Christmas With The Doctor

Steven Moffat has continued the traditionally awesome Doctor Who Christmas specials that began with the sensational “Voyage of the Damned” written by his predecessor, Russell T. Davis.  This episode was based on the 1974 book, The Voyage of the Dammed, written by Gordon Thomas and Max Morgan-Witts.  The book describes the fate of Jewish refugees who were forced onto the MS St. Louis ocean liner and were denied asylum in both America and Cuba in 1939.  Back to Doctor Who, the episode describes the bitter ex-corporate tycoon who is out to create the most collateral damage thereby bankrupting his former corporation, while in the process killing everyone on board and the Queen of England by crashing into her pad.

Now we move on into the Steven Moffat era of true Christmas spirit by recreating A Christmas Carol with a 2010 special also called “A Christmas Carol.”  Moffat not only captured Charles Dickens’ original spirit of good triumphant over greed; but he then updated and amazed us with technological and psychological leaps that kept us glued like a kid eyeing the biggest gift under the tree.  Adding flying sharks and opera singers made it even more mind-blowing, but the greatest feat was travelling back in time in the life of Kazran Sardick a Scrooge-like character. Thus, reversing the focal point in Sardick’s past so that it changed reality and altered his present-day self and saved the lives of the Doctor’s companions.  It’s wickedly complex, magical and a bit sentimental, but that’s why we love it so much. 

Finally, the latest in the series of Christmas Stories, “The Doctor, the Widow and the Wardrobe,” based upon C.S. Lewis’ The Lion, the Witch and the Wardrobe.  Miracles happen, so we do feel that the Christmas spirit has been kindled.  However, the similarity to the original story is not as pronounced or profound as we would have liked.  Featuring widowed Madge Arwell and her two children there were no cute characters (unless you count Matt Smith) or beautiful, bewitching evil witches.  The only evils ones were men who wanted to harvest trees by killing them with acid rain and WWII tragedies of missing airmen.  The evils of being lost at war (although this did relate to The Lion, the Witch and the Wardrobe) and of acid rain seemed too far removed from the original very deliberate mind-altering ice queen.  Alas, the only comparison that we could make is that it left us feeling cold and missing the warm relationship with his companions. 

In fact, we started reminiscing about past companions and how in the end it just didn’t work out.  Martha Jones loved the Doctor but realized that it was never going to happen, Rose Tyler got stuck in another dimension, Donna Noble was forced to forget the Doctor because her mind would blow up if she didn’t and finally there was Amy Pond and her mysterious daughter, River Song.  We couldn’t see any future there because Amy was married and needed to stop dragging her husband over time and space and River Song said the beginning was the end so where does this leave us now? If he comes back does time stand still again?  So we were already grieving that loss more than the loss of the characters in this year’s special.  But just as the Doctor saved Madge’s family, she saved him by saying he couldn’t let them think he was dead.   So another Christmas miracle happened just about the time we were contemplating that a new non-emotionally attached companion (in other words a man) would be the best answer to travelling around deep, cold space.   He arrived at Amy’s TARDIS blue door and she announced to “Mr. Pond” that the Doctor was there, the ice inside our hearts melted, too.  Everyone (including the Doctor) cried tears of joy and we knew that the Doctor could make his way with his current companions, especially now that he is reunited with River Song as his wife and soul mate for a very long time to come (or the end of time, once again). 

Gwen McLernon

Best Of 2011

Short and sweet here’s our rankings of the best (and worst) in sci-fi, fantasy, comics, etc. in film, TV, etc.

Best Sci-Fi TV Show

Fringe, with all the mind-bending twists, parallel universe visits, inter-dimensional funkiness, and John Noble’s brilliant portrayal of half-mad scientist Walter Bishop, this show has outdone The X-Files It’s a shame its ratings are plummeting making a fifth season not guaranteed. Please Fox, if you intend on canceling it, give the creators time to wrap up the show.

Best Horror TV Show

The Walking Dead, just the premiere episode in its second season made it scarier and more terrifying than anything shown in theaters. With many contenders for the title like Supernatural, True Blood and American Horror Story, The Walking Dead ate out the competition.

Best Fantasy Show

Finding Bigfoot–just kidding! Actually it’s a tie between True Blood and Game of Thrones. Sure the latter has many horror elements like vampires and witches, but the entire Sookie and the Faerie angle took the show into the fantasy realm.

Best Documentary/Reality Show

Prophets of Science Fiction, airing on the Science Channel offers viewers involving examinations of the lives of sci-fi literary greats and how their works influenced culture.

