Category Television & Streaming

Oct 28 2014

Top 13 Supernatural Heroes

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The horror or supernatural genre is noted for its deadly monsters and evil creatures of the night. But genre also has its fair share of heroes, who willingly put themselves in harm’s way to protect us from the forces of darkness. Whether imbued with supernatural powers themselves or just plain ordinary folks, these are the greatest heroes of the supernatural.

ghost rider13. Ghost Rider (Ghost Rider): Noted for his flaming skull, a kickass fiery motorcycle, and a passion for vengeance, Ghost Rider is no doubt the flashiest antihero on this list. After selling his soul to Satan, motorcycle stuntman Johnny Blaze became the terrifying Spirit of Vengeance as he meted out justice against evil with his hellfire and penance stare.

12. The Crow (The Crow): James O’Barr created this haunting anti-hero for a series of moody comic books. In them, Eric Draven came back from the grave to avenge the killing of his girlfriend by vicious thugs. Adapted into a cult hit film starring the late Brandon Lee, the Crow has grown in popularity among fans.

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11. Abraham Van Helsing (Dracula): The original vampire slayer and archenemy of Dracula has been a staple of many adaptations of Bram Stoker’s Dracula novel. Played by a host of reputable thespians like Peter Cushing, Anthony Hopkins, Sir Laurence Olivier and even Hugh Jackman (as Gabriel Van Helsing), Van Helsing is the one human match against the King of the Vampires.

10. Blade (Blade): Feared among vampires, the blade“daywalker” is actually a half human, half vampire hybrid with all of a vampire’s strengths, and without any vampiric weaknesses. Originally an obscure Marvel Comics character, Blade became super popular after Wesley Snipes played him in a trio of high-octane films.

9. Hellboy (Hellboy): A demon who was summoned as an infant by Nazis during World War II, Hellboy (Ron Perlman) was recovered by Allied Forces instead. Once grown into a red, hulking super agent with sawed-off horns, Hellboy has fought on the side of humanity ever since against supernatural forces with a sense of humor, a big gun and the heart of a hero.

ash8. Ash Williams (The Evil Dead): After mistakenly unleashing demonic forces into the world, Ash Williams (Bruce Campbell) valiantly fought against the malicious spirits with desperate and manic gusto in Sam Raimi’s acclaimed trilogy. While The Evil Dead films are noted for their off-the-wall scares and gore, Ash is the slightly goofy heart of the films and gives us someone to root for.

7. Castiel (Supernatural): First introduced in Supernatural’s fourth season, the angel Castiel quickly became a fan favorite. Brilliantly played by Misha Collins, Castiel is a genuine deus ex machina for the Winchester Brothers, while being the source of many amusing scenes thanks to his literal, stoic attitude and naive demeanor when dealing with humanity.

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6. Doctor Strange (Doctor Strange, Strange Tales): Marvel Comics’ premier sorcerer is truly the Master of the Mystic Arts. Once a cocky and selfish neurosurgeon Stephen Strange suffered a debilitating accident and in trying to find treatment wound up on a mystical and redemptive path. After becoming the Sorcerer Supreme, Doctor Strange is our dimension’s greatest defender against dark forces thanks to his powerful, magical powers.

5. Carl Kolchak (Kolchak: The Night Stalker): Adorned with a cheap suit, a bulky recorder and a fragile camera, kolchakCarl Kolchak (Darren McGavin) worked a lonely beat as a hustling, streetwise reporter who investigated supernatural incidents. Kolchak was forced in each episode (and two TV films) to put aside his fears and confront deadly supernatural dangers, usually without any help since he couldn’t convince anyone about the true nature of the threats.

buffy angel4. Buffy Summers and Angel (Buffy The Vampire Slayer, Angel): While Buffy first made her debut in the film Buffy The Vampire Slayer, Joss Whedon made the character soar in the TV version, which starred Sarah Michelle Gellar as the titular character. Quirky and full of spunk, Buffy bravely took on vampires and other supernatural forces that threatened humanity. The TV show also introduced viewers to the tortured vampire Angel (David Boreanaz), who fought alongside Buffy, as he tried to reclaim his humanity.

