Category Reviews

Mar 19 2013

Star Trek Movie Retrospective–Star Trek: The Motion Picture

“Out there. Thataway.”

Admiral James T. Kirk replying to a request for a course heading

posterWith the new Star Trek film coming out in a couple of months (Star Trek Into Darkness), it’s time to take a look back at the many Star Trek films that preceded it. Let’s start off with the one that launched Star Trek’s cinematic voyage, Star Trek: The Motion Picture.

This film isn’t regarded as a top tier Star Trek film and for good reason. It’s slow moving, yet seems rushed and for good reason. Director Robert Wise recounted how far behind schedule they were that the effects work was only completed just before the film made its debut, translation: Wise didn’t have time to properly edit the film. On the other hand, it does have undeniable merits.

Out of all eleven Star Trek films (twelve counting Star Trek Into Darkness), Star Trek: The Motion Picture is the most majestic and oddly the most Trek like. Meaning that this film captures the core concept of Star Trek creator Gene Roddenberry’s optimistic view of humanity’s future. That is largely because Roddenberry produced the film and it’s the only one where he was directly involved. After its perceived failure, Roddenberry was relegated to a “consultant” role in the other Star Trek films until his death. In this film, we get a few glimpses of Earth and see that it’s a bright, pastoral paradise where people either wear New Agey type of clothing or bland Starfleet uniforms. The conflicts in the film are largely internal believe it or not. Sure, there’s the threat of this V’Ger entity that wants to annihilate life on Earth, but the problems that capture viewers’ attention are those with Admiral James T. Kirk (William Shatner), Spock (Leonard Nimoy) and Commander Will Decker (Stephen Collins). Anyone expecting a mustache-twirling villain will have to look elsewhere.

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In between the original Star Trek show and Star Trek: The Motion Picture, Kirk was promoted to a desk-bound position as an admiral and he’s bored. He’s in charge of refitting his old ship the Enterprise, which was supposed to be commanded by Decker, but Kirk uses the V’Ger threat as a excuse to take command of the Enterprise, which naturally angers Decker. Now with Spock, he’s retired from Starfleet and off in his home planet Vulcan undergoing this ritual to purge all emotions from within him, but he finds himself unable to go through with the process. He feels a calling, which so happens to coincide with the coming of V’Ger.

The film opens with V’Ger, seen as an immense multi-colored energy cloud in space that dematerializes three Klingon battle cruisers. It should be pointed out that this film is responsible for introducing the modern take of Klingons, now adorned with thick armor and sporting their distinctive sagittal crests on their foreheads. While the film properly shows how badass the Klingons were with their guttural speech, armor and a tribal music soundtrack, they are quickly taken out by V’Ger. It effectively illustrates the entity’s power and deadliness. And of course, it’s heading towards Earth.

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Equally convenient to the plot is how the Enterprise, although not finished with its refitting, is the only starship that can intercept V’Ger. How many ships does Starfleet have? But hey, what’s a Star Trek film without the Enterprise and its crew being the only thing standing between life and death?

Despite’s Chief Engineer Scott’s (James Doohan) usual protests that the ship isn’t ready, Kirk orders that the Enterprise be launched to confront V’Ger. Afterwards, the engineer entreats Kirk to an exhaustive external inspection of the Enterprise while in drydock. It’s at this point, that the film first rears its indulgent tone. Continue reading →

Feb 8 2013

The High Ways Presents An Attainable Future

high way coverWhen we were kids, the future was presented to us by magazines like Popular Science and the long-gone Omni and pulp magazines was one that had us using jet packs to go to work, beaming to a planet, and using family VTOL rec vehicles. Other notions included colonies on Mars, cities in the sky and tricorders as seen on Star Trek. These developments back then were forecast for today, but as we all know that future missed its mark and was ultimately proven to be unattainable as of 2013. Except for the tricorder, which is a lot like smartphones. The new comic book limited series by IDW The High Ways takes place in the late 21st century and the future it represents seems like an attainable one.