Best Cancelled TV Show

Stargate Universe, it’s too bad Syfy got impatient with this program thatdecided to jettison all the cowboy antics of previous Stargate shows and concentrate on the wonder of space travel. One truly got the impression that the people onboard the ancient starship Destiny were out exploring the unknown. Too bad viewers never got a proper series conclusion, which is nothing new with genre shows even on networks supposedly dedicated to them. But that’s another rant.

 

Best TV Character

Walter Bishop (John Noble) in Fringe. His mad scientist antics are very funny while also full of pathos. As stated online everywhere it’s a crime Noble hasn’t been nominated for an Emmy.
 

Most Missed TV Character

Castiel from Supernatural, our favorite deadpan angel sadly bit the dust shortly after the seventh season premiere. His death has overshadowed the rest of the season, even the supposed death of the Winchester Boys’ surrogate father Bobby.

Most Improved TV Character

The Eleventh Doctor as portrayed by Matt Smith in Doctor Who. After a shaky first season, Smith has grown comfortable with the role and showrunner Stephen Moffat has let the wild complexity of time travel define this show.

Best Series Finale

V, technically it was only a season finale but the show was cancelled. Nevertheless, people who still tuned in watched in glee as hated characters,especially annoying teenage son Tyler Evans (who incidently gets the title for Worst TV Character), get killed and the aliens apparently conquered the Earth with some kind of cosmic enrapturing that left most of the populace in a trance-like state of alien worship. Cool, the bad guys won!

Worst Series Finale

Smallville gave fans who waited ten years for Tom Welling a.k.a. Clark Kent the moment to finally put on the Superman suit and the show did not deliver it right. Sure Welling ripped open his shirt at the very end to reveal his S Shield and there were a couple of bad far away CG shots of Superman but that figure could’ve been anyone!

Best Sc-Fi Film

Rise Of The Planet Of The Apes, a genunine surprise given how disappointing Tim Burton’s 2001 remake was. This emotional film reinvigorated the franchise and took it in a new direction in a way that was better done than most ofther reboot attempts, including J.J. Abrams’ Star Trek. Also the year’s best film line was heard in this movie: “NO!”

Best Horror Film

Insidious, made by the creators of Saw and Paranormal Activity used many ingredients for a memorable horror movie: creepy kids, demons, haunted houses, ooh time to sleep with the lights on.

Best Fantasy Movie

Harry Potter and the Deathly Hallows, Part II brings the film saga to a spectacular finish. Now the question remains will Potter mania stand the test of time? We think so.

Best Animated Film

TIE: Kung Fu Panda 2 and The Adventures of Tintin, Steven Spielberg gives us another rousing adventure film in the vein of Indiana Jones but using beautiful animation but Kung Fu Panda 2 had more heart in its story of Po the panda trying to discover his roots and inner self.

Best Super Hero Film

Captain America: The First Avenger, everything could’ve gone wrong but instead was a nearly perfect rendition and ode to one of Marvel’s earliest heroes.

Best Super Hero On Film

Captain America from Captain America: The First Avenger, see above and add in Chris Evans’ heartfelt portrayal of an average man who only wants to do good and became someone greater.

Biggest Disappointment

Green Lantern could’ve been so great but it wasn’t. In a summer with a patriotic hero, a larger than life thunder god and retro mutants this film presented a tepid origin story with forgettable villains and the 3D stunk. Unbelievably a sequel is still being planned.

Best Guilty Pleasure/Action Film

Battle: Los Angeles, the basic message of this alien invasion story told from the point of view of grunt marines is KILL, KILL, KILL! But there were many tense moments with great and gritty action sequences. Many claimed it was a mashup of Black Hawk Down and Transformers and they were right.

Best Use Of 3D In A Film

Transformers: Dark of the Moon may be dumb, noisy and be stricly for watching stuff blow up, but the 3D was nearly perfect and added depth to the film.

Best Trailer For An Upcoming Film

Prometheus, seriously we just don’t get tired of seeing this preview about Ridley Scott’s return to the Alien universe.

Best Comic Book Event

DC’s The New 52, was the game changer for the comic book world. It updated all the DC characters with a comprehensive reboot and the company’s aggressive push into digital online comics could pave the way to comics’ salvation.

Best Comic Book

Justice League, Jim Lee’s vivid art and the restructuring of the team’s personalities and relationships made this a can’t-miss comic.

