Jan 25 2015

Top 20 Star Trek: Voyager Episodes

This month marks the 20th anniversary of Star Trek: Voyager, the saga of a lost Federation starship in a distant corner of the galaxy trying to make its way home. Ever since the third Star Trek spinoff made its debut on the UPN channel it’s been considered as an inferior Star Trek show. That is a somewhat unfair claim, although many episodes were formulaic there were many that were worthy of the Star Trek name. These are twenty of the best episodes of Star Trek: Voyager.

20. “The Chute” Voyager crewmembers Tom Paris (Robert Duncan McNeill) and Harry Kim (Garrett Wang) undergo a harrowing ordeal while being held prisoner in brutal space prison.

19. “Lineage” B’Elanna Torres (Roxann Dawson) grapples with accepting her half Klingon heritage during her pregnancy since she doesn’t want her unborn daughter to face the same persecution she underwent as a child.

18. “The Thaw” Harry and B’Elanna are mentally trapped in a virtual reality by a malicious clown computer program (Michael McKean), who tortures them to gain release from its cyber trap.

17. “Maneuvers” First Officer Chakotay (Robert Beltran) tries to track down his former lover Seska (Martha Hackett) and her Kazon colleagues after they raid the Voyager and steal transporter technology.

16. “Scorpion, Parts 1 and 2”An exciting two-parter introduced the popular Seven of Nine (Jeri Ryan) as the Voyager is forced into an uneasy alliance with the evil cybernetic Borg against an even deadlier threat–Species 8472.

15. “Relativity” Seven of Nine is recruited by a Federation starship crew from the distant future. Her mission: travel through different time periods to prevent the destruction of the Voyager.

14. “Latent Image” The ship’s Emergency Medical Hologram (EMH) a.k.a. The Doctor (Robert Picardo) discovers that for some reason certain parts of his memories are being erased. His investigations lead to uncovering a tragic moment in his past and his reaction afterwards was very engrossing to watch.

13. “Basics, Parts I and 2” The crew of the Federation starship Voyager have a final conflict with the barbaric Kazons, who coveted the advanced Starfleet ship and its technology. This two-part episode had many thrilling moments and cliffhangers as most of the Voyager crew were defeated and stranded on a primitive world.

12. “Equinox, Parts 1 and 2” The Voyager comes to the aid of another Federation starship also stranded in the distant Delta Quadrant. What is supposed to be a joyous occasion at encountering kindred spirits turns into conflict when the Voyager crew learns of the other crew’s unethical actions against an alien race.

11. “Dark Frontier” Seven of Nine’s background is explored as Captain Kathryn Janeway (Kate Mulgrew) leads efforts to steal Borg technology that will hasten their journey home. During a pivotal raid, Seven is captured by the Borg, who plan a biotech attack on humanity. Meanwhile, Janeway mounts a rescue mission.

10. “Hope and Fear” The sudden appearance of an advanced, unmanned, supposed Federation starship could be the means to finish the Voyager crew’s years-long voyage home or a trap. Guest star Ray Wise excelled in his role as a tortured alien whose race was assimilated by the Borg.

9. “Blink of an Eye” The Voyager is trapped in orbit around a planet with a dense gravitational field. So what passes for hours on Voyager is actually centuries for the planet’s inhabitants, which means that the ship becomes part of that planet’s history as its people advance technologically and socially.

8. “Before and After” An elderly, dying Kes (Jennifer Lien) in the future begins to travel backwards in time to many events including her birth. Among the fascinating future moments explored included a foreshadowing of the Voyager crew’s encounter with the Krenim.

7. “Distant Origin” The premise that some dinosaurs on Earth actually evolved into a spacefaring race was intriguing enough. But this episode’s first contact scenario smartly focused on an allegory of Galileo’s plight as scientific progress and knowledge conflicted with societal and religious dogma.

6. “Deadlock” After going through a technobabble anomaly the Voyager and its crew are duplicated, but both ships are attached to each other. Events dictate that only one ship and crew can survive, but which one? The episode was a novel way of resetting the status quo after disastrous events without using time travel.

5. “Message in a Bottle” The Doctor is transmitted to an advanced Starfleet prototype ship in the Alpha Quadrant in order to make contact with the Federation. Once there, he must join forces with that ship’s EMH Mark 2 (Andy Dick) to fight off Romulans, who have captured the ship.

