Christmas With The Doctor

Steven Moffat has continued the traditionally awesome Doctor Who Christmas specials that began with the sensational “Voyage of the Damned” written by his predecessor, Russell T. Davis.  This episode was based on the 1974 book, The Voyage of the Dammed, written by Gordon Thomas and Max Morgan-Witts.  The book describes the fate of Jewish refugees who were forced onto the MS St. Louis ocean liner and were denied asylum in both America and Cuba in 1939.  Back to Doctor Who, the episode describes the bitter ex-corporate tycoon who is out to create the most collateral damage thereby bankrupting his former corporation, while in the process killing everyone on board and the Queen of England by crashing into her pad.

Now we move on into the Steven Moffat era of true Christmas spirit by recreating A Christmas Carol with a 2010 special also called “A Christmas Carol.”  Moffat not only captured Charles Dickens’ original spirit of good triumphant over greed; but he then updated and amazed us with technological and psychological leaps that kept us glued like a kid eyeing the biggest gift under the tree.  Adding flying sharks and opera singers made it even more mind-blowing, but the greatest feat was travelling back in time in the life of Kazran Sardick a Scrooge-like character. Thus, reversing the focal point in Sardick’s past so that it changed reality and altered his present-day self and saved the lives of the Doctor’s companions.  It’s wickedly complex, magical and a bit sentimental, but that’s why we love it so much. 

Finally, the latest in the series of Christmas Stories, “The Doctor, the Widow and the Wardrobe,” based upon C.S. Lewis’ The Lion, the Witch and the Wardrobe.  Miracles happen, so we do feel that the Christmas spirit has been kindled.  However, the similarity to the original story is not as pronounced or profound as we would have liked.  Featuring widowed Madge Arwell and her two children there were no cute characters (unless you count Matt Smith) or beautiful, bewitching evil witches.  The only evils ones were men who wanted to harvest trees by killing them with acid rain and WWII tragedies of missing airmen.  The evils of being lost at war (although this did relate to The Lion, the Witch and the Wardrobe) and of acid rain seemed too far removed from the original very deliberate mind-altering ice queen.  Alas, the only comparison that we could make is that it left us feeling cold and missing the warm relationship with his companions. 

In fact, we started reminiscing about past companions and how in the end it just didn’t work out.  Martha Jones loved the Doctor but realized that it was never going to happen, Rose Tyler got stuck in another dimension, Donna Noble was forced to forget the Doctor because her mind would blow up if she didn’t and finally there was Amy Pond and her mysterious daughter, River Song.  We couldn’t see any future there because Amy was married and needed to stop dragging her husband over time and space and River Song said the beginning was the end so where does this leave us now? If he comes back does time stand still again?  So we were already grieving that loss more than the loss of the characters in this year’s special.  But just as the Doctor saved Madge’s family, she saved him by saying he couldn’t let them think he was dead.   So another Christmas miracle happened just about the time we were contemplating that a new non-emotionally attached companion (in other words a man) would be the best answer to travelling around deep, cold space.   He arrived at Amy’s TARDIS blue door and she announced to “Mr. Pond” that the Doctor was there, the ice inside our hearts melted, too.  Everyone (including the Doctor) cried tears of joy and we knew that the Doctor could make his way with his current companions, especially now that he is reunited with River Song as his wife and soul mate for a very long time to come (or the end of time, once again). 

Gwen McLernon

Top Ten Modern Doctor Who Episodes

For us Yanks across the pond the season finale of Doctor Who will air this weekend with “The Wedding of River Song.” That said, let’s look at the ten best episodes from the modern era which started with Christopher Eccleston in 2005 and is running currently with Matt Smith. This list will only include regular episodes, not the Christmas specials and other shows that have popped up over the years.

10. “The Girl in the Fireplace” The Doctor has a brush with romance (aside from the tension between him and Companion Rose Tyler) when he meets Madame de Pompadour via time portals on a derelict spaceship.

9. “The Eleventh Hour” Our first introduction to Matt Smith as the Eleventh Doctor and Karen Gillan as Amelia “Amy” Pond showed the kismet the two had as partners across time and space.

8. “School Reunion” Old-time companion Sarah Jane Smith (the late Elizabeth Sladen) returns to the Who-verse and it’s a joy to see her holding up quite well; the scenes where she and Rose (Billie Piper) exchange Companion stories were great.

7. “Bad Wolf/The Parting of The Ways” The Ninth Doctor’s swan song is epic without being too overblown and bittersweet while giving us one of the best modern Dalek storylines and radically changes the dynamic of the show.

6. “The Girl Who Waited” This one illustrates the danger of time traveling with the Doctor when Amy enters the wrong door in a planet and winds up trapped for over thirty years waiting for rescue while time passes by normally for her husband Rory (Arthur Darvill) and the Doctor.

5. “Human Nature/The Family of Blood” An amnesiac Doctor hides from predatory aliens out to feed on him by transforming into a human that falls in love; then we are given a glimpse as to how coldly vengeful the Doctor can be when he regains his memories and dispatches them.

4. “The Empty Child/The Doctor Dances” When the Ninth Doctor first appeared he was an angry, morose person but here he starts to lighten up in the second part of this creepy World-War-II era episode, which features great visual sights, frights and introduces Captain Jack Harkness (John Barrowman).

3. “The Doctor’s Wife” This Neil Gaiman-written episode has the TARDIS’ core matrix is transferred by an evil sentient asteroid into Idris (Suranne Jones) an enchanting, attractive woman who is dying. The asteroid transfers its mind into the TARDIS and tortures Amy and Rory as the Doctor and Idris (showing us a rare examination of their relationship) try to recapture the Time Lord’s ship.

2. “Utopia/The Sound of Drums/Last of the Time Lords” A three-part epic that brings back Jack Harkness from Torchwood and re-introduces the classic Who villain The Master (played first by Derek Jacobi and then with devilish glee by John Simm) who is found literally at the end of time by the Doctor and Martha Jones (Freema Agyeman). Then he is reincarnated into a Tony Blair type of politician who infiltrates modern-day British politics and becomes Prime Minister, instituting a reign of terror.

1. “Blink” Any fan can see that guest star Carey Mulligan’s Sally Sparrow  is a prototype for Amy Pond. She’s pretty, smart, young and quite resourceful when dealing with the best of the new Who villains, the Weeping Angels. They appeared as angelic statues that steal a person’s temporal energy by sending them back in time, which they did to the Doctor and Martha. Trapped in the 1960s, the Doctor communicates to Sally via DVD Easter eggs, and the entire episode is a brilliant use of time travel and genuinely frightening villains. The last few seconds with the Doctor warning viewers not to blink are unforgettable.

José Soto