Dinosaurs On The Small Screen

When I saw the new series Terra Nova on Fox I couldn’t help wondering about how many dinosaur-based TV shows there have been. It turns out there aren’t many, which isn’t surprising for the obvious budgetary reason. Here’s a brief rundown of such shows but for brevity’s sake cartoons, documentaries and shows that only had an episode or two featuring the extinct reptiles won’t be included.

Terra Nova — Currently airing on Fox after numerous delays. The show follows the adventures of a 22nd century family who time travel 85 million years into an alternate past to escape a dying future. They are part of a human colony called Terra Nova and contend with predatory dinosaurs, dumb teenage drama and renegade humans.

Primeval–A BBC program that first aired in 2007 and was recently resurrected. Taking place in Britain, time portals called anomalies appear more and more often throughout the land and deposit confused and rampaging dinosaurs, prehistoric animals and even future animals. The Arc, a research and security facility, is set up with misfits and soldiers who deal with temporal incursions. It was recently announced that a spinoff taking place in Vancouver called Primeval: New World will go into production.

Prehistoric Park–This was a six-part series that aired in 2007 on ITV and Animal Planet was more of a mockumentary that starred Nigel Marvin who played himself. The premise is that a prehistoric wildlife preserve has been set up on an island. Think of it as a successful Jurassic Park. In the show, Nigel time travels to prehistoric periods and rescues animals about to perish and brings them to the present. More often than not he wound bringing unexpected animals.

Dinotopia–Based on the series of books, it was originally a four-hour mini-series that became a show and aired on ABC in 2002. The network pulled the plug after six episodes, which was a mercy killing. In this show, two brothers crash their plane in an uncharted continent where humans and dinosaurs (some are sentient and able to speak) live in harmony.

 Sir Arthur Conan Doyle’s The Lost World–This syndicated show ran for three seasons from 1999 to 2002. Loosely based on Doyle’s classic, it featured Professor Challenger and a group of people who are stranded on a South America plateau that is inhabited by dinosaurs, natives and people in latex makeup. It ended with an unresolved cliffhanger.

Dinosaurs–ABC aired this comedy, produced by Jim Henson Television, from 1991 to 1994. Coming off as a knock off of The Simpsons and The Flintstones, it was your standard nuclear family sitcom complete with the goofball dad, patient mom, wise children and a precocious little baby that kept screaming “Not the momma!” Only these were talking dinosaurs wearing clothes and complaining about humdrum problems. The series ended on a downer as a global catastrophe dooms the dinosaurs.

Land of the LostA personal favorite that first aired on NBC Saturday mornings from 1974 to 1976 and it set the standard. Rick, Will and Holly Marshall are out whitewater rafting and fall through a portal that transports them into an alternate dimension populated by stop-motion and puppet dinosaurs, hairy hominids called Pakuni and evil reptilian Sleestaks. Despite its juvenile trappings and budget the show really shone thanks to high-concept scripts penned by the likes of David Gerrold, Norman Spinrad, Larry Niven and D.C. Fontana. A remake aired in 1991 in syndication for two seasons but it had a lighter tone and wasn’t as memorable. And let’s not get into that Will Ferrell movie.

José Soto

Requiem For An Angel

Alas, poor Castiel. Everyone’s favorite Angel from the CW’s Supernatural apparently (click away quick if you don’t want to be spoiled!) bit the dust, consumed by the Leviathans that he inadvertently absorbed at the end of season six.

Such a waste really. Sure Castiel had to pay the price for taking over as God (who regular viewers know has left the building in the show’s mythos) and carrying on a destructive path in this season’s premier episode. But he was arguably the best character on the show, he took it to a whole new level when he made his debut back in season four. Castiel was so popular he even became a regular.

Played in a deadpan manner by Misha Collins Castiel almost seemed like a character from Star Trek. We could easily see him as a stoic alien who is fascinated by humanity and becomes a champion of sorts. How many times did he pull Sam and Dean Winchester’s butt out of the fire? The guy was a literal deus ex machina, but most of all he was quite a badass with liberal doses of modesty and naivete.

