The Spider-Man Movie Costumes Ranked

Spider-Man has one of the most recognizable and iconic superhero uniforms in comic books. Yet, bored artists have seemed fit to tinker with the design and this tendency has spread to the costume department of the Spider-Man films. It seems as if they need to impart their own take on his duds and no matter how hard they try it’s hard to get away from the timeless red-and-blue suit with the bug-shaped lenses and webbing motif.

Here is how they rank up and what is interesting to note is that there isn’t a stinker in the wardrobe. It all boils down to personal taste in fashion!

black Spiderman suit

7. The Black Suit (Spider-Man 3): This Spider-Man costume symbolized how Spider-Man 3 went so wrong. The black-and-white suit worn by Spidey in the comic books is almost as popular as the original and created a sensation when it premiered in the ‘80s. What made it so unique was its simplistic and striking design. All the costumers had to do was copy that look, instead they took the lazy way out by painting the regular suit black. So boring!

6. The Amazing Spider-Man (The Amazing Spider-Man): This is not a bad Spider-Man costume per se, it’s just that the others before and since have been better. Known for its yellow and narrower lenses, elongated spider symbol on the chest and back, and spandex material, this Spider-Man costume complemented actor Andrew Garfield’s lean build. Its spandex origin made the suit seem more like a sports uniform.

5. The Homemade Suits (Spider-Man, The Amazing Spider-Man, and Spider-Man: Homecoming): Before donning the official Spider-Man costume and becoming a full-fledged superhero, Peter Parker dipped his toes into the vigilante/wrestler field with these quickly put-together rags that were amateurish. The funny thing is that these homemade suits are rather well done, concealed his identity and were functional. It’s hard to decide which is the best, so they’re all lumped here.

Iron Spider-Suit

4. Spider-Man Mark II/Iron Spider Suit (Spider-Man: Homecoming): Briefly seen at the end of the film, this would have been an upgrade of the first suit given to Peter by Tony Stark. Inspired by the newer Spider-Man costumes in the comic books, the uniform looks more like a suit of armor. Too bad Parker did not try it out but there’s a nagging feeling we haven’t seen the last of it. Don’t be surprised if he winds up wearing it in next year’s Avengers: Infinity War.

spider-man 2

3. Spider-Man (Spider-Man, Spider-Man 2, Spider-Man 3): This was the very first Spider-Man outfit for the films and it had to make its mark on the big screen, while being faithful to the comic books.  Most fans breathed a sigh of relief when actor Tobey Maguire first donned the suit because its look captured the essence of Spidey. The costume only differs from the classic uniform with its raised and silverish webbing pattern and the longer spider symbol.

Spiderman Homecoming in truck

 

2. Spider-Man Mark I (Spider-Man: Homecoming, Captain America: Civil War): This high-tech uniform shocked and delighted fans when Spider-Man made his MCU debut in Captain America: Civil War. It keeps the basic red-and-blue design, but with smaller spider symbols and looks more stylish.  In Spider-Man: Homecoming, we learned that the suit was jammed with many technical goodies like spider drones that made it seem more like a scaled-down Iron Man suit. It’s a great suit, but it does not fit with Spidey’s down-to-earth roots.

1. The Amazing Spider-Man, Version 2 (The Amazing Spider-Man 2): As flawed as that film was, one thing that the filmmakers got right was the look of Spider-Man’s uniform. It was a nearly perfect replica of the costume from the comic books with a nod to Todd MacFarlane’s Spider-Man thanks to its larger lenses. Not only was it faithful to the classic Spider-Man costume, but it looked sensational on the big screen. Too bad, we probably won’t see it again.

Lewis T. Grove

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Marvel Wins The Movie War…For Now, Part Two

 

avengers guardians DC heroes

Marvel Entertainment has ruled the box office with its numerous hit films, especially those produced by Marvel Studios. Meanwhile, DC Entertainment and its parent company Warner Bros. while successful with TV and video game adaptations of the DC superheroes seemed to be asleep at the wheel in putting out film products to counter Marvel’s box office dominion.

