Apr 17 2013

Star Trek Movie Retrospective–Star Trek V: The Final Frontier

“What does God need with a starship?”

Captain James T. Kirk questioning “God” on the planet Sha Ka Ree

trek V posterAfter the triumph of Star Trek IV: The Voyage Home, anticipation and demand was high for another Star Trek film. What audiences received was William Shatner’s directorial effort Star Trek V: The Final Frontier.

The fifth Star Trek film is an undeniable disappointment and it has many things going against it. Ranked by many as the worst Star Trek film, it’s hands down the weakest one to feature the original cast from the TV show. Let’s face it, Star Trek IV: The Voyage Home was a difficult act to follow. It would’ve taken a master director and writer to deliver a worthwhile followup. But Paramount Studios wanted to placate William Shatner, who wanted his shot at the directing chair because his buddy Leonard Nimoy got to direct two Star Trek films. So in addition to paying him and Nimoy a high salary, they allowed him to direct the fifth Star Trek film.

trek 5 cast 2

Now it’s easy to lay all the blame on Shatner but there are others to blame for this film. Notably Paramount Studios itself, who should shoulder the majority of the blame. In a foolish move, the studio severely slashed the budget, which resulted in the amateurish looking special effects that were horrendously bad and added to the film’s drawbacks. They also wanted a lighthearted romp similar to Star Trek IV because the studio felt that the comedy in that film made it such a success and wanted to repeat the formula. Instead of gentle comedy, Star Trek V: The Final Frontier came off as goofy and too heavy handed in the laugh-o-meter with our heroes behaving at times out of character. There were laughs alright, just unintentional ones. Who can forget the immortal line, “Spock, it’s me. It’s Sybok!” The Writer’s Strike in 1988 curtailed the film’s pre-production and didn’t allow time for a polished script. When you boil it down what the film needed most was a decent script doctor.

The film starts in a desert planet, Nimbus III, which has the so-called Paradise City colony set up by Klingons, Romulans and the Federation as a means of promoting peaceful coexistence. But the place is run down and practically forgotten. Out of the horizon, a mysterious stranger riding on a blue horse-like animal appears and promises to heal people of their painful memories through his empathic powers and in return asks for followers on a religious crusade. This person is a bearded Vulcan called Sybok (Laurence Luckinbill) and he needs a starship.

el capitan 2The film then switches over to Earth, where James T. Kirk (William Shatner), recently demoted from admiral to a captain, is spending shore leave mountain climbing on El Capitan in Yosemite National Park. After being saved from falling by his best friend Spock (Leonard Nimoy), he and Spock settle down for the night at a campfire with their other close friend Dr. Leonard McCoy (DeForest Kelley) and shoot the breeze. The genial banter between the three was the best thing about the film. It was genuine and funny without going overboard. Shatner conveyed a sense that the trio were close friends with a deep bond.

At this time on Nimbus III, Paradise City welcomes the newest Romulan ambassador (Cynthia Gouw), who is all full of energy and optimism. She is greeted instead by two surly and cynical ambassadors (David Warner and Charles Cooper), a human and Klingon respectively. Oddly enough, she and the Klingon are the only members of their race seen in the city, everyone else is either human or some kind of alien. These scenes with the ambassadors were interesting since the actors were good in their roles. The film presented a seedier side to life in the 23rd century, which was an interesting contrast to earlier films’ depictions of near-nirvana.  sybok and gangWe see drunkards (principally with Cooper playing the bitter and washed up Klingon general), cheap salesmen (watch the video monitors in Paradise City’s bar) wearing ugly plaid jackets and alien strippers. The latter being a feline-based alien with three breasts that predated the famous hooker seen in the original Total Recall. It was a refreshing change from the ethereal utopias from earlier films. Soon after, the colony is invaded and conquered by a literal rag-tag army from the desert led by Sybok, who promises to heal everyone of their spiritual pain.

