The Mad Max Films Ranked

Given the poor box office performance of Furiosa: A Mad Max Saga, it is likely this will be the final film in the Mad Max franchise for a good while. Hopefully, the film will have a second life on home media/streaming which could lead to the production of Mad Max: The Wastelands, which was based on background material that George Miller wrote when making Mad Max: Fury Road. In any event, for now we will only have five films in the Mad Max franchise and so it is time to rank the films. It is interesting to see how far the films have come from a low-budget independent film way back in 1979 to topnotch Hollywood-funded productions. Here we go, and be sure to leave a comment on the rankings or with your own preferences.

5. Mad Max (1979)

The first film in the Mad Max Saga is also the most unlike the typical Mad Max film we have come to expect. The near-future world of Mad Max largely resembles our own, except that it is running down as lawlessness has become more and more prevalent. Mel Gibson starred as Max Rockatansky, a police officer in the struggling Main Force Patrol (MFP), who is dedicated to maintaining order in the wild highways Down Under. It isn’t until the last fifteen minutes of the film that Max becomes the ruthless anti-hero that we know and love. The film would have been improved if Max left the MFP much sooner and his family was killed earlier on so we could have had more scenes of Gibson as Mad Max.

The fact that it takes so long for the film to get going is why it ranks last. It is a decent origin film that shows us how Max was a decent family man, but even at 90 minutes, the film drags at many places. It features a lot of the impressive car stunts and chases that George Miller improved upon in the later films and Gibson was so magnetic in his portrayal of Max, so it cannot be written off. After all, the popularity of Mad Max helped pave the way for greatness.

4. Mad Max: Beyond Thunderdome (1985)

The first half of the third Mad Max film was quite enjoyable and captivating. Mad Max is reduced to a nomadic wanderer in the barren desert wastelands of Australia in his broken-down car that is now pulled by camels. The car is stolen by an airborne raider played by Bruce Spence, who portrayed a similar character in The Road Warrior; yes, it’s kind of confusing and a definite sign that continuity was not a strong suit for these films. Max tracks his vehicle to a settlement called Bartertown run by Aunty Entity (Tina Turner, who was surprisingly great in her role). To win his car and his freedom, Mad Max is forced to fight to the death in a gladiatorial match in Thunderdome. After he breaks the rules in the deathmatch, Max is banished to the desert and is eventually rescued by a band of young children who see him as a messianic figure.

The film suffers greatly when Max meets the young refugees from the Lord of the Flies since this storyline of Max mistaken for being their savior clashes with the Bartertown storyline. The second half of the film slows down and takes on a strangely goofy tone that belonged in an adventure film geared towards kids. Not even the derivative chase scene at the end involving a train could salvage this film, which should have been split into two different films.

3. Furiosa: A Mad Max Saga (2024)

The world of Mad Max finally expanded beyond Max himself in this prequel that tells the story of Furiosa, the breakout character from Mad Max: Fury Road. Aside from a brief cameo, Mad Max does not appear in the film, but it still feels like a Mad Max film. The film is more sprawling and epic in scope than the average Mad Max film as it takes place across years, as Furiosa is seen developing from a young innocent girl into a vicious warrior in adulthood.

Anya Taylor-Joy and Chris Hemsworth turn in exceptional performances as Furiosa and her nemesis, Dementus. The production design and other technical aspects of the film are exceptional as is George Miller’s direction. It isn’t as good as Mad Max: Fury Road due to some questionable CG, and although it’s exciting it cannot match the desperate pace of Mad Max: Fury Road that kept us on the edge of our seats. Still, Furiosa: A Mad Max Saga is an exciting and great entry in the Mad Max franchise.

2. Mad Max 2: The Road Warrior (1981)

The first sequel to Mad Max definitely set the bar (so high) and the template for a classic Mad Max film with pulse-pounding, kinetic car chases, neo-medieval battles in the desert, Western tropes and little dialogue. The film was originally released in 1981 in Australia as Mad Max 2, then released in the United States a year later and renamed The Road Warrior. Nowadays, it is known as Mad Max 2: The Road Warrior, but whatever it’s called. it’s one of the best sci-fi action films of all time.