4. “Course: Oblivion” In this tragic episode, things seem fine at first onboard Voyager. Tom and B’Elanna get married and the ship will reach Earth in a two years. However, it’s soon discovered that the ship is deteriorating, as well as the people onboard. After realizing that they and the ship are just copies of the actual Voyager and crew, it’s a race against time to seek help before it’s too late.

3. “Bride of Chaotica!” A wonderful and whimsical tribute to old sci-fi serials in the tradition of Flash Gordon has the Voyager crew coming to the aid of photonic, extra-dimensional aliens, who are at war with the evil fictional characters from Tom’s holodeck program The Adventures of Captain Proton. Hilarity ensues as the crew assume the overdramatic roles of the program and endure old sci-fi clichés.

2. “Living Witness” In the far future on another planet, a copy of the Doctor is activated by a museum curator (Henry Woronicz), who is fascinated by the “warship” Voyager’s visit to his planet in the distant past. Appalled at the gross inaccuracies about the visit and the Voyager crew, who are shown to be basically space pirates, it’s up to the Doctor to clear his former comrades’ names for history’s sake.

1. “Year of Hell, Parts 1 and 2” Star Trek: Voyager had many epic two-part episodes and this one wasn’t only the best of those, but the best episode for the entire series. The Voyager passes through a region of space controlled by the despotic Krenim. Janeway and the crew soon find out that the Krenim uses time as a weapon by altering timelines. Leading these alterations is Arronax (Kurtwood Smith) a Captain Nemo type obsessed with time tinkering. Over the course of a year, the Voyager is badly damaged and falling apart, but Janeway must find a way to defeat Arronax. “Year of Hell” was riveting and presented a gritty view of a desperate Voyager crew on their own, plus Smith gave a great performance as the tortured Arronax.

Honorable Mentions: “Nemesis”, “Caretaker”,”The Gift”, “The Void”, “Author, Author”, “Pathfinder”, “Prophecy”, “Alliances”, “Think Tank”, “Endgame”

José Soto

Jan 8 2015

Star Trek Belongs On TV

After the release of Star Trek Into Darkness in 2013, the state of the Star Trek franchise had once again been called into question. No doubt, the film was a success at the box office and initially received high critical acclaim. But vocal critics of the film and director J.J. Abrams’ handling of the revered franchise soon drowned out any good will. Many of them decried how dumbed down Star Trek had become, how it just pandered to the action crowd at the cost of Star Trek’s loftiness.

Abrams’s films should be lauded for resurrecting Star Trek. Before he came along, the franchise was considered dead; the last film Star Trek: Nemesis was a box office flop and the last show Star Trek: Enterprise was cancelled for poor ratings. Star Trek felt tired and used up, which necessitated the reboot. And frankly, the reboot did the job of bringing back Star Trek as a flashy, exciting and invigorating property, but many felt alienated.

Fluctuating Reboot

These critics saw a ray of hope when J.J. Abrams jumped ship to direct Star Wars: The Force Awakens, which precluded him from directing the next Star Trek film. That hope turned into disbelief and exasperation when screenwriter and producer Roberto Orci was hired by Paramount Pictures to direct the upcoming film. Even though he is a professed Star Trek fan, Orci didn’t have any directing experience and such a decision to entrust the franchise on a novice was troubling. But once again, the director’s chair went empty when Paramount announced this past November that Orci would no longer direct the film.

For a brief moment, hopeful fans opined on who should direct the film. The rumor that Abrams’ production company Bad Robot was trying to woo Edgar Wright was heartening. Some fans even started a campaign to get veteran actor/director Jonathan Frakes to return for a third turn as director. Then Paramount released a short list that precluded Frakes and Wright. Soon after, they announced that Justin Lin, the director of many Fast and Furious films would take the helm.

That announcement was applauded by some, but it confirmed the suspicion that Paramount is only interested in making more shallow, action-packed fare. Many feel that reducing the Star Trek films into pyrotechnics-laden, empty adrenaline fests besmirches the property’s name. Most of the films and TV shows were lauded for offering something more. They had themes, messages, and commentaries of current topics. In Star Trek Into Darkness’ defense, that film did explore issues about terrorism, security and the need for Starfleet to get back into exploring, but those messages got lost in the lens flares, high-octane thrills, and sloppy plotting.

