Category Entertainment

Jan 31 2012

2012 Doomsday Scenarios: Month One

Okay it’s 2012 now, supposedly our final year according to the Mayan calendar. Earth was put on notice last week with that big solar flare that could’ve disrupted our satellites (but thankfully didn’t). With all the hoopla about the end of the world, one has to wonder if this is our swan song, how will it end? Here at Starloggers, we’re going to examine the possible doomsday scenarios each month as a sort of countdown.

Doomsday Scenario No. 12: The Aliens Are Coming, The Aliens Are Coming

Whether the E.T.s are friendly, cuddly visitors or blood thirsty, destructive invaders, it can’t be denied that once they do arrive life as we know it is over. So even if the first contact is benevolent our isolation in the universe is gone and with it the way we see ourselves. This scenario would bring about an end of our world. These are the possible scenarios:

  • Friendly, curious neighbors come by to say hello: Think of E.T. or Starman or the alien greys from Close Encounters Of The Third Kind. They mean well, they’re just explorers but their arrival is nonetheless disruptive. A variation of this scenario is explored in Carl Sagan’s book Contact (and film based on his work), where just the radio signals from another star changes our society.
  • We’re invited: Continuing to look at Contact, the aliens willingly or unwittingly give humanity the technology to travel to their world. This theme is also seen with the film Stargate and its TV shows, the John Carter books and Adam Strange in comic books.
  • The Enforcers: The gist of this scenario goes like this, aliens make first contact with humans. But we’re given a stern warning to clean up our act and play nice otherwise either  A) we can’t join their club or B) they’ll wipe us off the map. Option A was presented in Allen Steele’s Coyote universe books and option B was best shown with the classic The Day The Earth Stood Still.
  • Caught up in an interplanetary conflict: This is the plot for those Transformers films. We’re standing by innocently in our little blue world obsessed with nonsense like taxes, the presidential election and Snookie until BAM! A bunch of aliens from two different sides arrive and duke it out, using our planet as a battlefield. This also happened in the book The Last World War and the Aliens Vs. Predators films.
  • Aliens with a mysterious agenda: Most recently seen with the V series but a terrific example is Arthur C. Clarke’s novel Childhood’s End. What happens is that aliens arrive in mammoth motherships over major cities. They claim to be peaceful and want to help humanity but have another agenda they’re keeping from us. With V (the original show, the remake was pretty vague–could be why the show failed) the aliens wanted our water and us for food. In Childhood’s End the mysterious Overlords arrived to shepherd in our next evolutionary stage and move our descendants into the cosmos. Another example is that show from the late ’90s Gene Roddenberry’s Earth: Final Conflict, where the mysterious Taelons arrive on Earth bringing an era of peace but have secret motives for coming to our world.
  • This Petri dish Earth or we taste like chicken: The first V show and mini-series fit this bill. And if the UFO fanatics are to be believed, alien greys come to our planet to create human/alien hybrids and to conduct painful, invasive experiments on humans. On the big screen, this was best shown with the underrated film A Fire In The Sky.
  • INVASION: The tried and true plotline of alien contact. Aliens arrive in huge ships and proceed to stomp us into smithereens until the heroes in the third act find a way to beat them. Examples in film, shows and books are numerous and include War Of The Worlds, Independence Day, Battle: Los Angeles, Footfall, the Worldwar books, etc. A variation of the invasion scenario is the clandestine invasion where the aliens slowly infiltrate us until it’s too late. Check out the shows Threshold,  The X-Files, The Invaders, and First Wave (this invasion scenario is probably prevalent on TV for budgetary reasons) as examples. On film the most famous example is Invasion Of The Body Snatchers.

That’s one look at how 2012 could the end of the world as we know it (apologies to R.E.M.). One month down, eleven more to go; be prepared.

Special thanks to GEO for his contribution

Jan 22 2012

George Lucas & His Retirement

It’s been all over the news lately that with the release of Lucasfilm’s Red Tails George Lucas plans on retiring from blockbuster, i.e. popular films. Lucas cites the hard time he had trying to get Red Tails financed by studios (before he wound up paying for most of the film himself) and hints at the bitter reaction from many fans over his Star Wars prequels. In a New York Times Magazine interview he states, “I’m retiring, I’m moving away from the business, from the company, from all this kind of stuff.”

