X-Men: Herald Of The Modern Age Of Superhero Films

It was twenty years ago on this day that X-Men premiered in theaters. While many at that time knew of the film’s potential impact, its success was still surprising given how the superhero film has grown in stature.

Before the first X-Men film came out on July 14, 2000, there were many prominent and successful superhero films that made their mark in pop culture like Superman: The Movie, Batman and The Mask. However, the splash they made was not as intense as the one X-Men made. Yes, after those films made millions at the box office, superheroes were the craze with merchandising and copycat films and TV shows, yet X-Men heralded a new and lasting age of superhero films that continues to this day (well, coronavirus notwithstanding and causing most theaters to shut down and film studios to delay film releases). It was not that X-Men was a better film than say Superman: The Movie, it probably was that it was the first genuine hit based on a Marvel superhero IP. Before anyone brings up Blade, that film was marketed more as an action/horror film and most had not heard of Blade. The X-Men were different, they were prominent in geek culture and many fans were aching for a big-budget adaptation of the superhero mutants. They wanted to see how Wolverine would be realized in live action, how filmmakers could translate the complexity of the X-Men comic books. 

Director Bryan Singer did a fine job distilling and presenting a somewhat simplified version of the X-Men. This is not a criticism but rather a compliment in that he and the filmmakers (which included future Marvel Studios head Kevin Feige) were able to strip down what worked in the comic books, which were the best characters to bring forth, and knew what would resonate with audiences and fans. 

In their wisdom, they were nearly spot on with their casting. Starting with Hugh Jackman as Wolverine, which was ironic considering Jackman replaced the original actor cast in the role, Dougray Scott, after Scott was injured during filming of Mission: Impossible II. Some scoffed at Jackman’s casting because he was tall, good looking and lacked a filmography that screamed comic book action star. But from the moment that Rogue (Anna Paquin) met Wolverine in a Canadian bar following a cage fight, we all knew after witnessing Wolverine’s feral nature that the casting gods were generous. 

Another equally important casting choice was Patrick Stewart as Professor Charles Xavier, the leader and heart of the X-Men. Often, people mock fan casting for being ridiculous and unrealisitc. But time and time again Stewart was the fan favorite for a hypothetical X-Men film. Thankfully this proved to be perfect as Stewart brought gravitas and humanity to the role. We believed he was a kind and just mentor, who championed humanity. Needless to say. Ian McKellan as the villainous Magneto was a pleasant surprise given so many doubted his casting due to his age. However, McKellan displayed the same gravitas as Patrick Stewart and was able to believably match Hugh Jackman’s vicious Wolverine with his own cunning and hatred towards humanity.

For years, filmmakers were challenged by the idea of bringing the mutant team to life. Two reasons were because of budget and the complexity of the team. Their storylines were more mature than standard comic book stories as they tackled racism and related strife. It would not do to treat an X-Men film as a campy romp, nor could it be a mindless action fest. The villains were more nuanced with causes that audiences could sympathize with, namely the evil mutants’ actions resulted from humankind’s fear and bigotry. X-Men displayed this naunce splendidly, thanks to solid performances and Singer’s direction.

The film is not perfect, namely in the execution of the action pieces, which feel a bit pedestrian and low key compared to what filmmakers have been able to pull off in recent years. Some of those fights were cringe worthy! But no one should hold that against X-Men and the accomplishment of everyone involved with the film.

X-Men was not the biggest hit of that year, but it did well enough to excite fans and film executives who saw the box office potential of superhero films. Helping to cement the modern age of superhero films in the early years were Spider-Man, X2: X-Men United and Batman Begins. There were fits and starts in that decade but by 2008, the runaway success of Iron Man and The Dark Knight signaled that superhero films were here to stay and be a major influence in films. 

This was all due to X-Men; keep that in mind during the next viewing of this film.

Star Trek: Picard – A Season In Review

second picard poster

The first season of Star Trek: Picard has just concluded and it’s time to take a look at the season and the show itself. There will be many spoilers coming up, so if anyone has not seen the show streaming on CBS All Access or Amazon Prime then turn back. Otherwise, read on!

Star Trek: Picard naturally centers on the ongoing story of Admiral (retired) Jean-Luc Picard (Patrick Stewart) as he left behind a tranquil existence at his French vineyard for one more grand adventure/mission which will reshape the galaxy.

The show takes place in 2399, twenty years after the film, Star Trek: Nemesis, and the death of the android Starfleet officer Data (Brent Spiner). Jean-Luc Picard angrily resigned from Starfleet fourteen years earlier and tends to his vineyard along with his Romulan employees, Zhaban (Jamie McShane) and Laris (Orla Brady). Picard meets Soji Asha (Isa Briones), a young woman who turned out to be a synthetic person and Data’s daughter. She is killed by Romulan secret agents but Picard learned that Soji had a twin sister, Dahj, and sets out to rescue her before the Romulans get to her. It turns out that Dahj is working in a deactivated Borg cube operated by Romulans and ex-Borg drones.