Enduring Aspects

True, many fans have a romanticized view of Star Trek. The old shows and films weren’t strictly intellectual fare, they did have their fair share of action episodes and flashy special effects. It’s part of Star Trek’s legacy. Think of how often fans would hum the pulsing action music from episodes like “Space Seed” while acting out Kirk’s famous drop kicks and fisticuffs. But Star Trek struck a proper balance between action, storytelling and food for thought.

One of the many reasons why Star Trek and its spinoffs have endured in popularity has been due to provocative episodes like “City on the Edge of Forever”, “The Visitor”, “The Inner Light”, and “The Naked Time”. These shows didn’t rely on action scenes and stunts, though they were welcomed when they did occur. Instead their selling points were character development and morality plays. That is why Star Trek continues to resonate. The action scenes and spaceship battles were just icing on the cake. This reverence also extends to many of the films. Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home and Star Trek: First Contact are universally beloved for exploring many themes and character development. This especially applies to Star Trek II which was an action film, but presented memorable themes about revenge, growing old and renewal. Meanwhile, Abrams’ two Star Trek films were initially well received, but later derided by many for pandering to adrenaline junkies and betraying the spirit of Star Trek.

That is why there has been a call for Star Trek to return to its roots and have stories about exploration and so on, and the best way to achieve this is by returning to television. Continue reading →

Dec 27 2014

Best Of 2014

Best Sci-Fi TV Show

Doctor Who got off to a rocky start for the new Doctor played by Peter Capaldi. But the show and the actor quickly found their footing and presented an eclectic and sometimes frenetic mix of the bizarre, silly and loftier themes. What helped where the imaginative scripts and Capaldi’s cutting performance as a more sardonic and mature Doctor, which was a good change of pace for Doctor Who.

Best Horror TV Show:

The Walking Dead continues to be one of the best genre shows on TV. This year saw the aftermath of the fall of the prison that scattered our heroes and introduced memorable characters. At the same time, The Walking Dead kept amping up the stakes with the Terminus cannibals and Grady Hospital storylines. It all ended with a feeling that no one is safe and nothing is secure.

Best Fantasy Show

Game of Thrones is the best produced show on TV right now with its topnotch production values, crisp dialogue and scripts, and superior acting. Many episodes stood out which dealt with the deaths of King Joffrey (Jack Gleeson) and Tywin Lannister (Charles Dance), the trial of Tyrion Lannister (Peter Dinklage) and the siege of the Wall. The only problem is that the show is now running out of original material since it has almost caught up to George R.R. Martin’s books.

Best Documentary/Reality Show

The Real History of Science Fiction, was a splendid look at film and TV science fiction fare with some nods towards literary works. Each episode of the mini-series was based on a certain theme like robots, time travel and of course space exploration.

Best Cancelled TV Show

Almost Human was a fresh and inventive sci-fi variation of the cop-buddy show thanks to terrific performances by Michael Ealy as an android cop and Karl Urban as his disgruntled human partner. The episodes were straightforward and entertaining as they explored the nature of having a soul and nifty future crimes.

Best Animated Show

Star Wars: The Clone Wars had a fitting final season that aired on Netflix instead of broadcast TV. While current fandom is content to put behind George Lucas’ prequel-based fare and all the attention is on Star Wars Rebels and next year’s Star Wars: The Force Awakens, the final episodes of Star Wars: The Clone Wars did an excellent job of expanding the Star Wars universe with its explorations of the Force and by providing a segue way to the films.

Best TV Character

Tyrion Lannister in Game of Thrones finally had enough of all the taunts and putdowns and the unjust charges laid on him. His epic courtroom rant in “The Laws of Gods and Men” saw him unleash his fury at those that wronged him including his father and this anger saw its culmination in the final episode of the season where he physically took out his rage on those that hurt him.

Most Missed TV Character

Beth Greene (Emily Kinney) on The Walking Dead was an underused character on the show. For the most part she was just known as the youngest member of the Greene family. But in recent episodes, Beth had matured and become self reliant which culminated in her final episode (and The Walking Dead’s midseason finale) where she was abruptly killed off. The death seemed pointless and enraged fans who were saddened by her death.

