Tag Archives: Kirk

Sep 6 2015

Assorted Star Trek Highlights

original enterprise

As we celebrate the 49th anniversary of Star Trek (God, that makes me feel old!), some quick thoughts came to me regarding the beloved show and the franchise it spawned. Star Trek and its many incarnations had many highs and lows, but what stuck with me throughout the decades were the highlights and some general observations about Trek.

Captain

James T. Kirk, played perfectly by William Shatner, is the best Star Trek captain. Period. Nothing more to say.

classic kirk

Villains

Star Trek has many memorable villains that faced off against Kirk, Picard and others. The biggest and baddest of them all still remains as Khan, the first version played by Ricardo Montalban. While Benedict Cumberpatch did a menacing job reimaging Khan in Star Trek Into Darkness, Montalban’s Khan was just insane. The other great Trek villains are the Borg Queen (Alice Krige) from Star Trek: First Contact, General Chang from Star Trek VI: The Undiscovered Country (Christopher Plummer had great chemistry with Shatner), Shinzon from Star Trek: Nemesis, Nero from Star Trek, Kurge (Christopher Lloyd) from Star Trek III: The Search for Spock, Q (John DeLancie) from Star Trek: The Next Generation, the Romulan Tomalak (Andreas Katsulas) of Star Trek: The Next Generation, Ron Perlman’s Nosferatu-like Viceroy in Star Trek: Nemesis, Gul Madred (David Warner) in Star Trek: The Next Generation and Gul Dukat (Marc Alaimo) in Star Trek: Deep Space Nine. In general, I enjoyed the Klingons, Romulans and Borg. Finally, I have to give a shout out to the black oil spill creature that killed Tasha Yar. It proved that oil spills will be the death of us!

khan II

Ships

Star Trek is well known for its many distinctive space ship designs. Of course, one of the best has to be the original Enterprise from Star Trek. It’s simple, classic and culturally important. With that I will state that I loooooove the Enterprise from Star Trek: The Motion Picture! As for the Enterprise seen in the Star Trek reboot, I admit that I like it, but don’t love it like I did with the earlier movie versions of the Enterprise. I also thought the space station designs in the reboot didn’t work (but I loved the ones used in the early films, the same goes for the early space dock used in the first two Star Trek films).

enterprise refit

Other great ships for me were the Enterprise D from Star Trek: The Next Generation with its amazing concept of having the saucer separating from the ship. Meanwhile, I also liked the Enterprise E first seen in Star Trek: First Contact because it had this neat, sleek look.

Starfleet also had other great designed ships. Let’s start with the shuttlecraft Galileo. It was a classic, and I’ll have to say that the updated shuttle designs seen in Star Trek: The Next Generation were nice. Two other great ships were the Defiant from Star Trek: Deep Space Nine (it’s one great, tough, little ship!) and the Reliant from Star Trek II: The Wrath of Khan. It’s got the most innovative design and was actually a happy accident. Director Nicholas Meyer saw the blueprints for it upside down and approved it. This allowed for the designs of differently shaped Federation starships.

reliant

The alien ships used in Trek were also wonderful, take the Klingon Bird-of-Prey ships that were seen in most films and TV shows. It just showed what a great design it was. I also liked the Romulan warbirds from the Trek spinoffs and the Ferengi ships, too. Other ships that deserve mentioning should be the alien probes V’Ger and the whale probe. With V’Ger I didn’t know the full shape of it until I saw the director’s cut. I think it was OK, but the closeups of it are more spectacular than its outside silhouette shape. What I liked about the whale probe from Star Trek IV: The Voyage Home was that it kind of mimicked the elongated shapes of the whales.

vger

I should point out that the Borg cube first seen in Star Trek: First Contact is Trek’s answer to the spherical Death Star. Maybe the next sci-fi franchise should have the enemy ship look like a cone! Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise had many more ship designs, but they weren’t very memorable to me except for the Bajoran solar sail ship.

Costumes

A common thread in these musings of mine is how great the original Star Trek was and how it got so many things correct. Any so-called improvements made by the movies and spinoffs, while mostly good, just can’t compare to Classic Trek. A good example of this is the costuming of the original show. They used simple multi-colored costumes that made it easy to denote rank and division. The design and colors were so great and the 2009 movie reboot kept the same pattern, but improved on the fabrics and patterns used.