Mel Gibson reprised his role as Mad Max, the loner anti-hero who cares little for others and is only focused on surviving and getting the next tank of gas for his V8 Interceptor. He becomes a reluctant hero after meeting a group of struggling, good-hearted people in a gas refinery settlement that is besieged by ruthless raiders. The film was packed with action and rarely lets you breath as it concluded with a white-knuckle chase scene involving a gas tanker and rig driven by Max attacked by the motorized raiders. This sequence was made so memorable by its frenetic editing and a pounding score by Brian May. Simply put, Mad Max 2: The Road Warrior forever established the tone for future films.

1. Mad Max: Fury Road (2015)

Now we come to not just the best Mad Max film, but one of the greatest action films of all time and a futuristic Western on wheels, as director George Miller describes his film. Tom Hardy takes over the role of Mad Max, who is captured by the forces of the desert despot Immorten Joe (Hugh Keays-Byrne), and is soon caught up in a desperate escape from Immorten’s savage society on a modified tanker with several of Immorten’s wives and Furiosa (Charlize Theron), one of Immorten’s officers who frees the wives. The extended chase scenes across the apocalyptic desert were elevated with beautiful photography, intense editing and some of the most memorable imagery seen on film.

Mad Max: Fury Road was so revered that it was actually nominated for the Best Picture Oscar and won a slew of technical Oscars, which were all well deserved. The film is much more than an action film but one that touches on several themes such as women’s rights, societal injustice and the capabilities of the disabled. It also features many unique and eccentric characters that were easily memorable such as the the vicious Immorten Joe, Nux (Nicholas Hoult), one of Immorten’s soldiers who joins Max, and of course Furiosa, who quickly becomes a co-lead in the film and earned her own film. Mad Max: Fury Road is Mad Max at its finest and is a must watch for film lovers.

José Soto

Furiosa Excitingly Expands The Mad Max Saga

It’s unfortunate that Furiosa: A Mad Max Saga is not doing well in theaters because it is a truly great sci-fi action piece and a worthy prequel to Mad Max: Fury Road. But given how great the film is, it is certain that it will join that club of films that were initial box-office bombs and become revered as classics later on, as it happened to Blade Runner, The Thing, Edge of Tomorrow, The Suicide Squad, and so on.

Furiosa: A Mad Max Saga as its title suggests is the background story of Furiosa, the breakout character of Mad Max: Fury Road. As a prequel to that film, it begins back when Furiosa (first played by Alyla Browne, then later by Anya Taylor-Joy) was a young girl who was kidnapped from her idyllic garden home by barbaric raiders. For anyone who isn’t familiar with the world of Mad Max, these are post-apocalyptic films that take place in Australia, which is a barren desert wasteland full of roving gangs that prey on the weak. After seeing her mother killed by the gang that snatched her, Furiosa harbors a personal hatred against the gang and its leader Dr. Dementus (Chris Hemsworth), a charismatic, yet brutish thug. Seeing Furiosa as a stand-in for his long-lost children, Dementus comes to think of her as his own daughter.

Living a nomadic hunter-gatherer existence, Dementus’ gang encounters the savage society of Immortan Joe (Lachy Hulme), who we last saw in Mad Max: Fury Road. After tense negotiations between Dementus and Immortan Joe, Furiosa was traded to Immortan Joe, who intended to raise her to be one of his wives. However, Furiosa escaped that fate, and masquerading as a young male she joined one of Immortan Joe’s pit crews with her desire to return to her home and killing Dementus being her driving force.

Director George Miller, who introduced us to the world of Mad Max, has wowed us again with this captivating, brutal and exciting post-apocalyptic tale of vengeance and survival. The film is visually and tonally similar to Mad Max: Fury Road but differs in that the former film told a tighter story that moved as fast as the vehicles featured in the film. Furiosa: A Mad Max Saga tells a more sprawling story that spans years and features many characters, a lot of them returning from Mad Max: Fury Road. Even Mad Max himself pops up in a cameo though he is portrayed by Tom Hardy’s double.

