Star Wars Ornaments Wish List

star wars orns

One popular gift item for the holidays with fans are Star Wars ornaments. Though there are produced by different companies the best ones are those made by Hallmark. They were first produced by Hallmark in 1996 a few years after the success of the Hallmark’s other sci-fifalcon brand the Star Trek ornaments. The first beautifully detailed ship ornament was of the Millennium Falcon and in that same year, Hallmark produced a set of mini-ornaments which consisted of a TIE fighter, an X-wing fighter and an AT-AT.

Since then, the company has released several ornaments each year and there is no sign of slowing down. Many of these ornaments have become highly sought after in the secondary market like the original R2-D2, while others are duds that would be lucky to fetch a buck on eBay (examples of those include Emperor Palpatine and Princess Leia in her slave outfit).

The pattern of these releases per year consists of a strikingly detailed ship, characters and dioramas. The first Star Wars (and Star Trek) ships featured lights but had to be inserted via a wire into a Christmas tree light socket. These days, batteries replaced the wires but for some reason while the Star Trek ships still have light features (except for the NX-01 and the 2012 Enterprise D) the Star Wars ships only have sound features. It’s too bad, because the lights as seen in the Star Trek ships really add an oomph factor and the Star Wars ships seem kind of pale in comparison.

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The character ornaments look great on trees, even the villains like Darth Vader, and they are much more colorful and eye catching when compared to the Star Trek character ornaments who are basically just humans. With Star Wars, Hallmark wisely utilized the many different aliens and droids in that universe and this could be why the ornaments are so popular. Even the human ornaments are nifty with the same characters being released wearing different outfits or accompanied by exotic companions like the Han Solo ornament with him riding on a tauntaun.

duelThe dioramas themselves are usually topnotch. Some include lights and sounds that capture specific moments from the films like Anakin Skywalker’s duel with Obi-Wan Kenobi in Episode III or when the Millennium Falcon leaves Mos Eisley (that diorama boasts John Williams’ iconic score) in Episode IV. Other dioramas were kind of frustrating, take 2011’s recreation of the Han Solo and Greedo confrontation in Episode IV. We still don’t know who fired first!

Hallmark also released ornaments based on the animated series Star Wars: The Clone Wars and even LEGO Star Wars figures. Undoubtedly with the new batch of films coming up in a few years, there will be ornaments based on those as well.

hp photosmart 720Beginning with 2007, Hallmark had branched out with special, limited edition Star Wars ornaments that were only on sale on premiere weekends. Many of these ornaments, the first being the Tusken Raider, are highly sought after collectibles. But Hallmark raised the ante recently with extra rare, limited ornaments that were only available in conventions. Many of these special ornaments were basically repaints of previously released ornaments such as the K-3PO/R3PO and R2-Q5/R2-A3 sets being C-3PO and R2-D2 painted in different colors. However, Hallmark also put out original ornaments in these conventions of the nefarious bounty hunters IG-88, Dengar, 4-LOM and Zuckuss, as well as Ben Kenobi and Ponda Baba (that alien whose arm got lopped off by Kenobi in the Cantina). All of these extra rare ornaments are hard to find and command a lot of money in the secondary markets.

The success and high value of these rare ornaments are a testament to the popularity of the Star Wars ornaments. Given the diverse nature of the Star Wars universe, there are many ornament ideas to be pursued. Hallmark should consider making these ornaments, as well as those based on the upcoming films:

Characters and Dioramas

  • Obi-Wan Kenobi riding on Boga, that agile dinosaur-like creature with the funky honks seen in Episode III.
  • A diorama featuring Han Solo, Luke Skywalker, Princess Leia and Chewbacca in the trash compactor, and have a feature where the chamber starts to compress!
  • A diorama featuring the Episode II arena battle with the huge beasts.
  • Mace Windu with his purple lightsaber.
  • Watto, who would look at home suspended on a tree branch.
  • The bug-like droidekas seen throughout the prequel films.
  • The MagnaGuards that accompany General Grievous, complete with their buzzing electrostaffs.
  • Admiral Ackbar the Mon Calamari militaryackbar leader who commanded the Rebels in Return Of the Jedi.
  • A diorama featuring Luke on Dagobah with Yoda and a force ghost of Ben Kenobi.
  • A diorama taking place in Jabba’s palace during Return Of The Jedi.