Star trek reboot

A close second would be the classic red uniforms that were used for most of the original cast movies starting with Star Trek II: The Wrath of Khan. They had a naval design that was just perfect for the movie’s tone.

khan cast

The spinoff Star Trek TV shows also had some nice costumes, especially the ones used in Star Trek: The Next Generation that followed the spirit of the original series in having different colors denoting rank and division.

As for costumes that didn’t work, that dishonor goes to the bland outfits used in Star Trek: The Motion Picture. They looked like grey pajamas! But the fancy white and grey uniform worn by Admiral Kirk and Spock’s black Vulcan tunic were great.

Music

The original theme by Alexander old trek castCourage has a resonating hailing overture that builds to a sense of adventure thanks to the use of a singer and bongo drums. I just love listening to it. Composer Michael Giaccino built on that mood with his take of the original Star Trek theme in J.J. Abrams’ reboot. His version of the original theme is magnificent.

The second best Star Trek theme for me is actually a tie between Jerry Goldsmith’s majestic score for Star Trek: The Motion Picture and James Horner’s adventurous work in Star Trek II: The Wrath of Khan. Goldsmith’s fanfare is a hail to adventure and the rest of the soundtrack made the movie better than it was. Horner’s work meanwhile had the right tone for the movie which evoked naval ships and battles.

Star Trek VI: The Undiscovered Country had a score that I liked a lot. It was dark, intriguing, yet had fanfares that were sentimental farewells for the original cast. The signature send off at the film’s end was fantastic. Other noteworthy scores are the ones for Star Trek: First Contact, Star Trek: Voyager, while the one for Star Trek: Deep Space Nine grew on me.

Background Design and Cinematography

wrath of khan bridgeFor me, Star Trek II: The Wrath of Khan had the best look on the whole because of its slightly darker lighting. It’s funny to think that the sets used in that film were the same ones from Star Trek: The Motion Picture. It’s amazing what lighting can do! On that note, I’ll say that I hated the bridge lighting used in Star Trek V: The Final Frontier, but loved the improved lighting in Star Trek VI: The Undiscovered Country thanks to Hiro Narita, who also worked on The Hunt for Red October.

 

Star Trek: The Next Generation had the best computer interfaces, it still looks futuristic and I love the look of the graphics. Meanwhile the look of the Trek reboot sports a fresh interpretation. It’s like walking into an Apple store with mirrors that produce lens flares! I didn’t mind the look, but I know purists object to it.

 

Walter L. Stevenson

Sep 10 2013

The Star Trek Movies Ranked, Part I

Star Trek movies have been with us since the late ’70s and have received very mixed reactions. Some are revered as the very best of sci-fi films, while others received vicious barbs from fans and critics alike. Now that there is an even dozen films, it’s time to rank them in order.

The way my rankings work are basically four tiers. The first tier includes genuine classics that still hold up today and are iconic; the second tier features films that are undeniably enjoyable and worth watching, though they have their faults; the third tier is filled with flawed but noteworthy movies that have some good qualities and are sometimes underrated; the fourth tier, naturally is littered with the bottom-dwelling movies that are just terrible with little to recommend about them.

Tier One

1. Star Trek IV: The Voyage Home (1986): I know this may shock most fans who expected Star Trek II to be the number pick. Choosing the trek 4 sfvery best Star Trek film was quite difficult and honestly, it’s more of a tie between the two films. To those that would argue that Star Trek II is the best one, you won’t get an argument from me, but time and time again I keep going to the fourth film in the franchise.

Why? To me this one showed the original cast and filmmakers at the top of their game. Everything was top notch with this film: production values, special effects, acting, and the story. The movie which was about the original Enterprise crew time traveling to San Francisco in the late 20th century to find whales was a great example of a fish-out-of-water yarn. We got to see the crew out of their element, yet persevering in the strange environment of the past. The movie presented a lighter, more comedic side but it was still exciting and engaging. It also showed that a Star Trek film didn’t need a scene-chewing villain to carry a film.

klingon ship

Finally, this film allowed all of the cast members to have their moment in the sun. They contributed to the story and had many outstanding scenes. Still, William Shatner, Leonard Nimoy and DeForest Kelley were the highlights, especially Shatner. His James T. Kirk wasn’t morose as in previous films, he was more confident, surprisingly funny and showed off his famous romantic, charming demeanor. By the film’s end, you feel completely satisfied. The crew had a new ship, Kirk was doing what he was meant to do and there was the promise of new beginnings as the Enterprise-A headed out to the unknown.