Back on Earth, our heroes’ shore leave is interrupted by an urgent call from Starfleet. They rush back to their ship the Enterprise-A, a replacement of the ship lost in Star Trek III: The Search For Spock, to learn about their next mission. They are ordered to go to Nimbus III and save the hostages in Paradise City. But there’s a problem with the Enterprise-A. The new ship is a go climb a rocklemon. Why would Starfleet reward Kirk and company with a broken down ship after they saved the Earth is beyond me. Except maybe to provide a moronic venue for cheap laughs, such as Chief Engineer Montgomery “Scotty” Scott’s (James Doohan) tirades about needed repairs and sight gags such as malfunctioning turbo lifts. The plot point of a broken ship that in the end pulls through would’ve been an interesting story. But that gets lost in this film. As for the film’s desperate earning of laughs at this point, the funniest gag on the ship is Kirk’s reaction when he’s told by an admiral (producer Harve Bennett in a cameo) via viewscreen that Starfleet needs him. He turns away from his superior and makes an exasperated face. It’s a good way of acknowledging this common plot thread of the Enterprise crew being the only capable personnel in Starfleet. Seriously, why send the Enterprise-A? It’s undergoing repairs on Earth so why have it travel all the way to this distant planet? There aren’t any ships closer to the planet? Doesn’t Starfleet have its own version of SEAL Team Six for these kind of situations?

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Apr 16 2013

Bioshock: Infinite Soars To New Territory

bioschockBioshock: Infinite is the latest first-person shooter game in the famed series that now has the action set in the city of Columbia, which is quite literally a floating city in the clouds a la Bespin from The Empire Strikes Back. This game continues the Bioshock tradition of a thought provoking plot where you as Pinkerton agent Booker Dewitt, in the year 1912, takes on a demagogic figure known as Compton and his would-be utopia. Columbia’s society is patterned on extreme nationalism and racial prejudice circa early 20th century America. The game also features interesting sci-fi concepts of alternate dimensions and time travel and the consequences of such activities. This is accomplished via the other main character in Bioshock: Infinite Elizabeth, a girl Dewitt is sent to rescue, who you travel with and protect during the majority of the game. She is capable of creating rifts in space time that can be used by your character to travel to slightly altered realities or get useful items to fight Compton’s forces. The combat in the game is also similar to other Bioshock games where you can use superhuman powers via drinks called vitals that allow you to do various things like shoot fire from your hands or create tornados. 

bioshco columbia

From the first moment you arrive at a lighthouse and are whisked away to the city of Columbia, you know you are in a Bioshock game with the same sense of wonder that the first game had when you arrived at the underwater city of Rapture. In comparing Bioshock: Infinite with the other Bioshocks, I think it is somewhat better than the second gamebioshock dewitt Bioshock 2, but does not quite reach the level of the original. This is due to the fact that the game play in the first one was deeper with such options as improving your weaponry and hacking vending machines and security cameras  using a neat puzzle game to get an advantage over your foes. In Bioshock: infinite, activities like picking locks to gain access to new areas are done by Elizabeth and you just watch her do her work.

Another slight difference is in the tone of the games. The first two Bioshocks take place in a city that has fallen apart and is abandoned except for demented people known as splicers, which gives the games an almost survival/horror feel to them. Columbia, on the other hand, is populated with many people and is full of life–at least, at first. This is not necessarily a bad thing since it means that Bioshock: Infinite is not a retread, but it’s something to take note of.

bioshock fight

Overall, Bioshock: Infinite is another excellent piece of interactive entertainment that I think compares with any sci-fi/horror movie in terms of storytelling, fun, and having something to say.

C.S. Link

Apr 13 2013

Some Future & Alternate North American Maps

emberverse 2 2 georges

Studying fictional maps of real locations is an intriguing hobby for many sci-fi/fantasy fans. Some recent maps appearing in books, movies and TV shows have caught the imagination of many. They feature North America in our future and alternate worlds.

With S.M. Stirling’s Emberverse books (starting with Dies The Fire) it can be seen that North America looks balkanized with a myriad of separate nations. One of author Harry Turtledove’s best books The Two Georges (co-written with Richard Dreyfuss) has a map of the so-called North American Union that looks supersized as the country encompasses Canada. His epic Southern Victory series of books had maps of North America where the Confederacy still existed into the 20th century. Starting with How Few Remain through The Great War trilogy and the Settling Accounts tetralogy the maps changed radically over time.

