Star Trek Movie Retrospective–Star Trek II: The Wrath Of Khan

Spock: “The needs of the many …”

Kirk: “…outweigh the needs of the few.”

Spock: “Or the one.”

An exchange between Spock and James T. Kirk onboard the Enterprise

khan posterStar Trek II: The Wrath Of Khan was a radical departure from its predecessor Star Trek: The Motion Picture, which is what Paramount Pictures wanted. Even though Star Trek: The Motion Picture made money it was perceived as a failure. Many people complained that it was dull and pretentious. In other words, they wanted action! And that is what director Nicholas Meyer delivered with Star Trek II: The Wrath Of Khan, only he added a human element that elevated the film to classic status.

This film is the most personal Star Trek film out of the many that have come out. Its main characters go through some intense and heartfelt emotional journeys and are changed forever. Admiral James T. Kirk (William Shatner in his best performance as Kirk) faces the prospect of middle age and looking back at his life. His best friend Captain Spock (Leonard Nimoy) faces his mortality with a sense of bravery and nobility that touched audiences’ heart in a way that would have been more lasting if his fate had been final. On the other side of the coin, the main villain Khan Noonien Singh (Ricardo Montalban) is wracked with bitterness and hate over his lot in life and in the end this anger consumes him.

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In the original Star Trek episode “Space Seed” Khan was part of a group genetically enhanced despots from Earth’s violent past found hibernating by Kirk and his crew. After briefly capturing the Enterprise, Kirk defeats him and exiles him and the other superhumans to an uninhabited planet.

In between that episode and the film, the planet. Ceti Alpha V, underwent an environmental disaster that made it practically unlivable. Think of Tatooine on its worst day with blistering sandstorms. Most of Khan’s people didn’t survive, including his wife. Now, Khan is a seething cauldron of fury out to annihilate the one he blames for his predicament: James T. Kirk.

Even though the film is a sequel to “Space Seed” it skillfully brings viewers up to speed with only a few lines of exposition regarding Khan, who is portrayed magnificently by Montalban. The actor originated the role of Khan in “Space Seed” and testmade a solid impression in that episode but by the time that the first Star Trek sequel came around, Montalban was more known for his role in the show Fantasy Island. His performance as Khan demonstrated the true nature of his acting prowess thanks to his bringing to the role a sense of regal eloquence, animalistic charisma, and maligned fury.

The film opens with the Enterprise, commanded by a young Vulcan  named Saavik (Kristie Alley in her first role), being attacked by Klingon ships and losing the battle with main characters like Spock being killed. But it was a simulation at Starfleet Academy. Some time has passed between Star Trek: The Motion Picture and this film. One noticeable difference is that the Starfleet uniforms are now bright red jackets with black pants giving its personnel a more militaristic look. The filmmakers wanted to convey a sense of naval conditions with this film since they saw it as a retake of Horatio Hornblower. In fact, the feel of Star Trek II: The Wrath Of Khan feels more grounded, less lofty than in the first film. Sets look more cramped and a bit more lived in although not as severe as with Star Warsor Alien. A good eye will spot a No Smoking sign on the set, which alarmed some fans who hoped that the awful habit would’ve been gone by the 23rd century.

The actual Enterprise is now training vessel commanded by Spock for young cadets and officers, including Spock’s protogé Saavik. Kirk is no longer commanding a starship and feels like a relic, in spite of the fact that it’s his birthday. Gifts from Spock and Dr. Leonard McCoy (DeForest Kelley) do little to cheer him up, prompting McCoy to urge him to do something with himself and stop living in the past.

