Star Trek Twilight

As the Star Trek franchise approaches its 60th anniversary in just a few months, and one takes a look at what is going on with it, it is clear that Star Trek is at one of its lowest points, it’s in a twilight phase, which we last saw in 2005.

Filming concluded for the two current Star Trek shows, Star Trek: Strange New Worlds (SNW) and Star Trek: Starfleet Academy, and as of now there are no Star Trek TV shows in production or active development. Supposedly, the franchise’s owner, Paramount Skydance, is reassessing the property and might shift focus to new Star Trek films, and though a reboot was announced a few months ago, we haven’t heard any news. Thus, the latest film project will probably be shelved and the reason for this pessimism is because Star Trek films have not been able to be greenlit since the last decade.

Star Trek has had its ups and downs throughout its existence, and there have been definite dark periods, such as during most of the 1970s when the original TV show was cancelled in 1969 and what kept the franchise relevant in the following decade were an animated TV show and a dedicated fan base that refused to let Star Trek slip into oblivion.

The film era jumpstarted the franchise in 1979 and reunited the original cast of the original Star Trek and delighted fans as many of the films are still considered to be among the best Trek offerings. However, during the peak of Star Trek’s renewed popularity, a new TV show was created that featured an all-new cast of characters. There was a mix of optimism and dread when Star Trek: The Next Generation (TNG) debuted because it did not feature the original cast and many of the early episodes were quite dull and/or bad. But TNG found its footing and heralded the greatest period for Star Trek in the 1990s. Two additional TV shows, Star Trek: Deep Space Nine (DS9) and Star Trek: Voyager, were launched and are beloved to this day with many fans arguing that DS9 was the best Star Trek TV show ever. Also during this decade the TNG cast graduated into their own film series.

Unfortunately, the well began to run dry in the 2000s as those shows ended and the TV series Star Trek: Enterprise showed a decline in quality and interest began to die off. After Star Trek: Enterprise was cancelled in 2005 and the last TNG film, Star Trek: Nemesis, flopped at the box office, the TV franchise went into a dormant period that lasted a decade. Paramount veered back into the films with a reboot that recast the original characters in 2009. This reboot was at first very successful, but it had its detractors who pointed out how dumbed down the new films were because they focused more on action than story. By the time, the third and final reboot film, Star Trek Beyond, premiered the film series came to an abrupt halt as the film failed at the box office.

Amid mergers and other business dealings, Star Trek was ignored at least as a TV series until 2016. During this time period, fandom produced unofficial short films about Star Trek. Unlike in the past, many of these shorts were very well made and even featured the actors from the TV shows with many shorts that served as sequels to past episodes and one of these unofficial series, Star Trek Continues, actually concluded the original five-year mission of the original Star Trek and led into the original film era. It was a golden age for Trek fandom as the fans took the show for themselves and did what the corporate owners were unwilling to do. The best known of these and arguably the most professional-looking short film was Prelude to Axanar, which was told in the format of a documentary feature in the Star Trek universe that chronicled a war with the Klingon Empire. As the short film achieved acclaim, plans were set into motion to create a feature-length amateur film, Axanar, which would have been about this war. Then Paramount got involved.

Of course, good things like this couldn’t last and naturally the corporate owners feared they were being upstaged by fans and even more importantly did not like the fact that the people behind Axanar were actually trying to make a profit from their endeavor. Enter the studio lawyers. On November 2015, the makers of Axanar and many other amateur Trek film makers were slapped with cease-and-desist demands from Paramount’s lawyers, which marred the celebration of Star Trek’s 50th anniversary. Not even the announcement of a new TV show could erase the ill will Paramount created with their lawsuits. Paramount’s position was that they did not want anyone else trying to profit from their franchise or taking attention away from their upcoming TV show. Eventually the film studios and the amateur filmmakers settled and the result was quite severe for fans. They were given very strict guidelines that made it impossible to produce quality films. For example, they could not hire actors who appeared in official Trek TV shows or films, the films’ lengths were limited to about 15 minutes and not be longer than two parts, the word Star Trek could not appear on the film titles and the filmmakers had to use official merchandise and could not profit in any manner from their efforts.

After a good amount of fandom were slighted, Star Trek: Discovery premiered on the streaming app CBS All Access (later renamed Paramount +), and it sharply divided fans. Sure, the production design was gorgeous and rivaled anything seen on film, but the stories and characters were lacking. But more importantly, Star Trek: Discovery did not feel like Star Trek with its cynical characters, the non-stop swearing and focus on dark storylines. Still, it was successful enough to encourage the creation of more Star Trek TV shows, which led to a new age for the TV shows. The quality of the subsequent TV shows varied from great to meh with some series like Star Trek: Picard, Star Trek: Prodigy, Star Trek: Lower Decks, and SNW having both great and mediocre episodes. Eventually, the TV shows came to an end with the last ones being SNW and Starfleet Academy, which have both being cancelled, and nothing certain to follow up.