Great War Turtledove map

jericho map

The maps featured in the TV shows Jericho and Fringe have different versions of the  U.S. In Jericho, the nation has split into three nations, the U.S., Texas and the Allied States. In Fringe, the characters often visited a parallel world where the United States’ configuration is slightly different. Among the differences, Texas is split into two states, while North and South Carolina is one state.

fringe map rev map

As anyone can see, the United States no longer exists in these two maps featured from The Hunger Games and the TV show Revolution. In the map from Revolution the U.S. has broken up into several nations with names like the Monroe Republic (where the show takes place in and spans from the Great Lakes region to the Mid-Atlantic and Northeast) and the California Commonwealth.

But the map of the fictional nation Panem from The Hunger Games truly catches the eyes with the changed geography. Notice that the Florida Peninsula is underwater along with most of the modern coastline. Apparently The Hunger Games takes place in the far future where the greenhouse effect has radically altered the landscape.

Panem

These are just a tiny sampling of fascinating maps of places that don’t exist, at least here and now.

Waldermann Rivera

Apr 9 2013

Star Trek Movie Retrospective–Star Trek IV: The Voyage Home

Dr. Gillian Taylor: “Don’t tell me. You’re from outer space.”

Admiral James T. Kirk: “No I’m from Iowa, I only work in outer space.”

Dinner conversation during a date at an Italian restaurant in San Francisco, circa 1980s

“Well, a double dumbass on you!”

Admiral James T. Kirk to a taxi driver on the streets of San Francisco, same time period

trek 4 poster 2Usually when the fourth film in a franchise comes around the franchise itself starts to show signs of fatigue. Thankfully that wasn’t the case with Star Trek IV: The Voyage Home. Unbelievably, the fourth Star Trek film reaffirmed the Star Trek franchise after its moribund predecessor. A lot of the credit goes to writers Nicholas Meyer, Harve Bennett (who was also the producer), Peter Krikes and Steve Meerson, and primarily, director Leonard Nimoy, who co-stars in the film as Spock. Nimoy found his footing with his second directorial gig and it shows in a big way.

Star Trek IV: The Voyage Home begins with a dedication to the lost crew of the space shuttle Challenger, which was appropriate and sincere being that the tragedy happened earlier in the year that the film premiered. After the credits, the  story begins with a Reliant-class starship encountering a humongous, shiny, black cylindrical alien probe that drains the starship of its power. Before anyone can say V’Ger, the story jumps back to Earth at the council chambers of the United Federation of Planets where audiences are brought up to date with what happened in the previous film. A Klingon ambassador (John Schuck) wants Admiral James T. Kirk’s (William Shatner) head for killing a Klingon crew and stealing their bird-of-prey ship and accuses the Federation of wanting to wage war on the Klingons with the failed Genesis terraforming process.

trek 4 cast

Kirk has violated nine Starfleet regulations, such as disobeying orders and stealing the starship Enterprise . He is on exile with his former crewmembers on the planet Vulcan. They include Dr. Leonard McCoy (DeForest Kelley), Chief Engineer Montgomery “Scottie” Scott (James Doohan), and Commanders Hikaru Sulu (George Takei), Pavel Chekov (Walter Koenig), and Uhura (Nichelle Nichols). After being on Vulcan for three months, they choose to return to Earth and face trial. Spock, who they risked their lives and careers for in Star Trek III: The Search For Spock, is recuperating from his resurrection and regaining his mental acuity. He is still confused about the nature of feelings, but elects to accompany his friends back to Earth.

probeMeanwhile, the alien probe approaches Earth and creates havoc as it drains away the energy of anything that it approaches. Starfleet is effectively crippled and Earth defenseless. The probe also emits a series of ear-piercing inhuman screeches and wails that no one can decipher. The probe arrives in Earth orbit and begins transmitting into the oceans. This creates a severe superstorm that covers the planet and the endangers all life.

Kirk and his crew leave Vulcan with the stolen Klingon ship (rechristened the Bounty) and on their way to Earth pick up a distress call from the Federation President (Robert Ellenstein), who is on Earth, warning away visitors because of the probe. Spock is able to decipher the probe’s transmissions and we learn that it is trying to contact humpback whales. Unfortunately, the species is extinct in the 23rd century, which forces Kirk to take the Bounty and time travel to Earth’s past and find whales to bring back to their time period.