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Around this time, the starship Reliant approach the barren Ceti Alpha V, which is to be used as a testbed for the Genesis science experiment. Kirk’s former lover Dr. Carol Marcus (Bibi Besch) and her son David (Merritt Butrick) have developed the Genesis Device, which can initiate rapid terraforming on inhospitable worlds for colonization. The Reliant’s captain Clark Terrel (Paul Winfield) and first officer, the former Enterprise navigator Pavel Chekov (Walter Koenig) beam down to the planet investigate life signs only to find Khan and his people marooned there. After capturing the two men, Khan and his genetic superhumans gain control of the ship and set out on a mission of vengeance.

khan castKirk joins Spock onboard the Enterprise with his original crewmates to assist with a training cruise for Starfleet cadets. They receive a call from Dr. Marcus wanting to know why Kirk is taking the Genesis Device. What she and Kirk don’t realize is that Khan is trying to lure Kirk by manipulating a brainwashed Chekov into stating that Admiral Kirk wants the Device. Kirk takes the bait and orders the Enterprise to head out to Marcus’ science station Regula I, which orbits an asteroid the station is named after, and investigate. In a preemptive move, Spock relinquishes command of the Enterprise to his friend because as he famously said, “Commanding a starship is your first, best destiny; anything else is a waste of material.”

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At Last, Star Trek: The Visual Dictionary Is Here

Most of the other big sci-fi, fantasy and comic book treek vis2franchises has had those Visual Dictionary large-format books put out by DK Publishing. One major sci-fi franchise noticeably left out was Star Trek and that universe is a perfect fit for these informative books with their large, visually pleasing pictures and lay outs. Finally, one has been made for Star Trek and it’s just been released.

It was worth the wait.

Star Trek: The Visual Dictionary by Paul Ruditis is a beautifully designed and laid out book full of rich pictures and information about the Star Trek universe. It is lay out and format is similar to the other Visual Dictionary books of other franchises and covers all the Star Trek shows in their universe’s chronological order. So it starts with humanity discovering warp drive, continues through Star Trek: Enterprise and finishes with Star Trek: Voyager.

Basically, the major races, characters and some events are presented and all the shows are given equal space. Alien races included are popular ones like Vulcans and Klingons to more obscure ones like the Vidiians. So there is some meat for fans of any particular show.trek vis1

The only complaint that can be made about Star Trek: The Visual Dictionary is that it’s a bit short. It couldn’t be a mammoth reference guide like The Star Trek Encyclopedia, but some characters and aliens were unfortunately left out. DK Publishing could’ve done what they did with the Star Wars: The Visual Dictionary books and published more than one volume. Hopefully this will prove to be a test to see if there is a market to put out more volumes. There is plenty of material left to cover. It wouldn’t surprise anyone if one were to be made for the new Star Trek reboot films.

In any event, it certainly is a treat for Star Trek fans and at an affordable price ($20) Star Trek: The Visual Dictionary makes a terrific addition to a fan’s library collection.

Lewis T. Grove

Star Trek Movie Retrospective–Star Trek: The Motion Picture

“Out there. Thataway.”

Admiral James T. Kirk replying to a request for a course heading

posterWith the new Star Trek film coming out in a couple of months (Star Trek Into Darkness), it’s time to take a look back at the many Star Trek films that preceded it. Let’s start off with the one that launched Star Trek’s cinematic voyage, Star Trek: The Motion Picture.

This film isn’t regarded as a top tier Star Trek film and for good reason. It’s slow moving, yet seems rushed and for good reason. Director Robert Wise recounted how far behind schedule they were that the effects work was only completed just before the film made its debut, translation: Wise didn’t have time to properly edit the film. On the other hand, it does have undeniable merits.

Out of all eleven Star Trek films (twelve counting Star Trek Into Darkness), Star Trek: The Motion Picture is the most majestic and oddly the most Trek like. Meaning that this film captures the core concept of Star Trek creator Gene Roddenberry’s optimistic view of humanity’s future. That is largely because Roddenberry produced the film and it’s the only one where he was directly involved. After its perceived failure, Roddenberry was relegated to a “consultant” role in the other Star Trek films until his death. In this film, we get a few glimpses of Earth and see that it’s a bright, pastoral paradise where people either wear New Agey type of clothing or bland Starfleet uniforms. The conflicts in the film are largely internal believe it or not. Sure, there’s the threat of this V’Ger entity that wants to annihilate life on Earth, but the problems that capture viewers’ attention are those with Admiral James T. Kirk (William Shatner), Spock (Leonard Nimoy) and Commander Will Decker (Stephen Collins). Anyone expecting a mustache-twirling villain will have to look elsewhere.