There are talks about a proposed Star Trek: Year One, which would be about the adventures of a young James T. Kirk during the early days of the Enterprise’s five-year mission, but most fans have their hearts set on a potential show called Star Trek: Legacy. This would be a sequel to Star Trek: Picard, which was very well received in its final season thanks to showrunner Terry Matalas, who understood what made Star Trek work. But for whatever reason, Paramount refuses to consider this even though the reception from fans to Star Trek: Year One has been very lukewarm. The fans have been very vocal that they do not want another series focused on the early days of Starfleet and Captain Kirk, or a series set in the unpopular distant future of Starfleet Academy and Discovery. Instead they want a series set immediately after the TNG/DS9/Voyager era.

Many fans point the blame for the franchise’s current twilight to showrunner Alex Kurtzman. He helped shaped Star Trek: Discovery and is the current executive in charge of Star Trek TV shows. Many of them feel that he does not understand what made Star Trek so beloved in the first place and want a new showrunner for the franchise.

That could come very soon since Kurtzman’s contract will expire in August 2026 and there are rumors that his contract may not be renewed. There are many reasons why Paramount Skydance would not want to renew the contract and it is not necessarily because Kurtzman made Star Trek “woke”. Right-wing critics of current Trek should note that the franchise has usually been progressive ever since the original show. Star Trek famously featured an integrated multiracial crew with people of color in command positions, it’s just that this is the kind of thing that is taken for granted today, but back in the 1960s this was revolutionary. No, the reason for not renewing Kurtzman’s contract and moving away from future TV shows could be blamed on the cost. The current TV shows have topnotch special effects which means they are expensive to produce. The cost would be justified if the ratings for the shows were high, but they are not, Star Trek: Starfleet Academy did not do well ratings well and it was too expensive to continue making it. Perhaps the film studio believes that another mastermind could come in and bring fresh ideas and more importantly be more economical. So who could they hire? Here are some possibilities:


Terry Matalas:The showrunner of the third and best season of Star Trek: Picard is a fan of the franchise and knows how to create great stories and characters. He’s had experience executive producing other sci-fi shows like 12 Monkeys and is currently producing VisionQuest. So depending on how VisionQuest is received (and gets renewed), he may be too busy to tackle Star Trek: Legacy or any other Trek show, but he still must be strongly considered.


Manny Coto: Another executive producer who nearly pulled off a miracle and produced the best season of Star Trek: Enterprise. Sadly the show was cancelled just as Coto helped breath new life into it and he had interesting ideas for future seasons. It’s been a long time since he was involved with Star Trek but his efforts with Star Trek: Enterprise earns him a shot a bringing in a bold new approach to the franchise that respects its core essence.


Jonathan Frakes: The former TNG actor has had a prolific career as a director and executive producer. He directed many acclaimed Trek shows during the 90s and current era and certainly has a handle on crafting compelling stories and characters. His deep Trek background and behind-the-scenes experience should make Frakes a strong contender to take over the Star Trek franchise.


Ronald D. Moore: The legendary showrunner of the popular Battlestar Galactica reboot and the current series, For All Mankind and Outlander, got his start with the TNG era of Star Trek. As executive producer for TNG, Moore wrote some of that show’s best episodes which were grounded yet adhered to Trek’s unique nature. Moore is a fan favorite and his taking over of the franchise would bring back many who have given up on it.

Seth MacFarlane: The prolific writer, producer and actor for all intents and purposes created his own version of Star Trek with The Orville. This show is clearly patterned after Star Trek, but it does not just ape the show but demonstrated that a modern Star Trek show could successfully tell stories that evoke the best aspects of the older Star Trek shows with modern production values and solid scripts and characters.


Mike McMahan: He had great success with the animated Trek comedy Star Trek: Lower Decks, a show which wound up being a love letter to all things Trek. The only drawback is that his show was comedic and the studio heads may hesitate to promote someone with this background to more serious TV shows.


Mike Sussman: This former writer from Star Trek: Enterprise helped conceive a new political Trek drama starring Scott Bakula that would serve as a sequel to Star Trek: Enterprise and focus on its lead character’s time serving as president of the United Federation of Planets. If the show is successful, it could help move Star Trek away from its current concept of starship crews exploring space.