But looking at this and other interviews, one can spot a loophole or two. He does not rule out a fifth Indiana Jones film, although the older Harrison Ford gets and the longer it takes for Lucas to approve a script the less likely that becomes. Then there is the Star Wars live-action series that he is still trying to get off the ground. That looks more likely since advancements in special effects will soon make it financially feasible for Lucas to produce film-quality episodes of his galaxy-spanning saga.

Actually, his so-called retirement isn’t exactly news. Back when Star Wars Episode III: Revenge of the Sith was released, Lucas said then that he wanted to move away from blockbuster films. And even further back when Return of the Jedi came out, he claimed back then he wanted to focus on small, experimental projects. For many fans still bitter about Jar Jar Binks and Indy surviving a nuke blast in a fridge that’s great news. Don’t let the door hit you on the way out George, they may be thinking. But to others this is sad news and cements the fact that there won’t be any future Star Wars films.

Then again, look at his earliest efforts, THX-1138 and American Graffiti. Many forget today that both films were quirky, experimental pieces of filmmaking but are rightfully considered classics today. That’s especially true with THX-1138 since even today the film is seen as an avant-garde film. Whereas American Graffit is seen as a more conventional film it actually helped introduce the storytelling narrative of the main characters going off on their individual tangents without a set plot. That is because this technique has been copied so many times since. So Lucas probably just wants to go back to his roots and make quieter, low-budget films. That’s fine, since he did a superb job in directing them and at this point in his career, being that he is set financially, he can now afford to do whatever he wants.

Oh by the way, don’t forget that along with THX-1138 his other early genre effort was a little-known film at that time about some kid running around in spaceships with aliens. Yes that was Star Wars, but it was considered to be a huge risk for 20th Century Fox and experimental. So don’t write George Lucas off just yet.

Lewis T. Grove

Jan 18 2012

The Term “SCI-FI”

When I was a kid, growing up in the Amazon in South America, I was far away from Hollywood, USA , where great superhero and space adventures were chronicled in film and other media. I must say that as much as I missed the developed comforts that the U.S. can offer, I liked the weather and the people down there. The only thing that made me stand out in general conversation topics was that instead of talking the usual futbol , or politica , I tried to start the conversation with superheroes and space heroes. The usual reaction I got from the locals after tolerating my monologue for an hour is “mucha fantasia!” or “too much fantasy!” The mindset there is reality-oriented. I’m sure they love reality TV.

One of the movie magazines I brought with me to South America had articles with the term “ Sci-Fi ”. As a little kid, it’s amazing how a little term boggled my elementary school attempts for pronunciation. “Skee-Fee?” “Sky-Fy?” Boy, lots of gray brain matter at work there. A helpful parenthesis in the article related the term sci-fi to science fiction. Oh! That’s what it was! Duh! I’m a true genius!

I began collecting more sci-fi magazines, books and comic books. Before long I had a sizable collection and was amassing a fair knowledge of sci-fi and superhero stories. I even had a few issues of Famous Monsters of Filmland. Back to that later.

Years afterward, and back in the good ol’ USA , I was working for a publishing company in New York City. One of their publications was a general science fiction magazine. Their science fiction editor always had a fit when we said “sci-fi.” We used to listened to his tantrums. The same one from last Tuesday LOL. A mental list of anger-management classes crossed my mind during his rants. He argued that it was incorrect to say “sci-fi” (surrounded by piles and piles of magazines paperbacks, statuettes and toys of that favorite genre of his — the sci-fi genre, thank you very much.) He said that was a term coined by Forrest Ackerman, but it’s not a real term. (Try telling that to the ‘not-a-real-term’ Channel; that was before it started to drift away from its roots and changed its name to Syfy). As much as we liked this fellow, he just needed to lighten up a bit! All joking aside, I have much respect for this editor friend of mine, and I wish him well.

Almost ten years later, I had moved to Los Angeles. I found out that Forrest Ackerman (who first coined the term sci-fi) , publisher of the cult favorite Famous Monsters of Filmland magazine, was living here in L.A. I spoke to him by phone and he invited me to his Museum of Sci-Fi in Hollywood. He was in his late 80’s, but he was gracious to give me a tour of his museum for me.

