Looking Back At Planet of the Apes 50 Years Later

This year marks a very significant anniversary for sci-fi films. Of course, it is the 50th anniversary of 2001: A Space Odyssey, but that is not the only sci-fi classic celebrating its 50th anniversary. That other film is Planet of the Apes, a sci-fi masterpiece which launched a successful film franchise that resonates to this day.

Planet of the Apes was a 1968 film adaptation of Pierre Boullle’s novel, which was published in 1963. The film, like the novel, was an allegorical examination of human society and how inhumane people can be. In the story’s case, the humans were represented by super intelligent apes that control the planet.

George Taylor (Charlton Heston in one of his greatest performances) is an astronaut on a deep-space mission to find a new habitable world. He and his fellow astronauts crash land on an Earth-like planet centuries from now. Before long, Taylor is the only survivor and is captured by upright, talking ape-like beings that rule a pre-industrial civilization. During his capture, Taylor is injured and unable to talk, much less communicate. Most of the apes that hold him captive for science experiments treat him inhumanely and lump him along with the other mute and animalistic humans that inhabit the world.

Taylor stands out because of his expressed intelligence and catches the attention of a simian scientist studying him, Dr. Zira (Kim Hunter). As Taylor regains his speech (done so dramatically when he shouts defiantly “Take your stinking paws off me, you damn, dirty ape!”), he befriends Zira and her husband, Cornelius (Roddy McDowell), an archaeologist.  These two champion his cause for equal rights against the ruling apes that refuse to recognize Taylor’s intelligence. One of these members is the fundamentalist Dr. Zaius (Maurice Evans), who won’t acknowledge Taylor’s sentience, and seems to be hiding secrets about his planet’s dark past.

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Taylor’s struggle is the heart of Planet of the Apes and echoed the civil rights movement that engulfed American society in 1968. What is remarkable about Taylor’s plight is that at the start of the film he had a dim, pessimistic view of humanity. So it’s a great sense of irony when he alone is forced to champion humanity to the dogmatic apes that refuse to acknowledge his rights, let alone his intelligence. This was best seen in the pivotal tribunal scene where Taylor pleads his case to the obtuse Assembly led by Zaius. They try to deny his humanity and dignity, but he rose to the occasion and we cheered him on.

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Disney Buys Fox And Becomes An Entertainment Supergiant

We’ve all been expecting this for weeks with all the gossip and innuendo. Some salivated over the idea of an expanded Marvel Cinematic Universe (MCU), others feared the rise of a modern-day monopoly. Regardless of opinion, the Walt Disney Company has bought a significant portion of 21st Century Fox and in the process, regained the film rights to several Marvel Comics properties and now own several other intellectual properties. This is truly staggering news and a legitimate cause for celebration and concern.

To be clear, Disney has only purchased (for $52.4 billion) the film division, 20th Century Fox, the Fox TV shows, assorted channels like FX and National Geographic, and other divisions of Fox. These include Sky and a majority share of the Hulu streaming service, while Fox will retain its sports and news divisions.

MCU fans may feel that the biggest prize of the purchase has been the film rights to the X-Men, Fantastic Four and Deadpool, but those are just fringe benefits. Disney would have regained those rights even if Fox was sold to another party. Instead, Disney wants to have a significant film library for its coming streaming service and the Fox properties will provide that. In addition to the missing Marvel properties, Disney now owns several franchises and intellectual properties, which include: Planet of the Apes, Alien, Avatar, Titanic, Ice Age, and The Simpsons. Some of these IPs are a strange fit for Disney since the company is renowned for its family-friendly fare, but more adult offerings are not unheard of for the entertainment giant. Disney once owned Miramax, which produced mature films during its time with Disney. Also, Disney CEO, Bob Iger, assured fans that their Marvel films will explore R-rated offerings, which means that Deadpool should be safe for now.

But will Disney produce hard R-rated fare like the Alien films? They might, but it is possible that they may just sell the IPs to another studio to help recoup some of the mammoth cost of the sale. Other IPs like Avatar and Planet of the Apes should fit well with Disney. After all, Avatar has a heavy presence as a themed land in Disney’s Animal Kingdom park and Planet of the Apes is an obvious addition to the same park.

Bob Iger also announced today the fate of the X-Men films. It was speculated before the sale was finalized that the X-Men films might remain in their own separate continuity or relegated to TV shows for the streaming service. Instead, Iger said that the X-Men, Deadpool and Fantastic Four will be integrated into an expanded MCU from Marvel Studios. The Fantastic Four are an easy addition to the popular cinematic universe and their inclusion is to be celebrated because Fox’s attempts at Fantastic Four films have been terrible. However, the X-Men are a different matter. For the most part, the films worked and adding them to the MCU may make that cinematic universe too crowded. Their addition could take attention away from lesser-known Marvel properties that could have seen their day in the sun. Films like Guardians of the Galaxy, Doctor Strange and Ant-Man may not have been possible if Marvel Studios owned the X-Men back then. Will the big purchase mean that these kinds of films won’t be made in favor for the new mutants on the block? It is hard to imagine Marvel Studios releasing three films per year as it now does and a mutant film or two. This will certainly create superhero fatigue. Plus, how good will the MCU X-Men films be? Will they be hard hitting and successfully tackle the mature themes of bigotry that the current films do?