2. Star Trek II: The Wrath Of Khan (1982): On a different day I might’ve ranked this as so many do, as the best Star Trek film ever made. trek 2This is still the most important film in the franchise because it’s the one that saved it in its infancy. After the wooden and pedestrian debut film, there was doubt another expensive Star Trek film would ever be made. The filmmakers’ challenge was to put out an exciting, edge-of-your-seat thriller that would leave people talking about it for a long time to come. And they succeeded.

One of Kirk’s enemies from the original show, Khan (Ricardo Montalban), commandeers a Starfleet ship and goes on a warpath against Kirk. He blames our hero for marooning him on a desolate planet and wants Kirk to suffer as he did. And boy khandoes he give it to Kirk. The battle of wits between the two adversaries became famous thanks in part to the performances from both actors. This is Shatner’s best performance as a Kirk, who finally faces middle age, while Montalban clearly relishes his role as the battered but regal Khan. His character is undeniably one of the best movie villains of all time.

Even though the special effects and Nicholas Meyer’s direction are exemplary, what makes the film endure is its focus on the characters and its themes about dealing with your past, the destructiveness of vengeance and facing the future with dignity. So why isn’t this my favorite Star Trek film? Well, it nearly is and on some days I’ll admit it. But the film feels a bit ponderous and pompous at times. The script tends to go overboard with its constant quoting from classic literature. Then there’s Spock’s (Nimoy) death, while it’s eloquent and heartfelt, given that the character returns in later films, the death feels a bit empty. Those are just minor quibbles though and this movie is a must-see classic for everyone.

picard borg queen3. Star Trek: First Contact (1996): It’s not only the best Star Trek film that features The Next Generation cast but one of the franchise’s very best efforts. Director Jonathan Frakes (who also plays Riker) and the production team hit all the right marks in this great Star Trek film. Its success started with this well-written time travel/alien invasion saga.

Capt. Jean-Luc Picard (Patrick Stewart) and his Enterprise-E crew time travel to Earth’s mid-21st century to prevent the evil cybernetic Borg from conquering the planet. Successfully incorporating action and horror elements, Star Trek: First Contact was both exciting and suspenseful with a morality tale about obsession and dealing with destiny. This film is full of so many cool moments. One of the best was when the experimental warp ship the Phoenix launches from a missile silo as its pilot, Zefram Cochrane (James Cromwell) blasts Steppenwolf’s “Magic Carpet Ride”. Another was Picard’s histrionic ranting about the Borg, which forced him to look within himself. The Borg themselves are presented as the fearful, unrelenting force they were meant to be. The movie’s main villain, the Borg Queen (Alice Krige), is one of the more interesting and unique foes. She isn’t some revenge-minded madwoman but is cold, calculating, and with a strange allure.

borg battle

As with the better films, this one showcased many of the supporting characters and featured smile-inducing nods and cameos from the other Star Trek shows. The best one had to be the cameo of Star Trek: Voyager’s EMH (Robert Picardo) who appears as the Enterprise-E’s own EMH. One of his lines is also a nice tribute to Dr. McCoy. After falling short with the previous entry Star Trek Generations, the filmmakers had to get the franchise back on track and succeeded with this one. Everyone involved is to be lauded, from the actors, to the composer, to the production team and, of course, the director, who like Nimoy understood Star Trek. Continue reading →

May 17 2013

Star Trek Into Darkness Continues J.J. Abrams’ Vision

trek 12 posterA valid criticism about the last Star Trek film was that it was too much like Star Wars with its emphasis on flashy special effects and high-octane action. This same critique is applicable to Star Trek Into Darkness, the latest entry in the long-running film series. But at least more of an attempt is made to make this film seem more like Star Trek.