Ships

  • The Y-wing, A-wing and B-wing fighters seen in Episodes IV-VI. It would be really cool if the B-wing fighter’s wings would open and close.
  • Obi-Wan Kenobi’s Jedi starfighter seen in Episode II.jedi fighter They can even have one with the portable hyper space engines.
  • The Mon Calamari cruisers seen in Return Of The Jedi.
  • The Medical Frigate seen in The Empire Strikes Back and Return Of The Jedi.
  • A speeder bike complete with a scout trooper. It would blend in nicely on a Christmas tree since they were shown in Endor’s forests.
  • A Bespin twin cloud car from The Empire Strikes Back.
  • Jabba the Hutt’s sail barge from Return Of The Jedi.
  • Anakin Skywalker’s pod racer from Episode I.

José Soto

Rise Of The Guardians Is A Wondrous Ode To Childhood Wonder

guardians posterDreamworks Animation’s latest animated release Rise Of The Guardians could very well be one of their greatest films though vastly underrated and dismissed by general audiences. That’s a shame because unlike recent animated efforts from Dreamworks’ main rival, Rise Of The Guardians has a surprising amount of depth and heart.

Based on William Joyce’s The Guardians Of Childhood series of books, Rise Of The Guardians is directed by Peter Ramsey and executive produced by Guillermo del Toro and Joyce. One thing perspective viewers should note is that the film isn’t a comedy and is more of a fantasy adventure film and it’s a refreshing change for Dreamworks. Unlike their other films, Rise Of The Guardians doesn’t have any crude toilet humor aimed at kids, topical references or annoying modern songs that break a film’s narrative flow.

The film centers on Jack Frost (voiced by Chris Pine) who was once human and turned into the mythical character after drowning. Though he enjoys his role of bringing frigid weather and playing one-jack frostsided with children (they are unable to see him) he longs for human contact or just to be noticed. At the same time, Santa Claus (Alec Baldwin), who is Russian, notices that Pitch Black (Jude Law) a.k.a. the Boogeyman is preparing to return to the world and spread nightmares to children everywhere. Santa summons the other Guardians to the North Pole to combat Pitch. The motley crew is composed of a buffed-up, Australian Easter Bunny (Hugh Jackman), the Tooth Fairy (Isla Fisher) and the Sandman (who doesn’t speak in the film) and their tasks as Guardians are to protect the children of the world from evil, in the film’s case, nightmares. The newest Guardian to be recruited is Jack Frost who naturally doesn’t want to get involved in the conflict. See, he’s more of a party dude but he surprisingly relates to children better than the other characters since he alone actually plays with them. And that could be the best advantage he and the others have against Pitch and his growing army of darkness.

Rise Of The Guardians is beautifully animated and storyboarded. Many sequences bring out a sense of wonder and joy and even brought tears to my eyes. It’s a celebration of childhood and all the thrills of being a child who still believes in fantastical beings like Santa Claus. The characters are superbly executed, very relatable, engaging and surprisingly hip without going overboard. For example, the Easter Bunny is a tough dude who clashes often with Jack, but he has a tender passion for children and wants to bring a sense of hope with Easter. Santa Claus is a loud, boisterous man who sports tattoos on his forearms and drives a super-detailed sleigh that traverses through pitchthese wormhole-type constructs. While the Guardians are colorful and bright, Pitch is dark and monochromatic  and a startling contrast to them. The black-sand army of mares that he uses are terrifying and reflect violent storms to the Sandman’s graceful, golden sandy constructs like unicorns and dolphins. The light and dark clashes Pitch and the Guardians have are very spectacular.

But the center of the film is and should be Jack Frost. In many ways, he’s the one character we the audience can relate to the most. His journey was the best part of Rise Of The Guardians and he is a true hero with a surprising amount of depth.

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It’s hard to say what will and will not be considered a classic in the future. Hopefully, whether in theaters or on DVD, people will discover this unexpected gem and enjoy this exciting and exceptional film. But do try to see this eye popper on the big screen this holiday season, it’s something to be cherished.