Written and drawn by John Byrne, The High Ways has a future that seems as if its midway between our world and that of Star Trek. Space travel is much more common than it is now. Humanity has begun to travel regularly within our solar system, but faster-than-light travel is still a distant dream.

The limited series features Eddie Wallace, your typical young rookie navigator who is out seeking adventure in space. He can’t wait to go out into space and we first meet him in this vast space station inspired by the spoke-like wonder seen in 2001: A Space Odyssey. Naturally, high ways shipwhat he expects and what he encounters are two very different things. Byrne’s skill as a detailed artist are put to good use in this comic book. There is hardware everywhere and it’s not aesthetically appealing like in Star Trek. In The High Ways, things have a lived-in look as seen in Star Wars and Alien, but not as advanced. Workers have to virtually live within their spacesuits. There isn’t any artificial gravity in the Wallace’s assigned freighter, the Carol Ann. The ship isn’t sleek at all, if anything, the Carol Ann is downright bulky and cobbled-together looking, even the Serenity on Firefly looks more appealing. From looking at Wallace’s expression when he first sees the ship that even he isn’t impressed.

highways panelAt the station, Wallace meets his partner, Marilyn Jones, an attractive though slightly older and more experienced worker. She takes a liking to him in the way a big sister is fond of her little brother who is just out experiencing the world for the first time. The other main character is the Jack Cagney, the captain of the Carol Ann, who is short and craggy, looking much like movie legend James Cagney. According to Jones the captain only loved two things in his life and one of them is his ship and is only willing to take two people along with him on the Carol Ann on an assignment to Mars.

As they set out on the Carol Ann, their assignment is changed and they are diverted to a station orbiting Europa, Jupiter’s moon. There is where the mystery begins. For starters, the personnel at the station didn’t seem to know that the Carol Ann was assigned to the station. After meeting a normal, motley crew at that station, Wallace notices something isn’t quite right. The station crew seems oblivious to this ominous feeling that is plaguing Wallace. What is revealed in the final panel is downright creepy and actually gave me the creeps. I can’t wait to read what happens next.

The High Ways had very endearing characters and is a fun read at the same time it gives us readers a believable and attainable future setting; I recommend it to everyone who loves science fiction. Byrne is in his element with this story and he’s at his best when he writes and draws science fiction tales.

GEO

 

Jan 18 2013

Fringe & Its Fantastic Foray

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After five seasons, Fringe, one of the best science fiction shows on TV, comes to an end. Fans can now breathe a sigh of relief that the show runners were able to conclude the wonderfully twisting saga of the Fringe Division’s Science Team and its investigations into the bizarre and who later became freedom fighters for humanity.

When Fringe first premiered in 2008, it came off as a sophisticated, 21st-century version of The X-Files. Both shows were similar in that they were about government agents investigating freakish phenomena. In Fringe’s case, the main characters FBI Agent Olivia Dunham (Anna Torv), consultant Dr. Walter Bishop (brilliantly played by John Noble) and his son Peter (Joshua Jackson) didn’t chase UFOs or ghosts but encountered weird monsters-of-the-week and fringe-level science like teleportation, fast-growing humans and so on as part of their investigations for the Science Team.

libertyBut the show soon developed its own mythology. It turned out there was a reason behind all the weirdness going on in the world, which was called The Pattern. Usually they happened in the New York/ New England area as illustrated by bold 3D location titles. Unlike The X-Files, where it became apparent that the producers didn’t know what was going on with its convoluted stories, Fringe methodically explained things and the answers led to more intriguing questions. It made one want to find out what was going on. For instance, in the first season finale “There’s More Than One Of Everything” viewers learned that Peter Bishop was actually dead with an apparent doppelganger of his running around. That led to the revelation of an existing parallel world, which was dramatically shown when Olivia found herself transported inside a very much intact World Trade Center.