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In between the original Star Trek show and Star Trek: The Motion Picture, Kirk was promoted to a desk-bound position as an admiral and he’s bored. He’s in charge of refitting his old ship the Enterprise, which was supposed to be commanded by Decker, but Kirk uses the V’Ger threat as a excuse to take command of the Enterprise, which naturally angers Decker. Now with Spock, he’s retired from Starfleet and off in his home planet Vulcan undergoing this ritual to purge all emotions from within him, but he finds himself unable to go through with the process. He feels a calling, which so happens to coincide with the coming of V’Ger.

The film opens with V’Ger, seen as an immense multi-colored energy cloud in space that dematerializes three Klingon battle cruisers. It should be pointed out that this film is responsible for introducing the modern take of Klingons, now adorned with thick armor and sporting their distinctive sagittal crests on their foreheads. While the film properly shows how badass the Klingons were with their guttural speech, armor and a tribal music soundtrack, they are quickly taken out by V’Ger. It effectively illustrates the entity’s power and deadliness. And of course, it’s heading towards Earth.

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Equally convenient to the plot is how the Enterprise, although not finished with its refitting, is the only starship that can intercept V’Ger. How many ships does Starfleet have? But hey, what’s a Star Trek film without the Enterprise and its crew being the only thing standing between life and death?

Despite’s Chief Engineer Scott’s (James Doohan) usual protests that the ship isn’t ready, Kirk orders that the Enterprise be launched to confront V’Ger. Afterwards, the engineer entreats Kirk to an exhaustive external inspection of the Enterprise while in drydock. It’s at this point, that the film first rears its indulgent tone. Continue reading

The High Ways Presents An Attainable Future

high way coverWhen we were kids, the future was presented to us by magazines like Popular Science and the long-gone Omni and pulp magazines was one that had us using jet packs to go to work, beaming to a planet, and using family VTOL rec vehicles. Other notions included colonies on Mars, cities in the sky and tricorders as seen on Star Trek. These developments back then were forecast for today, but as we all know that future missed its mark and was ultimately proven to be unattainable as of 2013. Except for the tricorder, which is a lot like smartphones. The new comic book limited series by IDW The High Ways takes place in the late 21st century and the future it represents seems like an attainable one.

Written and drawn by John Byrne, The High Ways has a future that seems as if its midway between our world and that of Star Trek. Space travel is much more common than it is now. Humanity has begun to travel regularly within our solar system, but faster-than-light travel is still a distant dream.

The limited series features Eddie Wallace, your typical young rookie navigator who is out seeking adventure in space. He can’t wait to go out into space and we first meet him in this vast space station inspired by the spoke-like wonder seen in 2001: A Space Odyssey. Naturally, high ways shipwhat he expects and what he encounters are two very different things. Byrne’s skill as a detailed artist are put to good use in this comic book. There is hardware everywhere and it’s not aesthetically appealing like in Star Trek. In The High Ways, things have a lived-in look as seen in Star Wars and Alien, but not as advanced. Workers have to virtually live within their spacesuits. There isn’t any artificial gravity in the Wallace’s assigned freighter, the Carol Ann. The ship isn’t sleek at all, if anything, the Carol Ann is downright bulky and cobbled-together looking, even the Serenity on Firefly looks more appealing. From looking at Wallace’s expression when he first sees the ship that even he isn’t impressed.

highways panelAt the station, Wallace meets his partner, Marilyn Jones, an attractive though slightly older and more experienced worker. She takes a liking to him in the way a big sister is fond of her little brother who is just out experiencing the world for the first time. The other main character is the Jack Cagney, the captain of the Carol Ann, who is short and craggy, looking much like movie legend James Cagney. According to Jones the captain only loved two things in his life and one of them is his ship and is only willing to take two people along with him on the Carol Ann on an assignment to Mars.