How so? Concern is brought up on more than one occasion that Starfleet is becoming too militarized and that they should be explorers. By the end of the film, the main characters wholeheartedly embrace that concept based on their experiences throughout the film. In some ways, Star Trek Into Darkness is a battle for the soul of Star Trek and to try to go back to its roots. The film doesn’t always succeed in getting that point across, since it wants to revel in the big-action scenes that define the J.J. Abrams era of Star Trek. In fact, it’s best to think of this film as Abrams’ audition tape for directing the next Star Wars film.

spock kirk

Star Trek Into Darkness opens on an alien planet where angry, primitive natives are chasing Captain James T. Kirk (Chris Pine) and Dr. Leonard “Bones” McCoy (Karl Urban) after Kirk insulted them.

As the two men flee to their hidden starship, the Enterprise, the ship’s Vulcan first officer, Spock (Zachary Quinto) is trapped in an active volcano. He was trying to keep it from erupting using a cold fusion process. Once Kirk and McCoy make it back to their ship, Kirk orders a rescue of Spock. The ship is able to rescue the Vulcan but violates the Prime Directive when the natives see the advanced starship rise out of its hiding spot in the ocean.

kirk pike

When the Enterprise crew returns to Earth, Kirk is called to Starfleet’s headquarters by Admiral Christopher Pike (Bruce Greenwood). Expecting a lucrative assignment, instead, Kirk is berated for being too reckless and thinking rules don’t apply to him. Kirk is stunned to find out that his command is taken away for violating the Prime Directive and for not being ready to be a starship captain. This was based on Spock’s accurate report about the incident on the planet.

Kirk is justifiably incensed at his friend and starts berating Spock later before they attend a high-level meeting with Starfleet brass. This meeting is to discuss a recent terrorist bombing in London by a Starfleet operative named John Harrison (Benedict Cumberbatch), who has gone rogue.

The meeting is interrupted when Harrison shows up outside the building where the meeting is held in a fighter craft and fires weapons at the attendees. Kirk is able to stop the attack but Harrison beams away and one of the casualties is Pike. Investigations reveals Harrison’s current location: Kronos, the Klingon homeworld.

An enraged Kirk asks Admiral Alexander Marcus (Peter Weller) to be reinstated as captain of the Enterprise so he can pursue the terrorist. Marcus agrees and tells Kirk to go to the border of Klingon space and launch several long-range, prototype photon torpedoes at Harrison’s location to kill him.

photon torpedo

Later, the Enterprise has to drop out of warp space near their destination due to a malfunction. Kirk then takes a shuttle to Kronos with Spock and other crewmembers and are saved from Klingons by Harrison himself, who quickly surrenders to him.

Now a prisoner onboard the Enterprise, Harrison reveals to Kirk that his name is really Khan and that he is a genetic superman who was in cryo sleep for three hundred years in kahnsleeper ship along with 72 other superhumans. Starfleet discovered their sleeper ship and only Khan was revived. Marcus, anticipating an all-out war with the Klingons, wanted to utilize Khan’s superior intellect to develop advanced weapons and is holding hostage the other superhumans as leverage. Furthermore, Marcus wants to use the Enterprise and Harrison to instigate a war with the Klingons.

Kirk’s suspicions about Marcus are soon confirmed when a massive starship arrives armed to the teeth. It’s commanded by Marcus, who demands that Khan be turned over to him.

Star Trek Into Darkness is one of the most exciting films in the series thanks to J.J. Abrams’ directing. Like its main character, the film is brash, bold and in your face with wild and intense action scenes. Highlights include a thrilling chase of Khan in San Francisco by Spock that culminates in a heart-pounding fight, where Spock nearly loses his control. Another is when a crippled Enterprise falls towards Earth, the special effects of those scenes are just brilliant and dazzling. Expect an Oscar nomination for special effects.

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May 17 2013

Star Trek Movie Retrospective–Star Trek

“Punch it”

Captain Christopher Pike’s order to take the Enterprise into warp space

posterDon’t worry readers, the review for the new Star Trek Into Darkness is coming right up. But first, let’s look at its predecessor, the eleventh Star Trek film. After Star Trek: Nemesis became a box office failure in 2002 and the series Star Trek: Enterprise was canceled in 2005, the franchise seemed to have died. Paramount Studios realized they ran Star Trek into the ground and so it went on hiatus. The fortieth anniversary of the original TV show came and went without any fanfare and implied that no one cared about Star Trek anymore.