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3. John Constantine (Hellblazer, Constantine): This working-class, British sorcerer and occult detective is one formidable foe against the supernatural. First appearing in the pages of Swamp Thing comic books in the ’80s, Constantine won over many fans with his world-weary attitude, questionable morality and snarky cynicism. Even though his soul is damned to hell. he continues the good fight against evil while going through many cigarettes.

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2. Rick Grimes, Daryl Dixon, and Michonne (The Walking Dead): Among the many heroic figures featured in the comic book and TV versions of The Walking Dead, these three are the deadliest walker killers, as well as the most intriguing. Michonne (Danai Gurira) with her katana and Daryl (Norman Reedus) with his crossbow fall into the silent, deadly types, who change for the better as the stories progress. Meanwhile, with each experience, Rick (Andrew Lincoln) fights an inner struggle to maintain his humanity, while grappling with a post-apocalyptic world overrun with zombies and deadly people.

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1. Sam and Dean Winchester (Supernatural): There are many supernatural-based heroes out there, many of whom don’t have any powers and must rely on their wits to persevere against supernatural threats. But these two brothers (played by Jared Padalecki and Jensen Ackles) are the most down to earth and carunassuming of the bunch. Raised to be hunters (of the supernatural) by their father, these two roam the country’s back roads with a cache of conventional and mystical weapons and tackle all sorts of opponents, whether they be ghosts, demons, vampires or malevolent angels. What makes them stand out is not just their modest nature (and Dean’s hedonistic ways), but their bravery, witty banter and brotherly love; which are all their best weapons.

Lewis T. Grove

Oct 8 2014

The Vampires Of The Strain

eichorst ready to eatVampires have been defanged lately. At least on TV and film. Both medium have been filled with overly romantic or brooding, misunderstood loners that filled the roles of the infamous night creatures. In reality, the vampires in Twilight and True Blood among other presentations were really just metaphors for social and emotional themes like teenage alienation, bigotry and even the gay rights movement. As good (or bad) as these presentations were, it was clear that the vampire mystique was diluted and strayed far from the creatures’ legendary horror roots.

Fortunately, The Strain corrects that problem by presenting the vampires in the TV show as the horrific and repulsive monsters they’re supposed to be.

Based on the book of the same name by Guillermo Del Toro and Chuck Hogan (both of whom executive produce the show as well), The Strain is starts off as a medical mystery but by the end of its first season is a straight up horror tale as a deadly infestationplague ravages modern-day New York City. In just a matter of days, many of the city’s inhabitants are turned into vampires by means of a quick-acting virus spread by aggressive parasitic worms. These tiny creatures are found in vampires and burrow into humans whenever a vampire bites them or simply by coming into physical contact with a vampires’ body fluids.

When infected by these disgusting worms that quickly multiply in the body, a person feels like he or she is suffering from a bad cold. In reality a horrid metamorphosis occurs where sexual organs atrophy and fall off, skin turns deathly pale and gray,  and a craving for blood ensues. By this time, the infected’s personality is largely gone, and are driven by a desire to ingest blood and pass on the virus. Infecting and draining someone else is done through a hideous, long tendril that shoots out of their mouths with grabbers and teeth at the end. Seeing this happen in each episode never loses its shock value and it’s very disturbing.

tongue attack

It’s a unique twist on the way vampires attack their victims and makes logical, pseudo-scientific sense. This method is somewhat reminiscent of the xenomorph creature in the Alien films with its elongated tongue that sports its own tiny, fanged mouth only the vampire’s tongue is much longer and faster. The way the vampires attack their victims takes away any notion of twisted romantic eroticism. The vampires in The Strain don’t try to seduce humans. They have no sexual interest in them and reproduce asexually by transmitting the worms. The end result is that the supernatural aspect of these bloodsuckers are downplayed and instead scientific explanations are given as to how they exist and operate.

Most vampires shown are nearly mindless the mastercreatures driven by instinct. At best, the common vampires display a sort of hive intelligence and carry out psychic commands from the Master, the vampire leader. Meanwhile, a select few retain the personalities of their former lives and possess intelligence and the ability to talk. These special vampires are able to pass themselves off as human through elaborate makeup. That is because a fully fledged vampire has deathly grey skin, no hair, or nose and are bald with pointed ears. They’re also incredibly strong, quick and fast healing.