Annette DeForrester

2012 Doomsday Scenarios: Month Eleven

earth

Ever since the first atom bomb was detonated people became aware of our capacity to bring about our own extinction. One of the big fears spawning from the splitting of the atom was the likelihood of scientific accidents bringing about our downfall. Being that we’re so prone to making mistakes, it’s easy to worry that such destructive power has fallen on our clumsy hands.

Doomsday Scenario No. 2: Accidents Happen

The idea of a loaded gun given to a child is an apt metaphor of this doomsday scenario. Many people feel that we as a species are developing way too fast in terms of science and technology before we’re ready to truly understand the implications of new discoveries. By that concern, they point to our recent history with nuclear power.

Nuclear Fears

One of humanity’s deepest fears is that of an accidental nuclear weapons exchange. While it’s true the world powers that possess nuclear weapons have stringent safeguards there are the nagging doubt about their reliability. Back in the 1990s after the Cold War ended it became notoriously easy to acquire nuclear weapons from the former Soviet Union. The thought of such WMDs in the wrong hands is horrifying. But there is the possibility of failed safeguards. This was seen in the film and book Fail-Safe where U.S. bombers are mistakenly sent to bomb the Soviet Union. Despite all efforts, Moscow is destroyed and to avert World War III, the U.S. president arranges to restore the balance by having New York City nuked. A similar situation happened in the Stanley Kubrick film Dr. Strangelove but to a more comedic effect. Accidental nuclear war has also been the subjects of many songs like Nena’s “99 Luftballons” (“99 Red Balloons”) or Men At Work’s “It’s A Mistake”. But what is deeply chilling is that many times military personnel and governments almost used nuclear weapons by mistake. One such incident happened in the mid 1990s when a rocket test launched in Europe was mistaken by Russia to be a nuclear first strike against them and Russian leader Boris Yeltsin was urged by his military to launch a nuclear counter-attack.

chernobylThen there are the problems with nuclear fission used as an energy source. For the most part, nuclear power plants are safe but the idea of a meltdown and the environmental impact is enough to keep most people leery about them. There was the Three Mile Island incident which thankfully ended well, but on the other hand we’ve had a nuclear meltdown in Chernobyl and most recently there was the Fukushima disaster in Japan. With Chernobyl that disaster left that city abandoned and uninhabitable to this day, while the impact of the Fukushima meltdown is still ongoing with an untold number of people having been exposed to deadly radiation.

Tomorrow’s Experiments

In the world of science fiction, wondrous discoveries and promising experiments often turn into worldwide disasters. In the film The Quiet Earth, a scientist working for a company worked on a global energy grid. What happens next is that the experiment makes all the people, except for the scientist and two other persons, disappear without a trace. At the end of The Quiet Earth, the scientist tries to undo the effect of his experiment but the result leaves him stranded in another reality by himself.

quiet earth

In Kurt Vonnegut’s book Cat’s Cradle, there is an artificial substance called ice-nine which is a type of water that is solid at room temperature. By the novel’s end, ice-nine is accidently released into the ocean which turns practically all the water in the world into solid ice and nearly all life on the planet ends a few days later.

Some scientific experiments and discoveries aren’t as world devastating as those found in The Quiet Earth and Cat’s Cradle, but they come close. In the book FlashForward, an experiment at CERN (European Organization For Nuclear Research) regarding Higgs boson particles unleashes a side effect wherein the entire world population briefly loses consciousness and experiences a few moments of the future. In the TV show based on the book, CERN isn’t responsible for the blackouts but rather a consortium of sinister scientists.

Then there are the dinosaurs of Jurassic Park. In the books and films, dinosaurs are brought back to life through cloning and chaos erupts. The humans are unable to control the dinosaurs in the upcoming Jurassic Park theme park, and this results with the unhindered dinosaurs driving out humans from the park. In the sequel book The Lost World and the film Jurassic Park III dinosaurs are multiplying and beginning to move past their island boundaries. This was dramatically shown at the end of Jurassic Park III when several pteranodons are shown flying out of their island. If dinosaurs were to invade other territories, they would decimate local flora and threaten humanity. Basically our world could turn into a monster film where humanity is at war with giant creatures.