While Star Trek seems to be in its twilight, fans should not despair. The franchise has reached the end of a period and will have to undergo a process of rest to create demand. This period should be used to reflect on how to reinvent the franchise with bold new approaches, stories and characters that will bring back the fans. Fans should keep in mind that Star Trek has had its dormant periods but always bounced back reinvigorated. It’s just a matter of knowing when this will happen. Fingers crossed that we won’t have to wait too long.

José Soto

Exploring Star Trek: Enterprise 20 Years Later

Twenty years ago, the final Rick Berman-era Star Trek show premiered on the former UPN network to a mixed reception, at best. Originally called Enterprise, the fifth Star Trek spinoff held a lot of promise with its premise—a prequel to the original Star Trek universe which detailed humankind’s initial exploration of space and the events, such as First Contact with famous Star Trek alien races, that led to the formation of the United Federation of Planets, and the acclaimed Star Trek universe.

When Enterprise was conceived, the Golden Age of Star Trek was already coming to a close. Star Trek: The Next Generation and Star Trek: Deep Space Nine (DS9), two highly revered shows, were no longer airing and Star Trek: Voyager (VOY) was ending its seven-year run. By the time the final episode of VOY aired, Enterprise and its premise was known to fans, as was the fact that popular genre actor, Scott Bakula, the star of the beloved sci-fi time travel show Quantum Leap, was cast to play the lead, Captain Jonathan Archer. However, around this time the Star Trek franchise under the helm of Rick Berman was running out of steam, creatively. Many episodes of Star Trek: Voyager were formulaic and many feared for good reason this malaise would carryover into Enterprise since Berman created it and was the main showrunner, along with Brannon Braga.

There were signs that the new show was going through the motions, starting with it premise, another starship crew exploring the unknown sectors of space; the characters seemed bland for the most part and echoed the makeup of the original cast with a few differences.

Still, many held out hope that Enterprise would deliver and rekindle the spark of imagination that the Star Trek franchise was noted for. Many were cautiously optimistic about the show, yet others were not enthused about the show and were ready to move on to other properties.

Enterprise premiered on September 26, 2001, which obviously was the first post-9/11 Star Trek show just a few days after the catastrophic event struck the United States.

The pilot episode “Broken Bow” introduced viewers to the crew of NX-01 Enterprise, Earth’s first starship that was capable of reaching warp 5. The more notable crew members consisted of Captain Jonathan Archer (Bakula), Chief Engineer Travis “Trip” Tucker (Connor Trinneer), and First Officer T’Pol (Jolene Blalock), a skeptical Vulcan who acted more as a guide to the humans when they ventured into unfamiliar space.

The ship and crew were pressed into service when an alien Klingon crash landed on Earth and the Enterprise crew undertook the mission to return the Klingon to his people. What they soon learned was that a shape-shifting alien race called the Suliban were after the Klingon. This put the humans into conflict with the Suliban, which Archer learned were being manipulated by a great power in the far future.

This was part of a confusing sub plot throughout most of the show’s run about a so-called temporal cold war. Apparently, the time period Enterprise took place in (the 2250s) was pivotal in history and certain unknown factions in the future wanted to change it. According to some reports, co-creators Rick Berman and Brannon Braga were forced to include this plot line by the network, and the duo even admitted the plot was never fully developed, and it showed. Berman and Braga also revealed that initially they wanted the series to take place on Earth for a large bulk of the first season as the Enterprise was prepared for its maiden voyage. But the network asked that the starship immediately launch into action during the pilot episode.

“Broken Bow” was entertaining but not as inspiring or memorable as previous Star Trek pilots. A bad sign for the show was the opening credits which featured a montage of humankind’s history of exploration. The montage was fine, but it was ruined by a rancid rendition of “Faith of the Heart” that was so treacly and annoying.

Many of the characters introduced felt too familiar or were not memorable. It felt like the showrunners were trying to recreate the famous Kirk/Spock/McCoy dynamic with Archer, T’Pol and Tucker. Just swap the sex of the token Vulcan and make the emotional member of the trio an engineer instead of a doctor. Some characters were interesting but never got the screen time they deserved, such as Dr. Phlox (John Billingsley), a quirky alien doctor who was the chief medical officer of the ship. Other characters were completely forgettable, such as Travis Mayweather (Anthony Montgomery), the ship’s helmsman. What was known about him was that he was one of the first generations of humans to be raised in deep space. Other than that he was relegated to being a glorified extra.