Late Start

Around the beginning of this decade as Marvel Studios was blossoming what was DC Entertainment doing around this time? We got from them Green Lantern and The Dark Knight Rises. The former film didn’t perform to expectations and failed to resonate with fans and audiences. Green Lantern was hamstrung with weak villains, pedestrian storytelling, and for a film featuring a cosmic hero it was too Earthbound. On the other hand, the final film in Christopher Nolan’s DDark Knight trilogy was well received at the time of its release, but many grumbled that it was too ponderous, pretentious and its villain Bane (Tom Hardy) couldn’t compare to The Dark Knight’s Joker (Heath Ledger). What was noticeable was that Batman’s world seemed smaller and darker than the more light-toned Marvel Cinematic Universe. It seemed odd that Batman was the sole superhero around in Nolan’s films, although for The Dark Knight Rises’ plot of Gotham held hostage, that was a necessity. It was plain to see in the end that while the Batman films were hugely successful, they did not do anything to expand the DC Universe in film. So once that trilogy was completed there wasn’t anything to follow it.

Does all of this mean that it’s over for DC? Should they throw in the towel? Hell, no! They may be way behind Marvel at the moment, but they are gearing up for a new war that will start in March 25, 2016. The release of Batman v. Superman: Dawn Of Justice is just the opening salvo. However, the failures of Green Lantern and The Dark Knight Rises in terms of creating a cinematic universe is why DC had to start over with Man Of Steel in 2013, already a few years behind Marvel Studios. That reboot of Superman and his mythos was successful, but it’s considered controversial by many fans who decried the character deviations, especially when Superman killed at the film’s end.

man of steelNevertheless, the film did begin an earnest establishment of a larger universe. Take the scene near the end when Superman (Henry Cavill) and Zod (Michael Shannon) fight above Earth and tear apart a satellite belonging to Wayne Industries. It was a nifty Easter egg, but it was a blink-and-you’ll-miss-it moment and the film should’ve done more. Imagine if a post-credits scene was shown where the near destruction of Metropolis is shown on a TV screen. The camera would’ve pulled back to show that the TV was in a cave and that Batman could be seen watching the disaster on TV. Or have the TV in a non-descript apartment where a certain green Power Battery could be spotted.

Regardless, Man Of Steel was DC’s first true attempt at establishing its own cinematic universe. Its Easter eggs may pale next to Iron Man with the Avengers Initiative scene, but it’s a start.

Broad Horizons Ahead For Both Companies

From March 2016 until 2020, DC has eight films scheduled for release. At this point, the general public doesn’t know which properties will be on the big screen aside from Batman v. Superman: Dawn Of Justice, but current rumors point to Shazam, Wonder Woman, the Justice League (finally!), a new Batman, and a proper sequel to Man Of Steel. DC and Warner Bros. should be commended for not rushing things unlike some other movie studios with comic book properties (looking at you Sony). This means that when the universe is finally presented it should be cohesive and well done.

dawn of justiceRegarding the recent decision to move Batman v. Superman: Dawn Of Justice from May 6,2016 to March 25,2016, it may seem like an admission of defeat. One way of looking at it is that DC recognizes what a juggernaut Marvel Studios and its films have become and want to avoid direct competition. But it’s really a more strategic move by DC and Warner Bros. to ensure that Batman v. Superman: Dawn Of Justice reaches the widest possible audience. That is why they moved up the film’s release date so it doesn’t have to compete with the third Captain America film. A lot of people wwomansalivated over the prospect over these two comic book titans going at it in the box office, but in reality such direct competition would hurt both brands. In this case, DC would have suffered more. Why? It’s likely that Batman v. Superman: Dawn Of Justice would’ve won the match against the third Captain America film, but the Marvel Cinematic Universe is a proven brand with devoted followers and Captain America has risen significantly in popularity thanks to his last film. There isn’t any way that the third film would flopped; it would’ve earned a respectable amount of money in the matchup, enough for Marvel to declare a pyrrhic victory and claim their film held up well against DC’s better known characters. In the meantime, if Batman v. Superman: Dawn Of Justice didn’t have super impressive opening box office numbers or heaven forbid came in second on the opening weekend, it would’ve spelled a PR disaster for DC and stifled their burgeoning cinematic universe. DC had more to lose than Marvel, so taking a page from their competitor’s strategy book, they positioned their centerpiece film in a less competitive time period where it’s guaranteed to score high.