Right now, Marvel Studios has the task of recasting the X-Men, including Wolverine, and Hugh Jackman has stated that he will not return to the role. Luckily, the film studio has had a good streak when it comes to casting their superheroes. On the other hand, expect the current X-Men film universe to end. This does not mean that upcoming films like Deadpool 2, The New Mutants and X-Men: Dark Phoenix will be canceled. Those films are complete and will be released as planned. But a sequel to The New Mutants is unlikely and the “Dark Phoenix” story may be a fitting conclusion to the films. Another thing to consider is that the X-Men films, for better or worse, are associated with director Bryan Singer, who’s had problems lately with allegations of sexual abuse and unprofessional conduct on film sets. Ending the X-Men films and starting over fresh is Disney’s best option, with the sole survivor being the Merc With a Mouth. He may have a thin connection to the MCU like the Marvel TV properties do and be the snarky commentator of the film universe.

When the dust clears, Disney will have a monumental job of integrating all these properties and divisions into its entertainment empire. Will it be too much for them? Possibly. As mentioned before, it may be best for Disney to sell off some of its IPs or divisions or simply shut them down for the time being. Another thing to consider is will all this disperse the company and dilute it? Iger and his executives may believe they can handle, but they may have bitten off more than they can chew. We will not know for a while.

The most disturbing aspect of the mega purchase is the explosive growth of Disney. They now have their expansive tentacles in many parts of our lives and our entertainment. Under normal circumstances, this sale may have been opposed by the government, but that is unlikely these days. This may take years, but perhaps the company may be forced to get rid of many properties and divisions before they assume too great a control over our entertainment venue.

There are so many details that are unknown to the general public and we won’t know for some time. Until then all we can do is wait and keep an eye on new developments, which will be covered here as they happen.

To think it all started with a mouse.

José Soto

The True War For The Planet Of The Apes Is Within Caesar’s Soul

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The third film in the Planet of the Apes reboot/prequel, War for the Planet of the Apes, is a fitting conclusion to this unexpectedly great film trilogy. The film series follows the emotional journey of Caesar (motion captured by Andy Serkis), the super intelligent chimpanzee capable of speech who fights to defend his kind, while while he grapples with intense moral questions. In this film, Caesar is an embittered and weary leader who finds himself fighting a very different kind of war.

Taking place 15 years after the first film, Rise of the Planet of the Apes, this film opens with Caesar and his band of super smart apes besieged by human military forces in the thick forests of the west coast U.S. During the trilogy a deadly virus wiped out most of humanity and apes rapidly evolved to have human-level intelligence. Both humanity and apes are in dire straits. Caesar only wants his kind to be left alone, while the desperate humans see the apes as a threat to their dominion of the Earth.

Tragic events lead to Caesar undergoing a dark metamorphosis where he has come to hate humanity as vengeance rules his heart. He sets out on his own to hunt down the human responsible for his misery, a crazed soldier known as the Colonel (Woody Harrelson) that leads a rogue military unit. However, his closest compatriots, which include the gentle and wise Maurice (motion captured by Karin Konoval), an orangutan,  refuse to leave his side. During their journey, they come across two new and interesting characters, Nova (Amiah Miller), a young mute human girl, and Bad Ape (Steve Zahn in a motion capture performance), a nearly hairless and humorous chimpanzee who is also able to talk. Both characters in their ways represent the downfall and promise of both species. While both Nova and Bad Ape’s arcs were fascinating to watch, Caesar’s emotional turmoil is the heart of this film and that is where the real war rages.

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Without giving too much away, the film’s title is misleading. War for the Planet of the Apes isn’t an action-packed military film with epic battle scenes boasting large armies. There are some well choreographed battle scenes, but this film is more of a meditative drama that makes viewers think about the moral complexities facing Caesar. It is disheartening to see Caesar’s arc from the wide eyed and innocent ape in the first film to an angry and dark soldier in this film. He is not some bloodthirsty savage and deep inside he is a good being. It is just that sad circumstances have challenged Caesar and he questions how he has changed for the worse. That is the true war in this film, where his soul is the battlefield and prize and it is not clear how this inner battle will conclude. This spiritual conflict define Caesar and makes him seem so…human and is the true highlight of War for the Planet of the Apes.