The early episodes themselves were not very exciting or captivating, though there were a handful of standouts, such as “The Andorian Incident”, which established first human contact with the Andorians and introduced Shran (Jeffrey Combs), a volatile Andorian officer who was one of the show’s best characters. But in other episodes basically not much happens and felt routine. The basic premise of the show was that it was supposed to chronicle the first steps humanity took when it began exploring deep space. The tech was supposed to be crude, shuttles and grappling hooks were used by the ship instead of transporters or tractor beams. With that in mind, the transporters were still brand-new technology that was not trusted, yet they soon used all the time instead of shuttles. It’s a shame since the early reliance of shuttles inspired one of the better first season episodes “Shuttlepod One”.

Some of the storylines had interesting premises but the execution was mundane and the end result was by the numbers. Other episodes were outright copies of previous Star Trek episodes. For instance “Vanishing Point” had the same premise as “The Next Phase” from TNG, which did it better. The same went for “Precious Cargo”, an outright rip-off of TNG’s “The Perfect Mate”. It was obvious that Berman, Braga and other crewmembers were burnt out and going through the motions. Many of them, including Berman, had been involved with Star Trek since the mid-1980s. It was time to bring in new blood but the people in charge refused to see this and this is why the show suffered.

By the time the second season of Enterprise came to a close it was clear something had to be done. Ratings were declining, as was interest in the Star Trek franchise. Many fans abandoned it for fresher properties that were making their mark at the time such as Stargate: SG1, Firefly and Farscape.

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Top Ten Greatest Star Trek Captain Moments

All Star Trek captainsWhat made Star Trek and its spinoffs so outstanding and memorable had to do with the shows’ captains. It makes sense being that the starship captains were the core of their shows and had many plum moments. Those instances revealed many thought-provoking insights into the captains and their lonely dilemmas, which revealed them as complex characters. In many ways, these moments are the reason why we celebrate Star Trek’s 50th anniversary.

10. Jonathan Archer’s Speech in “Terra Prime”:  The penultimate episode of Star Trek: Enterprise featured the fragile beginnings of the United Federation of Planets and how it nearly wasn’t due to a xenophobic human terrorist group. After the group was defeated, a conference on Earth made up of humans and aliens was salvaged thanks to Captain Jonathan Archer’s speech.

Archer Terra Prime

He implored the attendees to look past humanity’s faults and to see that everyone shared the peaceful desire to gain knowledge. Or as he summed up “the most profound discoveries are not necessarily beyond the next star, they’re within us.” And so, Archer helped give birth to the Federation and secured his place in history.

9. Kathryn Janeway Turns the Tables in “Counterpoint”:  In this episode of Star Trek: Voyager, the Starfleet vessel is forced to go through a region of space ruled by the Devore, a despotic anti-telepathic race, while harboring fugitive telepaths. Captain Kathryn Janeway gets involved with Kashyk, a Devore officer seeking asylum. The two are a near perfect couple but in the end the romance was a ruse by Kashyk who wanted to flush out Janeway by pretending to be sympathetic.

Janeway in Counterpoint

But it turned out Janeway was just as devious and cunning as the Devore. She tricked Kashyk and gave  the refugee telepaths time to escape Devore space. This episode demonstrates how her guile and determination have kept her crew alive as they journeyed home through hostile space.

8. Jean-Luc Picard Sees Four Lights in “Chain of Command, Part II”:  In this two-part story of Star Trek: The Next Generation, Captain Jean-Luc Picard is captured by Cardassians and tortured by one particularly sadistic Cardassian named Madred. The Cardassian delighted in humiliating his human prisoner and tried to break the noble Picard. Throughout the episode he attempted to get Picard to admit that there were five lights in Madred’s office, when in reality there were only four. Madred did this to break Picard’s free will.

there are four lights

But Captain Picard would not give up his inner dignity and demonstrated the measure of his steely resolve. He steadfastly refused to admit there were five lights despite the torture and never broke even though he came close. Picard’s action set an example of relying on one’s inner strength and core beliefs to get through difficult ordeals.

7. Jean-Luc PIcard’s Rant and Recovery in Star Trek: First Contact: Captain Jean-Luc Picard had been forcibly assimilated by the cybernetic Borg. In this Star Trek film, when the Borg returned to threaten Earth, Picard’s emotions and painful memories resurfaced. Picard became obsessed, too obsessed in defeating the Borg as they tried to take over his ship, the Enterprise. He became callous about the deaths and assimilations of his crew and insisted on fighting a losing battle against the Borg.

Picard Rant in Star Trek First Contact

When finally confronted by Lily Sloane over his fanatical behavior, Picard finally lets his emotions get the better of him. He erupted into an epic, savage rant about how he will make the Borg pay for what they did to him. After this catharsis, Picard was able to regain his senses and realized his duty to protecting his crew.