With DC beginning its own universe, which at this point is still in planning stages, Marvel is charging avengers ultron posterforward with more film releases. Next year will see the eagerly anticipated sequel Avengers: Age Of Ultron and Ant-Man. The following year we’ll get the aforementioned third Captain America film and on July 28, 2017 the Guardians of the Galaxy will return to theaters with a new film. Additionally, Marvel recently announced several release dates through 2019 for five more films in the MCU. No details have been released but the speculation is that these films may include sequels to Thor, the Avengers, possibly Iron Man (Robert Downey, Jr. recently expressed interest in continuing to play Iron Man), and new properties like Captain Marvel, Black Panther, the Inhumans, or Doctor Strange.

A film based on the last character mentioned, Doctor Strange, also means that Marvel is branching off in yet another direction. Like with Guardians Of The Galaxy, which is actually a space adventure film, a Doctor Strange film would not be a traditional superhero film, but rather one that deals in the genre of horror and fantasy. The fact that Scott Derrickson has been hired to direct the film is indicative of its horror trappings since Derrickson’s resume includes horror films.

lineupGuardians Of The Galaxy and the upcoming Doctor Strange film point to how Marvel has won the Movie War because they’ve done so well with superhero films that they are now able to branch off into other genres. DC has tried doing this in the past with poor adaptations of Constantine and Jonah Hex. If DC’s film slate includes a rumored movie based on its fantasy property Sandman, then this would prove that DC is remaining competitive and moving beyond superheroes as well. Continue reading

How To Fix The Spider-Man Movies

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The Amazing Spider-Man 2 has been out in theaters for a month already. It’s made close to $500 million worldwide to date, so it’s a hit film. Yet, The Amazing Spider-Man 2 has raked in far less money than the previous Spider-Man movie. Despite all the advertising and marketing, the movie has been largely forgotten in this crowded summer movie season. That’s unbelievable for a Spider-Man movie, usually they’re big hits. Something went wrong with the film, and the fans noticed and word of mouth probably has had a hand in keeping the box office numbers down. It’s sad to say but the franchise, despite being rebooted two years ago, seems tired and talk about sequels and spin-off films get yawns from everyone.

The film had its good points, but on the whole, it was a mess and killed any good will towards the franchise. What can be done? Spider-Man is one of the most popular superheroes around, rivaling Batman himself. The character is still viable, but the filmmakers have gotten away from what made Spidey work. If they want to win back the fans and more importantly for the execs, the big box office numbers, the following things have to be done.

Story First

What sunk The Amazing Spider-Man 2 was its sloppy script. The film was loaded with too many time-filler subplots that don’t go anywhere and needless characters. It reminded me of that equally dumb Spider-Man 3 with all the extra characters who didn’t add anything to the story (looking at you Gwen Stacy) and moronic plot twists (so Sandman accidently killed Uncle Ben).

?????????????????????????????????Does anyone care about Peter Parker’s parents? A few lines of dialogue and one or two scenes could’ve wrapped up that plot thread. Then there was the way they tried to convince us that Peter and Harry Osborn were best buddies even though Harry was never mentioned in the previous film. It was just one of too many plot lines in the crowded movie.

What was worst was that the movie felt like an ad for upcoming spinoffs and sequels and that harmed the narrative flow and pacing of this film. It was like director Marc Webb set up a revolving door on the movie set just to introduce new villains, which leads to the next point.

Improve The Villains

The  film execs clearly didn’t learn the lesson with Spider-Man 3. That film was weighed down with three villains ?????????????????????????????????who didn’t get adequate screen time to develop them. The same thing happened here, but worse. Electro was largely a one-dimensional joke, and reminded me of the Riddler from Batman Forever, only Jim Carrey did a better job of portraying a nutjob than Jamie Foxx. His portrayal of Electro before his accident was so over the top and he didn’t gel with the other people around him. I get they were trying to make him a goofy outcast, but it was too much.

spidey and doc ockSeriously, the last great villain in these films was Doctor Octopus and that was ten years ago. I’m not sure why they can’t come up with a worthy villain for Spider-Man, but jamming in a bunch of them to please toymakers isn’t working. It’s a damn shame because Harry Osborn/Green Goblin was pretty decent in this film thanks to Dane DeHaan’s performance, but his time was limited. If they would’ve dumped Electro, Harry would’ve had the needed screen time for his story. Instead, we get a rushed intro of the Green Goblin popping out in the end and briefly fighting Spider-Man. He’s supposed to be his greatest enemy, why relegate him to an extended cameo? The Green Goblin should be the top villain in these films. In this crowded film, he wasn’t the only character to get shafted.

