Top Ten Space Exploration Films

10 destination moonScience fiction has been noted for its many subgenres, one of the most popular that of exploring space. And why not? Space as Captain Kirk once famously said, is the final frontier. It represents the unknown and humanity’s quest to push beyond the horizon has captivated us for ages, it’s part of our driving force. Exploring space is dealing with the true unknown which is both frightening and enthralling. These sci-fi films dealing with the space exploration theme are the best ones ever made.

10. Destination Moon: One of legendary filmmaker George Pal’s earliest films attempts to portray a credible scenario of how mankind would land on the moon. Even though the film got many aspects of a moon landing incorrect, it still conveys a sense of danger and adventure.

9. The Black Hole: First of all, The Black Hole 9 black holeis wildly scientifically inaccurate, but it’s very entertaining. A deep-space exploration crew comes across a black hole and a presumed-lost starship orbiting it. Onboard that ship they meet an insane scientist who wants to go into the black hole. Amidst all the laser firefights with robots the film touches upon metaphysical concepts with its final scenes.

8 first men in the moon

8. First Men in the Moon: Ray Harryhausen, famous for his fantasy creations, actually produced and did the effects for this adaptation of Jules Verne’s classic tale of British explorers landing on the moon at the turn of the century. Imaginative and thrilling, it is also a rare, early example of the steampunk genre on film.

stargate portal

7. Stargate: Before the long-running TV series and its spinoffs there was the original film that spawned them. Stargate had the novel approach of an expeditionary force using a wormhole-creating machine to travel to another planet in another galaxy. Borrowing elements from Chariots of the Gods? with its ancient astronauts angle, the film was a rousing adventure.

6 20106. 2010: This sequel to 2001: A Space Odyssey suffers solely because of unfair comparisons to the original classic. Director Peter Hyams wisely chose not to copy the style of the original film and instead used 2010 (adapted from Arthur C. Clarke’s book) to explain what happened in the original and move the story further. By going in another direction, 2010 is a grittier, more grounded film that feels scientifically accurate and plausible. This underrated gem is a true sequel.

contact 3

5. Contact: This Robert Zemeckis film adapts Carl Sagan’s novel about what would happen if we received an extraterrestrial radio signal. The full socio-political ramifications are presented when humanity learns that we are not alone and it leads up to the building of a machine (based on alien-sent instructions) for an unknown purpose. Jodi Foster does some of her best acting as a scientist who uses the machine to ultimately travel through a wormhole and initiate first contact with alien life.

4. Europa Report: A surprisingly effective found-4 europa reportfootage film documents the last days of a doomed manned expedition to Jupiter’s moon Europa. Six astronauts embark on a journey to Europa to find signs of life. A series of technical mishaps and hazards impede the mission, but the brave crew refuse to be deterred and carry on even in the face of death. Europa Report is unexpectedly captivating since the archival footage of the astronauts’ transmissions create a feeling of intimacy and immediacy.

3 20013. 2001: A Space Odyssey: Stanley Kubrick’s sci-fi masterpiece not only rewrote how sci-fi films are made but how they are perceived by the general public. From our distant prehistoric past to the then-future, 2001: A Space Odyssey is a genuine tour de force. Astronaut Dave Bowman (Keir Dullea) leads a mission to Jupiter to investigate an alien monolith there. What he ultimately discovers set the standard for mind-blowing and abstract concepts and imagery that still holds up today, though many critics point out the film’s dull pace and cold nature.

INTERSTELLAR

2. Interstellar: In many ways, Interstellar is a spiritual, more emotional cousin to 2001: A Space Odyssey thanks to superb visuals and its adherence to scientific accuracy. Christopher Nolan’s film about a team of astronauts using a wormhole to find a new world for colonization explores cutting edge scientific theories with mind-bending results. However, as fanciful as Interstellar gets with weird physics, the film is sincerely heartfelt as it examines notion that compassion and love are the greatest driving forces in the universe in the face of the harshness of space.

forbidden planet 2

1. Forbidden Planet: A space age retelling of Shakespeare’s The Tempest, Forbidden Planet is one of the best sci-fi films ever made and one can see how it influenced Star Trek. In the 23rd century a starship crew journeys to Altair IV to forbidden planet 3investigate an earlier expedition sent to that planet. What they discover is a long-dead alien city and two remaining human survivors from the expedition, Dr. Morbius (Walter Pidgeon) and his daughter Altaira (Anne Francis). The crew’s investigation of the Altair IV and the advanced lost civilization soon becomes threatened by an unleashed evil entity. The core of Forbidden Planet was the exploration of the alien civilization and its surrounding mystery. Adding to its virtue is the film’s callback to pulpy, adventurous sci-fi tales and excellent production values.