After Kirk informs Starfleet Command of his intentions, the Bounty makes a time travel sceneslingshot maneuver around Earth’s sun. It’s a time travel procedure first done in the classic original episode “The Naked Time” but more ethereal with dream-like sequences showing morphing busts of the crew and whales. After that sequence the ship winds up in the latter half of the 20th century. After picking up whale songs transmitting from the San Francisco area, the ship lands cloaked in Golden Gate Park in the middle of the night. Scotty informs Kirk that in addition to refitting the ship’s interior to accommodate a whale tank, the ship’s dilithium crystals that power the warp core drive are drained and need recharging or else they’re stranded. With that, the now-Bounty crew disembark their ship and head off into the wild frontier of the 20th century.

trek iv cast

Then the fun begins.

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Apr 6 2013

The Wonder Of Jurassic Park

JP logoWith the re-release of Jurassic Park in theaters, renewed interest in the twenty-year-old film has arisen. Putting aside all the raves about the 3D conversion process used in Jurassic Park’s re-release, many have come to realize or remember how monumental it was when during its initial release.

During the summer of 1993, one couldn’t go anywhere without seeing that iconic logo with the t-rex skeleton. The film was a marketing dream with its realistic dinosaurs that were instant hits and helped sell dinosaur-related merchandise. The previous three films that had similar cultural impacts were Jaws, Star Wars and E.T.: The Extra-Terrestrial.

Many of its delightful and revolutionary aspects are taken for granted nowadays, notably the extensive use of CGI (computer generated imagery) that brought the dinosaurs in the film to life. The visual effects process had been around for a few years and came to public awareness with films like TRON, The Last Starfighter, The Abyss and Terminator 2: Judgment Day. But the effects wizards working on Jurassic Park went the extra mile at the behest of its director Steven Spielberg.

ttops
Originally, the dinosaurs were to be a mix of animatronics (done by Stan Winston) and the offspring of stop motion animation, go motion animation (to be done by Phil Tippet). However, Spielberg wasn’t quite satisfied with the limited scope of go motion. The dinosaurs in screen tests didn’t look convincing enough. Animators Mark Dippe and Steve Williams presented to Spielberg a test reel featuring the famous t-rex in Jurassic Park for the first time as a CGI. That was all Spielberg needed to see. Tippet quickly adapted, and he and his team of animators re-trained to become CG animators.

The impact of seeing those realistic dinosaurs in the big screen cannot be overstated. Audiences were floored when brachthe first full shot of the brachiosaurus in the park was unveiled. Probably the closest experience from seeing dinosaurs recreated on the silver screen that compares to it is way back in the 1920s when the dinosaurs in The Lost World  terrorized audiences. With Jurassic Park, while more educated audiences knew that dinosaurs sadly no longer existed, they found themselves wishing they did and this was the closest they would get to witnessing realistic recreations.

The use of CGI is commonplace today and has been since the 1990s, which can lead to an unjust dismissal of the film. Jurassic Park also masterfully blended that process with Winston’s animatronics (as seen when the t-rex first appeared in the rain) and CG was also used in subtle ways. For instance, there was a scene where a female stunt double for actress Ariana Richards has her face replaced by an image of the young actress.

trex rules

There have been many attempts to recreate that phenomenal film in the way that left people speechless as to what was possible to do on film. None, not even Jurassic Park’s sequels, were able to do that, though there were many admirable attempts. Part of the reason is that people have come to anticipate CG marvels when seeing a film. It’s when a CG is done poorly that it registers and believe it or not there are tons of films that come out today with CG effects that are inarguably inferior to what was accomplished with this twenty-year-old film.

raptorsBut it would be a mistake to celebrate Jurassic Park just for its ground-breaking effects and topnotch marketing. It took a genius of a filmmaker to bring Michael Crichton’s epic novel of the same name to the silver screen. There are many divergences from the novel, but if it were to be filmed as it was written, the producers might’ve had an R-rated film on their hands with many unlikable characters. Spielberg and the writers were able to soften the story, while still keeping the book’s thrills and scientific curiosity, and injected a sense of wonder and fleshed out the characters. It was their efforts that made sure that the film wasn’t just an effects extravaganza. The story and characters mattered and that is one of the main reasons why the film still endures today.

 Lewis T. Grove