Get Spider-Man’s Supporting Cast More Involved

???????????????????????????????Aunt May was largely wasted in the new Spider-Man movie and that’s an atrocity. The filmmakers went out and hired Sally Field, an Oscar winner, to portray Peter’s aunt and she just gets lost in this film. The few precious moments she has only point out how she was criminally underused. In the comic books, she was involved in major plot lines. Often, Spider-Man was out risking his neck to save her or worrying about her. This was better shown in the last film where Peter brought home organic eggs in the end after saving the city, it was a quiet moment that illustrated his love and responsibility and it worked.

jjj2But Aunt May isn’t the only neglected member of his supporting cast. Flash Thompson, Peter’s nemesis and Spider-Man’s biggest fan was absent this time around and where the hell is J. Jonah Jameson who brings a different kind of headache to Spider-Man? Our web-swinging hero needs a foil and Jameson filled that role perfectly in Sam Raimi’s films. It seems like the producers and Marc Webb couldn’t figure out who should play the newspaper publisher after J.K. Simmon’s act and gave up. Why not just bring him back? It worked for the James Bond flicks when Judi Dench played M with two different actors portraying the famous spy. Any Spidey film should have Jameson hounding him in the public eye. Continue reading

Spidey’s Back!

Spidey!In a move that really wasn’t all that surprising to us, Marvel Comics announced that Peter Parker will once again be Spider-Man this spring. The New York Daily News broke the story earlier today in a feature that included an interview with Spider-Man writer Dan Slott.

For anyone who doesn’t follow the latest happenings in the Marvel Comics universe, Peter Parker’s consciousness was removed from his body by his long-time foe Doctor Octopus in a mind swap. Doctor Octopus was dying and did the switch in order to survive. This all culminated in late 2012 with the final issue of the long-running title The Amazing Spider-Man, which was number 700. The title was replaced by The Superior Spider-Man, which featured Doctor Octopus masquerading as Peter Parker/Spider-Man and his darker, meaner take of the superhero divided fans. Many decried the fact that their beloved nerd, Parker, was dumped in order to give new blood to the Spider-Man comic books. But a vocal number of readers came to like the new Spider-Man who wasn’t so noble or honorable. This divide will probably continue for the rest of the character’s history.

Still, fans who disliked the new ASm2Spider-Man are breathing a sigh of relief at the news, which isn’t truly surprising. Think about it, a big-budget movie is coming out in a few short months (The Amazing Spider-Man 2), and it wouldn’t do to have a disconnect between the comic book and movie versions of Spider-Man. The idea of explaining to non-fans that the Peter Parker in the comic books isn’t really him, but the one in the movies is the real deal, can leave anyone confused. This is Marvel’s most famous and beloved superhero, after all. In the long run, that character change couldn’t be permanent. It’s all part of branding and marketing efforts to increase buzz and comic book sales. It worked in the past with so many other superheroes –Superman, Batman and Captain America have had similar storylines where they were replaced. But these marketing gimmicks, while they do work, create negativity and cynicism about the company, since the average reader knew that despite Marvel’s insistence in 2012 that Peter Parker was dying off, that things would go back to the status quo.

This doesn’t mean that The Superior Spider-Man was a flawed effort, it did have its merits and presented a fresh take on Marvel’s flagship superhero. But it is a bit of a relief that the happy-go-lucky Peter Parker is back in a new launch of The Amazing Spider-Man. If only it didn’t have to be relaunched as an issue number 1, but that’s the marketing department for you.

Lewis T. Grove

End Of An Era For Spider-Man

spidey 700Marvel Comics has just released the 700th and final issue of The Amazing Spider-Man in a story called “Dying Wish: Suicide Run”. It’s publication can be seen as the nail in the coffin for the old Marvel universe as the comic book company re-launches itself with its Marvel NOW! comic books aimed at bringing in new readers. Their core titles have been canceled and relaunched with new number ones and new titles altogether. In Spider-Man’s case, an all-new comic book is set to debut in two weeks called The Superior Spider-Man.