Things became stranger and more titillating in latter seasons. That could be one reason why the show wasn’t a ratings hit. While sci-fi fans may have loved the bizarre antics of mad scientist Walter Bishop (like eating licorice during grisly autopsies) or the uncanny plots and macabre premises (such as reanimating a beheaded person when the missing head was reattached to the body) it probably turned off casual viewers. Well what would one expect in this society that loves shallow reality programs? Still, Fringe grew a cult following as people discovered this quirky show that dealt with parallel universes and visiting enigmatic post-humans from the distant future.

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But fans fell in love with the equally peculiar characters. There was Peter who was conflicted about his place in the world as seen in the show’s pilot. He was a brilliant but shiftless person with dubious morality and estranged from his father (who was committed at that time to a mental hospital). Olivia was seen as the more stable person yet contended with being thrown suddenly into bizarre cases while remaining a dedicated and resilient agent. Her core was terribly shaken from the events of the late second season/early third season. She traveled to the parallel world in “Over There, Parts I & II” and was captured and brainwashed. Her redheaded double (nicknamed “Fauxlivia”) came to Olivia’s world and took her place. These early third season episodes that shifted between the two worlds were some of the best. After Olivia finally escaped, and had difficulty with her romantic relationship with Peter, it was clear that she was traumatized.

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Continue reading →

Jan 4 2013

Dark Knight Exhibit

photofourBatman fans living in the L.A. area were very lucky recently when Warner Bros. held a free Batman exhibit to coincide with last month’s Blu-ray and DVD release of The Dark Knight Rises.

It was called The Dark Knight Legend Exhibit and was held in L.A. LIVE from November 30, 2012 until December 14th, 2012. The exhibit was held under a humongous tent on a parking lot and thanks to all the props, displays, murals and vehicles it had a very moody atmosphere. It was like being in a Batcave of sorts.

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Visitors were greeted to large murals of Gotham City as seen in the Christopher Nolan Batman films along with Hans Zimmer iconic music. The first thing to see was beautiful artwork from various artists displayed as if in an art gallery.

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Moving past the art came real eye openers; several mannequins adorned with the costumes from The Dark Knight Rises and Nolan’s other Batman films. Moving deeper into the exhibit revealed assorted props in display cases and costumes worn by other characters in the Batman films. It was a thrill to see outfits worn by Bane, the Scarecrow and, of course, the Joker (the Heath Ledger version). One of the best parts was examining the cool gadgets from Batman’s utility belt and intricate maquettes.

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But any Batman fan would say that the highlight of The Dark Knight Legend Exhibit were the prominently displayed vehicles seen in all the Batman films and the 1960s TV show as well. It was great seeing all the different Batmobiles which started off with the 1960s, Tim Burton and Joel Schumacher versions to the tumbler vehicles. They even had a realistic mockup of the neutron bomb seen in The Dark Knight Rises and the Bat Signal too. The only thing missing was the Bat flying vehicle from The Dark Knight Rises. Maybe they didn’t have enough space for it.

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There were also videos along the walls featuring interviews with actors and production personnel that could be listened to via headphones. It was a nice way to experience the exhibit, which took about an hour to walk through leisurely.

It’s such a great exhibit that would’ve been enjoyed by more fans who don’t live in L.A. There isn’t any information as to whether or not Warner Bros. will have The Dark Knight Legend Exhibit elsewhere, but it’s something to be considered.

Article & photos by GEO

Dec 31 2012

Best of 2012

There were many outstanding films and TV shows, etc. in 2012 and many letdowns. Here are our rankings for the best in sci-fi, fantasy and horror in 2012.

Best Sci-Fi TV Show
fringeFringe, now in its final season, the show left its X-Files trappings of government agents investigating unusual phenomenon and radically changed the show’s concept. The main characters wind up decades into the future and have become freedom fighters against the oppressive Observers, post-humans from the distant future who traveled back in time and conquered the world. It’s still head-spinning fun but the new unexpected plot development refreshed the show as Fringe marches towards its conclusion.

Best Web-Based Show
Battlestar Galactica: Blood & Chrome, shame on Syfy for not greenlighting this as a regular series. The network took the pilot and cut it up into ten minute segments that appeared online, making it a web show. It was exciting with terrific f/x and production values, plus engaging characters. It was a perfect companion piece and prequel to Battlestar Galactica.

