Visionary director Denis Villeneuve’s Dune, Part Two concludes his epic live-action adaptation of the sci-fi classic novel, Dune, with a sweeping flourish. At the same time, by splitting the adaptation into two films Villeneuve is able fully flesh out the scope of the novel, which was impossible to do with just one film, as we saw with David Lynch’s film from 1984.
Picking up immediately after the first film, Dune, Part Two, further develops the saga of young Paul “Muad’Dib” Atreides (Timothée Chamolet), the heir to House Atreides and future messiah to the Fremen people of the planet Arrakis. Now, it must be said that you need to have seen Dune, Part One, or be at least aware of the situations in the story. Basically, in the far future, humanity has spread throughout the universe with the aid of a substance called spice mélange that enables humans to perform complex intergalactic navigation. This spice can only be produced on the desert planet called Arrakis, which becomes the center of a dispute between two royal houses, House Atreides and House Harkonnen. In the first film, the Atreides were assigned by the emperor of the Known Universe to administer Arrakis and harvest the spice, but they were ambushed by the forces of the Harkonnens. This led to the death of Paul’s father, Duke Leto, and with the downfall of his House. By the end of the first film, Paul and his mother, Lady Jessica (Rebecca Ferguson) fled to the deep desert and were adopted by the nomadic Fremen.
If any of this sounds complex, then you are correct, and there is much more to the story. This complexity has made the novel nearly impossible to adapt in the past, yet Denis Villeneuve was able to pull it off while adding his own stamp to the story. It’s similar to what Peter Jackson was able to do with his adaptation of The Lord of the Rings trilogy.
Where the first Dune film was devoted to setting up the complex worldbuilding and multiple characters, the second film centers on Paul’s rise to power as the Kwisatz Haderach, the messianic savior of the Fremen who will liberate their world from outside forces. However, Paul is wracked with doubt because of prophetic visions he has that reveal that billions of people throughout the universe because of his followers. In Dune, Part Two, Paul ingratiates himself to the Fremen and rises to prominence among them as they fight the Harkonnen forces on Arrakis as many of them see him as the fulfillment of the Kwisatz Haderach prophecy. He also begins a romantic relationship with Chani (Zendaya), a brave and lethal Fremen fighter who is skeptical of the Fremen’s religious deference to Paul and even the Fremen religion. It is revealed that the religion was developed by Lady Jessica’s matriarchal order the Bene Gesserit in order to control the Fremen.
Like the novel, the films, especially Part Two, explore the perils of religious fanaticism as it blinds followers who will only see what they want to see. In this case, despite Paul’s early protestations that he is not their savior, many Fremen refuse to heed him and twist their logic to justify their beliefs. The analogies to today’s religious strife are quite obvious and damning but illuminating. Even more incredible is that how closely the film translates the same cautionary themes about religion from Frank Herbert’s novel which came out over 50 years ago, and demonstrates the timeless nature of the book.
There are a few distinct departures from the novel that won’t be spoiled but may upset Dune fans, but the basic plot structure of the novel remains, such as Paul’s development, and the intergalactic politics that turns its attention to the barren Arrakis that turns out to be the most important world in the universe. For non-fans who enjoy rich and intricate political storylines, Dune is basically Game of Thrones set in space, except that it should be the other way around since Dune novel came out decades before the fantasy epic.
While Villeneuve was able to successfully translate the dense story, what is even more impressive with Dune, Part Two is its epic nature that puts other adaptations to shame. Many of its visuals are clearly inspired by Lawrence of Arabia, which itself has many of the same themes as with Dune: an outsider who joins desert people and becomes their liberator.
The visuals and cinematography are just gorgeous to witness, as they engross you completely into the rich alien worlds. Also impressive were the performances by the actors who imbue their characters with complexity. Along with Chamalet and Zendaya, Javier Bardem as the Fremen leader Stilgar and Austin Butler as the psychotic Feyd-Rautha Harkonen were excellent in their roles. Many scenes were heart stopping and instantly iconic, like Paul’s first ride on a giant sandworm, the Fremen attack on the Harkonnens or Paul’s duel with Feyd-Rautha. Together, all these elements have been able to create a true cinematic experience that will be remembered for years to come and prove that serious sci-fi can be a vehicle for a complex and enriching film.
Summing up, Dune, Part Two is one of the very best sci-fi films ever made thanks to its complex themes and visual richness that rivals the greats. Needless to say, it must be experienced on the biggest screen possible.
José Soto
Starloggers 