Of course, the film has so much more going for it than Caesar’s soul searching. The other characters are just as engaging as the lead ape. The Colonel is a truly frightening beast of a man who wants to ensure the survival of his species. What is disturbing to us is that we can relate to his point of view and wonder if we would be as desperate as him if we faced the same dilemma. Unlike the past films, there is less emphasis on the humans as the apes dominate the film. So as a result the human characters are not as nuanced as in past films. There are some other drawbacks to this film; mainly that the plot features some biblical allegories that are a bit heavy handed and telegraph how some stories will play out. But the film’s merits make up for the flaws.

The film boasts the best special effects of all the Apes films. By now, the CGI apes look flawless. There were many instances where it is easy to believe that real apes were used. The motion capture and the special effects are completely convincing. The film is beautifully shot with rich colors and perfect composition as we witness a richly textured post-apocalyptic world that is being reclaimed by nature and the apes.

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However, these merits would not mean anything without the brilliant performances of Serkis and the others. It is a crime that Andy Serkis has not won an Academy Award for his work and he certainly deserves one for this film as it’s his best work. The Academy just has to get over its hang up about motion capture and recognize its powerful artistry, which is this film exudes.

So, how does War for the Planet of the Apes compare with the other films in the trilogy? It is hard to say at this point, but this film holds its own compared to the earlier films, although Dawn of the Planet of the Apes is the best one in the series. Nevertheless, War for the Planet of the Apes is a powerful and thoughtful finale to this trilogy that should not be missed.

José Soto

 

 

The Ten Most Anticipated Films of 2017 & More

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By looking at the 2017 films coming out, it’s clear that we fans are in a golden age of genre films. There are many sci-fi, superhero, fantasy, animated and horror films coming out this year that are quite tantalizing. These are the most promising looking of the bunch. However, it’s a guarantee that some of the films on this list will be colossal disappointments while there will be films that weren’t even mentioned that will defy low expectations. With that said, let’s look at the coming 2017 films; remember the release dates are still subject to change.

10. Spider-Man: Homecoming (July 7): Marvel Comics’ flagship superhero has his first solo film in the popular Marvel Cinematic Universe (MCU).  Fingers crossed that this Spider-Man reboot will resonate.

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9. Valerian and the City of a Thousand Planets (July 21): Director Luc Besson’s adaptation of the French space opera comic book looks as colorful as its printed counterpart. Based on this teaser, Besson’s directorial eye for the grandiose and colorful could augment this film and prove that space opera films are back.

8. Kong: Skull Island (March 10): King Kong returns to the big screen and we can’t wait to see the gigantic ape on a rampage as pesky folks arrive on his island. We’re also eager to see the big fight scenes between Kong and prehistoric beasts and oversized animals.

7. Wonder Woman (June 2): Frankly, after the mixed results of last year’s Extended Universe (DCEU) films, DC and Warner Bros. need a DCEU film to hit it out of the ballpark. With Patty Jenkins directing and Gal Gadot starring as the Amazonian superheroine, perhaps this will be the one.

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6. Justice League (Nov 17): The only reason why this DCEU film is more anticipated than Wonder Woman is because of its potentially epic nature. The major players in the DC universe team up for the first time…can director Zack Snyder pull this off and turn the film into the DCEU version of The Avengers?

5. Blade Runner 2049 (Oct. 6): The teaser released last month wasn’t the most captivating trailer. But this long-awaited sequel to Ridley Scott’s classic is being directed by Denis Villeneuve, the next hot genre director, who directed last year’s acclaimed Arrival. His visual flair should be a good match for this film.

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4. Logan (March 3): Hugh Jackman’s swan song as everyone’s favorite mutant looks like it will be a fitting conclusion to Wolverine’s saga. Taking place in the near future, Logan is now older, battered and bitter but still up for one final fight against the forces of evil.  The trailer promised a film full of woe, violence and reflective character moments, hopefully that will be the case when Logan finally premieres.

3. War For the Planet of the Apes (July 14): The third film in the reboot/prequel Apes trilogy looks just as spectacular and provocative as the first two films in the series. Andy Serkis returns to mo-cap Caesar the ape leader defending his kind against antogonistic humans. The winner of the conflict will inherit the battered Earth. We know who wins (it’s not called Planet of the Apes for no reason!), but getting to the conclusion is half the joy of these recent Apes films.

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2. Star Wars Episode VIII (Dec. 15):  No subtitle, footage or even a publicity photo are available at this time, yet the episode number is enough to get many of us excited. The next saga film will feature the further adventures of new Star Wars heroes like Rey, Finn and Poe Dameron, as well as old favorites like Luke Skywalker and General Leia. While many questions will be answered about the characters and situation, hopefully Episode VIII won’t emulate Star Wars: The Force Awakens and be a rethread of previous films.

