Season Two Of Westworld Journeys Beyond Its Borders

Westworld season 2 poster

The second season of the HBO sci-fi series, Westworld, will conclude this coming Sunday and what a ride it has been. Based on the old Michael Crichton film that starred Yul Brynner, Westworld was a thought-provoking surprise for viewers when it premiered in 2016. Fans had to wait over a year for its second season and frankly it was worth the wait.

Maeve and company

Westworld takes place in a futuristic theme resort where visitors can act out their violent and sexual fantasies within recreated historical places. Most of the series takes place in a land that is a perfect recreation of the Old West but other locales have been introduced this season, notably one based on feudal Japan complete with shogun warriors and ninjas. Guests interact with lifelike automatons called hosts that were once androids but are now printed biologically by the resort’s engineers and programmed to cater to the guests’ desires. What happened over the course of the story is that the hosts have gained sentience and no longer want to play along.

Dolores Abernathy

Season one of Westworld ended with a literal bloody bang as the hosts rose up in unison and started their violent revolution. Season two starts with the rebellion underway as the resort’s security tries to take back the property and there are many intertwining subplots featuring returning and new characters. These storylines jump back and forth in time and you have to pay attention to what is going on but you’ll be rewarded with captivating stories and character development. Many of them are well fleshed out and nuanced. We see the growth and descent of many like the host Dolores Abernathy (Evan Rachel Wood), who was once a sympathetic farm girl that is now the bloodthirsty head of the uprising. Her goal is to wipe out humanity for the continued pain humans have inflicted on her. It has gotten to the point that she is on the border of becoming the show’s villain thanks to her merciless demeanor. Meanwhile, Westworld’s main human villain, the Man in Black (Ed Harris), is seen in a not quite sympathetic light but his behavior is more understandable. We see that his obsession with Westworld and desire to revel in his violent fantasy has completely warped him and is shattering his grip on reality.

Two hosts who have risen above their programming and are the show’s hearts and souls are Bernard Lowe (Jeffrey Wright) and Maeve (Thandie Newton). The reveal that he was a host in the previous season was quite a shock and this season just went full out to explore the impact of that revelation as he struggles with his identity. He was always someone we could relate to and a very decent person. In this season we continue to root for him as he grapples with his memories and his choices. Meanwhile, Maeve has a compelling arc where she evolves to control other hosts mentally as she searches the vast landscape for her daughter. Along the way she inspires other hosts and humans with her humanity and intellect.

Thankfully this season took time to explore many concepts and dramas about the hosts and their inner struggle. Questions and explorations about the nature of reality, reincarnation and free choice are there for us to consider in between violent clashes between hosts and humans and even among hosts themselves. A couple of episodes were genuinely heart touching such as episode eight “Kiksuya” which is about a Ghost Nation warrior (Zahn MacClarnon) who becomes self aware and strives to spread the word about the truth of the hosts’ existence. Another one was “Akane no Mai” and “Phase Space”, which feature some terrific performances from Rinko Kikuchi and Hiroyuki Sanada as a geisha and ronin who love each other.

The second season of Westworld succeeds because of the other above reasons and the way it keeps you guessing. Plus, it lets you see both sides of the conflict and divides your loyalties. As we rejoice in all the bloody confrontations we can’t help wondering if we are cheering for the right side. Or if we should be pleading for both species to find a way to co-exist, if it is even possible. As the season concludes with “The Passenger” we’ll find out how these stories conclude and set up the third season.

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The Dark Tower Film Adaptation Aims With Its Hand

After decades, we’ve finally gotten a live-action adaptation of Stephen King’s epic novels of The Dark Tower. Unfortunately, as many of us feared The Dark Tower is a pale and hollow adaptation. Actually it is not even a faithful adaptation (never mind the casting of Idris Elba as Roland the last Gunslinger, he was superb as the Gunslinger) but a mish mosh of the seven novels in the series. As you can expect, it is impossible to do the sprawling storyline any justice with a paltry 90 minute screen time.

For those who don’t know the background, The Dark Tower novels are about a lone, Jedi-like Gunslinger from another dimension who is pursuing his arch foe, the Man in Black. This bad guy ¬†wants to destroy the mythical construct called the Dark Tower, a nexus point of sorts that connects and separates all the universes. Destroying the Tower will unleash chaos across dimensions and obliterate reality. Part Western, part fantasy, part sci-fi and part horror, the novels were some of King’s best works and actually revealed that all of the Stephen King works are interconnected. The wild and wonky storyline was complemented by memorable characters. Not just Roland but the small band of Earthlings from different time periods who join his quest. Too bad only one of them makes it into this film, young Jake Chambers (Tom Taylor).

Roland and Jake

Of course, it is unrealistic to expect this one movie to cover the entirety of the novels, but as an introduction to this rich mythos, The Dark Tower cannot adequately do it. There is a popular line in the books “I do not aim with my eye, he who aims with his hand has forgotten the face of his father. I aim with my eye.” This film commits the sin of aiming with its hand not its eye or heart. On the whole, the entire film is a barebones adaptation that lacks the nuance and for the most part, the epic scope of the novels. It does a just an average job of enticing viewers to want to learn more about Roland and his quest. We never feel the animosity Roland has with the Man in Black (Matthew McConaughey), who is not well developed. The film just moves along so quickly we don’t have time to absorb any of the information given to us. And with the rushed editing and running time, there isn’t enough in the film to win over non-fans or satisfy die-hard fans of the novels. In fact, many of them will be enraged with the missed opportunities and the thin surface details.

Idris Elba as Roland

This does not mean that the film is a disaster, but a rather frustrating watch because there are nuggets of wonder that struggle to get through the film’s banal tone. For one, the actors in the film are quite good and it has several fine moments. We get glimpses of why Roland is to be revered as he wields his guns with near-supernatural precision. For Stephen King fans, there are more than a few Easter eggs of his other works and overall, the film is not dull. It’s just that so little time is spent on these highlights because the film is so intent on getting from point A to point B and in the end, we cannot enjoy the ride. The bottom line is that fans know that the source material is rich and enticing and most of that is missing in the film. This is beyond annoying for fans who have waited so long after so many false starts for a film adaptation. These novels have such sprawling stories with off-the-wall imagery that they deserved a film or a film series that would adequately adapt them. Unfortunately, this film does not accomplish this goal and instead of being a monumental film experience it is just your standard summer film.

The sad thing about The Dark Tower is that it will wind up being forgotten and unlikely to be a hit film. Meaning, that it is doubtful that future films will follow that will better explore Roland’s world and his epic quest. There are plans for a TV show that will tie-in to this film but who knows if that will ever come and the film’s reception will probably mean that it will be a long time before fans get a proper adaptation.

C.S. Link and Lewis T. Grove