Tag Archives: Aliens

Jun 14 2026

The Truth Is Revealed With Disclosure Day

Auteur director Steven Spielberg returns the UFO/UAP genre that he helped revolutionized with Disclosure Day. It serves as the conclusion to his loose trilogy of extra-terrestrial contact films that started with Close Encounters of the Third Kind and E.T. the Extra-Terrestrial. War of the Worlds does not really count because it was a remake of the 1950s classic and was more simplistic with its portrayal of extra-terrestrials. In other words, Aliens bad, humanity mostly good. With Disclosure Day, Spielberg once again proves that he is the master of his craft with this tense and thought-provoking film.

Disclosure Day stars Josh O’Connor as Daniel Kellner, a hacker on the run with his girlfriend Jane Blankenship (Eve Hewson) from a nefarious government-associated organization called Wardex run by Noah Scanlon (Colin Firth) because Kellner stole film evience that the U.S. government had recovered alien technology and beings from crash sites throughout the past 79 years, and imprisoned and tortured the recovered alien beings. He also stole a piece of alien technology that has to be handled delicately because of its unimaginable capabilities. Scanlon will stop at nothiing to capture Kellner because Kellner’s ally, Hugo Wakefield (Colman Domingo), is preparing to reveal the truth about extra-terrestrials to the public in a desperate attempt to bring the world back from the point of no return since it is on the edge of World War III.

Kellner is challenged not only by Scanlon but Jane herself, who questions the consequences of revealing the truth to a human populace that may not be ready to learn the truth about their place in the universe.

The film also follows the story of Margaret Fairchild (Emily Blunt), a restless weather meterologist in Kansas City, who begins to display psychic powers after encountering a cardinal in her apartment. These powers manifest in her ability to speak languages she never knew including an unearthly garble of clicks, and with the capability of understanding the emotions and thoughts of others. She too, goes on the run after being hospitalized after Wardex goons pretending to be FBI agents show up at her hospital room.

The paths of Fairchild and Kellner eventually cross paths as she is psychically drawn to seek him out and help him in his quest to disclose the truth to the world.

Unlike his previous films about extra-terrestrials, Disclosure Day is more mature, grittier and a fitting conlcusion to what Spielberg is trying to convey about contact with extra-terrestrial intelligence. While Close Encounters of the Third Kind focused on making contact and E.T. was about buidling relationships, Disclosure Day tackles the consequences of contact and how we react to that. The film tackles many important questions such as where do we go from here? What would happen if humanity learned it was not alone? What impact would such a disclosure have on societal institutions like religion? The end of the film may frustrate some but it is quite appropriate to leave its conclusion up to audiences since it respects them enough to let audiences come to their own conclusions.

Do not think the film is some kind of dry treatise about alien life. Disclosure Day moves briskly and is unbelievably riveting at times with the intense and creative action scenes that made Spielberg so renowned. Such moments include a thrilling pursuit that takes place in an abandoned farmhouse and an edge-of-your-seat sequence involving cars and trains. The moments when Scanlon uses an alien artifact to mentally hunt down and enslave his victims was downright disturbing and added to the film’s paranoia. Wardex is symptomatic of the runaway military-industrial complex that is plaguing this world supposedly for the good of all of us. It is quite easy for audiences to despise Scanlon and the corporate stooges that work for this malignant corporation and to root for the underdog heroes.

Fairchild’s use of her empathic powers was both eerie and captivating and shows how one can accomplish wonders without resorting to violence. Speaking of empathy, although the film is more adult and darker than Spielberg’s other alien films it still holds on to the loose trilogy’s message of hope and empathy being what wins out despite the obstacles the films’ heroes face. Unlike previous efforts where the idea of love and empathy being the greatest tool we need to get along, this film does not get lost in syrupy and over the top scenes to tug at our heartstrings. It lets the actions of the characters and events to convey that something more is needed for us to get by in this downtrodden world that is on the brink of a nuclear nightmare. To its credit, the film does not go overboard with its presentation of the eve of a world war, then again it disturbingly echoes what goes on with the real world, as people try to go about their normal lives with the backdrop of the global nightmare awaiting them. The film’s message about humanity having to be more empathic and trusting feels more relevant and resonant with us given our current circumstances.