Best Super Hero In Comic Books

TIE: Superman and Spider-Man, both flagship characters had their ups (Superman updated again but this time the changes largely work and readers are given two distinct versions of the character in his two books) and downs (Spider-Man is still suffering the damage of Marvel boss Joe Quesada’s boneheaded decision to have Spidey make a deal with the devil and erasing his marriage, still the Spider-Island story arc was whacky fun) yet continue to shine no matter their trappings. Honorable mentions go to Batman, The Flash and Captain America.

Lost With Terra Nova

After much delay, Terra Nova finally premiered earlier this fall on FOX. Reasons for the delay were reportedly due to production problems such as tweaking the special effects. Despite Steven Spielberg being behind the show, a lot of people fretted over the delays especially when Brannon Braga (who many blame for Star Trek’s decline) came onboard as a show runner. What most overlook is that other sci-fi TV veterans are also involved like Firefly’s Jose Molina and Trek writer/producer Rene Echevarria.

With all these talents behind the scenes you have to wonder why Terra Nova isn’t a can’t-miss show. Many parts of it come off as tepid combinations of seaQuest and tired Star Trek plots (and that means the banal Next Generation and Voyager episodes that earned Braga his reputation). Yet there is potential in this program. It’s not downright awful and I’m still watching (which is something that could not be said for other new genre offerings like Person of Interest and Once Upon A Time, I couldn’t even get past the half hour mark on those pilots).

Here’s the premise as seen in the pilot episode “Genesis;” by 2149 Earth is an ecological disaster, overpopulated, polluted and pretty grim. But humanity’s salvation lies in the distant past. A way was found to time travel back 85 million years into an alternate Earth (and sidestepping any time paradox questions), so a select few are chosen whether by lottery or needed skill to go back in time and live in a  new colony called Terra Nova. Enter the Shannon family. In the future, family sizes are regulated to just two children and the Shannons  are caught harboring a third child, which leads to the father Jim (played by Jason O’Mara) to being  jailed. Years later, the rest of the family is chosen to make a pilgrimage to Terra Nova. His wife Elizabeth (played by Shelly Conn) helps break Jim out of jail and all five of them escape into the past to start over.

Probably part of the problem with the show is that the place they arrive in is a bit too perfect. It tries to come off as a bit rugged but the colony looks like a beefed up farmer’s market meshed with a timeshare resort with everyone walking around casually. The Shannons are part of the what’s called the Tenth Pilgrimage, meaning that nine other waves of colonists have arrived and settled into the place. It would have been more interesting to have seen the struggles of the early colonists, seeing death, hardships,  and dinosaurs. Yep. For a show that takes place in prehistoric times, dinosaurs appear far and few in this show, which is surprising when you consider that each episode costs about $4 million and has a longer than usual post production. If you look at Primeval, which has plenty of scenes with dinosaurs per show, you have to wonder where did Terra Nova’s budget go to? Sure, it has some nice special fx, esp. when showing futuristic tablets and graphics but the dinosaurs are nowhere near the level seen in the Jurassic Park films. They might as well have set the show during a more recent time period, the premise would still be viable.

So without the constant drudgery of trying to set up a colony, the show is reduced to banal plot lines. One episode called “The Runaway” dealt with a little girl that sought asylum with Terra Nova. She was part of a group of renegade, thuggish colonists that broke away from the colony in the Sixth Pilgrimage and are known as the Sixers. Interesting concept for recurring villains, but they come off as rejects from a bad Mad Max rip-off with Hollywood camouflage face painting and rags. It was pretty obvious that the girl was  a plant sent by the Sixers to infiltrate the colony. But the episode did reveal some mysteries such as the fact that some people from the future are unhappy with the leader of Terra Nova (Commander Nathaniel Taylor,  well played by Stephen Lang, think of a nicer version of the character he portrayed in Avatar) and want him removed and part of the mission of the Sixers is to do this. There are very small indications that there is more to Terra Nova than viewers are shown such as the story behind Taylor’s missing, estranged son. But so little time is spent on them.

Instead we get generic plot lines and really stupid family and teenage drama that belongs on The CW network. Haven’t the producers seen other genre shows with idiotic teenagers and known how loathed the y were? Here we have Jim’s mopey son Josh (Landon Liboiron) wasting screen time about how miserable he is without his girlfriend from the future. So he takes a job with a shady bar owner, that the parents are completely unaware of until lately (even from the first episode it was shown the parents were irresponsible by not keeping tabs on him), and strikes up a bargain with the leader of the Sixers to bring his sweetie pie through the time portal. How dumb is this guy? Then we’re tortured with scenes of the Shannons’ middle daughter making lovely eyes with the oh-so cute security guard. Speaking of security, Jim Shannon saved Taylor’s life in the pilot, earning him a job as the colony’s cop, so why isn’t he wearing a uniform like the other security personnel?