According to Sera Gamble, the show’s executive producer,  Collins is due to return later this season but is ambiguous as to what role he’ll play. But please don’t make him out to be the Big Bad that is being mentioned by the Leviathans. Only if some part of Castiel’s good nature comes out at the eleventh hour and conquers this season’s enemies. However cool that sounds remember folks, that is basically how season five ended when Sam took brief control of his body for Lucifer to be defeated.

What should’ve happened is that spinoff show should have been created. Starring Collins as Castiel it would’ve taken place sometime after the apocalypse was averted. That way the entire War in Heaven could’ve been explored more fully instead of being given to us piecemeal last season. Think about it, there could’ve been crossover episodes with Supernatural. Special guest stars, the works. But this is the CW wannabe network we’re talking about. Cas, we know you’re coming back somehow but for now, we already miss you and that rumpled trenchcoat.

Lewis T. Grove

Top Ten Modern Doctor Who Episodes

For us Yanks across the pond the season finale of Doctor Who will air this weekend with “The Wedding of River Song.” That said, let’s look at the ten best episodes from the modern era which started with Christopher Eccleston in 2005 and is running currently with Matt Smith. This list will only include regular episodes, not the Christmas specials and other shows that have popped up over the years.

10. “The Girl in the Fireplace” The Doctor has a brush with romance (aside from the tension between him and Companion Rose Tyler) when he meets Madame de Pompadour via time portals on a derelict spaceship.

9. “The Eleventh Hour” Our first introduction to Matt Smith as the Eleventh Doctor and Karen Gillan as Amelia “Amy” Pond showed the kismet the two had as partners across time and space.

8. “School Reunion” Old-time companion Sarah Jane Smith (the late Elizabeth Sladen) returns to the Who-verse and it’s a joy to see her holding up quite well; the scenes where she and Rose (Billie Piper) exchange Companion stories were great.

7. “Bad Wolf/The Parting of The Ways” The Ninth Doctor’s swan song is epic without being too overblown and bittersweet while giving us one of the best modern Dalek storylines and radically changes the dynamic of the show.

6. “The Girl Who Waited” This one illustrates the danger of time traveling with the Doctor when Amy enters the wrong door in a planet and winds up trapped for over thirty years waiting for rescue while time passes by normally for her husband Rory (Arthur Darvill) and the Doctor.

5. “Human Nature/The Family of Blood” An amnesiac Doctor hides from predatory aliens out to feed on him by transforming into a human that falls in love; then we are given a glimpse as to how coldly vengeful the Doctor can be when he regains his memories and dispatches them.

4. “The Empty Child/The Doctor Dances” When the Ninth Doctor first appeared he was an angry, morose person but here he starts to lighten up in the second part of this creepy World-War-II era episode, which features great visual sights, frights and introduces Captain Jack Harkness (John Barrowman).

3. “The Doctor’s Wife” This Neil Gaiman-written episode has the TARDIS’ core matrix is transferred by an evil sentient asteroid into Idris (Suranne Jones) an enchanting, attractive woman who is dying. The asteroid transfers its mind into the TARDIS and tortures Amy and Rory as the Doctor and Idris (showing us a rare examination of their relationship) try to recapture the Time Lord’s ship.

2. “Utopia/The Sound of Drums/Last of the Time Lords” A three-part epic that brings back Jack Harkness from Torchwood and re-introduces the classic Who villain The Master (played first by Derek Jacobi and then with devilish glee by John Simm) who is found literally at the end of time by the Doctor and Martha Jones (Freema Agyeman). Then he is reincarnated into a Tony Blair type of politician who infiltrates modern-day British politics and becomes Prime Minister, instituting a reign of terror.

1. “Blink” Any fan can see that guest star Carey Mulligan’s Sally Sparrow  is a prototype for Amy Pond. She’s pretty, smart, young and quite resourceful when dealing with the best of the new Who villains, the Weeping Angels. They appeared as angelic statues that steal a person’s temporal energy by sending them back in time, which they did to the Doctor and Martha. Trapped in the 1960s, the Doctor communicates to Sally via DVD Easter eggs, and the entire episode is a brilliant use of time travel and genuinely frightening villains. The last few seconds with the Doctor warning viewers not to blink are unforgettable.