The famous Spielberg tropes and camera work are present in the film and they still work. The film has a few flaws such as some of the special effects could have been better, although the found footage of the U.S. military recovering the alien crash sites are topnotch. The film also features many terrific performances especially by Emily Blunt who is at her best portraying someone who has been touched by something extraordinary and is understandably confused by her situation. Yet despite her situation, Fairchild is quite determined to find out what is going on with what is happenging to her and we can’t help root for her and Kellner as they stay one step ahead of Wardex.

For fans of his alien films, Disclosure Day is a logical conclusion to the theme of humanity and its place in the universe as we are given the chance to think outside the box for something better. One concept the film explores fittingly is that the aliens are not important but instead it is how we react to them. This was why Spielberg in his original cut of Close Encounters of the Third Kind never showed us any details about the alien spaceships, nor why we never learned about the aliens in his films or their motives, except in E.T.’s case that the aliens are explorers. This film comes closer to giving us the answer in that the extra-terrestrials are probably here to help us frrom ourselves, though that is up to any person watching the film. For anyone captivated by the recent renewed interest in the UFO/UAP phenomenon and is displeased by the lack of true disclosure, despite promises from government officials, the film feels very cathartic in its final moments.

The most important question for fans is how does Disclousre Day measure up to Spielberg’s other films, many of which are classics. Well, it is his best genre effort since his work in the early 2000s and a return to form for the master director. Disclosure Day shows that Spielberg is still in top form and the film itself has to be seen and treasured.

José Soto

Feb 19 2017

Colony Is A Compelling Sci-Fi Mystery In Its Second Season

 

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Out of the many sci-fi TV shows currently airing, the most surprising one happens to be Colony, now in its second season. The reason is that it continues to be intriguing and compelling to watch.

For anyone unfamiliar with Colony, the show is about life in Los Angeles about one year after mysterious aliens have taken over the world. Or that’s what we think. It isn’t flat out stated that aliens are our conquerors, but that is the general assumption. So little has been revealed about the conquerors and they’ve only been shown two times so far, and all we’ve been shown is something that is heavily armored and probably unable to breathe our air. This may be frustrating to some but anyone enjoying slow burns and reveals will be thrilled. For instance, we, and even Colony’s characters are unsure about the aliens and their objective. Why have they come? They’ve shown that they outclass humanity very easily and could have just exterminated the entire species. Instead, they were content to just take out our power grid and separate our cities with these giant walls. More importantly, they remain unseen and let human proxies run things for them with their ultimate goal unclear. The only clue we have been shown is that human prisoners on Earth and its moon are put to hard labor.

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While viewers have the overall mystery of the aliens, the show concentrates on the cost of alien occupation to humanity, in particular, the Bowman family. Led by Will (Josh Holloway) and his wife Katie (Sarah Wayne Calles), the family lives a desperate and paranoid life in a cut-off L.A. that is boiling with tension. The end of the last season had the human authorities, which Bowman is a part of, hunting down human rebels that managed to capture one of the aliens. What the rebels, (oh, by the way, Katie worked with them) didn’t realize is that acts of rebellion lead to cities being wiped out. So, L.A.’s existence is a precarious thing as shown in one cold opener this season where the human ruling council in Europe were trying to decide if the city should have been punished for the acts of a few rebels. Adding to this mess, is that the aliens and human authorities have increased their surveillance capabilities a thousandfold. Now as shown in the second season, every citizen in Los Angeles is actively and discreetly monitored. This has driven the human resistance deep underground and made the stakes much more dire. Frankly, we’re asking how can you fight back with the constant surveillance?

santa-monica-colonyMaking things difficult for the Bowmans are the issues with their three children. A driving force last season was the family’s search for their missing son Charlie (Jacob Buster), who was trapped in Santa Monica when the walls came down during the aliens’ arrival. Will managed to make his way into the city in between seasons and found him, but Charlie’s more of a feral child because Santa Monica is a literal hell hole where gangs and warlords rule. So, now this preteen is emotionally damaged and obviously has issues. Then their young daughter Gracie (Isabella Crovetti) is being re-educated by a creepy tutor (Erin Way) to worship the aliens. Finally, their oldest son Bram (Alex Neustaedter) was caught trying to cross the wall and is now sentenced to hard labor. Now we’re seeing the occupation from his point of view at a brutal prison camp.