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Best Animated Show
Star Wars: The Clone Wars, Darth Maul finally came back from the dead! Until Episode VII comes along this well-produced animated series is the perfect tonic for Star Wars fans waiting for the next big-screen installment.

Best Horror TV Show
The Walking Dead, the tension and developments kept viewers on edge as the characters’ plight in a post-apocalyptic, zombie-infested world went from bad to worse. People unexpectedly died, the gore quotient was high and gross and the stories were some of the most riveting shown on TV. The Walking Dead only loosely followed the comic book it’s based on, which allowed it to take different paths, introduce new characters and kept fans guessing.

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Best Fantasy Show
Game of Thrones, two things made this fantasy show based on George R. R. Martin’s books noteworthy for viewers: Tyrion Lannister (Peter Dinklage), who despite his size manages to hold his kingdom together, and snow zombies a.k.a. the White Walkers and wights.

Best Documentary/Reality Show
Dark Matters: Twisted But True, John Noble (from Fringe) hosts this interesting and sometimes macabre look at some of the weirdest and most disturbing science experiments and discoveries throughout history.

Best Cancelled TV Show
last resortLast Resort, admittedly the show was borderline sci-fi (a nuclear sub with stealth capabilities, hints that it takes place in the very near future with nuclear warfare and $8 dollar a gallon gas prices), but this military drama about a renegade nuclear sub crew who commandeer an island retreat was suspenseful, gripping and entertaining. Too bad it didn’t catch on.

Best TV Character
Rick Grimes (Andrew Lincoln) in The Walking Dead, kudos have to go to Lincoln for his near-perfect characterization of a former deputy sheriff who struggles to keep his band of survivors alive in a world full of flesh-eating ghouls. Despite his best efforts, people die and he’s forced to become more and more ruthless to survive.

Most Missed TV Character
Etta Bishop (Georgina Haig) in Fringe, she only appeared for a few episodes but Peter Bishop and Olivia Dunham’s grown up daughter while sweet and endearing to loved ones was surprisingly brutal against the Observers and their human allies. Her death was a sudden shock that nearly unhinged her parents in their struggle to defeat the Observers.

Most Improved TV Character
darylDaryl Dixon (Norman Reedus) in The Walking Dead, at first he was a non-descript redneck but Daryl has shown an inner toughness and tenderness that was astonishing to watch. Usually quiet, Daryl has emerged as Rick’s most dependable ally and right-hand man, and is quite adept at surviving and killing zombies.

Most Improved TV show
Being Human, this American/Canadian adaptation being humanof the hit U.K. show wisely took the characters and situations of the original and spun itself off into different and unpredictable directions. At the same time, Being Human in its second season quickly developed an engrossing mythology as its non-human characters struggled to regain their humanity.

Best Series Finale
The River, this uneven supernatural series ended with the main characters managing to find the TV show host that they were all searching for in the Amazon since the show began. But the evil spirits that plagued them keep them trapped in the mysterious waterways. Not a bad way to end a horror show.

Worst Series Finale
Alcatraz, the producers of this low-rated show decides to end its first and only season with a cliffhanger that kills off the main character and leaves its core mystery unsolved! Way to go fellas!

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Best Sci-Fi Film
John Carter, Disney should fire any marketing exec involved with this exciting, fun and action-packed thrill ride. Director Andrew Stanton skillfully presented a grand swashbuckling yarn about the very first space hero whose adventures predated all the familiar space operas and originated the sub genre. John Carter featured a rugged hero, a tough and beautiful damsel in distress, weird aliens, and fantastic f/x and production values.

Best Horror Film
The Cabin In The Woods, it wasn’t the cabinscariest horror film but it was the most original and fun. It took the concept of isolated young people terrorized by savage killers and went off in a unique and imaginative tangent. The way the entire premise switches midway in the film made it very memorable. BTW, we would’ve picked the merman premise too.

