Category Horror

Oct 8 2014

The Vampires Of The Strain

eichorst ready to eatVampires have been defanged lately. At least on TV and film. Both medium have been filled with overly romantic or brooding, misunderstood loners that filled the roles of the infamous night creatures. In reality, the vampires in Twilight and True Blood among other presentations were really just metaphors for social and emotional themes like teenage alienation, bigotry and even the gay rights movement. As good (or bad) as these presentations were, it was clear that the vampire mystique was diluted and strayed far from the creatures’ legendary horror roots.

Fortunately, The Strain corrects that problem by presenting the vampires in the TV show as the horrific and repulsive monsters they’re supposed to be.

Based on the book of the same name by Guillermo Del Toro and Chuck Hogan (both of whom executive produce the show as well), The Strain is starts off as a medical mystery but by the end of its first season is a straight up horror tale as a deadly infestationplague ravages modern-day New York City. In just a matter of days, many of the city’s inhabitants are turned into vampires by means of a quick-acting virus spread by aggressive parasitic worms. These tiny creatures are found in vampires and burrow into humans whenever a vampire bites them or simply by coming into physical contact with a vampires’ body fluids.

When infected by these disgusting worms that quickly multiply in the body, a person feels like he or she is suffering from a bad cold. In reality a horrid metamorphosis occurs where sexual organs atrophy and fall off, skin turns deathly pale and gray,  and a craving for blood ensues. By this time, the infected’s personality is largely gone, and are driven by a desire to ingest blood and pass on the virus. Infecting and draining someone else is done through a hideous, long tendril that shoots out of their mouths with grabbers and teeth at the end. Seeing this happen in each episode never loses its shock value and it’s very disturbing.

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It’s a unique twist on the way vampires attack their victims and makes logical, pseudo-scientific sense. This method is somewhat reminiscent of the xenomorph creature in the Alien films with its elongated tongue that sports its own tiny, fanged mouth only the vampire’s tongue is much longer and faster. The way the vampires attack their victims takes away any notion of twisted romantic eroticism. The vampires in The Strain don’t try to seduce humans. They have no sexual interest in them and reproduce asexually by transmitting the worms. The end result is that the supernatural aspect of these bloodsuckers are downplayed and instead scientific explanations are given as to how they exist and operate.

Most vampires shown are nearly mindless the mastercreatures driven by instinct. At best, the common vampires display a sort of hive intelligence and carry out psychic commands from the Master, the vampire leader. Meanwhile, a select few retain the personalities of their former lives and possess intelligence and the ability to talk. These special vampires are able to pass themselves off as human through elaborate makeup. That is because a fully fledged vampire has deathly grey skin, no hair, or nose and are bald with pointed ears. They’re also incredibly strong, quick and fast healing.

But Del Toro and Hogan didn’t just toss out all the old traditions with their takes on vampires. They do share a trait with the traditional vampires in that they lull many victims to let down their guards. This happens when a recently transformed vampire is drawn to a former loved one. The intended victim will see that the shuffling creature is acting odd and barely speaking. The vampire will swiftly attack and noisily drain the suckervictim’s blood using its tongue as a fleshy straw and leave the now-infected person in a death-like state. Shortly thereafter, the victim’s DNA is rewritten and the person is now a vampire. Also, the vampires on The Strain  have many of the traditional vampire weaknesses such as being vulnerable to silver and direct sunlight. The show’s heroes use the same tried and true methods of fighting vampires like sunlight exposure, blades for beheadings or silver. But innovative twists are used like UV lamps in the absence of sunlight and nail guns that fire silver nails.

The vampires in The Strain are innovative while being a throwback to their original portrayal across centuries. They’re hideous, disgusting and there isn’t anything romantic about them. They have more in common with the shuffling, mindless and disfigured zombies seen in TV shows and films these days. The end result is that the vampires have become something to be feared again.

José Soto

Sep 30 2014

Z Nation Is Zero Grade TV Fare

znation4There’s this really great show on TV right now. It’s got a terrifying premise, riveting storylines, memorable characters and it’s full of nail-biting scenes and moments of pure horror. That would be The Walking Dead…then there is this show; Z Nation, which has none of the above qualities.

When I first heard that Syfy was going to air this new show, I was excited. Given the runaway success of The Walking Dead, I wondered why it took so long for another TV show to come out with a similar premise of a zombie apocalypse. But then I learned that Z Nation was produced by The Asylum, the production company responsible for all those grade zero schlocky movies that airs on Syfy on Saturday nights.  You know classics like Sharknado and Mega Shark Versus Mecha Shark.

Still, I kept an open mind, maybe Z Nation might actually be decent. It’s got a decent premise: survivors of a zombie apocalypse have to travel across the U.S. to deliver to a med research base a person who is immune to the zombie versus that has decimated the world. But nope, the show is crap.