As they set out on the Carol Ann, their assignment is changed and they are diverted to a station orbiting Europa, Jupiter’s moon. There is where the mystery begins. For starters, the personnel at the station didn’t seem to know that the Carol Ann was assigned to the station. After meeting a normal, motley crew at that station, Wallace notices something isn’t quite right. The station crew seems oblivious to this ominous feeling that is plaguing Wallace. What is revealed in the final panel is downright creepy and actually gave me the creeps. I can’t wait to read what happens next.

The High Ways had very endearing characters and is a fun read at the same time it gives us readers a believable and attainable future setting; I recommend it to everyone who loves science fiction. Byrne is in his element with this story and he’s at his best when he writes and draws science fiction tales.

GEO

 

Fringe & Its Fantastic Foray

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After five seasons, Fringe, one of the best science fiction shows on TV, comes to an end. Fans can now breathe a sigh of relief that the show runners were able to conclude the wonderfully twisting saga of the Fringe Division’s Science Team and its investigations into the bizarre and who later became freedom fighters for humanity.

When Fringe first premiered in 2008, it came off as a sophisticated, 21st-century version of The X-Files. Both shows were similar in that they were about government agents investigating freakish phenomena. In Fringe’s case, the main characters FBI Agent Olivia Dunham (Anna Torv), consultant Dr. Walter Bishop (brilliantly played by John Noble) and his son Peter (Joshua Jackson) didn’t chase UFOs or ghosts but encountered weird monsters-of-the-week and fringe-level science like teleportation, fast-growing humans and so on as part of their investigations for the Science Team.

libertyBut the show soon developed its own mythology. It turned out there was a reason behind all the weirdness going on in the world, which was called The Pattern. Usually they happened in the New York/ New England area as illustrated by bold 3D location titles. Unlike The X-Files, where it became apparent that the producers didn’t know what was going on with its convoluted stories, Fringe methodically explained things and the answers led to more intriguing questions. It made one want to find out what was going on. For instance, in the first season finale “There’s More Than One Of Everything” viewers learned that Peter Bishop was actually dead with an apparent doppelganger of his running around. That led to the revelation of an existing parallel world, which was dramatically shown when Olivia found herself transported inside a very much intact World Trade Center.

Things became stranger and more titillating in latter seasons. That could be one reason why the show wasn’t a ratings hit. While sci-fi fans may have loved the bizarre antics of mad scientist Walter Bishop (like eating licorice during grisly autopsies) or the uncanny plots and macabre premises (such as reanimating a beheaded person when the missing head was reattached to the body) it probably turned off casual viewers. Well what would one expect in this society that loves shallow reality programs? Still, Fringe grew a cult following as people discovered this quirky show that dealt with parallel universes and visiting enigmatic post-humans from the distant future.

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But fans fell in love with the equally peculiar characters. There was Peter who was conflicted about his place in the world as seen in the show’s pilot. He was a brilliant but shiftless person with dubious morality and estranged from his father (who was committed at that time to a mental hospital). Olivia was seen as the more stable person yet contended with being thrown suddenly into bizarre cases while remaining a dedicated and resilient agent. Her core was terribly shaken from the events of the late second season/early third season. She traveled to the parallel world in “Over There, Parts I & II” and was captured and brainwashed. Her redheaded double (nicknamed “Fauxlivia”) came to Olivia’s world and took her place. These early third season episodes that shifted between the two worlds were some of the best. After Olivia finally escaped, and had difficulty with her romantic relationship with Peter, it was clear that she was traumatized.

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