6. James T. Kirk Shows Mercy in “Arena”: Captain James T. Kirk and a Gorn captain are transported to a barren planet by advanced aliens and forced to fight each other to the death for the lives of their crew. This classic episode of Star Trek, while exciting to watch, ended on a morale message, which is what made the original show so revered.

Arena Gorn defeated

After defeating the Gorn, Kirk refuses to kill it. Then one of the advanced aliens appears and proposes to kill the Gorn for Kirk. The captain of the Enterprise turns down the offer and suggests that his defeated enemy be spared. This act of mercy surprised the alien who opined that there is something special about humanity since mercy is an advanced trait.

5. Ben Sisko’s Self-Confession During “In The Pale Moonlight”: During this episode of Star Trek: Deep Space Nine the Federation is losing a war against the evil Dominion. Captain Benjamin Sisko is at the forefront of the war in the space station Deep Space Nine and sees firsthand the effect of the grueling war. He knows he has to do something to save the Federation and what he concocted disturbs not just viewers but himself.

Sisko in the Pale Moonlight

Sisko conspired to fabricate evidence that the Dominion will attack the Romulan Star Empire. He hoped that this falsehood will bring the Romulan into the war on the Federation’s side and it works. The only cost for this duplicity is Sisko’s conscience. But Sisko has to admit to himself that saving countless lives in the Alpha Quadrant justified his actions. A sobering thought, which put Sisko in a different, grey light.

4. Jean-Luc Picard Defends Data in “The Measure of a Man”: In this intellectually charged episode of Star Trek: The Next Generation, a court hearing is convened to determine if the android officer, Data, can be considered sentient. At stake is his artificial life and whether or not he is entitled to equal rights.

Picard in Measure of a Man

Despite a blistering argument against Data, his commanding officer, Captain Jean-Luc Picard defended Data. At first, Picard is typically level headed and uses logic and reason to argue that Data is sentient. Then as his argument continued Picard grew more impassioned and was able to convince everyone not only of Data’s self-awareness but of his inalienable rights, which echo one of Star Trek’s core messages about equality, tolerance and mutual respect.

3. Ben Sisko Explains Time Through Baseball in “Emissary”: The pilot episode of Star Trek: Deep Space Nine set this Star Trek spinoff radically apart from other Star Trek shows. But one of the few things that stayed constant was the need for exploring the unknown. In this case a wormhole that Commander Benjamin Sisko discovered near the planet Bajor.

Sisko explains baseball

Upon entering the wormhole, he meets noncorporeal aliens who have difficulty understanding linear time. Sisko cleverly used baseball to explain the cause and effect nature of time. Thanks to queries from the aliens (who took the shape of people he knew), Sisko realized that he is emotionally trapped in the past because of his wife’s death. This epiphany allowed him to come to grips with her death and move on with his life as a Starfleet officer.

2. James T. Kirk admits he feels young in Star Trek II: The Wrath of Khan: At the start of this classic film, Kirk is downtrodden over his growing old. Compounding his mood are his deskbound duties and his birthday. As Star Trek II progresses, James Kirk takes command of his beloved Enterprise and is reborn as he confronts his greatest enemy–Khan Noonien Singh.

Kirk says I feel young

Even though in the end of Star Trek II: The Wrath of Khan, Kirk defeats Khan, he loses his best friend, Spock and is once again forced to face his mortality. However, recent events, while emotionally taxing, have reinvigorated James T. Kirk and his spirits have been rekindled. His personal arc perfectly encapsulated the film’s theme about growing old with dignity and spiritual rebirth, which was expressed with his bittersweet confession that “I feel young.”

1. James T. Kirk’s Soliloquy in “The Naked Time”: Captain James T. Kirk, or rather his original performer, William Shatner, was prone to speechifying in Star Trek. Often these addresses were bombastic and self important and were deservedly parodied. But early in the show’s run with the classic episode “The Naked Time” Kirk gave one of the first of these speeches and for one of the few times, his words were exceptionally heartfelt.

James Kirk in Naked Time

He was infected with a virus that loosened his inhibitions. When this happened his innermost thoughts and frustrations came to the surface. We saw Kirk as vulnerable, lonely and deeply committed to his duty as a starship captain. He lamented over the fact that his duty prevented him from enjoying a normal life or even having someone to love. The speech summed up the extent of the personal sacrifice James T. Kirk, and any other worthy starship captain, make in order to serve a higher cause.