As expected with productions from The Asylum, Z Nation looks cheaply done on the fly with amateurish CG. Most of the acting is awful and the dialogue is atrocious and inappropriate at times. Half the time, the wooden characters bark clichés and lazy one-liners that ruin the supposedly dour mood of the episodes. It’s like the actors know that they’re in a crappy production and have a “hell with it” attitude.

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The only actor that stands out in this troupe is DJ Qualls, who isn’t part of the main action. He plays Citizen Z, the last surviving communications soldier at an arctic NSA outpost codenamed Northern Light. As the survivors trek across the country (at this point, they’re situated in the northeast), he keeps in touch with them via radio and phone calls. Since he’s isolated from the main action, his scenes allow for some exploration on the themes of isolation and for the most part they work. He had an interesting story in the second episode when he encounters a dog and befriends it. It’s just too bad the show cuts away from him to focus on the survivors and their moronic actions.

Maybe Z Nation would be more bearable if the characters were more interesting or likeable. It’s bad enough that the man who holds the key to curing the zombie plague is such a tool. He is portrayed by Keith Allen and boy does he overdo the selfish jerk routine. Meanwhile, most of the other characters don’t want to be bothered with this mission, yet they still follow the orders of Garnett (Tom Everett Scott) a former National Guard who takes it upon himself to deliver Allen’s character to California. It’s all just an excuse for the characters to find ways to kill zombies.

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With that said, the show is rarely dull, it moves quickly. From the way the characters behave and talk, it seems like Z Nation is trying to be intentionally tongue-in-cheek.  I just wish it was actually funny. There are fans of works from The Asylum and they’re the only ones who may want to tune in to Z Nation, but everyone else should just watch The Walking Dead for a good fix of zombie action.

Waldermann Rivera

Sep 22 2014

Lost Pitches For The Walking Dead Spinoff

Ever since AMC announced that they are going forward with a spinoff for The Walking Dead, there has been rampant speculation about the new TV show’s premise. While we don’t claim to know what it will be about (presumably about another group of survivors elsewhere), here are some pitches that probably didn’t make the cut at the AMC executives’ meetings.

???????????210 Walker Street – Tyreese finds out that his long-lost uncle from South Philly left him an apartment building in his will. Tyreese moves in as the new superintendent, but finds out the tenants are walkers! Wacky hijinks galore as Tyreese deals with nosy neighbors, sassy store owners, and collecting the rent without being eaten.

Daryl Dixon: Walker Hunter – This spinoff features Daryl who is now a swampland bounty hunter in America’s southeast. His specialty, of course, is hunting down walkers who go missing busted arrowfrom CDC labs and work farms. Aiding the deadly hunter is his long-lost brother Maynard, a local sheriff who was recently turned into a walker, but his passion for justice enables him to overcome his cannibalistic urges and help his brother bring ’em back dead!

The Dead Beat – Michonne turns into a hard-hitting newspaper reporter, exposing city scandals and top-brass corruption, but often butts heads – literally – with her editor, a rehabilitated walker. Watch the suspense unfold as Michonne fights the good fight to inform the public and not forget her katana.

Dead Dynasty –In the tradition of those popular redneck reality shows this one will star Daryl Dixon as a walker farmer! Business has been good for the farm since med research places need fresh supplies of walkers to experiment on. Tune in each week as Daryl deals with everyday trials and tribulations in a walker farm with his redneck family including his walker brother Merle, who is kept chained to the side of a barn. Don’t worry about Merle, his teeth have been yanked out in case of accidents while playing with little cousin Jimmy.

rick and zombie cop

L.A. Walker Heat a.k.a. My Dead Partner – Embittered by his walker experiences Rick transfers to the LAPD, where he is partnered with a domesticated walker, who happens to be the first of his kind to graduate from the police academy. Suspicious of each other at first, they learn to overcome their mistrust, and together they fight crime and corruption in the City of Angels.

Please click on the link to Deadloggers to continue reading.

Evan Rothfeld and José Soto

                                          Copyright © 2014 Starloggers
Jun 13 2014

Summer Genre TV Watchlist

It’s very clear that the summer season has become the best time for genre TV shows. Maybe it has to do with there being less competition in the air waves, but in any case this summer has quite a selection of sci-fi, fantasy and horror TV shows either returning or debuting. Leaving out pure garbage like Under The Dome, these are the most anticipated TV shows.

defiance second seasonDefiance (June 19): Syfy’s ambitious TV series about aliens and humans sharing an uneasy peace in the future in the town called Defiance returns for its sophomore season. The first season was uneven in quality, but showed potential as the characters were fleshed out and compelling mysteries were explored. Hopefully Defiance can continue going up in quality.