Best TV Villain

Slade Wilson (Manu Bennett) at first was a trusted partner of Oliver Queen (Stephen Amell) while the future Green Arrow was stranded on an island as seen in flashback scenes on Arrow. But in the second season, this former merc proved to be Queen’s most diabolical enemy as he re-entered the superhero’s life and systematically began to take Queen down in a smoldering bid of vengeance. Raising the stakes for Queen was that Wilson was superior in strength and skills and pushed our hero to the edge. Bennett’s performance as Wilson was so memorable that the Batman villain Ra’s al Ghul (Matt Nable) couldn’t compare.

Most Improved TV show

Agents of S.H.I.E.L.D. was a big disappointment when it first premiered in 2013 because of banal scripts and listless characters. However, thanks to Captain America: The Winter Soldier the show truly came into its own by wholeheartedly embracing the game-changing premise from that movie where Hydra had infiltrated S.H.I.E.L.D. Characters were killed off or did a complete 180 and the agents became fugitives while they struggled to defeat Hydra that seemed to be everywhere. Plus, the second season saw the show debut what will turn out to be an important component of the Marvel Cinematic Universe (MCU) by introducing the Inhumans.

Best Series Finale

Being Human, it was sad to see this American version of the British cult hit come to an end, but it ended quite well. All the story threads were wrapped up surprisingly well and the finale was bittersweet. A couple of the show’s characters died but had meaningful deaths with rewarding afterlives. Meanwhile, the surviving characters were given a conclusion where they were able to live happily and move on.

Best Sci-Fi Film

Guardians of the Galaxy highlighted a memorable year for sci-fi films. 2014 had some instant classics like Interstellar, Dawn of the Planet of the Apes and Snowpiercer, but Guardians of the Galaxy stood out over the rest. It was a fun throwback to pulpy space operas not seen since the original Star Wars trilogy. More importantly, the film had very endearing characters like Peter Quill (Chris Pratt) that made audiences care about them as they went about saving the galaxy.

Best Horror Film

Oculus stood out among current horror films that rely all too much on cheap and easy jump scares. This film, which starred genre favorites Karen Gillan and Katee Sackhoff, instead used psychological horror and mind games that always kept the audience guessing while delivering authentic and natural frights.

Best Fantasy Film

The Hobbit: The Battle of the Five Armies, Peter Jackson concluded his three-part adaptation of the Tolkien classic with wall-to-wall action and his now trademark sweeping scenes of battlefields and armies. Although, The Hobbit trilogy may not have the same punch as The Lord of the Rings films, it was still a memorable viewing experience. And The Hobbit: The Battle of the Five Armies was a fitting conclusion to Jackson’s final sojourn to Middle Earth.

Best Animated Film

The LEGO Movie, this year had some great animated films like How To Train Your Dragon 2 and Big Hero 6. But The LEGO Movie was the best surprise not because of its use of famous characters like Batman or it being a cross of Legos and stop motion animation, but due to its championing of imagination and creativity.

Best Superhero Film

Captain America: The Winter Soldier was a bold, exciting sequel that outshone the original and upturned the MCU with its revelation that S.H.I.E.L.D. the spy organization had been infiltrated by the evil Hydra organization. This, of course, forced our hero to go on the run as he tried to tear down the organization he once fought for while uncovering disturbing conspiracies. But the film also took time to humanize Captain America and reflect on his past. These simple touches are what made the film so memorable.

Best Superhero on Film

Captain America (Chris Evans) in Captain America: The Winter Soldier, once again demonstrated why he is arguably the greatest hero in the MCU and a true patriot who questioned the Big Brother methods of S.H.I.E.L.D. This in turn led him to be a man truly out of place in society fighting a lonely and dangerous fight as many supposed allies turned against him. More importantly, his heroic actions would unravel the MCU forever.

Best Film Characters

Hands down, Groot (voiced by Vin Diesel) and Rocket Raccoon (voiced by Bradley Cooper) stole the film Guardians of the Galaxy and were a big cause of that film’s success. Who would’ve imagined a year ago that two unknown CG characters would have so much heart and be so endearing to audiences?