While an expansion and exploration of the world of Mad Max is always welcome, doing so robs Furiosa: A Mad Max Saga of that feeling of intensity and non-stop action that made Mad Max: Fury Road so beloved. Make no mistake, there is a lot of action in Furiosa: A Mad Max Saga but there is also a lot of character development as we bear witness to seeing the brutal transformation of Furiosa as she starts off as an innocent yet skilled child into a hardened nearly feral survivor who desperately holds on to lost dreams. As such, the film time between the major action scenes are much longer, although the epic car chases and battles are well worth the wait. The best sequence comes around the halfway point of the film that involves another one of those scenes where motorized gangs besiege a souped-up supply tanker called a War Rig that is armed to the teeth. The scene lasts about 15 minutes and is worth the price of admission alone thanks to George Miller’s skillful talent for delivery pulse-pounding action.

Anya Taylor-Joy does a great job as Furiosa as she takes on some of the characteristics of Mad Max in that she rarely speaks and adopts a savage loner persona. The other actors like Hemsworth are just as memorable in their roles with the standouts being Tom Burke and Charlee Fraser. Burke portrays Praetorian Jack, the sympathetic driver of a war rig that serves as a prototype to Mad Max’s character and could explain why Furiosa eventually bonded with Max. Meanwhile, in her brief presence as Furiosa’s mother, Fraser, was outstanding in her performance as a skilled warrior who went above and beyond to save her daughter. Even though she was not successful, her sacrifice left a solid impression on young Furiosa.

Exploring the world of Mad Max is a welcome idea although the filmmakers should now think beyond epic car chases and battles in deserts. What else is going on in this world? What about the coastline of the continent or beyond? It’s too bad the film is not performing well because it is unlikely we will revisit this world in the near future.

Furiosa: A Mad Max Saga is a spectacular entry into the Mad Max Saga that does what it sets out to do: provide the origin story of Furiosa in a kinetic and engaging fashion that exemplifies George Miller’s cinematic style.

Mad Max Delivers A Fury Of Action

Director George Miller makes a triumphant return to the post-apocalyptic desert wasteland of Mad Max in the fourth installment of that pulse-pounding saga. Mad Max: Fury Road now stars Tom Hardy as the sullen, scarred highway loner “Mad” Max Rockatansky and he is the same embittered road warrior as in the previous Miller films.

joeAt the start, Max is captured by a bizarre cult called the War Boys led by Immortan Joe (Hugh Keays-Byrne), a hulking tyrant with long, flowing white hair and a chilling breathing mask adorned with horse teeth and vacuum pipes. During his captivity Max is swept up in an escape by Imperator Furiosa (Charlize Theron), who flees the cult’s territory with a souped-up War Rig along with Immortan Joe’s prized Wives­: nubile young women he enslaved solely for breeding. From there it’s a frenzied pursuit caper with Furiosa in her rig frantically outrunning her former leader’s outlandish armies and their tripped-out vehicles.

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As with the other Mad Max films, there isn’t a tremendous amount of plot. Basically the heroes have to get from point A to point B and avoid the bad guys. Max is still haunted by his past and uncaring about Furiosa’s dilemma at first, before allowing his heroic side to emerge. But Mad Max: Fury Road is still an outlandish, adrenaline-fueled action film! What makes this exciting film so fantastic is its simple nature and ability to deliver the pulsing goods. Astounding practical guitar playereffects and stunts, plus a non-stop pace add to this exhilarating viewing experience. Then there are the many off-the-wall images like a hellish guitar player that is used to spur on the War Boys and terrify the enemy with a flame-shooting electric guitar. Other moments include the sickening sight of women used as cows to pump milk or men used as mobile blood banks. Those along with long-sweeping vistas of imposing desert lands enforce the notion that hell has come to this future Earth.

FURY ROAD

Interestingly, the film isn’t afraid to slow things down once in a while because these moments allow the audience to know and care about the characters. One of the more interesting people in the film is Nux (Nicholas Hoult), a War Boy that was obsessed with capturing Furiosa and the Wives, but winds up fighting for them instead. More importantly, Hardy is a worthy successor to Mel Gibson, the original portrayer of Max. It’s a relief to see that the character is in good, stoic hands with Hardy. That is because Max is able to exhibit his savage and noble heart in the heart-pumping climax where he and Furiosa have their final confrontation with Joe and his army.

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Given all of its fast-moving and engaging merits, Mad Max: Fury Road is as terrific as The Road Warrior and in some ways better. That’s because it harkens back to the good old-fashioned action/car chase films from the ’70s and ’80s, while delivering something more tangible.

Waldermann Rivera