Doctor Who (August): Peter Capaldi’s turn as the Twelfth Doctor begins this August. The long-running sci-series about a time-traveling alien and his adventures is as popular as it was when it premiered way back in 1963.

Dominion (June 19): A sequel to the 2010 supernatural thriller Legion, Dominion takes place in a future where angels and humanity are at war with each other. Legion was so-so, but based on the trailers and its premise, Dominion warrants a viewing or two.

Extant (July 9): Halle Berry stars in this Steven Spielberg-exec-produced sci-fi mystery. She plays an astronaut who after coming home from a solo mission may have brought back an alien life form. That’s because while in space by herself, she became pregnant. Expect lots of jaw-dropping revelations.

Falling Skies (June 22): The alien invasion saga is back for its fourth season. The ragtag humans continue their desperate war against the spider-like Skitters and now the tired sci-fi trope of young alien/human hybrids that age rapidly. Still Falling Skies in the past has been a generally well-done and exciting TV show, so it should pull it off again.

The Last Ship (June 22): Based on the last shipbook by William Brinkley, this post-apocalyptic drama focuses on a lone U.S. Navy ship and its crew. An important change from the book is that instead of surviving a nuclear war, the ship and its crew grapple in a world where a pandemic wiped out most of humanity. The previews make it look quite exciting and riveting.

The Leftovers (June 29): Former Lost showrunner Damon Lindelof presents this HBO series set in a world where the Rapture caused two percent of its human population to disappear. As expected, people go off the deep end as fringe cults and chaos comes to the fore.

Outlander (Aug 9): Noted showrunner, Ronald D. Moore executive produces this new STARZ  series about a World War II-era British nurse who winds up in Scotland in the year 1743. This romantic time travel drama is based on Diana Gabaldon’s popular books, and it looks like an epic book romance come to life.

strain

The Strain (July 13): This one looks scary! Based on director Guillermo Del Toro’s book trilogy, this FX TV show is about scientists trying to stop a virus that turns people into vicious, deadly vampires. Will this replace our summer vampire fix now that True Blood is ending?

true blood castTrue Blood (June 22): Coming back for its seventh and final season, the HBO vampire drama as expected wraps up its storylines about a world where vampires have come out and struggle to get along in society. Although True Blood isn’t as buzzworthy as in the past, its racy scenes, bloody gore and ever-twisting plotlines still deliver.

Annette DeForrester

May 18 2014

Godzilla Finally Done Justice By Hollywood

godzillaAlright people, the new Godzilla movie is so great that it makes you forget about the stain from the 1998 version!

It works on so many levels and left me feeling so satisfied and relieved that Hollywood finally got Godzilla right. That’s because of the director of Godzilla, Gareth Edwards. When making this film, he wanted to emulate the mood established with the classic Jaws. First have characters, then present inferred appearances by the monster, then fully reveal the monster in all of its glory. In this movie, we the audience only see parts of Godzilla at first, a fin here, a tail there. But don’t worry, when he’s finally revealed it’s a gasp-inducing moment! It’s a huge payoff. But more than that this really feels like a Godzilla movie or at least how Godzilla was like in his early movies.

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This version of Godzilla is a sort of quasi-sequel to the original 1954 classic and it pretends that the sequels that followed never existed. This film sticks to its Japanese origins, which is important and the creature looks and sounds like Godzilla. This Godzilla has his trademark atomic breath, but it’s white hot and his back fins glow before he fires as seen with the recent Japanese films. It’s works for Godzilla and there wasn’t any reason to change it. Gareth Edwards and the other filmmakers understood that it was important to deliver the gargantuan force of nature that defines the monster unlike the ’98 version.

What’s more they embellished the nature of Godzilla by the revelation that he is a part of a group of animals known as alpha predators that existed before dinosaurs and was raised in a primordial Earth bathed in radiation. So it makes sense that he is awakened in the 1950s when mankind started testing nuclear weapons.

GODZILLAThat’s just one of the many cool things about Godzilla. There are also the pounding Kaiju fights, which brought out gasps and applause from the audience I saw it with. Even the opening credits are stunning. The credits are supposed to appear like classified documents that are redacted, it helped set the dark, serious tone of the movie, which was best shown with the ominous HALO jump seen in the trailers. Edwards uses for that scene the same eerie chorus heard in 2001: A Space Odyssey and it’s very effective.

The characters themselves are decent and serve their purpose though there aren’t any breakout characters. But that shouldn’t deter anyone from skipping out on Godzilla. It’s a terrific monster movie thanks to its moody tone and its faithful interpretation of the King of the Monsters.

Steven L. Walterson