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1. Guardians of the Galaxy, Vol. 2 (May 5): The eagerly anticipated sequel to Guardians of the Galaxy looks like a blast as director James Gunn and the original cast return to play the MCU’s beloved and whacky space pirates. This time around Peter Quill a.k.a. Star-Lord meets his father who is Ego, the Living Planet and played by genre legend Kurt Russell! What’s been shone so far of Guardians of the Galaxy, Vol. 2  with the too-cute Baby Groot, Quill and Drax’s hysterical interplays and space opera visuals promises the same dazzling action, thrills, and comedy that the original delivered back in 2014 and won many fans’ hearts. BTW, can’t wait to buy the Baby Groot toys!

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Other Films: The Space Between Us (Feb. 3), a Martian teen comes to Earth, finds love, goes on the run, perfect for tweenies, The Lego Batman Movie (Feb. 10), after his scene stealing antics in The Lego Movie, the Caped Crusader gets his own solo film, Beauty and the Beast (March 17), Disney looks to extend its winning live-action adaptation streak with this one about the animated classic, Life (March 24), astronauts aboard the International Space Station discover alien life, what can go wrong?  Power Rangers (Mar. 24), well there are fans of this property and it looks better than Transformers: The Last Knight!

alien-covenantGhost in the Shell (Mar. 31), Scarlett Johansson stars in the live-action version of the manga franchise,  The Circle (April 28), Tom Hanks and Emma Watson headline a star-studded cast in this film about a nefarious Internet company with futuristic technology,  Alien: Covenant (May 19), Ridley Scott returns to the Alien universe with this horror-themed prequel,  The Mummy (June 9), Tom Cruise stars in this horror/action remake which hopes to launch Universal Pictures’ shared monster universe films.

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 The Dark Tower (July 28), Stephen King’s epic saga about a mythical gunman finally comes to life, It (Sept. 8), is another Stephen King adaptation of his epic horror classic featuring Pennywise the killer clown,  Geostorm (Oct. 20), producer Dean Devlin makes his directorial debut in this action piece about weather controlling satellites, God Particle (Oct. 27), interest in this film went up after it was revealed to be the third film in the Cloverfield film series, Thor: Ragnarok (Nov. 3): the third solo film for the MCU’s God of Thunder will actually be a buddy flick as Thor teams up with the Hulk to fight the forces of evil, Coco (Nov 22), this Pixar entry about a magic guitar and the world of the dead sounds unique.

José Soto

 

Dawn Rises Above Other Planet Of The Apes Films

dawn poster

The newest Planet Of The Apes film, Dawn Of The Planet Of The Apes is a direct sequel to the surprisingly great and captivating Rise Of The Planet Of The Apes. That film introduced audiences to the wonder of Caesar (mo-capped by the great Andy Serkis), the first speaking, super intelligent ape and his struggle against humanity. That strife continues with this new film that takes place ten years after the last one. Anyone who saw the last movie knew that in the wake of Caesar’s simian uprising, a genetically engineered virus accidently began to spread throughout humanity and this new movie shows us the aftermath of the pandemic.

Half the human population is gone, but remnants of society are struggling to rebuild. Dawn Of The Planet Of The Apes takes place in a ruined San Francisco, where a colony of humans plan to use a dormant hydroelectric dam to restore power to the broken city. What the humans didn’t realize is that a burgeoning civilization headed by super intelligent apes (consisting of chimps, gorillas and orangutans) occupies the land where the dam is located.

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During a scouting trip, a group of humans led by Malcolm (Jason Clarke) encounters the apes. A tense standoff ensues that is ended when Caesar commands the humans to leave the primeval forest. Back in San Francisco, the leader of the colony, Dreyfus (Gary Oldman) wants to take an army and decimate the apes, but Malcolm recognizes Caesar’s intelligence and reason. He manages to buy time from Dreyfus to return to the forest and negotiate for permission to work on the apes’ land and reactivate the dam. Malcolm and his group return and manages to convince Caesar that they are peaceful and so the ape leader allows them to work on the dam, though he is very distrustful towards the humans.

There is a thick tension that hangs throughout this film as audiences wait for the fragile peace to break. But there are moments of quiet contemplation and reverence as Malcolm and the humans connect with Caesar and many of his apes. Of course, while many humans, especially those in the city, strongly dislike the apes, so too, do many apes harbor hostility towards the humans. Leading this contingent is the brutally ugly Koba (Toby Kebbell), who was briefly seen in the last film as a victim of lab experimentation. Koba with his ghastly scars has an unquenchable hatred towards humans and as Caesar’s second-in-command, cannot fathom why the simian leader is so lenient towards the humans. Shockingly enough, this distrust also extends to Caesar’s own son Blue Eyes (Nick Thurston), who provides an intriguing sub plot where he grapples with his own feelings towards humans. This is part of a spiritual tug of war between Caesar and Koba, as the latter ape uses deceit to bring Blue Eyes to his point of view. Continue reading