Best Line in a Film

“I am Groot”

Best Performance Capture

Caesar the ape in Dawn of the Planet of the Apes was exceptionally brought to life by Andy Serkis in what is probably his best performance. Many times in the film, one easily forgot that Caesar was not an actual chimp but a performance capture/CG creation. Just give the guy an Oscar already!

Best Film Villain

Koba the ape (performance captured by Toby Kebbel) in Dawn of the Planet of the Apes was a hideous, chilling and conniving villain who’s undying hatred for humans brings about a war between the two species. He was the most memorable villains seen in genre films for 2014.

Best Use of 3D & IMAX In a Film

Interstellar showed that director Christopher Nolan is undeniably the master when it comes to filming genre efforts on IMAX. Meanwhile, Guardians of the Galaxy had unexpectedly terrific 3D effects thanks to director James Gunn who utilized the format to its best.

Best Trailer for an Upcoming Film

Avengers: Age of Ultron, is one of next year’s most anticipated films and the moody trailer for it ratcheted up interest. It gave us the cool effects shots, especially the Hulkbuster Iron Man suit in action, but it didn’t play it safe with its dark forebodings (broken Captain America shield anyone?) and that creepy rendition of “I Got No Strings” from Pinocchio. On a side note the other best teaser trailer has to be for Avengers: Infinity War, Part I & II, which aren’t due until 2018 and 2019!

Biggest Disappointment

The Amazing Spider-Man 2 suffered the same fate as the infamous Spider-Man 3. It had too many villains, characters, subplots and worst of all too much studio interference that mandated that this film be used to launch spinoffs in a clumsy attempt by Sony Pictures to create its own superhero cinematic universe. In the end, this mess has put the Spider-Man film series in doubt, let alone the announced spinoffs.

Best App

Star Wars Scene Maker was an app that allowed users to recreate scenes from the iconic original Star Wars. around. Or better it allowed anyone’s creativity to get going by allowing users to mix and match characters, weapons and vehicles and the best fun was seeing these setups come to animated life.

Best Video Game

Mario Kart 8 was a lot of fun to play and proved to be one of the best Mario Kart games ever made. Nintendo made this latest Mario game with incredible graphics, game play and delivering the simple joys that fans of the Mario Kart games have expected over the years.

Best Hallmark Ornament: 2014 proved to be a landmark year for genre-related Hallmark ornaments. There were so many great ornaments like the xenomorph from Alien, the shark from Jaws or the flying DeLorean from the Back to the Future films. It was actually hard to pick out the best genre ornament, but in the end the best ornament was the Yoda Peekbuster. What made it stand out was its motion sensor that warned peekers away from gifts placed under the Christmas tree as Yoda admonished his distinct Yodaisms.

Biggest News Item

In light of the recent calamities like super diseases, incompetent politicians, demagogues, and riots, entertainment genre news couldn’t compare. Still, there were a couple of news item that have had immediate ramifications, especially with the future of the Spider-Man film franchise. Those would have to be the announcements from DC/Warner Bros. and Marvel/Disney of a busy schedule of interrelated superhero films. Both camps’ culminations will include two-part Justice League and Avengers films. These revelation were very exciting and left other studios’ attempts at building their own cinematic universes in the dust.

Dec 10 2014

2015 Hallmark Sci-Fi Ornaments

Ornaments have been popular presents during the Holiday season and this year’s isn’t an exception. The genre-related offerings from Hallmark this year are quite impressive but next year’s Hallmark ornaments promises to be just as noteworthy. To date these are the 2015 Hallmark ornaments.

Star Trek

2015 looks to be a quiet year for Star Trek Hallmark ornaments. Doubtless, 2016 will be another story since it will be the 50th anniversary of the franchise. But next year’s ornaments look very beautifully sculpted. They include the Enterprise C famously featured in the classic episode “Yesterday’s Enterprise” on Star Trek: The Next Generation. The other two will be of Lt. Uhura and “The Needs of the Many” ornament, which features Kirk and Spock during Spock’s death scene in Star Trek II: The Wrath of Khan. No doubt, the base will have sound, most likely being Spock’s unforgettable final words.