Why such an unusual title? Well MAJOR SPOILER WARNING it turns out that this is a different Spider-Man. He’s actually Otto Octavius, yes, Doctor Octopus himself is now Spider-Man.

We have to go back to around issue 600 of The Amazing Spider-Man, in that issue it was revealed that Doctor Octopus was dying, in fact, his body is a shriveled, helpless husk kept alive in a mechanical cocoon. With his dying breath, Octavius has been obsessed with finally defeating his arch foe Spider-Man and making one big impact on the world. In issue 698, it was revealed that Doctor Octopus knew about Spider-Man’s true identity of Peter Parker (never mind that he learned this shortly before dying and forgetting it during the Clone Saga fiasco), then it was revealed that he had transferred his mind into Spider-Man’s body, while Peter’s mind was implanted into Octavius’ dying form.

In The Amazing Spider-Man # 700 Peter, in Doctor Octopus’ decaying body, desperately tries to undo the switch before time runs out. Written by Dan Slott and drawn by Humberto Ramos, this issue is a bonafide tour de force that touches on all aspects of Spider-Man’s life. uncle benThe highlights were when Peter has a couple of near death experiences and glimpses the afterlife populated by his deceased loved ones like Gwen Stacy and his Uncle Ben. These sequences and Peter’s failing struggles are very heartfelt and exemplify why Spidey has been so popular. It nearly undoes the bad taste that the infamous “One More Day” storyline has left with many fans.

The ending to this issue and story will be as controversial and radical as that of “One More Day” for one obvious reason.

DO NOT READ BELOW IF YOU DON’T WANT TO BE SPOILED

 

 

 

LAST WARNING

 

 

Peter Parker dies.

Ultimately, Peter was unsuccessful in switching back to his true body, and the effort made him consider doing the unthinkable such as attempting to willingly kill a person. However, his efforts weren’t in vain. While Doctor Octopus took Spider-Man’s body, his mind absorbed Peter’s memories and behavior. In the end, after Peter dies in Doctor Octopus’ body, Octavius finds himself learning about responsibility, empathizing with Peter and promises to take up Spider-Man’s heroic cause. The story has an epilogue in the comic book The Avenging Spider-Man # 15.1 where Octavius slightly alters the Spider-Man costume and leads to next month’s new title of The Superior Spider-Man.

death of peter

It’s always sad to see Spider-Man die (usually in What If? stories and most recently the Ultimate Comics version) because he always seemed so vulnerable compared to other superheroes. But this time it felt sadder than normal since this is the true Spider-Man that dies not an alternate version. It does feel like the end of an era, the comic book had its highs and lows but The Amazing Spider-Man was one of Marvel’s most consistently good titles. At the same time, this story celebrates all that is good and noble about Spider-Man and does set up a very intriguing direction for the character. Being that these are comic books, of course, this development will be undone in some way and Peter will be resurrected. If they could revive Steve Rogers and Barry Allen they can bring back the true Spider-Man. new spidey 2In the meantime, this new take of Spidey (is it even proper to refer to him as that? The new Spider-Man seems much less happy-go-lucky than the original.), offers a new way of looking at Spider-Man and brings up new questions. How will he fit in with Peter’s life? Can he really become a hero? Can he leave behind his former villainous life? Will anyone catch on to what is going on? Is Peter Parker truly gone? Careful readers will spot an escape hatch or two. One certainy is that Doctor Octopus has elevated himself to become Spider-Man’s greatest foe. He accomplished what others failed to do by killing him but now he has to pay the price by assuming Spider-Man’s heroic role.

The rest of the oversize comic book features two back up stories and artwork including a complete gallery of every issue of The Amazing Spider-Man. Hopefully by the time the next anniversary arrives, TPTB at Marvel will decide to resume The Amazing Spider-Man and with the original numbering. As to how readers will react to the new title and hero is open to question. While these new changes are a good jumping on point for new readers, “Dying Wish: Suicide Run” also serves as a bittersweet goodbye for older fans who may not want to follow the adventures of the new Spider-Man. At the same time, for cynical readers who have read countless stories about dying superheroes (only to see them resurrected), this can be more of the same even though it was well done in “Dying Wish: Suicide Run”. The fact that the new title will be called The Superior Spider-Man belies its transient nature of this new Spider-Man until the proper hero makes his eventual return.

Until then, long live Spider-Man.

José Soto