We spoke about some of my genre-related projects.  I told him they were my own attempt at capturing the essence of sci-fi, which for me was a way to telling stories related to current events and the social commentary of our time, fueled by wild imagination. It’s too much fantasy indeed, but I like it!

After giving me a tour of his best collections (my favorite was the Metroplis robot Maria) we sat down to listen to his great career. He actually told me how he came up with the term  sci-fi. “In 1954” he explained, “that word was first heard in this world. I was riding around in my car with the radio on and some mention was made of ‘hi-fi.’ Since ‘science fiction’ had been on the tip of my tongue since Hugo Gernsback introduced it in 1929 (in his science fiction mag Science Wonder Stories), I looked in the rearview mirror, stuck out my tongue and there, tattooed on the end of it was . . . SCI-FI!”

What a great anecdote to cap off a pleasant visit; he was such a nice guy. Sadly, Forrest Ackerman passed away in December 2008, but I feel honored to have met him and we should all thank him for coming up with that wonderful term. So that’s how my sci-fi term comes full circle. Hope you enjoyed it. Too much fantasy, man!

GEO

Visit GEO’s website: www.coroflot.com/geodesigns/portfolio

Jan 13 2012

Fringe Nears Its End

Fringe ends its mid-season break when it airs a new episode “Back To Where You’ve Never Been” on Friday the 13th (!) on Fox.

Sadly, this may be the swan song for the show being that its ratings have been terrible. Fox president Kevin Reilly said recently that the show isn’t profitable which most likely means that it’s on the chopping block. A shame really. Fringe (about federal investigations into incidents dealing with fringe science) is the best science fiction show currently airing and credit has to go to the producers (Alex Kurtzman, Roberto Orci and J.J. Abrams) for throwing caution into the wind and running full steam with the show’s complex mythology in this season.

Last time on Fringe, Peter Bishop (Joshua Jackson) returned from limbo into our universe much to the chagrin of the enigmatic Observers (who seem to be trying to maintain the dimensional and temporal cohesion of the multiverse). Unfortunately, Peter concludes that the universe he returned to is not his own because no one, not even his father Water Bishop (John Noble) or lover FBI agent Olivia Dunham (Anna Torv) have any memory of him since he was erased from our  timeline.

Yes it’s a bit complicated, but here goes: throughout the show’s run there has been an impending war brewing between our universe and another parallel universe due to an incursion made by Walter back in the 1980s to a parallel world (where the World Trade Center is intact and airships dot the skies) to save Peter’s life and winds up bringing him to live in our universe.

All the interdimensional traveling is causing wormholes to appear that threaten to destroy the fabric of reality in both universes. At the end of the third season, the show jumps forward to 2026 where the parallel world is destroyed and ours face the same fate. Then there’s Olivia’s death at the hands of the evil alternate version of Walter. To reverse this, Peter Bishop uses a giant machine placed in the ancient past to change history in 2011. He creates an interdimensional bridge between the two universes so that both sides can work together and resolve their differences. It works, though it leaves an uneasy truce between the two factions and with Peter erased from the proper timeline.

For the most part the changes to the timeline have been very minor apart from Peter’s absence. The characters have changed subtly and only dedicated fans could spot the differences. This could be what disappointed some who expected wilder changes but it probably was an attempt by the show makers not to turn off casual viewers (not that it mattered since ratings plummeted anyway). At the end of the mid-season finale “Wallflower”, Peter was still trying to find his way back to his proper universe with the Observers on his tail.  Meanwhile it’s reveled that Olivia is an unsuspecting test subject of Massive Dynamic (one of those giant technological companies that are behind many fringe events). Click onto their official site: www.massivedynamic.com   

Obviously it helps if one has a good basic knowledge of the characters. Well that’s why DVDs exist. Being that it’s only three and a half seasons, it’s fairly easy to catch up to date. And it’s worth a rental or download. The show may have turned some off with its superficial similarities to The X-Files and the first few episodes of season one reinforce this notion. But this show isn’t about convoluted conspiracies that don’t make any sense and UFOs.  One could tell that the producers (responsible for LOST and the upcoming Alcatraz) have a game plan that rewards patient viewing. More or less all the weird stuff going on in this show (such as an invisible ex-soldier, a desperate scientist who mutilates his body in order to time travel and save his wife, or children who are born and rapidly mature into adulthood) that the standalone episodes are part of a larger tapestry where Walter Bishop is in the center of, thanks to his scientific brilliance. And his same brilliance research and theories in the past have also cost him dearly in terms of his sanity and relationship with Peter.

