fans have been intrigued by what might have been since Justice League: Mortal predated the DCEU and focused heavily on the Flash. We will never see Miller’s vision but an appearance by his version of the Justice League, complete with his casting picks (including Armie Hammer as Batman), would be a small consolation.

2. Grant Gustin as Barry Allen/The Flash

The best thing about the CW crossover event, Crisis on Infinite Earths, was when Ezra Miller (who will reprise his role in The Flash) briefly appeared in one scene and met the current TV version of the Flash, played by Grant Gustin. It would be a hoot if the scene was revisted in The Flash but from Miller’s point of view and it would be even better if Gustin later played a role in the film along with John Wesley Shipp who appeared as the Scarlet Speedster in the 1990s live-action TV show, The Flash.

Josh Brolin as Bruce Wayne/Batman

Before Ben Affleck was cast as the newest Dark Knight in Batman v Superman: Dawn of Justice, Josh Brolin was seriously considered for the role. While Affleck defied expectations and turned in a memorable performance as Batman, we cannot stop wondering how Brolin’s interpretation of Batman would have been like. Of course, we have an idea of how Brolin would have fared thanks to his previous experience in superhero films as he played Thanos and Cable in Marvel films. So, portraying Batman should come naturally to this gifted actor. Another possibility would be to have Jeffrey Dean Morgan reprise his role as Thomas Wayne in the DCEU, which would more closely adapt the Flashpoint story line.

José Soto

Zack Snyder Presents His Idealized Vision Of Justice League

Zack Snyder’s Justice League is the culmination of over three years of an internet campaign that started soon after the release of the much-maligned Justice League from 2017, a movie that I personally liked, but that was seen as not in tune with the previous two movies directed by Snyder that came before it, Man of Steel and Batman v Superman: Dawn of Justice. Joss Whedon was brought on to finish and reshoot much of what Snyder had done after he left the project due to the death of his daughter. The rise of streaming services, in this case HBO Max has allowed this long-awaited version to be completed and finally see the light of day.

The basic plot points from the theatrical version of Justice League are the same here. Batman gathers together the Justice League by seeking out Aquaman, the Flash and Cyborg with the help of Wonder Woman, resurrecting Superman and confronting Steppenwolf. He is an alien attempting to steal ancient technology called the Mother Box, which is hidden throughout the world in three parts and if the parts are united he will be able to conquer Earth in the name of his master, Darkseid.

The differences between Zack Snyder’s Justice League and the theatrical Justice League are the fact that the Snyder cut is a much deeper experience with backstory added for each character, especially Cyborg whose relationship with his father is given center stage on many occasions, as well as The Flash rescuing his future love interest Iris West, and Aquaman speaking with his mentor Vulko, who was previously seen in the Aquaman standalone movie. We had glimpses of these backstories in the theatrical version, but with its studio-mandated two-hour running time, things had to move at a quicker pace. The extra time in the Snyder cut allows for more of these characters to be established which makes it an enjoyable experience, provided you have four hours to spare. The fact that this is meant to be seen at home is a big plus since you can stop and start at anytime. This is helpful due to the fact that the first two hours set everything up, which can make the film seem slow.

The action picks up at the halfway point in an underground tunnel battle, which shows the League fighting as a group for the first time. The fight scenes are more visceral in this version and are a highlight. This is also true for the other action scenes, such as Superman’s resurrection and battle with the other League members, and the final showdown with Steppenwolf. Speaking of which, the main villain has undergone a redesign and has a kind of flowing metal armor which is more interesting and menacing than his design in theatrical cut. Another highlight is the on-screen, live-action premiere of DC supervlillain Darkseid, who is shown in his home world directing Steppenwolf in his quest to unify three Mother Boxes to conquer Earth. This whole plot point is fleshed out in this extended version and explains Steppenwolf’s obsessive desire to acquire these artifacts and sets up Darkseid’s attempt to conquer all of existence. This is one of several other plots that are hinted at in the original version, such as Lex Luthor teaming up with Deathstroke to take on Batman, as well as the onscreen debut of Martian Manhunter, who warns Batman’s alter ego, Bruce Wayne, of Darkseid’s coming invasion. Lastly, some new scenes showcase the anticipated Knightmare sequence of a future world ruled by Darkseid and an evil Superman similar to the Injustice storyline. Here Batman is leading a resistance and allying with his nemesis the Joker, played by Jared Leto. This finally gives viewers these two versions of the iconic rivals interacting for the first time.