José Soto

Top Ten Star Trek Enemy Races and Groups

 Star Trek has a rich trove of enemy alien races and organizations that have plagued our heroes throughout the many films and TV shows. Aside from being formidable, many of the opponents featured in the beloved sci-fi franchise were actually more complex and layered, which is why they resonate so much with fandom. These are the best of the lot and hopefully we’ll see some of them again when Star Trek: Discovery premieres next year.

The Breen with the Dominion

10. The Breen Confederacy: Little is known about this warlike, enigmatic race who wear fully enclosed refrigeration suits. Even their speech is undecipherable. Often mentioned in Star Trek shows they never appeared until the Star Trek: Deep Space Nine episode “Indiscretion” and later allied with the Dominion in the war against the Federation, Klingons and Romulans. This resulted in a Breen attack on Earth that destroyed Starfleet headquarters and set back the Federation war effort against the Dominion. This alone proved the Breen are a deadly adversary to be reckoned with.

Species 8472

9. Species 8472: The nearly undefeatable Borg met their match and then some when they tried assimilating Species 8472. In their first appearance in “Scorpion, Part I” (Star Trek: Voyager), the three-legged aliens shocked viewers when they easily wiped out entire Borg cubes. As one of the most alien-looking enemies featured in Star Trek, Species 8472  stand out due to their weird physiology and use of biotechnology; plus the fact that they kicked the Borg’s collective butts.

8. The Xindi: Made up of five distinct races, the Xindi inflicted a 9/11-type of attack on Earth in the Star Trek: Enterprise episode “The Expanse”. The crew of the Enterprise entered Xindi space in a season-long storyline to prevent the race from destroying the Earth.

3 Xindi racesThe Xindi can be thought of as a prototype of the Federation due to the diverse makeup of their member races: reptilian, aquatic, insectoid, primate and arboreal. Eventually, we learned that they are just as diverse in their beliefs in that some factions are more warlike while others are more reasonable. This enabled Captain Archer and  the Enterprise crew to win over some Xindi members. But others continued with their final attack on Earth and had to be stopped.

7. Terra Prime: An unfortunate fact is that even in the near-paradise future of Star Trek the worst enemy is us, humanity. Many Star Trek stories dwelled on evil humans and organizations, whose antagonistic belief system ran counter to the more enlightened humans in Star Trek. Out of the many nefarious examples like Section 31, the Mirror Universe inhabitants, and rogue Starfleet officers the worst of the bunch is Terra Prime.

John Paxton and Terra Prime

Led by John Frederick Paxton, they are a xenophobic terrorist group in the 22nd century that wanted to isolate Earth and humanity from the galaxy and keep out all alien influences…sounds familiar? Terra Prime only appeared in “Demons” and “Terra Prime”, which were among the final episodes of Star Trek: Enterprise. If the show had continued they would have made a perfect adversary as Earth began its first steps towards forming the diverse Federation.

6. The Vidiian Sodality: If anything the Vidiians are the grossest looking enemy aliens to appear in any Star Trek. We never saw much of them in Star Trek: Voyager. but they were still unforgettable when they did show up. First introduced in the episode “Phage” the Vidiians are a race suffering from a deadly disease that ravages their bodies. In order to stay alive they graft onto themselves body parts from other races, which explains their hodgepodge look.

Vidiians

What makes them so scary is that they just see other races, including us, as resources to cull. Most of them do not think twice as they carve up their victims and distribute their body parts to other members of their race. To them, the fact that they are saving other Vidiians easily justifies their actions while it horrifies everyone else.

5. The Romulan Star Empire: On the whole, the Romulan Star Empire are the go-to totalitarian enemy in Star Trek. Stories dealing with them are basically commentaries about the Cold War in that the Romulans are bitter rivals of the Federation. An uneasy stalemate existed between the two powers as both were equally matched, but there is something more about this race of Vulcan offshoots.

Romulans in Star Trek: Nemesis

This was seen in their very first appearance (“Balance of Terror”, Star Trek), as we met an unnamed Romulan commander who played a cat-and-mouse game with Kirk and the Enterprise. He was Kirk’s equal in terms of cunning, but was sympathetic due to his weariness about war and devotion to duty. Throughout their many appearances in the Star Trek shows, the best episodes about them were the ones that had them as fully fleshed out people who weren’t quite evil but happened to be on the other side.

4. The Cardassian Union: Once highly enlightened and cultured, the Cardassians became militaristic and harsh in order to survive. Their totalitarian ways led to conflicts with other space-faring powers like the Federation. Their prejudiced beliefs about other races also justified their brutal occupation of the planet Bajor as they stripped that planet and its people of its resources.