Here are some other episode plots, in “What Remains” the main cast gets stricken with a virus that causes amnesia. Actually it was better than it sounds, like a dull episode of Star Trek: Enterprise that recycled that plot from older Trek shows. That’s because of the interactions between O’Mara and Conn (who happens to be the only one who can cure the disease: “roll eyes now”). “Bylaw” concerned THE FIRST MURDER EVER COMMITTED ON TERRA NOVA! Wow with all the problems with the Sixers it’s hard to believe that there hasn’t been any violent incidents and casualties before this episode. And if memory recalls, Taylor was nearly assassinated in the pilot. So why no brouhaha over that? BTW the mystery was dull and by the book.

A recent episode “Nightfall” was fairly good (an EMP from an exploding meteor knocks out the colony’s electronics leaving them defenseless) then again there were some head-scratching moments. For instance, they go on about how their weapons are now useless, well don’t they have the skills to at least make crude spears and traps? And another thing they have to manufacture chips to operate most of Terra Nova which is without any means of protection. So why is priority given to make a chip just to operate a bio bed for one patient? What about the security of the entire colony? Wouldn’t that take precedent?

Terra Nova has some interesting nuggets. Unfortunately TPTB don’t concentrate on them. Yet there is enough going on to keep my attention and watching, which may be for naught. All thirteen episodes in this season are in the can, so there is little that can be done to improve the show at this point until filming the second season. But I get the feeling this one may be extinct before long.

José Soto

The Walking Dead March On, Part II

Episode Three: The pre-credits scene of episode three of the second season of The Walking Dead, “Save the Last One”, shows Shane (Jon Bernthal) running water for the shower and shaving his head with electric clippers. Looking at his reflection in the mirror, he seems disturbed and somewhat uneasy…

episode-3-shane-otis-hallway-gp[1]Post-credits, in a nightmarish sequence, Shane Walsh and Otis (Pruitt Taylor Vince) run for their lives from walkers in the school hallway. The walkers –looking Hammer-film ghoulish in the dark, slow-motion scene – chase them into the gymnasium. Rick Grimes’ (Andrew Lincoln) conversation with his wife Lori (Sarah Wayne Callies) – at their son Carl’s (Chandler Riggs) bedside – provides the narration. Telling of Shane’s icy prowess in getting any job done, he recounts the time Shane stole the high school principal’s car out of the teacher’s lot in the middle of a lesson…

Back in the RV, Carol (Melissa McBride) cries in her sleep, almost certainly over her missing daughter. Daryl Dixon (Norman Reedus), sleepless, goes on a night search for the girl. Andrea (Laurie Holden) agrees to join, and grabbing flashlights, they set off into the dark, silent woods. Daryl casually reveals his survival skills, telling Andrea of the time he was lost in the woods as a child, alone, for nine days before finding his way home. Their vain search yields only a bite victim who unsuccessfully tried to commit suicide by hanging himself from a tree, turning into a walker in the process. After reading his rhyming, darkly humorous suicide note, Daryl – although initially reluctant to waste arrows –kills the gurgling walker. Andrea reveals a morbid outlook, unsure of whether she wants to live or die…

Please click on the link to Deadloggers to continue reading about Episode Three

funeral

Episode Four: The pre-credits scene of episode four of season two of The Walking Dead, “Cherokee Rose”, shows the survivors re-grouping at the farm, as Hershel (Scott Wilson) tends to a recovering Carl Grimes (Chandler Riggs). Later, Otis (Pruitt Taylor Vince) is buried and eulogized in a solemn ceremony. Shane Walsh (Jon Bernthal) grows visibly uncomfortable as the unknowing Hershel waxes heroic, and has flashbacks to Otis’ final moments. Patricia (Jane McNeill), Otis’ surviving girlfriend, wants Shane to say a few words. Shane initially protests but stammers his way through a falsified version of the fatal event, designed to heroize the dead man’s actions…

Post-credits, the survivors study a map of the area to analyze where to search for the missing Sophia (Madison Lintz). Hershel advises Rick Grimes (Andrew Lincoln) and Shane that they are medically unfit to participate in the search, so Daryl (Norman Reedus) goes alone. Hershel states his directive that no one carries guns on his property, objecting to an “armed camp.” Despite reservations, Rick and Shane comply, although Hershel permits an armed lookout. Additionally, Hershel breaks the news to Rick that as soon as Carl has recovered fully, and Sophia is found, the survivors are to leave his property, stating that “we don’t normally take in strangers.”