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Superman & Lois Takes Off To A Promising Start

When the latest DC superhero TV show on the CW, Superman & Lois, was announced, many of us shrugged our shoulders based on the previous quality of superhero shows on that network. While the so-called Arrowverse DC TV shows are usually entertaining, they quickly fell into a worn-out formula that catered to the YA audiences of the CW. These shows were known for humdrum cinematography, average-to-obvious CG effects, a quirky support team for the main character complete with a nerdy IT person who talks too much. and a light tone with angst-driven melodrama.

Adding to the preconception about Superman & Lois was this version of Superman (Tyler Hoechlin) was the same one introduced in Supergirl and many fans complained loudly over how the showrunners intentionally made Superman inferior to Supergirl in her show. This was the last thing the character needed in this day and age where he struggles to stay relevant. 

Well, after viewing the pilot episode of Superman & Lois, it is  great to discover that the show, so far, has taken a different approach with an emphasis on quality that approaches what one would see on HBO Max and even on film. 

The pilot begins with a summary of Superman/Clark Kent’s life from the moment he arrived on Earth as an infant to how he met his future wife, Lois Lane (Bitsie Tuloch) and to the birth and raising of their twin sons, Jon (Jordan Elsass) and Jordan (Alex Garfin). During the pilot, a life-altering event occurs which forces Clark to return with his family to his childhood home in Smallville, Kansas. He and Lois find themselves at a crossroads in their lives and careers as they find out being journalists does not offer career or financial security. Real world problems invade their lives. Throughout the episode, Superman investigates a mysterious villain, while the boys struggle with their sense of identity and finding their way in a changing world.

From the start, the show featured exceptional special effects and cinematography, a more mature tone, and actual characters. Tyler Hoechlin turned in a fine performance as Superman and Clark Kent, who is conflicted with his responsibility to his family versus his life as a superhero who is constantly on call. Even though he is invulnerable, can bend steel with his bare hands and is faster than a speeding bullet, Clark still struggles to relate with his teenage sons. One of them has a social anxiety disorder while the other is an up-and-coming jock. These revelations showcase a more vulnerable and relatable side to the superhero, which is needed since he is criticized often for being a perfect boy scout. 

A caveat with the pilot episode of Superman & Lois is that it does feel at times like a CW show, especially when it devotes screentime to the boys. Their moments of teenage angst comes off as an updated version of Smallville complete with the dumb jocks, coy would-be girlfriends and teenage social gatherings that go awry. The partial reveal of the villain’s identity could produce some groans because Superman has a large gallery of villains to pick from that have yet to appear in live action. The episode could have used a bit more humor to liven up the mood. Then again being that the Arrowverse usually goes overboard with humor to the point it detracts from the drama, the more serious tone of Superman & Lois is very welcome.

Another point to be made is that Superman & Lois casts off much of the Arrowverse trappings to the point that it can be argued that it does not take place in the Arrowverse. It takes its inspirations from Man of Steel instead of Supergirl and it shows from the redesign of Superman’s costume to its hand-held photography (it is more brightly lit than Man of Steel, however) to its grittier tone. Be that as it may, Tyler Hoechlin’s take on Clark Kent and Superman is much closer to Christopher Reeve in the early Superman films than Henry Cavill in the recent films. the rest of the cast are also fine in their respective roles. 

Also, there is a terrific nod early in the pilot to the Max Fleischer Superman cartoons and even the first cover image of Action Comics #1 where Superman sports an early prototype costume complete with the red trunks. The cinematography during the opening segments/flashbacks contrast nicely with the current setting and helped set this episode apart from the other Arrowverse pilots. 

The first episode of Superman & Lois is a welcome surprise in a crowded TV landscape of underwhelming superhero shows. The makers realized that unlike the early Arrowverse shows, it is competing with other shows that raised the bar in terms of production values and writing. It is only the first episode and it remains to be seen if it can maintain this tone. The big test will come with the inevitable crossover episodes with the Arrowverse properties. But based on the pilot, Superman & Lois has taken off to a promising start. 