Scientific WMDs

Sometimes the plot lines in these tales has it that the military is secretly testing new weapons or devices with unexpected results. The urban legend about the Philadelphia Experiment details how supposedly during World War II the U.S. Navy performed an experiment onboard the U.S.S. Eldridge to render it invisible but harmed the sailors onboard. A film based on the incident also called The Philadelphia Experiment took the premise a step further and the experiment threatened the Earth when it created a vortex.

The military is also responsible for the catastrophes that ravage the world in the movie The Core. It turns out that after testing a seismic weapon by the U.S. military, the Earth’s core stops rotating, which begins to collapse the protective electromagnetic field  surrounding the world. As the heroes in The Core journey to the Earth’s center to explode nukes that will restart the core’s rotation (!), electromagnetic storms raze the world and structures like the Golden Gate Bridge and the Roman Coliseum are destroyed.

the core 2

This fear about the military experimenting with secret weapons and technology is influenced by their secretive nature and the fact that so little is known about them. Take the H.A.A.R.P. (High Frequency Active Auroral Research Program) project for example. Reportedly, its purpose is to study the ionosphere for applications in advanced communications and surveillance. A lot of conspiracy theorists are convinced that H.A.A.R.P. is being used to create natural disasters like superstorms and earthquakes. Some even claim that it was used a week before the recent U.S. presidential election to create Superstorm Sandy so that the president had an opportunity to appear presidential and win the election. H.A.A.R.P. has also been used in fiction like The X-Files and in several Marvel comics.

Mini Holes and Goo

Some worry that uncontrolled or careless science experiments could lead to the decimation of food, water and oil supplies (in the case of water, this was presented in Cat’s Cradle). But two dominant concerns have arisen about consequential scientific research.

grey gooIn addition to Jurassic Park, author Michael Crichton also penned a book called Prey which was also about technology run amok. In Prey’s case, it was nanotechnology which worries many scientists. Nanobots are recognized as the next step in medical technology. Tiny self-multiplying robots that are invisible to the naked eye can be injected into patients to treat them for cancers and other ailments more effectively than with conventional methods. The same nanotechnology also has other applications but all of this is in the research phase.

One drawback with nanobots is that people may lose control over the self-replicating machines. This would result in out-of-control and rapid propagation. The nanobots will then consume all matter to self-multiply which results in the grey goo phenomenon. In that case unhindered, runaway nanobots will turn everything on Earth into shapeless masses. Grey goo has also covered in other novels like Wil McCarthy’s Bloom and Greg Bear’s The Forge Of God.

Another developing concern has to do with the Large Hadron Collider at CERN, which is the world’s largest particle accelerator. Many fear that the Collider can create mini black holes in the Earth as it collides protons together at near light speeds. Once the miniature black holes are created, they will grow and consume the Earth. However, this hasn’t happened and probably won’t. Scientists believe that any micro black holes will dissipate and actually these proton collisions take place naturally in our atmosphere and we’re still here.

 black hole 2

These micro black holes have plagued several science fiction stories and books like the novel Earth by David Brin is about an artificially created black hole that burrows itself in the planet’s interior which threatens the Earth. Other examples include Larry Niven’s The Hole Man and The Borderland Of Sol, Dan Simmons’ books Ilium and Olympos, and Martin Caidin’s Star Bright.

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It was also feared that the Collider would also create strangelets or strange matter. This subatomic matter is largely theoretical but if they were to be formed they would tear holes on our planet. The novel Impact by Douglas Preston has an alien machine that creates strangelets and the TV special End Day featured a scenario where a created strangelet destroyed the Earth.

Breakdowns & Aftermath On The Walking Dead, Parts I & II

 

Part I:

“This place..is not what they say it is..”

-Michonne to Andrea

In the pre-credits scene of episode five of The Walking Dead, “Say the Word”, Milton (Dallas Roberts) hands Andrea (Laurie Holden) a cold drink at an outdoor town festival; Michonne (Danai Gurira) watches from afar, suspicious. Andrea presses the tight-lipped Milton for details of the evening’s festivities, to no avail. We cut to the Governor (David Morrissey) in his den, combing his daughter’s hair, her face unseen. As the brush rips into her scalp, she suddenly turns hostile; turning around, she is revealed to be a walker. Frustrated, the Governor forces a bag over her head to restrain her, softly declaring his love for his little girl.