Star Wars

Sorry, new fans of the upcoming trilogy, but at this time, no ornaments based upon Star Wars: The Force Awakens will be offered. Perhaps Hallmark wanted to hedge their bets on the popularity of ornaments based on new films. Look at what happened in 1999 when the company flooded the market with ornaments of the sure-fire hit Star Wars Episode I: The Phantom Menace. Today many of those ornaments can be bought for a dollar on eBay. But who knows, in a few short months we’ll find out for certain if ornaments based on next year’s Star Wars film will be produced.

Either way, Hallmark is playing it safe for 2015 and its confirmed Star Wars ornaments will include a Y-Wing fighter, Luke Skywalker standing on his hands with Yoda perched on his feet as seen in the training segments of The Empire Strikes Back, Admiral Akbar and Zeb from Star Wars: Rebels. The most interesting looking ornament is a twofer; C-3P0 and R2-D2.

UPDATE: In the Hallmark Keepsake Dreambook, it’s stated that commemorative ornaments based on Star Wars: The Force Awakens are coming later this year, but no further information is currently available.

Superhero

At this point, only a few superhero ornaments have been confirmed. They include the Marvel mainstay Spider-Man in Holiday-themed adornments, a grey and black-garbed Batman, Wonder Woman as portrayed by Lynda Carter, and Steve Austin – the Six Million Dollar Man. There will also be an ornament based on the garish batmobile seen in the Joel Schumacher Batman films. There must be fans of that car. Joker fans should note that an ornament based on the Joker played by Caesar Romero will be available.

So far, it looks like there won’t be any Guardians of the Galaxy ornaments. Too bad, a dancing baby Groot would’ve been a natural ornament. But there’s always a chance a limited edition ornament of these space heroes may be released. A gut feeling indicates that Hallmark will unveil some kind of Guardians of the Galaxy ornament and don’t be surprised if they produce a set of ornaments for Avengers: Age of Ultron in the same vein as they did in 2012 when they released a trio of interlocking ornaments of Thor, Iron Man and Captain America.

UPDATE: There will be dancing baby Groot as seen at the end of Guardians of the Galaxy and a Hulk vs. Ultron based on their battle in Avengers: Age of Ultron. Also, keep an eye out for a new Iron Man ornament. Sadly, we won’t be getting a Marvel superhero trio like we did in 2012. There’s always next year and on that note we’ll have to wait then to find out if Ant-Man will be getting an ornament (an ornament based on Batman v Superman: Dawn of Justice is a given).

Science Fiction/Fantasy

Headlining the ornaments based on sci-fi and fantasy properties are the Predator himself and should make a nice companion piece to this year’s Alien ornament. To accompany Cornelius from the original Planet Of The Apes, 2015 will see another ape ornament: the nefarious Dr. Zaius.

Fans of The Walking Dead rejoice! Hallmark is producing an ornament of everybody’s favorite walker killer, Daryl Dixon. Who knows? Are Rick Grimes, Michonne or the Governor next?

Expect a new Harry Potter ornament, one of Smaug the dragon from The Hobbit films, Megatron from the Transformers toys and Beetlejuice, as well. Don’t be surprised if Hallmark unveils more ornaments based on popular sci-fi, fantasy and horror properties. We’ll keep you posted.

UPDATE: As one of our readers pointed out in the comments, the Harry Potter ornament will be of our favorite young wizard on Platform 9 3/4. There will also be an ornament of the Mockingjay symbol featured in The Hunger Games: Mockingjay, Part 2.

On a lighter note, a new Gizmo ornament is coming. Recreating one of his cutest moments in Gremlins, this ornament features the diminutive Mogwai riding a toy car. For animation fans, ornaments based on the films WALL-E, Inside Out and Home, as well as the ever-present Disney characters and films (like Frozen) will be available. BTW, there will be an ornament of the super nerd Sheldon from The Big Bang Theory. Bazinga!

Waldermann Rivera

Dec 1 2014

DC Wins The TV War…For Now, Part Two

The rivalry between DC Comics and Marvel Comics has many fronts in media like toys, films, video games, etc. But as it stands right now, DC Entertainment dominates the television medium with its current slate of TV shows on the air and their plans for additional programs coming in the near future.