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As all this is going on, we’re wondering how can humanity fight back and what will be the cost? It’s riveting watching the Bowmans trying not to attract attention and just survive. Is this even possible in the long run? Colony isn’t like V or other humans vs. aliens TV shows were it seemed that humanity had some kind of fighting chance. This show can seem bleak and will and katie bowmanhas shown that people are ready to give up. A case in point was shown in one episode that showcased Will’s co-worker, Jennifer (Kathleen Rose Perkins), who struggled internally with the idea of turning in Will and Katie for their activities. Unable to betray the family, and wracked with loneliness since her family is now gone, it was implied that she committed suicide. Other episodes show how the rebels are near the breaking point. As for the Bowmans, they just want to be left alone, but more and more they are realizing that is impossible and recent episodes have shown their coming to this conclusion.

Colony succeeds because it is able to deftly juggle being a spy drama, a sci-fi mystery and an entertaining look at family dynamics during a war and under occupation. A big hurdle was the sophomore curse and Colony has dealt with it nicely and in its own way has become must-see viewing in its second season.

Lewis T. Grove

 

Nov 13 2016

Arrival Brings Non-Linear Food For Thought

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Arrival is the new sci-fi First Contact movie directed by visionary director Denis Villeneuve and stars Amy Adams as Dr. Louise Banks, a linguist recruited by Colonel Weber (Forest Whitaker) of the U.S. military to help communicate with newly arrived aliens. These aliens arrived on Earth in twelve giant spaceships that have taken up spots around the world and no one is able to communicate with them. What is at stake are rising tensions and paranoia due to the aliens’ arrival. As world powers grow more and more trigger happy, it’s up to Banks to find a way to break through the insurmountable language barrier between the two races before it’s too late.

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In film, the First Contact scenario isn’t anything new and Arrival echoes aspects of past sci-fi films in this subgenre like Contact, Close Encounters of the Third Kind and The Day the Earth Stood Still. Arrival also borrows elements from films such as Signs and Interstellar in regards to the worldwide reaction to alien arrival and head-spinning scientific concepts. What sets Arrival apart from other films in the subgenre is its mature tone and exploration of the hurdles humanity would face in this scenario.

These beings that have come to Earth are genuinely alien. Without spoiling their appearance, what can be stated is that they aren’t the standard humanoids with bumpy foreheads. In fact, their appearance belies the fact that they came from an environment totally unlike Earth’s and that was quite refreshing to see. Also welcome, was that the focus of the film was not on alien invasion with evil E.T.s and heroics from the military. Rather the fundamental dilemma, the driving force of the film is how can we communicate with beings from a completely foreign environment without any relatable frame of reference. It is bad enough that we have trouble communicating with each other so how can this be done in a First Contact situation without leading to war?

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Instead of going for pyrotechnics, Villeneuve sticks with this concept and the result is a slow burn of a film that delivers so much food for thought, especially in the final act. It’s a thought-provoking and wondrous journey thanks to Villeneuve’s careful direction and the cinematography. Every frame is carefully and beautifully staged to tell a story in a visual sense that quietly engages the viewer, while telling a personal story about Banks. Adams gives one of her best performances as her character feels the enormity of her task since she sees all around her the consequences of her failure to properly translate the aliens’ language.

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Without giving anything away, the last third of Arrival ramps up the tension while bringing forth high-brow concepts of non-linear time and how we perceive time in general. It should be pointed out in reference to the film’s tagline of why they are here, although this question is on the mind of many characters, the answer isn’t dwelled upon. Instead, the emotional climax of the film is on Banks herself and her own personal story, which has relevance to humanity’s plight in trying to establish a dialogue with the aliens.