Post-credits, the survivors are gathered in the cell block yard, as Maggie (Lauren Cohan) holds Lori’s (Sarah Wayne Callies) crying newborn baby girl. Hershel (Scott Wilson) pronounces the baby healthy, but in desperate need of formula. Carl (Chandler Riggs) holds his newborn sister and considers names for the baby girl; suggesting those of the dead survivors, he even offers that of his mother Lori. Rick Grimes (Andrew Lincoln) – glassy-eyed and unresponsive – suddenly grabs an axe and runs back into the cell block…

Daryl (Norman Reedus) and Maggie go on a supply run for the newborn; entering an abandoned nursery school, they find formula, bottles, and other provisions. Meanwhile, inside the cell block, Rick goes on vengeful rampage, mutilating all walkers in his path. Later, after a curt reply to soft-spoken Axel (Lew Temple) and Oscar (Vincent Ward), Glenn (Steven Yeun) reveals to Hershel his wish that they should have killed all the prisoners “on sight”.

In the Woodbury town center, while a smiling Governor, glass in hand, gathers the residents and raises a toast to the sacrifices and hard work that built the town, Michonne enters his office and snoops around. Fetching her katana, she finds an odd notebook full of names, but leaves before being caught. In an industrial area nearby, Michonne finds a cage full of walkers. She breaks the lock and empties the cage. Like Kurosawa’s Yojimbo, she smirks as she rips them to pieces, but is caught by the Governor’s men. Questioned privately by the Governor, she is uncooperative, and after holding her katana to the Governor’s throat, leaves calmly.

That afternoon, Milton and Merle (Michael Rooker) drive to a nearby location, and using a net, pull walkers from an underground pit. The Governor’s crew hold down the walkers as Merle removes their teeth. At the town party that evening, Michonne reveals her dark suspicions about Woodbury to Andrea. Describing the townspeople as prisoners unable to leave, she sets out. Andrea, staying put, is approached by the Governor, who invites her for a drink; they walk away, hand-in-hand.

In the inner cell block, Glenn locates a silent Rick, who pushes him away.  Prowling the dark, eerie cell block, Rick locates a butchered mess, who he surmises to be the remains of his deceased wife Lori. Seeing a bloated, well-fed walker nearby (presumably from eating you-know-who) he attacks and savagely kills it with his hunting knife…

As the Governor escorts Andrea to Woodbury’s evening festivities, a barbaric twist on old-time, bare-knuckle brawling: Merle and two of the Governor’s other muscled thugs duke it out in an arena, while chained (though toothless) walkers lunge at them from the side. Although the crowd cheers, Lori balks at the spectacle; the Governor waves it off, assuring her that it’s harmless.

The next day, Daryl lays a flower on an unmarked grave – Carol’s? (Melissa McBride) – while Rick remains in the cell block, still in shock. As the newborn’s crying reverberates through his head, he picks up a nearby ringing phone, answering “Hello?”

“Say the Word” was an overall exciting and well-paced episode, jump-cutting like an MTV video between the different storylines. With less of the usual fighting-their-way-through-hordes-of-walkers shtick, the highlight of this The Walking Dead episode is the slow and methodical unfolding of the Governor’s story. Seeing his sad, pitiful relationship with his walker daughter, we now understand why he and Milton are so fascinated with walkers’ behavior and memories. Michonne, on the other hand, remains an enigma, but in our first glimpse of what she can do when the odds seem to be against her, she is an impressive fighter. Somewhere between a manga heroine and a Pam Grier-style blaxploitation mama – with a touch of Snake Plissken – Michonne treats killing walkers as child’s play; in fact, she even seems to enjoy it. But questions arise. Where will she go, now that she has left Woodbury? What was that notebook? What will happen to Andrea? Will she develop a true romance with the Governor, or seek to leave? Was that Carol’s grave? If not, where is Carol (there was no mention of her)? Will Axel and Oscar prove their worth and link up with the survivors? Who called on the prison phone? What will happen to Rick?