However, J.J. Abrams, the man behind the classic TV show Lost, was brought in to rejuvenate the franchise. It was decided to bring Star Trek back as a film series rather than a TV show and so Abrams and his team rebooted the franchise, resulting in the 2009 feature film Star Trek that went back to the beginning. The film was a rousing success but sparked controversy among stalwart fans.

Star Trek begins with a dizzying, close up shot of the starship Kelvin gliding past the camera as it investigates a lightning storm in space. This storm turns into a black hole and from it emerges a gigantic spaceship shaped somewhat like a squid with sharp mechanical kelvin2tendrils. This ship immediately opens fire on the Kelvin with advanced weaponry. The Kelvin isn’t a match but puts up a gallant fight. The attackers demand that the Kelvin’s captain, Robau (Farin Tahir), go to their ship to discuss a surrender. Right away these scenes signaled that Star Trek was reinvigorated with wild, kinetic battle scenes.

Robau leaves First Officer George Kirk (Chris Hemsworth) in command and is killed in the enemy ship by its crew, a group of bald, tattooed Romulans. Kirk orders a shipwide evacuation and covers it by setting the Kelvin on a collision course with the attacking ship. One of the evacuees is his pregnant wife Winona (Jennifer Morrison), who goes into labor in an escaping shuttlecraft. Kirk is unable to join her because he has to manually fly the Kelvin into the enemy ship. He is able, however, to hear the first cries of his newborn son James Tiberius Kirk moments before the Kelvin smashes into the Romulan ship.

George Kirk’s sacrifice wasn’t in vain, the enemy ship is crippled, giving several shuttlecraft an opportunity to escape…

shipyard

Years later, Kirk’s son grows up to be a rebellious, angry young man (Chris Pine) without any direction in life and living in Iowa by a shipyard that is constructing the Enterprise. After a bar fight, he meets Captain Christopher Pike (Bruce Greenwood), who sees some potential in James Kirk. Pike is able to convince the young man to join Starfleet.

During his training Kirk meets many people who will become important parts of his life, notably Dr. Leonard “Bones” McCoy (Karl Urban) and Spock (Zachary Quinto). Ironically, Kirk and Spock do not get along at first. Spock is a by-the-book officer who cannot abide Kirk’s brash and reckless demeanor. Things come to a head after Kirk takes the Kobayashi Maru simulator test, which Spock developed to train cadets, and is caught cheating.

crew

Kirk is under inquiry for his actions when fate intervenes. Starfleet receives an emergency distress call from the planet Vulcan and all available ships on Earth are dispatched. Among them is the new U.S.S. Enterprise commanded by Pike with Spock as its first officer.

With McCoy’s help, Kirk is able to get onboard the Enterprise as it joins the armada. The ship is unable to jump into warp space with the other ships thanks to an error made by the helmsman Hikaru Sulu (John Cho ). It turns out that this delay and Kirk learning of a lightning storm reported by Vulcan helps saves the ship. Kirk guesses that the Enterprise will be facing the same fate as the Kelvin and tells Pike. When the time the Enterprise drops out of warp space near Vulcan,  the crew finds a floating junkyard of destroyed ship parts.

shipwrecksThe other Starfleet ships were easily destroyed by the same Romulan ship that destroyed the Kelvin. The ship had launched a long, tethered drilling platform to Vulcan’s surface. When the Enterprise is discovered, the Romulan ship’s commander, Nero (Eric Bana), orders an attack on the Starfleet vessel but stops when he realizes it’s the Enterprise. The Romulan demands that Pike go to his ship just as was done with Robau. Pike agrees, but before leaving, he promotes Kirk to first officer and leaves command of the Enterprise to Spock. He has Kirk, Sulu and a redshirt accompany him in Pike’s shuttlecraft. Before Pike turns himself in, the trio are clandestinely launched via parachutes to the drilling platform to disable it. After fighting off  Romulans on the platform, Kirk and Sulu are able to disable it. But they’re too late, the drill already reached the planet’s core. The Romulans release a substance called red matter that creates a black hole in Vulcan’s core, dooming the world.

kirk sulu

In a desperate move, Spock beams down to Vulcan just in time to save his father Sarek (Ben Cross) and a few others but not his mother (Winona Ryder). Shortly after, he and the handful of survivors are beamed back to the Enterprise as Vulcan is destroyed from within.