For some, Arrival may be too slow moving, but it has a satisfying payoff for the patient viewer who does not go into the film expecting pyrotechnics or shoot-em-ups. This film is more serious and weighty without being pretentious. There is much to recommend about Arrival, from the performances from Adams, Whitaker and Jeremy Renner as Ian Donnelly, a physicist helping Banks, to Villeneuve’s strong directing and the visual look of the film. But the script by Eric Heisserer, which is adapted from the award-winning short story by Ted Chiang called “Story of Your Life”, is to be commended as well for taking audiences into unfamiliar territory and in examining how a First Contact situation between us and extra-terrestrial might actually play out.

Lewis T. Grove

Jul 16 2016

Aliens: Looking Back At The Sci-Fi Action Classic

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When James Cameron’s classic Aliens was releases 30 years ago, it was instantly regarded as one of the best sci-fi films of all time. It is a fantastic blend of action, futuristic war, as well as a followup to another genre favorite, Ridley Scott’s Alien. The strengths of this sequel comes in many forms.

First is the continuation of having many interesting and aliens marinesiconic characters that inhabit this universe. The most famous is of course the only returning character from the first film, Ellen Ripley played to perfection by Sigourney Weaver. Her portrayal of Ripley as strong and reliable is balanced by her affection for the little girl Newt who is the only survivor of a distant colony overrun by the horrific Xenomorph aliens. Michael Biehn from Terminator fame plays the stoic colonial marine Corporal Hicks, and is a great counterpart to Ripley. The strong cast also includes Bill Paxton as the brash but somewhat bumbling Hudson, Paul Reiser as the slimy company man Burke and Lance Hendriksen as the android Bishop, someone Ripley hates and distrusts at first but later comes to see as an ally. This group of loud and tough space marines contrasts to Ripley’s apprehension and fear of what is coming when they travel to the colony Hadley’s Hope to investigate why contact was lost. Cameron’s depiction of futuristic soldiers was highly influential and has resulted in countless imitations in movies and video games that continues to this day. Everything from Doom to Halo and the film version of Starship Troopers all owe some debt to this film.

ripley and newtAnother brilliant aspect of the film is its perfect blend of action and horror. While Aliens is much more action packed when compared to its predecessor, it still has moments of tension and fear, especially when the marines first land on the colony and try to find any signs of life. The audience (as well as Ripley) already know what happened to everyone there, and the anticipation of finally seeing the deadly creatures definitely raises the tension level. When the aliens do make their appearance, an all out battle ensues with the marines suffering greatly despite their enormous firepower. The movie can go from quiet and nervous to chaotic and hectic in a flash, and yet it all works. Later in the film after another big battle between the marines and aliens, the film ripley and loadersuddenly takes on another scary tone when Newt is kidnapped and Ripley has to journey into the Alien Queen’s lair to rescue her. This foreshadows the epic climax when she fights the Alien Queen in a souped-up power armor/construction device while onboard the ship after the colony is vaporized after a pulse pounding countdown to its destruction. Ripley’s victory against the creature helped to cement her as one of sci-fi’s best heroines and added to her characterization as the ultimate survivor and great example of human ingenuity succeeding despite all odds. The quiet note on which the film ends again parallels the first movie and seemed to set up future adventures with Ripley and her new surrogate family of Newt and Hicks. Unfortunately this didn’t happen with the next film taking on a different direction.

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All of this is set against the backdrop of the fascinating Alien universe that has kept audiences coming back and not just in films. Many books, games and comics have explored this  world and perhaps the star attraction of it all is the alien creature itself. H.R. Giger’s unparalleled design that is both disgusting and captivating has kept fans always anticipating new adventures set in this universe. A universe of bleak distant worlds, corporate intrigue, and insidious alien beings that are perhaps the most deadly ever seen on film. Aliens was the first time that so many of these creatures were seen at once. Dozens of them swarming all over the place was terrifying and a sight to behold. The design of the Alien Queen was also new and the size of it was simply staggering. None of the subsequent films in the franchise have yet attained the level set by Aliens, but with a new Alien film by Neill Blomkamp on the horizon that is supposed to be a direct followup, hopefully another sci-fi epic will continue the story of Ripley, Hicks and Newt. Regardless, Aliens will always be seen as an absolute high point of the genre, one of James Cameron’s best films, and will be well remembered even 30 years from now.