José Soto and Walter L. Stevenson

 

Henry Cavill, Superman No More?

superman no more

When the news came out this week that Henry Cavill was done with portraying Superman in the DC Extended Universe (DCEU) or Worlds of DC or whatever the hell the cinematic universe is called now, my reaction was “WTF, Warner Bros.?!”

Let’s be frank here, how can Warner Bros. and DC let one of the few bright spots in their struggling cinematic universe leave? Superman is the originator of the DCEU being that Man of Steel was the first film. It was a successful revamp of the character’s films, though it has its critics. Sure, it was not a runaway success, but it fared better than the ill-fated Superman Returns, so why isn’t there an actual, proper sequel to Man of Steel?

Most fans know that the sequel morphed into Batman v Superman: Dawn of Justice, where Superman was forced to share the spotlight with Batman in a clumsy attempt to adapt the famous comic book storylines, “The Dark Knight Returns” and “The Death of Superman”. What is frustrating is that Batman v Superman: Dawn of Justice had the elements of a great Superman film in there. It followed the aftermath of Man of Steel where the world reacted to the existence of Superman, a powerful alien living among humanity. It showed how many people were uncomfortable with this. A proper sequel could have developed this theme more, included the Lex Luthor story, how he created something to kill Superman and end with his death. This would have had more of an impact with audiences as people would have been more explicitly remorseful over how they treated Superman and realized that he actually was a force of good. Then a third film could have adapted the entire “The Return of Superman” stories, introduce other heroes, and lead up to the Justice League.

But no, Warner Bros. felt they had to rush out their answer to The Avengers and we all know how that turned out. This is not a criticism of Justice League, which was enjoyable, but the entire DCEU by that point seemed so rushed and hastily executed.

Ever since the failure of Justice League, the DCEU has been adrift with announced then abandoned films. We still don’t know when a standalone Batman film will come out. It may be one thing if a Batman film was actively developed with Ben Affleck on board to play the Caped Crusader. This may have softened the blow of Henry Cavill no longer playing Superman. But it’s becoming clear that Affleck is done with the role and the proposed Batman film seems to be in limbo. Instead we get announcements of secondary characters and concepts like Supergirl, Gotham City Sirens and so on.

What the film studios fails to realize is that they are abandoning the heart and core of DC. Yes, Batman is the most popular DC hero, but Superman is right up there, and without those two, the DCEU now feels crippled and aimless. What is worse is that aside from the CG mess over mustache removals, Superman (and Cavill’s performance) was considered the best thing in Justice League because he was a bright beacon of hope. In other words, the proper way he should have been presented.

There are many stories and rumors circulating about what happened. It appears that Henry Cavill either wants more money and/or is getting impatient over the lack of progress over a new Superman film. Meanwhile, the film studio is hesitant to greenlight another Superman film because they think it won’t make much money. The thing is, aside from Wonder Woman, none of the DCEU films have been true blockbusters and Man of Steel is considered to be one of the best DCEU films. Plus, Cavill’s star power is on the rise thanks to his praised appearances in films like Mission: Impossible-Fallout. Now he has signed on to star in the upcoming TV series The Witcher for Netflix. This was a clear clue that he would not return to the DCEU.

Warner Bros. is being extremely short-sighted and obtuse in their unwillingness to increase Cavill’s salary and produce another Superman film. Of course, this could all be one massive and public game of chicken where the film studio and the actor are trying to negotiated the best deal. Who knows? For all we know this could be a ploy by Warner Bros. to see how much demand there is for another Superman and wanted to see what the reaction would be if it “leaked” out that Cavill was leaving.

Well, all of this certainly got our attention!

What is not helping the anxiety felt by fans are the non-answers given by Warner Bros. and the bizarre Instagram video by Cavill where he holds up a Superman figure. Is he trying to tell us that he is done with Superman? Let’s not forget the rumblings that Michael B. Jordan is allegedly being considered to take over the role.

Saying all of this is exasperating is an understatement by impatient fans who are still waiting for a proper Man of Steel sequel. If it never happens or Cavill doesn’t return, and with the Batman film in disarray, the film studio might as well pull the plug and kill the DCEU. After that, wait some time and reboot the entire thing, except this time have a clear leader who can properly guide their superhero cinematic universe. But no matter what happens, at least we got to behold Henry Cavill’s superb performances as Superman/Clark Kent. Just like Christopher Reeve, Cavill will be Superman forever in our hearts.

Lewis T. Grove