Battlestar Galactica Reimagined Circa 2003

After the original Battlestar Galactica TV show ended its run in the late ’70s there have been numerous attempts to revive it. Some included efforts by Bryan Singer and Richard Hatch, the star of the original TV show. But none were successful until Syfy greenlit a remake instead of a sequel to the orignal show, which aired as a two-part mini-series on the cable channel beginning on December 8, 2003.

Distinctly darker and more grounded than the original TV show, the new Battlestar Galactica quickly won acclaim from critics and fans, even those who were skeptical over the changes made to the concept. The mini-series was so successful that Syfy quickly ordered a series, which began airing later in 2004.

The basic premise of the new Battlestar Galactica was similar to the original TV show. In a distant part of the galaxy, a fragile truce between humans and a cybernetic race called the Cylons is shattered when the Cylons launch a surprise attack that destroys the human civilization. The few remaining human survivors set off in a ragtag fleet led by the last remaining battlestar warship called Galactica to find refuge in the lost human colony world known as Earth.

Whereas the original Battlestar Galactica clearly followed the spirit of Star Wars with an emphasis on starship battles and admittedly cheesy scripts, this version was edgier and grittier. It was clear that this 2003 version of Battlestar Galactica was influenced by 9/11. This turned off some fans of the original Battlestar Galactica who desired a more innocent rendition, but the reimagining drew in many more fans to take their place. They welcomed the moral dilemmas and flawed characters that were the main feature of the mini-series as the aftermath of war and its impact on humanity was fleshed out. The show was so grounded that even though these humans lived in a distant part of the galaxy they wore the same kind of clothes we wear today including business suits. They spoke like normal people, too with the exception that the F word was replaced by “frak” to get around censors, although this made up curse word was used too often and unrealistically in normal conversations.

Another way Battlestar Galactica stood apart from the original was with its exceptional acting. Starting from acclaimed and well known actors like Edward James Olmos and Mary McDonnell to relative newcomers like Jamie Bamber, Katee Sackhoff and James Callis, they infused their roles with needed gravitas which engaged the audience. Unlike the original which focused on the adventurous exploits of Captain Apollo and his buddy wingman Starbuck, the clear leads in the remake were Olmos’ William Adama and McDonnell’s President Laura Roslin. Both characters were unexpectedly thrust into leadership roles for the desperate remains of humanity looking for any kind of guidance and hope. Even with the compelling and mature leads, the remake was more of an ensemble piece, as it prominently featured other important characters like Adama’s son Apollo (Bamber) and his best friend, Starbuck (Sachhoff in a role that was orignally portrayed by a man).

Adding to the drama was that the Cylons were hunting down the last remnants of humanity. One of these survivors was Dr. Gaius Baltar (Callis), who unwittingly helped the Cylons destroy human civilization and grapples with his guilt as he is taunted and seduced by an imaginary Cylon called Number Six (Tricia Helfer). She is part of a new race of Cylons that evolved to look and act like humans and were able to infiltrate human society. This new wrinkle with the Cylons added an intriguing twist and put a face to the enemy, which in the original show were just robots without any personality. This development also introduced an element of paranoia as the humans were no longer sure if the enemy was hiding in plain sight among them ready to commit acts of sabotage and terrorism.

The success of Battlestar Galactica revitalized interest in the IP and led to a TV series that ran for four seasons, a spinoff series called Caprica and there are reports of a new version to be produced. Some of the best sci-fi episodes of any TV show were part of the TV show’s lineup as it further developed the plot lines and characters introduced in the mini-series. This would not have been possible if the Battlestar Galactica 2003 mini-series failed to find an audience and it is why it should be praised for its accomplishments twenty years later.

New Battlestar Web Show Has Blood & Guts

The new web-based show Battlestar Galactica: Blood & Chrome was actually a two-hour pilot commissioned by the Syfy channel for a possible TV series. Sadly, the network decided not to greenlight the show and one has to wonder why because this pilot truly captures the feel of the late Battlestar Galactica.

Battlestar Galactica: Blood & Chrome is a prequel to the remake ofBattlestar Galactica but a sequel of sorts to Caprica. It takes place during the oft-mentioned Cylon War that was fought between humanity and the cybernetic Cylons that they created in the Caprica show.

The main character is a young William “Husker” Adama (Luke Pasqualino), an idealistic, eager rookie pilot who is out to win the ten-year war against the Cylons. Seeing Adama as a hotshot, brash pilot is a startling contrast to the grizzled commander we’ve seen in the Battlestar Galactica remake. This presentation is very novel. We’ve could’ve been given a similar Adama who while still young would have many of the older Adama’s traits. But the character is refreshingly shown as being an idealist who by the time he’s commander of the Galactica has grown weary.

After a brief intro that shows various colonial cities across the Twelve Colonies under Cylon attack, Adama is shown excelling at a simulator viper fighter program. Later he’s assigned to the Battlestar Galactica; at this time, the ship isn’t an aging relic but considered one of the best ships in the colonial fleet. Expecting to be given a top-of-the line viper, Adama is disappointed that instead he’s tasked to pilot a rundown, workhorse raptor ship with cynical co-pilot Coker Fasjovik (Ben Cotton). It’s from Coker that we see the older Adama’s characteristics; bitter and disgruntled about the year, Coker is a short-timer who just wants to coast through his remaining few weeks left of service. Naturally, we get a strong feeling that he won’t live long enough to complete his tour but Coker is a likeable character nonetheless. And of course, the two butt heads over their natural differences. Still they have a mutual, grudging admiration for each other.

They are given a mission to transport Dr. Beka Kelly (Lili Bordan), formerly a Graystone Industries employee, who has vital information about the Cylons, to a rendezvous point with a colonial ship. Upon arriving, they discover the ship has  been destroyed by Cylons. After destroying some Cylon raiders (styled after the old raiders seen in the original show), they proceed to a set of coordinates and encounter a fleet of supposedly lost and destroyed colonial ships. Once they drop off Kelly, Adama volunteers himself and Coker to transport Kelly to her objective; to meet up with a contingent of marines on a frozen moon deep in Cylon territory.

Blood & Chrome is an exciting and thrilling joy to watch that is engaging and well produced. Each ten-minute segment ends in a nail-biting cliffhanger that leaves one wanting to find out what happens next. True, there are many of the standard war plot devices and characters (the routine mission that goes wildly wrong, grizzled vets, gung ho recruits, etc.) in this web show but they work well. The presentation has a gritty feel that feels exactly like the remake.  It also has some nods to Caprica and serves as a solid bridge between the two shows. The special effects and production design are simply superb and top notch.. This isn’t a cheap, digital knock-off. It looks just like it could fit in as a companion piece to the remake. It’s truly amazing considering that Blood & Chrome was actually filmed using digital sets.

Battlestar Galactica: Blood & Chrome is so good that one doesn’t mind watching this on a computer or mobile device as opposed to the comfort of a couch and TV. But for those that can wait for traditional viewing methods, the pilot will air complete on Syfy in February and be released on DVD, Blu-ray and download in the same month. Hopefully the reaction to this pilot will be strong enough for the commissioning of at least more web episodes or maybe even a series.

Waldermann Rivera

http://www.youtube.com/watch?v=pT79x4qM4FE