C.S. Link

 

Jun 3 2012

The Alien Movies Ranked

The Alien movies are some of the most well-loved films in science fiction and with the upcoming prequel Prometheus about to be released in the U.S., here are the films that preceded it in order of my personal preference:

1. Alien (1979) Ridley Scott’s sci-fi/horror masterpiece set the standard for this genre. Over the years I have come to regard this one as the best of the bunch because of how well it works. These are the elements that work: the claustrophobic feel of the freighter ship, the slow, but scary, build up to the mystery of what is on the planet that the crew land on and what exactly is picking them off. The infamous chestburster scene is still effective to this very day. The director’s cut on DVD and blu-ray is also very good and even shows a scene where Ripley (Sigourney Weaver) finds Captain Dallas in a cocoon after being attacked by the alien and burns him alive to put him out of his misery.

2. Aliens (1986) James Cameron created a sci-fi war epic that is one of the best films ever made. It created the image of the space marine that is so prevalent in films and video games today and is a great thrill ride from start to finish. The main character Ripley was joined by Newt (Carrie Henn), Hicks (Michael Biehn), Hudson (Bill Paxton) and others that  audiences grew to love. The extended edition shows the back story of the colony Hadley’s Hope and how the aliens took it over. On a side note there will be a video game next year entitled Aliens: Colonial Marines for the PS3 and Xbox 360 that will continue the story.

3. Alien 3 (1993) An underrated David Fincher film that is striking in its visuals and feel. Lone survivor Ripley crash lands on a  prison planet and is followed by a single alien that proceeds to wipe out the prison population harkening back to the original film.  I think this movie is excellent and unfairly hated because fan favorites Newt and Hicks were killed off. Many wanted a follow up to Aliens and instead got a dark almost existential film about Ripley at the end of her rope. This film had a video game adaptation for the Super NES in 1993 that actually played like a side scroller action game with lots of guns and aliens to fight. Quite different from the actual movie. There is also an alternate cut of the movie available on blu-ray and DVD. It restores a subplot of one of the prisoners worshipping the alien and releasing it when it was trapped by Ripley and shows the alien bursting out of an ox instead of a dog as in the theatrical version. Definitely something for fans to check out.

4. Alien Vs. Predator (2004) I’m putting this one ahead of the 4th film Alien: Resurrection since it is simply a better movie. Why it is hated so much is strange. A very good film that shows predators coming to Earth to hunt aliens in the south pole that they placed there as a rite of passage for their young. The set up with the archaeologists finding the eggs and alien queen in the underground temple is great and the battles between the two franchise monsters is lots of fun.

5. Alien: Resurrection (1997) The last Alien film with Ripley. It is set 200 years after her death and has her cloned to extract an alien queen from her body. It has interesting concepts with Ripley actually having alien DNA and blood in her system. The scene where she finds the previous versions of herself is both fascinating and disturbing. The movie returns to the idea of multiple aliens chasing down a rag tag group of mercenaries trying to escape a doomed ship. Seeing Ripley finally returning to Earth is also a nice way to finish her story.

6. Alien Vs. Predator: Requiem (2007) This entry is the only real misfire of the bunch. A follow up to the much better Alien Vs. Predator, the idea of a predator/alien hybrid sounds okay but looks kind of dumb when seen on film. The characters are very forgettable and the whole thing feels more like a bad Syfy movie of the week. Although it is neat to see the aliens crawling around a present-day town in Colorado, since most of the other movies are set in space and the future. I get the feeling that under another director this would have been so much better since the core story of a single predator hunting down aliens on earth is good and there are some good battles between the creatures.

C.S. Link