Fringe faces an uphill battle to get a fifth season greenlit. On Fox there are a three other genre shows vying for airtime. They include Terra Nova, Alcatraz and Touch. Add to that those moronic singing competition shows that eat up entire programming slots and there’s only so many shows the network will keep on the air.

What’s distressing is that the show more or less has a five-year story plan, meaning they only need a couple dozen episodes to bring the show to a proper conclusion. Fox could do the producers a favor and either renew the show for a final year perhaps with only thirteen episodes to conclude it, or give them enough notice that Fringe will be canceled this season so they can try to wrap up the series. If the second option happens then hopefully the show won’t feel truncated like season four of Babylon 5. That show suffered when it was forced to conclude its main storyline in the fourth season only to find out that a fifth season was greenlit. This led to a listless final season that didn’t seem to go anywhere in terms of story.

Of course, the worst fate is an outright cancellation that doesn’t give the producers time to conclude the show. This leaves fans with unanswered questions like who are the Observers and what is their agenda? Then there is the other terrible fate: a show that ends on a cliffhanger. Reassurances from the producers that they are seeking other venues to finish the show don’t help. It’s a rarity that another network picks up a canceled show and seriously, who wants to read a comic book or novel that finishes a live action story? It won’t feel complete and only serves to remind fans over how they were denied a proper ending. In the meantime, fans can enjoy the new slate of episodes that will be airing over the next few weeks.

José Soto

Check out this clip from the latest episode and groove to the psychedelic background music from Tommy James and the Shondells!

Jan 9 2012

One Man Star Wars Trilogy

 

“The Force is strong with this one” I’m not talking about Luke Skywalker, I’m talking about One Man Star Wars writer and actor, Charles Ross. One Man Star Wars is a hysterical show where Ross singlehandedly performs highlights from the George Lucas’ original Star Wars trilogy.  Not only does he play the roles of the characters, he also acts out the parts of many of the ships suchs as the X-Wing fighters, TIE fighters and Imperial Walkers. One of the highlights includes Luke Skywalker’s reaction to Darth Vader when he has his helmet and mask removed, it was hysterical! Ross started touring this theatrical oddity in 2002, he has performed the show over 1,200 times in more than 180 cities across four continents and still finds a way to keep it fresh. 

Ross takes a few breaks between each movie and asks the audiences questions such as “Has anyone here watched all six Star Wars Movies in One day?” He answers the cheers with “You’re in the right place.” He said he started the show as a comedy act where he performed highlights of the first movie. The act was a huge hit and prompted him to expand the act to a full show that covered the complete trilogy. He had performed the show for a few years and came home one day to an email from Lucasfilm. The subject line said “Future project”  When he opened it the message said “We know about you, please contact us” He then realized he had never contacted Lucasfilm to ask for their permission to perform the show. He thought Boba Fett was going to show up and take him away. He sent a tape of the show but was asked to see them in CA. When he got there he was asked to perform the show at a Star Wars convention in front of thousands of die-hard fans. The fans loved it and Lucasfilm worked out a deal that allowed Ross to keep performing the show.

After the success of his Star Wars show, Ross left outer space and traveled to Middle Earth to write and perform One Man Lord of the Rings. “One ring to rule them all” or as he puts it, “One nerd to perform the whole trilogy” based on J.R.R. Tolkien’s The Fellowship of the Ring, The Two Towers and Return of the King. This show has also been a huge hit for Charles. Sir Ian McKellan (Gandalf) himself said “If you liked Lord of the Rings, You’ll love Charlie Ross’ version.”

The Force is strong with this one, my Precious. You shall not pass… the chance to see these shows so check out www.OneManStarWars.com  and www.OneManLordoftheRings.com to see tours dates for Charles Ross’ performances.

Jim McLernon

Visit Jim McLernon’s website: http://www.leopardmanstudios.com/