Cardassian in Star Trek Deep Space Nine

Although they first appeared in Star Trek: The Next Generation (“The Wounded”), the Cardassians were fully developed in Star Trek: Deep Space Nine as one of the main adversaries. What set them apart from other villains was their love of intrigue and desire to regain lost glory, as well as their distinct look with grey and scaly skin. That show’s best stories showed that Cardassians had deep, nuanced and complicated viewpoints as they struggled to find their place in the galaxy.

3. The Klingon Empire: Arguably, the most popular alien race in Star Trek, the Klingons are the perfect antagonistic foil for the peaceful Federation. They first appeared in the classic Star Trek episode “Errand of Mercy” and like the Romulans, they are supposed to represent the West’s Cold War rivals. Known for their harsh and warlike demeanor, the Klingons actually have a complex code of honor and a rich culture. Backing up their brutish reputation, the Klingons are a militaristic match for the Federation with a fearsome fleet of warships and they are all too eager to prove their mettle against anyone.

Klingons

Even though they were the opposite of the Federation, the Klingons eventually became solid allies by the time Star Trek: The Next Generation came along. In the Star Trek spinoffs, more aspects about these noble savages were explored and we realized there was more to them than their love for fighting. That is why they have become so popular to the point that a real-life subculture has emerged that emulates the Klingons.

2. The Dominion: In many ways the Dominion can be considered the dark version of the Federation. They are composed of several different races, the most prominent being the shapeshifting Founders, the deceitful bureaucratic Vorta and the battle-hungry Jem’ Hadar–the thuggish muscle of the Dominion. But unlike the benevolent Federation, the Dominion are brutal conquerors, who only see other races as adversaries to defeat.

dominion

Their presence was alluded to in early episodes of Star Trek: Deep Space Nine as the Federation began exploring the distant Gamma Quadrant. This raised interest among viewers as to who they were, and they got their answer in the episode “The Jem’Hadar”. From the start the Dominion (represented at first by the reptilian-like shock troopers) demonstrated their ruthlessness and mantra to win at all costs. The Dominion soon proved that they were superior to Starfleet in battle tactics and weapons. When war eventually broke out, the Dominion decimated both the Federation and the Klingons. The fact that they came so close to nearly conquering the Federation is why the Dominion rate so highly on this list.

1. The Borg Collective: Ever since the cybernetic race first appeared in the Star Trek: The Next Generation episode “Q Who?” they have thrilled and terrified fans. What is so frightening about them is their cold, adaptable nature. They forcibly assimilated other races they encounter and add their distinctiveness to their collective in a goal of achieving biological and technological perfection.

Borg

The Borg made an instant impact in their first appearance in how they quickly outmatched the Enterprise and would have assimilated the crew if not for the fact that Capt. Picard had to eat crow to get Q to save them. They are a relentless threat and what makes them more terrifying apart from the other Star Trek races is encountering them means a loss of one’s identity. Whenever they assimilate their victims and forcibly graft cybernetic parts onto them all traces of their personality are gone. By transforming victims into mindless zombies, the Borg turn anyone against their former friends and colleagues. This is something that the Enterprise crew grappled with when Captain Picard was assimilated and used Starfleet’s tactics against the Enterprise and the Federation.

Waldermann Rivera

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Top Ten Star Trek: Enterprise Episodes

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It’s been ten years since the final two first-run episodes of Star Trek: Enterprise aired. The prequel to the Star Trek phenomena was derided by many for its bland and derivative nature. But a careful and objective look reveals that Star Trek: Enterprise had many terrific episodes, especially its later episodes. These are the best episodes of the fifth and (to date) final Star Trek TV show.

leaving drydock10. “Broken Bow” The pilot episode of the series (which at the time was simply called Enterprise) introduces the crew of the Earth starship Enterprise, including Captain Jonathan Archer (Scott Bakula), as they embark on an impromptu mission to establish relations with the infamous Klingon Empire.

9. “Affliction”/”Divergence” This two-part fourth-season episode answers the nagging question that has perplexed Star Trek fans ever since the late ’70s –why do the Klingons from the original series look different from modern incarnations of the warrior race? The answer was quite inventive.

xindi attack8. “The Expanse” The second-season finale introduces a radical shift in the show’s direction and has echoes of the then-recent 9/11 attack. A surprise assault on Earth by an alien race called the Xindi leads to the Enterprise being re-assigned to undertake a military mission to Xindi territory to prevent another more devastating attack that is coming within a year.