Lewis T. Grove

 

 

Interstellar & Its Emotional Core

interstellar poster

Interstellar may be director Christopher Nolan’s most ambitious work to date. Is it his best? Maybe, it truly depends on any viewer’s taste. Regardless of one’s viewpoint, Interstellar is probably Nolan’s most emotional film rivaling The Dark Knight.

One criticism of Christopher Nolan as a director is that sometimes his films feel emotionally distant even though he tries very hard to connect audiences with his characters. This time, Nolan is able to make that connection thanks in large part to Matthew McConaughy’s sincere performance. Playing Cooper, a former astronaut turned corn farmer, McConaughy’s work is gripping and deep and he is able to keep his scenes from being too kitschy. The emotions he displays strike a perfect note.

 

INTERSTELLARIn an unspecified future, the Earth is slowly dying. Various crops like wheat and okra have gone extinct as pervasive dust strangles the world. As crops die off, humanity spirals towards extinction with dust invading everything. Dreams are long gone, replaced by a practical need to grow more food and to just survive. As a widowed farmer, Cooper longs for the days when humanity strived for the stars and a sense of adventure.

Eventually he meets an old colleague, Prof. Brand (Michael Caine) and his daughter Amelia (Anne Hathaway). They are part of the remnants of NASA and a secret mission to return INTERSTELLARto the stars. Fifty years earlier, a wormhole appeared near Saturn and several manned missions were sent into the wormhole since the wormhole leads to other habitable worlds. Brand hopes that these worlds can be colonized in order to save humanity. Cooper is recruited to join Amelia and other astronauts to voyage through the wormhole and follow up on data provided by earlier explorers on three potential worlds for colonization.

In the run up to Cooper leaving Earth and his children, Interstellar is the typical well-plotted-though-a bit-distant Nolan film. Yes, there are the teary scenes from his daughter Murphy (Mackenzie Foy) and subtle disparaging remarks from his father-in-law (John Lithgow) about Cooper leaving his children behind without a guarantee of returning. These scenes do work but one has to wonder how Steven Spielberg (who was attached to the film originally) would’ve handled them. They probably would’ve had more emotional punch or they might’ve been overly sentimental.

INTERSTELLAR

Interstellar does pick up in leaps and bounds the moment Cooper and the crew of the spaceship Endurance first plunge into the wormhole. These moments are gasp inducing and afterwards a sense of danger and wonder is felt throughout the rest of the film. Nolan is also able to inject a feeling of moroseness and loss, especially when the effects of time dilation are noticed. Even more ominous are the moments when the Endurance crew explore two worlds. They seem genuinely alien and uninviting, and add a feeling of foreboding and lost time. Meanwhile, in the short time that he’s exploring, Cooper’s children have grown into adulthood and Murphy (now played by Jessica Chastain) has joined the project by assisting Prof. Brand as the old man struggles with a gravitational equation to allow humanity to leave Earth. As this is going on, the film engages the viewers even more and more.  Moments of high tension and eye-popping wonder fill the theater screen. The only drawbacks to Interstellar at this point are some pacing and narrative issues, as well as expository dialogue that flies by quickly. It dares audiences to keep up with  verbal examinations of quantum physics and other modern scientific concepts. The payoff though is huge.

black holeThat is because final part of Interstellar is unforgettable and daringly thought-provoking with mind-twisting moments. Nolan skillfully presents some far out concepts of physics and the nature of time and other dimensions that calls to mind Kubrick’s work in 2001: A Space Odyssey. But Nolan departs from Kubrick in that while he is as analytical as Kubrick, the core of this film isn’t stark nor cold. Rather, Interstellar embraces human emotion as it rails against the cold, harsh nature of science and physics. Not only that, the film goes beyond and explores some ethical and philosophical concepts about species survival, love and the human connection. As a sci-fi epic, Interstellar is a sweeping, magnificent, though flawed, endeavor that pushes boundaries.

José Soto