But Del Toro and Hogan didn’t just toss out all the old traditions with their takes on vampires. They do share a trait with the traditional vampires in that they lull many victims to let down their guards. This happens when a recently transformed vampire is drawn to a former loved one. The intended victim will see that the shuffling creature is acting odd and barely speaking. The vampire will swiftly attack and noisily drain the suckervictim’s blood using its tongue as a fleshy straw and leave the now-infected person in a death-like state. Shortly thereafter, the victim’s DNA is rewritten and the person is now a vampire. Also, the vampires on The Strain  have many of the traditional vampire weaknesses such as being vulnerable to silver and direct sunlight. The show’s heroes use the same tried and true methods of fighting vampires like sunlight exposure, blades for beheadings or silver. But innovative twists are used like UV lamps in the absence of sunlight and nail guns that fire silver nails.

The vampires in The Strain are innovative while being a throwback to their original portrayal across centuries. They’re hideous, disgusting and there isn’t anything romantic about them. They have more in common with the shuffling, mindless and disfigured zombies seen in TV shows and films these days. The end result is that the vampires have become something to be feared again.

José Soto

Sep 30 2014

Z Nation Is Zero Grade TV Fare

znation4There’s this really great show on TV right now. It’s got a terrifying premise, riveting storylines, memorable characters and it’s full of nail-biting scenes and moments of pure horror. That would be The Walking Dead…then there is this show; Z Nation, which has none of the above qualities.

When I first heard that Syfy was going to air this new show, I was excited. Given the runaway success of The Walking Dead, I wondered why it took so long for another TV show to come out with a similar premise of a zombie apocalypse. But then I learned that Z Nation was produced by The Asylum, the production company responsible for all those grade zero schlocky movies that airs on Syfy on Saturday nights.  You know classics like Sharknado and Mega Shark Versus Mecha Shark.

Still, I kept an open mind, maybe Z Nation might actually be decent. It’s got a decent premise: survivors of a zombie apocalypse have to travel across the U.S. to deliver to a med research base a person who is immune to the zombie versus that has decimated the world. But nope, the show is crap.

As expected with productions from The Asylum, Z Nation looks cheaply done on the fly with amateurish CG. Most of the acting is awful and the dialogue is atrocious and inappropriate at times. Half the time, the wooden characters bark clichés and lazy one-liners that ruin the supposedly dour mood of the episodes. It’s like the actors know that they’re in a crappy production and have a “hell with it” attitude.

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The only actor that stands out in this troupe is DJ Qualls, who isn’t part of the main action. He plays Citizen Z, the last surviving communications soldier at an arctic NSA outpost codenamed Northern Light. As the survivors trek across the country (at this point, they’re situated in the northeast), he keeps in touch with them via radio and phone calls. Since he’s isolated from the main action, his scenes allow for some exploration on the themes of isolation and for the most part they work. He had an interesting story in the second episode when he encounters a dog and befriends it. It’s just too bad the show cuts away from him to focus on the survivors and their moronic actions.

Maybe Z Nation would be more bearable if the characters were more interesting or likeable. It’s bad enough that the man who holds the key to curing the zombie plague is such a tool. He is portrayed by Keith Allen and boy does he overdo the selfish jerk routine. Meanwhile, most of the other characters don’t want to be bothered with this mission, yet they still follow the orders of Garnett (Tom Everett Scott) a former National Guard who takes it upon himself to deliver Allen’s character to California. It’s all just an excuse for the characters to find ways to kill zombies.

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With that said, the show is rarely dull, it moves quickly. From the way the characters behave and talk, it seems like Z Nation is trying to be intentionally tongue-in-cheek.  I just wish it was actually funny. There are fans of works from The Asylum and they’re the only ones who may want to tune in to Z Nation, but everyone else should just watch The Walking Dead for a good fix of zombie action.

Waldermann Rivera

Sep 22 2014

Lost Pitches For The Walking Dead Spinoff

Ever since AMC announced that they are going forward with a spinoff for The Walking Dead, there has been rampant speculation about the new TV show’s premise. While we don’t claim to know what it will be about (presumably about another group of survivors elsewhere), here are some pitches that probably didn’t make the cut at the AMC executives’ meetings.