Spock struggles not displaying emotions over the death of his mother and world and Pike’s capture. He decides to regroup with the fleet but Kirk tries to convince him otherwise. The Romulans are heading to Earth and Kirk demands that they try to stop them. After they argue for several minutes, Spock has Kirk removed from the bridge and ejected from an escape capsule to a nearby planet, Delta Vega, and orders the Enterprise to resume its course to rendezvous with the fleet.

old spockAfter the capsule lands,  Kirk breaks out and finds himself in a frozen world filled with predatory animals out to snack on him. He is saved from one huge animal by a mysterious Vulcan who turns out to be a very old Spock (Leonard Nimoy). This Spock mind melds with Kirk and he learns that Spock is from the future as are the bald Romulans. In the late 24th century, the Romulans’ homeworld was destroyed by a supernova that threatened other worlds. From his own ship, Spock launched a sample of the red matter to destroy the supernova by creating a black hole. As he tried to escape the black hole, he encountered Nero and his ship. The Romulan was enraged at Spock because the Vulcan promised the Romulans he would save their world, now his wife and family are dead. Before anything could happen, Nero and Spock’s ships fell into the black hole, which was a doorway to the past. Nero had Spock abandoned on Delta Vega so that he could witness the destruction of Vulcan and experience the pain that Nero felt in the future.

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Apr 29 2013

Star Trek Movie Retrospective–Star Trek Generations

Captain James T. Kirk: “I take it the odds are against us and the situation is grim.”

Captain Jean-Luc Picard: “You could say that.”

Captain James T. Kirk: “Sounds like fun.”

Casual conversation between two starship captains on horseback

“It was…fun. Oh my…”

Captain James T. Kirk’s last words

generations poster 2The Star Trek franchise was at its high peak in 1994. Later that year came Star Trek Generations, which was supposed to be the start of a new film era starring the characters from Star Trek: The Next Generation (TNG), but instead signaled the long, slow decline of the franchise.

Let’s get to the point and have it known that the only great thing about the seventh Star Trek film was Captain James T. Kirk (William Shatner). By himself he nearly saved the film. That is because Star Trek Generations only seemed to come to life whenever he appeared, which was to bookend the film.

It begins with the christening of a new Federation starship: the Enterprise-B. Joining the celebration are former crewmembers of the Enterprise-A, Kirk, Chief Engineer Montgomery “Scottie” Scott (James Doohan) and Commander Chekov (Walter Koenig).

Kirk is clearly uncomfortable being at this Enterprise, since he isn’t in command and is reminded of how empty his life has become. These are magnificent scenes with superb acting by William Shatner. He doesn’t have many lines but you could see on his face that longing to sit in the captain’s chair again. Clearly, retirement doesn’t suit him well. The captain of the vessel is John Harriman (Alan Ruck), who seems a bit like a dweeb. He isn’t a bad person, just too cautious and inexperienced. How did he get this prestigious assignment? Perhaps he’s related to someone important.

The Enterprise-B is officially launched from Earth orbit for a quick tour of the solar system and back. But the ship receives a distress call from ships with El-Aurian refugees. Harriman is hesitant to commit the ship, but as with your typical Star Trek plot inconvenience, even though they’re in Earth’s solar system, there aren’t any nearby ships that can help. Reluctantly, Harriman orders the ship to warp over to the refugees’ location.

enterprise b at nexusUpon arrival, they find two ships caught in the gravity field of the nexus ribbon. It’s a swirling, flaming band of energy that oscillates and spews out tendrils of energy, which destroys one transport ship. Harriman is clearly out of his depth and asks Kirk for help. Kirk, Scotty and Chekov spring into action. Scotty manages to beam aboard some refugees before the last ship explodes. Chekov assembles a makeshift medic crew to help the survivors. One of them is a hysterical mad man (Malcolm McDowell) who is begging to go back to the nexus. Chekov helps another refugee who turns out to be Guinan (Whoopi Goldberg), the ancient bartender seen on TNG.