7. “Zero Hour” The Xindi super weapon archer vs xindicommandeered by an ill-tempered Xindi faction finally arrives at Earth in this thrilling third-season finale. The only hope to prevent Earth’s destruction is a desperate Archer and his crew, along with Xindi allies. The final moments were tense beyond belief and featured slam-bam space battles and the episode’s cliffhanger was way out of left field.

6. “The Forgotten” The personal ramifications and loss from the Xindi attack on Earth are seen through the eyes of Chief Engineer Charles Tucker (Connor Trinneer) whose sister was lost in the attack. Trinneer’s acting was quite memorable in the moments when his character broke down over his intense grief. Other standout acting came from T’Pol (Jolene Blalock) and Degra (Randy Oglesby), an Oppenheimer-like Xindi who has a change of heart about his race’s destructive plans for Earth.

5. “Twilight” An accident leaves Archer with the inability to form new memories. As time passes, the Xindi destroy Earth and humanity is scattered. As years pass by, Doctor Phlox (John Billingsley) discovers that curing Archer’s condition is the key to undoing the past. But will Archer be cured before the Xindi eradicate the last vestiges of humanity?

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From the shocking cold opener where a visibly older Archer witnesses Earth’s destruction to its final, nerve-wracking scenes, “Twilight” excelled in presenting us with a dismal future where the Xindi succeed and put humanity on the brink of extinction.

4. “United” This episode was actually the middle part of a three-episode arc where Romulans try to instigate war between Earth, Vulcan, Andorians, and other planets. As a prototype Romulan ship with the capability to alter its outer appearance attacks different alien ships, the Enterprise crew and alien allies try to discern what is actually happening before war breaks out.

The alliance formed from the effort was one of Star Trek: Enterprise’s best moments and this episode used its all shipsprequel status to its best advantage. The highlight of “United” was a lingering shot featuring an armada of Earth, Vulcan, Andorian and Tellarite spaceships after confronting the Romulan menace. Thus, the seeding of the eventual United Federation of Planets has begun.

azati prime3. “Azati Prime” Archer and the Enterprise finally reach the Xindi super weapon in the aliens’ territory and prepare to destroy it, but Archer is suddenly whisked into the far future by the enigmatic time traveler Daniels (Matt Winston). As this goes on, the Xindi discover the Enterprise and launch a devastating assault that ends in a nail-biting cliffhanger.

What made this episode stand out is the revelation that what Archer does has a pivotal impact in Star Trek’s distant future. Plus, a hint of a future Enterprise is shown for good measure.

2. “Demons”/”Terra Prime” As Earth and its allies begin its first steps to forming the basis for what will become the revered Federation, those plans are threatened with the emergence of a xenophobic human terrorist group that wants to keep Earth and humanity isolated.

tera primeEven though “These are the Voyages” was the official final episode of Star Trek: Enterprise, this penultimate two-part story is a much more valid conclusion to the series. That is because it points the way towards Star Trek’s optimistic future and illustrates quite nicely how the characters help pave the way for what lies ahead with Star Trek.

1. “In a Mirror Darkly, Parts I & II” Starting with a cold opener where humanity’s first contact with Vulcan takes a more savage turn, and then showcasing a dark, militaristic opening credits in a mirror darklyfans were in for a treat as the cast chewed lines and reveled in playing evil versions of their characters. Amidst the histrionics, questions about the original Star Trek episode “The Tholian Web” were answered and we learned the origins of the brutal Terran Empire seen in other Star Trek shows. “In a Mirror Darkly” was a true treat for fans with its numerous shenanigans and shout outs to the Star Trek mythos.

Strange as it seems, the best episode of Star Trek: Enterprise doesn’t even feature the main cast. Rather this two-part story is solely about the Mirror, Mirror parallel universe versions of the Enterprise crew. It was easy to tell the cast had a great time portraying twisted, malevolent versions of their normal characters and that added to the joy of seeing “In a Mirror Darkly”.

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This fourth-season episode best shows the strengths of Star Trek: Enterprise when it fully realized its potential by being an actual prequel rather than recycling old storylines from other Star Trek shows. Sadly, the improvements the show underwent came too late since it was cancelled at the end of its fourth season. As lamentable as that was, at least Star Trek: Enterprise has a distinctive honor that other Star Trek shows lack: it ended on a creative high note.

Honorable Mentions: “The Andorian Incident”, “Awakening”, “The Council”, “Countdown”, “Dead Stop”, “Harbinger”, “Kir’Shara”, “Minefield”, “Observer Effect”, “Regeneration”, “Silent Enemy”, “Similitude”, and “Storm Front, Parts I & II,

José Soto