episode-4-glenn-well-gp[1]

Dale (Jeffrey DeMunn) and a lucid, recovered T-Dog (IronE Singleton) find a grotesque, swollen, misshapen walker trapped at the bottom of one of five wells on Hershel’s property, sarcastically calling it a swimmer (as opposed to a walker). The survivors want to shoot it, but don’t want to contaminate the well water. Finally, in order to remove it, they resort to lowering in a nervous Glenn (Steven Yeun) as live bait to harness it to a rope and the pull it out. Unfortunately, the bearings holding the tied rope loosen, dropping Glen sharply downward almost within the monster’s grasp. The group succeeds in pulling the screaming, panicky Glenn out of the well. After another try, they pull the swimmer out, this time using a horse for an anchor. As the gurgling swimmer is halfway out, his soft, bloated, squishy body snaps in two. His top half quivers on the ground, spraying blood and intestines while his lower half falls back into the well. A disgusted T-Dog bludgeons the swimmer’s head…

Please click on the link to Deadloggers to continue reading about Episode Four

Evan Rothfeld

The Walking Dead March On, Part I

cast photo

The first season of AMC’s The Walking Dead, based on Robert Kirkman’s hit comic book gore fest of the same name, cleaned up in the ratings and kept fans biting their nails on the edge of their sofas.

Developed by veteran director Frank Darabont, together with Kirkman, the highly anticipated first season premiered on AMC to universal acclaim in October 2010, setting a record audience for a cable show premiere. Albeit way too short (a paltry six episodes, eliciting a collective groan from fans and critics alike) the not-for-the-squeamish show jumped right into the action. Initially sticking close to the comic, it developed characters, themes, and storylines made only for the TV version. episode-1-rick-3[1]The show follows Rick Grimes, a lion-hearted sheriff’s deputy from Georgia, as he got shot in the line of duty, then awakened from a coma in an abandoned hospital. He found his family and then led them and a small band of survivors to safety through the aftermath of a zombie apocalypse. The Walking Dead delivered the goods: coming in the wake of Lost, the show helped satisfy fans’ craving for a diverse group (old, young, pre-teen, black, Asian, blonde, redneck, etc.), each with his or her own backdrop story to tell, struggling their way out of a helpless situation. The survivors dealt with infighting, romance, the daily grind of scrounging for food and weapons, and most of all, well…zombies.

male-walker-760[1]Where Lost had the villainous “Others,” The Walking Dead upped the ante and put forth the most horrifyingly evil and dangerous cast of villains ever shown on TV: shuffling masses of brainless, gut-chomping, intestine-ripping “walkers” (called so for their habit of endlessly wandering and being incapable of physically tiring). With outstretched arms seeking live flesh, they are slow, nameless, and deadly. As it seems, a bite from a walker turns a victim into a walker himself.  Over the six episodes, aired back-to-back, the show raised the bar for gore-splattering special effects and makeup as we watched the walkers, in varying stages of decay, feast, or get killed from head-bursting gunshots and blood-spraying decapitations.

By the last episode in season one (“TS-19”), the survivors’ ranks were thinning out due to walkers and suicide. Trapped in Atlanta’s Centers for Diseases Control and Prevention (CDC) – where they arrived in a futile attempt to find a cure for the zombie plague – the group used a grenade to blast their way out of the fortress-like government center before it self-destructed. They fled Atlanta to begin a nervous, uncertain pilgrimage to Fort Benning in the hopes of finding a safe zone.

Thankfully, for season two, the top-notch main cast signed on to continue. Among them are native Englishman Andrew Lincoln (who should win an award just doing such a marvelously convincing American accent) as the take-charge Rick; Sarah Wayne Callies as his pretty wife Lori; Jon Bernthal as his best friend and co-deputy Shane Walsh (who had an affair with Lori before Rick turned up alive); Steven Yeun as Glenn, the delivery boy turned resourceful street rat; Laurie Holden as despairing Andrea; Jeffrey DeMunn as the elderly and life-experienced Dale; IronE Singleton as T-Dog, an amiable, stocky black guy;  Melissa McBride and Madison Lintz as gentle widow Carol and her pre-teen daughter Sophia, Norman Reedus as Daryl Dixon, a redneck alpha male archer and already a fan favorite; plus Chandler Riggs as Rick and Lori’s pre-teen son Carl.

Please click on the following links to Deadloggers to read more on Episodes One and Two of the second season of The Walking Dead

Evan Rothfeld