José Soto

Star Trek At 45

Star Trek, the original show, turned 45 years old this September. Meanwhile the tenth anniversary of the last Trek show Enterprise is also in September. The point is these milestones came and went largely unnoticed or celebrated. So we all wonder why the lack of enthusiasm?

Really, everyone lately is yakking about the Star Wars blu-rays, Back to the Future shoes, new super hero movies, Harry Potter and even a new Avatar attraction for Disney’s Animal Kingdom, but barely a peep out of the world of Trek. I clicked over to the Star Trek website and it seems like a slow week in January. An article reminiscing about Enterprise, IDW comics, Star Trek: The Exhibition coming to St. Louis and upcoming conventions.

You’d think that with all the hoopla over the last Star Trek movie and how it re-energized the franchise and started things fresh that Trek would remain in the public eye. Guess again. Maybe it didn’t help that J.J. Abrams and his crew are taking forever to get a new film going. Then more and more fans are complaining about Abrams’ take on Trek and how it ruined the franchise, nullifying over forty years of Trek lore and made the film seem like a Star Wars wannabe flick.

Another thing that isn’t helping is CBS Studios not wanting to make another Star Trek show while greenlighting junk like Person of Interest and other cop procedurals. For the average Trek fan (I refuse to call myself and fellow fans as trekkies, that’s too demeaning) this is a cause for alarm. In this crowded medium, Trek has to struggle to stay in the public eye. It can’t just rest on its laurels. That attitude of taking fandom and demand for granted is why the later shows declined in quality and ratings putting us in this situation.

No Trek isn’t going away, who knows maybe the new film, whenever they decide to make it, will stir things up. Maybe it will take the fiftieth anniversary when we’ll get the articles and such about how Trek gave us cell phones and tablets (but no holodecks but we’re getting there with the 3D TVs). But Trek is best known for being a TV show, that is its home medium, so a new show has to come out to keep up with the other franchises. Just do a cartoon for now until the right people are found who can put out a quality show. That way Trek stays in the public’s mind. It worked for Star Wars with The Clone Wars cartoon. Here’s an idea do a cartoon about Starfleet Academy. It won’t be that offensive to anyone who hates the thought of Star Trek 90210 since it will more geared toward younger viewers, who in turn may become tomorrow’s fans that keep the dream alive. Just do something already.

Waldermann Rivera

Fringe Begins Its Fourth Season

One of the few returning network TV shows that’s worth watching live premiered its fourth-season opener and Fringe didn’t disappoint devoted fans.

Despite its rich history, this episode “Neither Here Or There” is a bold jumping on point for new viewers. The reason for that is because of FBI Agent Lincoln Lee’s (Seth Gabel) re-introduction to the Fringe Division, which serves to explain what the show is about for anyone who doesn’t know anything about shape shifters, Observers, or amber.

Last season, Peter Bishop (Joshua Jackson),  in trying to prevent the destruction of two universes, was erased from existence which resulted in a new timeline. In this one, Agent Lee’s partner (played by Stargate: Atlantis’ Joe Flannigan) is killed by a strangely translucent man-a really disgusting effect. This leads him to meeting Olivia Dunham (Anna Torv), Walter Bishop (John Noble) and the rest of Fringe Division who investigate bizarre occurrences.

While the episode is set up to introduce new viewers to the Fringe universe, it’s also an intriguing yet subtle re-acquaintance for fans. Yes it’s a new timeline but things aren’t that different. The changes will only be caught by fans like Walter appearing a bit more unhinged than usual. Knowing the show, more clues will be peppered among upcoming episodes. But fans will note that Peter’s existence is critical and his absence should’ve made the timeline more radically different especially when it comes to the simmering cold war between our universe and the “Over There” universe that still exists.

What worked best for the episode were all the clues that weird stuff is going on, best shown with Peter’s ghostly image that literally appears in blinks and the enigmatic Observers who want to preserve the new timeline. It’s all intriguing and makes one want to learn more about what is going on and where it will all lead. Given the show’s history, it’s unlikely that it will disappoint fans. Despite its superficial similarity to The X-Files to casual viewers this program is a lot more than monsters of the week and convoluted conspiracies.

That’s why Fringe is the best sci-fi show on the air right now.

José Soto