Best Fantasy Film
The Hobbit: An Unexpected Journey, true, it’s too long and not as good as The Lord Of The Rings trilogy, but thanks to Peter Jackson’s direction it’s still a grand adventure with dazzling effects, a rich environment (made more real thanks to its 48 fps film), characters and a welcome return to Middle Earth. Better yet, more Gollum and Gandalf!

Best Animated Film
rise of guardiansRise of the Guardians, one of the most underrated animated films in recent memory features stupendous animation and at its core a hero (Jack Frost voiced by Chris Pine) with a surprising amount of depth and heart. It’s also a vibrant celebration of childhood and all of its innocent wonder, imagination and faith.

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Best Superhero Film
Marvel’s The Avengers, it’s not like Ghost Rider: Spirit Of Vengeance had a chance! Director Joss Whedon hit this one out of the planet in a true epic that saw several of Marvel Comics’ popular superheroes teaming up in an eye-popping spectacular. Fans rejoiced in seeing the momentous occasion that was like seeing a superhero version of an all-star game.

Best Superhero On Film
?????????????????????????????????????????????????????????????????????????????????????????????????????????The Hulk in Marvel’s The Avengers, finally a film captured the essence of the Hulk at his smashing best. The green behemoth stole the show as he pummeled Loki and his alien forces. So how about a proper film for the Hulk now?

Best Film Character
Andrew Detmer (Dane DeHaan) in Chronicle, DeHaan gives a great performance as a picked-upon high school loner who gets superpowers one day and basically doesn’t do anything with them. Instead of becoming a hero, Andrew slowly and disturbingly becoame more and more malevolent as Chronicle came to its terrifying conclusion.

dane deHaan in chronicle

Biggest Disappointment
Prometheus, wow was this a huge letdown. A poorly written mess where characters behave illogically and plot points appear and disappear at a moment’s notice. Ridley Scott and wiz bang f/x couldn’t salvage this disappointing Alien prequel. Note to Scott: forget about those Prometheus and Blade Runner sequel ideas.

Most Overrated Film
Looper, let’s see gangsters in the future only use time travel to get rid of bodies? Immoral types wouldn’t want to get rich or muck with timelines? What’s with the out-of-left-field plot development about the telekinetic mutants and a kid that belongs in an Omen movie? The unlikeable characters didn’t help matters with this unsatisfying time travel film.

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Best Use Of 3D In A Film
The Hobbit: An Unexpected Journey, thanks in part to it being filmed in an immersive 48 fps, the 3D erases the barrier between the film and the audience.

Best Trailer For An Upcoming Film
Star Trek Into Darkness, while the trailer for J.J. Abrams’ first Star Trek film was more exhilarating this trailer promises excitement and vengeance-fueled destruction as seen in Star Trek II: The Wrath Of Khan, the Star Trek film that all the others in the franchise try to emulate.

Best App
Angry Birds Star Wars, it’s the best mashup since peanut butter met chocolate!

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Best Video Game
Mass Effect 3, despite all the groans about its ending, the game featured stunning graphics, addictive game play and a solid storyline.

Best Hallmark Ornament
TIE: the time-traveling DeLorean car from Back To The Future and the Stay Puff Marshmallow Man from Ghostbusters. ’80s genre nostalgia lives on with these accurate and detailed ornaments.

Best Marketing Tie-In
SAMSUNGThe black, Avengers-themed monorail at Walt Disney World. It’s visually arresting with the movie heroes and logo boldly displayed on the sleek mode of transit seen around the Magic Kingdom in Florida. It continues to wow tourists.

Biggest News Item
Disney buys Lucasfilm and thus the Star Wars and Indiana Jones franchises. Not since Disney purchased Marvel Comics has there been such a cataclysmic happening in the world of fandom. Many had conflicted thoughts about seeing George Lucas stepping down and handing control of his beloved franchises to the Disney juggernaut. Feelings were also mixed but guardedly excited over the announcement of new Star Wars films on the horizon.