A note to readers: At this point in the season we are so used to walkers popping out from every nook and cranny that even Daryl and Maggie’s supply run kept us on the edge of our seats. This time, all they encountered was an opossum. Also,I’ve felt for a while that the show has certain Western-style undertones (Rick is a sheriff; Daryl has a crossbow and a motorcycle, akin to a Native American with a bow and arrow on a horse, etc.). Case in point – note Daryl’s poncho, a tribute to Eastwood’s man-with-no-name from the famed Dollars trilogy. Continue reading

New Battlestar Web Show Has Blood & Guts

The new web-based show Battlestar Galactica: Blood & Chrome was actually a two-hour pilot commissioned by the Syfy channel for a possible TV series. Sadly, the network decided not to greenlight the show and one has to wonder why because this pilot truly captures the feel of the late Battlestar Galactica.

Battlestar Galactica: Blood & Chrome is a prequel to the remake ofBattlestar Galactica but a sequel of sorts to Caprica. It takes place during the oft-mentioned Cylon War that was fought between humanity and the cybernetic Cylons that they created in the Caprica show.

The main character is a young William “Husker” Adama (Luke Pasqualino), an idealistic, eager rookie pilot who is out to win the ten-year war against the Cylons. Seeing Adama as a hotshot, brash pilot is a startling contrast to the grizzled commander we’ve seen in the Battlestar Galactica remake. This presentation is very novel. We’ve could’ve been given a similar Adama who while still young would have many of the older Adama’s traits. But the character is refreshingly shown as being an idealist who by the time he’s commander of the Galactica has grown weary.

After a brief intro that shows various colonial cities across the Twelve Colonies under Cylon attack, Adama is shown excelling at a simulator viper fighter program. Later he’s assigned to the Battlestar Galactica; at this time, the ship isn’t an aging relic but considered one of the best ships in the colonial fleet. Expecting to be given a top-of-the line viper, Adama is disappointed that instead he’s tasked to pilot a rundown, workhorse raptor ship with cynical co-pilot Coker Fasjovik (Ben Cotton). It’s from Coker that we see the older Adama’s characteristics; bitter and disgruntled about the year, Coker is a short-timer who just wants to coast through his remaining few weeks left of service. Naturally, we get a strong feeling that he won’t live long enough to complete his tour but Coker is a likeable character nonetheless. And of course, the two butt heads over their natural differences. Still they have a mutual, grudging admiration for each other.

They are given a mission to transport Dr. Beka Kelly (Lili Bordan), formerly a Graystone Industries employee, who has vital information about the Cylons, to a rendezvous point with a colonial ship. Upon arriving, they discover the ship has  been destroyed by Cylons. After destroying some Cylon raiders (styled after the old raiders seen in the original show), they proceed to a set of coordinates and encounter a fleet of supposedly lost and destroyed colonial ships. Once they drop off Kelly, Adama volunteers himself and Coker to transport Kelly to her objective; to meet up with a contingent of marines on a frozen moon deep in Cylon territory.

Blood & Chrome is an exciting and thrilling joy to watch that is engaging and well produced. Each ten-minute segment ends in a nail-biting cliffhanger that leaves one wanting to find out what happens next. True, there are many of the standard war plot devices and characters (the routine mission that goes wildly wrong, grizzled vets, gung ho recruits, etc.) in this web show but they work well. The presentation has a gritty feel that feels exactly like the remake.  It also has some nods to Caprica and serves as a solid bridge between the two shows. The special effects and production design are simply superb and top notch.. This isn’t a cheap, digital knock-off. It looks just like it could fit in as a companion piece to the remake. It’s truly amazing considering that Blood & Chrome was actually filmed using digital sets.

Battlestar Galactica: Blood & Chrome is so good that one doesn’t mind watching this on a computer or mobile device as opposed to the comfort of a couch and TV. But for those that can wait for traditional viewing methods, the pilot will air complete on Syfy in February and be released on DVD, Blu-ray and download in the same month. Hopefully the reaction to this pilot will be strong enough for the commissioning of at least more web episodes or maybe even a series.

Waldermann Rivera