???????????210 Walker Street – Tyreese finds out that his long-lost uncle from South Philly left him an apartment building in his will. Tyreese moves in as the new superintendent, but finds out the tenants are walkers! Wacky hijinks galore as Tyreese deals with nosy neighbors, sassy store owners, and collecting the rent without being eaten.

Daryl Dixon: Walker Hunter – This spinoff features Daryl who is now a swampland bounty hunter in America’s southeast. His specialty, of course, is hunting down walkers who go missing busted arrowfrom CDC labs and work farms. Aiding the deadly hunter is his long-lost brother Maynard, a local sheriff who was recently turned into a walker, but his passion for justice enables him to overcome his cannibalistic urges and help his brother bring ’em back dead!

The Dead Beat – Michonne turns into a hard-hitting newspaper reporter, exposing city scandals and top-brass corruption, but often butts heads – literally – with her editor, a rehabilitated walker. Watch the suspense unfold as Michonne fights the good fight to inform the public and not forget her katana.

Dead Dynasty –In the tradition of those popular redneck reality shows this one will star Daryl Dixon as a walker farmer! Business has been good for the farm since med research places need fresh supplies of walkers to experiment on. Tune in each week as Daryl deals with everyday trials and tribulations in a walker farm with his redneck family including his walker brother Merle, who is kept chained to the side of a barn. Don’t worry about Merle, his teeth have been yanked out in case of accidents while playing with little cousin Jimmy.

rick and zombie cop

L.A. Walker Heat a.k.a. My Dead Partner – Embittered by his walker experiences Rick transfers to the LAPD, where he is partnered with a domesticated walker, who happens to be the first of his kind to graduate from the police academy. Suspicious of each other at first, they learn to overcome their mistrust, and together they fight crime and corruption in the City of Angels.

Please click on the link to Deadloggers to continue reading.

Evan Rothfeld and José Soto

                                          Copyright © 2014 Starloggers
Sep 6 2014

Star Trek At 48

trek trioThis weekend marks the 48th anniversary of the premiere of the very first Star Trek episode on TV. The celebrations are unquestionably low key; I couldn’t even find any acknowledgement of this on the startrek.com website. But I expect things will be very different in two years time. At least, that is what we Trek fans hope. By then, it will be the fiftieth anniversary and we know for certain that at the very least a Star Trek film will be out in two years.

That is much better than what happened during the iconic show’s fortieth anniversary. Nothing happened then. Paramount Pictures didn’t put out a film because of the failure of Star Trek Nemesis, while CBS Television Studios also followed suit since Star Trek: Enterprise was just canceled a year before on UPN.

Cinematic Rebooting

During that time period both companies felt that the Star Trek franchise needed a rest from the public eye. As we all know, Paramount rebooted the film franchise in 2009 with Star Trek and its sequel Star Trek Into Darkness was released last year. While both films were successful, there is a feeling of unease among a large segment of the fanbase. Under director J.J. Abrams’ guidance, they feel as if Star Trek has strayed far from what it’s meant to be; a story of space exploration and encountering the unknown. Instead, they say that the past two films were just modified Star Wars films. That is a hard viewpoint to argue against, since the films emphasized action and thrills over the more cerebral fare that creator Gene Roddenberry championed when he created the original show and Star Trek: The Next Generation (TNG).

 

The Star Trek reboot was supposed to reinvigorate the franchise and raise public awareness, but how successful was that goal? How much in the public eye is Star Trek? It’s there for sure but a lot of attention is being paid these days to the latest superhero film or the return of Star Wars, while any news of the upcoming Star Trek sequel gets shrugs. This was really clear when Paramount announced this year that the screenwriter for the past two Star Trek films, Roberto Orci, was tapped to direct the next sequel. He isn’t a big-name director, actually he hasn’t directed anything at all. Yet, he is being entrusted by Paramount to guide the next Star Trek film, which is coming out in the fiftieth anniversary of the original series. You would think that with that much attention the franchise will receive then, that the film studio will want to ensure that a topnotch director will handle the reins. But who knows? Maybe Orci will deliver the kind of Star Trek film its fans have been clamoring for.

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