The Enterprise-B becomes trapped in the same gravity field. The only means of escape is to fire an energy pulse from its deflector array located in the engineering hull. Harriman volunteers to kirk harrimanmodify the array but Kirk realizes that the Enterprise-B isn’t his ship. He tells Harriman to remain on the bridge and leaves to work on the array. Kirk makes the modifications and the ship pulls free, but not before an energy tendril strikes the engineering hull, which causes a hull breach.

Once it’s realized that Kirk was in the area of the breach, Scotty, Harriman and Chekov rush down to the engineering section and can only stare horrifically at the remains of the area Kirk was on. Only outer space held back by a force field greets them as they grasp that Starfleet’s greatest legend is gone…

old shipThe film jumps ahead 78 years later from outer space to tranquil ocean waters and a quaint sailing ship named Enterprise commandeered by officers in old-fashioned naval uniforms. The entire thing is a simulation on the Enterprise-D’s holodeck. The senior Enterprise-D crew members including Captain Jean-Luc Picard (Patrick Stewart), First Officer William Riker (Jonathan Frakes) and the android Lt. Commander Data (Brent Spiner) are celebrating the promotion of their Klingon crewmate Worf (Michael Dorn), who is dunked into the water. Data is perplexed by the humor of the situation especially after his attempt at humor fails to produce laughs.

old uniforms

Captain Picard then receives a personal message from Earth and becomes gloomy for most of the film. Moments later, the ship gets a distress call from the Armagosa Observatory. The Enterprise-D heads to the Armagosa system and the floating observatory, which was attacked. The crew find a survivor in the observatory, a scientist, Dr. Tolian Soran, who happens to be the same lunatic rescued on the Enterprise-B.

Meanwhile, Data tells his friend Chief Engineer Geordi LaForge (Levar Burton) that he feels stunted regarding his attempt to grow as a sentient being. He wants to experience emotions and has Geordi implant an emotion chip into his brain. Later at the Ten Forward lounge, Data begins to experience emotions after sampling a drink offered by Guinan. Data then acts like a buffoon for most of the film.

data clown

Investigations uncover that the Romulans attacked the observatory because they were looking for trilithium. It’s an unstable compound developed by them that can stop nuclear fusion in a star. It’s revealed that Soran is building solar probes with the compound to collapse stars because he wants the shockwaves to alter the course of the nexus towards a planetary body.

After failing to convince Picard to let him return to the observatory, Soran goes anyway there and kidnaps Geordi, who was there to investigate the attack. Data was with Geordi but is so overcome with his new emotions that he can only cower in fear when confronted by Soran. The scientist then launches a solar probe with the trilithium at the Armagosa star.

enterprise d

In his quarters, Picard tells Counselor Deanna Troi (Marina Sirtis) why he is so morose. His brother and nephew died on Earth and he is despondent over that and the realization that he is without any family. Before the scene can devolve into an intergalactic episode of Dr. Phil, they witness the collapse of the Armagosa star. The Enterprise-D crew manages to rescue Data  and leave the system, but Geordi and Soran are beamed aboard a Klingon bird-of-prey ship.

Soran is working with the commanders of the ship, the ugly and annoying Duras sisters Lursa (Barbara March) and B’Etor (Gwynyth Walsh) who appeared on TNG. They stole the trilithium from the Romulans and gave it to Soran to develop a weapon for them. The Klingon ship leaves for the Veridian system, where Soran can continue his work.

cartographyBack on the Enterprise-D, Picard learns about Soran and his plan for the nexus. It’s made of temporal energy (don’t ask) and is actually an interdimensional realm where time has no meaning and you can live out your fantasies. Soran was briefly there before his rescue by the Enterprise-B and desperately wants to return. Picard and Data deduce that with the nexus will now travel to the Veridian system. If that star is collapsed, the shockwave will push the nexus towards a nearby planet Veridian III. Picard orders the ship to head to that planet.

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