DC’s Television Summit

Once Smallville ended in 2011, a void needed to be filled by DC Entertainment in terms of having a superhero presence in the TV landscape. Rather than mining the Superman/Batman lore, the decision was made to showcase DC’s other heroes and it was a wise choice. For some time, DC and Warner Bros. fell into a crutch and relied too much on Superman and Batman to represent DC in other media. This was understandable since those were the company’s two biggest heroes. It makes perfect business sense to take advantage of the popularity of those heroes. The problem, though, is that with all the marketing and attention focused on Batman and Superman, DC’s other heroes were left out and helped give the impression that the rest of the DC roster consisted of second stringers. That couldn’t be farther from the truth. The DC universe is populated by many captivating heroes and villains and the problem was that the company wasn’t taking full advantage of that notion. Marvel, and specifically Marvel Studios, faced a similar problem but for different reasons. They didn’t have the film rights to Spider-Man or the X-Men, so they had to rely on their lesser known properties. It turned out for the best, otherwise we wouldn’t have gotten live-action adaptations of Guardians of the Galaxy or Thor.

In DC’s case, they too were forced to look elsewhere since the Superman well had run dry with Smallville and Batman was considered off limits because of the Dark Knight films. Thus, DC Entertainment looked to an urban vigilante that had many of Batman’s characteristics – Green Arrow.

All things considered, he is a solid alternative for Batman when it came to being featured in a live-action TV show. After all, both are urban crimefighters without superpowers and use specialized weapons. When Arrow premiered in 2012, it presented a more grounded, realistic world for the superhero. In the first season, the main character, who wasn’t even called Green Arrow (in one episode his alter ego, played by Stephen Amell, thought that name Green Arrow was “lame”), wore a practical uniform with only a hoodie and grease paint to conceal his identity. Moving away from fanciful superhumans allowed Arrow to concentrate more on character development and street-level fight scenes. This meant that it was more inviting and relatable for casual viewers.

What the producers of Arrow did correctly is that they embraced the DC universe. They weren’t afraid to name drop places like S.T.A.R. Labs and Blüdhaven. Likewise, the series featured recognizable DC characters like Amanda Waller (head of the Suicide Squad), Slade Wilson and even the Batman villain Ra’s al Ghul and his League of Assassins. It was enough bones thrown to DC fans to keep them glued to their TVs. Arrow then took a step further and introduced superpowered characters in its second season thanks to this strength-enhancing drug called Mirakuru and the introduction of Barry Allen (Grant Gustin), whose Flash origin occurred at the end of one of the Arrow episodes.

This naturally led to The Flash spinoff that premiered recently. Taking a lighter tone than Arrow, The Flash is more of a throwback to the fast-moving comic books with outlandish supervillains, while utilizing the same kind of engrossing subplots that Arrow uses. What’s more is that both shows are definitely in the same universe. Although the concept of a shared universe isn’t new in TV shows, this was the first time this was done for superhero shows (not counting The Six Million Dollar Man and The Bionic Woman) and it’s exciting to watch characters appearing in both programs with even more allusions to a wider world.

Both Arrow and The Flash are huge hits on The CW network and should be around for the long haul. Gotham, a show set in the title city and taking place after the killing of Bruce Wayne’s parents, is a hit on Fox. In fact, it pulls in more ratings than The CW superhero shows but that is due to the wider audience that Fox has compared to The CW. Even though Gotham is a hit, there should be some caution because it’s on Fox, so there isn’t any guarantee that it will last as long as if it was on The CW. That is a problem that DC and Warner Bros. faces. Sure they can put anything on The CW, a fledging network, but it won’t reach as large an audience as in the major networks. But on the big networks, there is more pressure to succeed. Already, Constantine airs on NBC and has dismal ratings–it was recently announced that the show won’t go beyond initial 13 episodes and its fate is unknown. Constantine’s rating woes are due to its time slot: Fridays at 10 pm. How can any show succeed on that slot? It probably would’ve been better if it aired on a cable network where it could’ve thrived and be allowed to be darker like its comic book counterpart.

Continue reading →

Starloggers

Observations, Reports & Remarks From Out Of This World & Beyond

Category Television & Streaming

Top 20 Star Trek: Voyager Episodes

Star Trek Belongs On TV

Best Of 2014

2015 Hallmark Sci-Fi Ornaments

DC Wins The TV War…For Now, Part Two

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