During his sojourn to find Dahj and protect her from the Romulan agents, a team forms around Picard who come in and out of his story. They include Dr. Agnes Jurati (Alison Pill), a cyberneticist; Seven of Nine (Jeri Ryan), a former Borg last seen nearly twenty years ago in Star Trek: Voyager, and is now a space vigilante; Picard’s former crewmate Raffi Musiker (Michelle Hurd) who has a bit of an addiction problem; Elnor (Evan Evagora), a noble Romulan warrior devoted to protecting Picard; and Chris Rios (Santiago Cabrera), a former Starfleet commander who pilots his own private spaceship La Sirena and is a roguish space pirate in the Han Solo/Malcolm Reynolds mode.

sirena and old romulan ship

The Romulans secret agents are after Dahj because they believe her to be the fulfillment of an ancient prophesy that spells doom for all organic life in the galaxy. They hope to learn from her the location of her homeworld in order to obliterate it and prevent the prophesy. Obviously it is up to the nonagenarian Picard to get back into the captain’s chair and save Dahj and the galaxy before time runs out.

Star Trek: PIcard is another welcome Star Trek spinoff that effortlessly picks up the story of Star Trek after the events in Star Trek: Nemesis and parts of the Star Trek reboot. Doing this gives weight and meaning to the Star Trek Prime universe by exploring the ramifications of the destruction of the Romulan homeworld shown in the Star Trek reboot and the subsequent refugee status of many Romulans though their overall status of their government was unclear.It also gives a well balanced exploration of the Romulans themselves; something most of the other shows and films failed to do. Not all of them are one-dimensional, sneering villains.

The show is undeniably a sincere tribute to fans of the Star Trek Prime universe and of course, Star Trek: The Next Generation. Some may complain that it’s too much of a tribute with its numerous references, Easter eggs and cameo appearances, but they’re all just background layering for the uninitiated while rewarding for fans.

The show is clearly a Star Trek show, yet it isn’t. How can that be? Well, the show is not focused on current Starfleet personnel but on civilians and former officers. Freed from regulations and decorum the characters give us a feel for how life is like in the Federation and nearby regions for non-Starfleet people. The vaunted Federation is not as revered or as noble as presented in other Star Trek shows. In fact, there is an underlying notion that the Federation may be entering a period of decay; that it’s best times are past. Hence, one of the reasons why Picard walked away from Starfleet. Star Trek: Picard is edgier than the typical Star Trek show; there is a lot of cursing including F bombs. Most of the characters are deeply flawed including the humans, which goes vehemently against the idealistic and ultimately unrealistic Roddenberry future utopia where humanity is completely without fault. This will make some fans uncomfortable but it helps make the show more real and relatable to most viewers.

What we’re left with is a show that feels a bit like Firefly in that it stars roguish types who disdain authority. These are some truly interesting characters with their own complex back stories. Standouts include Rios and Raffie, who are both broken souls with troubled pasts and unwittingly gain redemption by joining Picard’s quest. It doesn’t hurt that both characters are well performed. Other characters like Elnor seek a just cause or for something to believe in. And holding the group dynamic is Picard himself, the moral glue that holds them together.

It goes without saying that Patrick Stewart puts in a bravura performance in the role that made him famous. As always, he eloquently portrays the bitter and defeated old man who finds a real reason to go out and make a difference in the galaxy. Stewart is so comfortable and elegant playing Jean-Luc Picard, it truly is a shame he has not done the role in so long. But at least he is back to usher in a new era of the Star Trek Prime universe.

Unlike most Star Trek shows, Star Trek: Picard follows a serialized format that is essentially a mystery. The payoff in the final episodes (“Et in Arcadia Ego, Parts I and II”) felt a bit predictable but it had its fist-pumping moments with cinema-quality effects and cinematography; one of those standouts was when Admiral William Riker (Jonathan Frakes, who also turned up in the season’s best episode “Napenthe”) literally shows up with the cavalry. Still, the payoff wasn’t as invigorating or as intense as “Such Sweet Sorrow” the second season finale of Star Trek: Discovery. Coming way from the finale its realized that certain plot elements were unresolved, which was annoying. Mother bit of a copout was how the show resolved the personal journey of Jean-Luc Picard. Without giving anything away, it was an interesting twist but it robbed much of the emotional impact of the fate of the former Starfleet admiral. Let’s leave it at that.

picard takes charge

Star Trek: Picard is a welcome return to the classic heyday of the uplifting era of Star Trek: The Next Generation and its immediate spinoffs. In these times, the show provides a much-needed reminder of the wonderful potential of humankind and what we should aspire to.

José Soto

Make It So! Jean-Luc Picard Returns To Star Trek!

make it so

Star Trek fans were pleasantly surprised and excited when the news came out that Sir Patrick Stewart will reprise his role of the legendary Jean-Luc Picard in a new Star Trek series.

The announcement came during a Star Trek convention held in Las Vegas this weekend. Stewart appeared on stage and made the official announcement along with showrunner Alex Kurtzman, who was one of the execs behind Star Trek: Discovery and the the J.J. Abrams rebooted Trek films.

As fans roared with approval over the news, Stewart gave few details about the new show, which will stream on the CBS All Access service. One thing he did point out is Picard will be at a different point in his life, meaning he won’t necessarily be a Starfleet captain. This is quite exciting to learn because it demonstrates that the new Star Trek show won’t be a retread of the familiar Trek trope: a starship and its crew exploring space.  So, it won’t be a new version of Star Trek: The Next Generation (TNG) where Captain Picard commands the Enterprise and runs about discovering new worlds and new civilizations. If the show will not be about a Captain Jean-Luc Picard then it can mean that the character will have a new role, a different post-Starfleet career.

Picard may very well be an ambassador and the show could be more political in nature a la Star Trek: Deep Space Nine and this is very fascinating. The world of Star Trek has always entranced fans who were introduced to different alien cultures such as the Klingons and the Romulans. Some of the best episodes of the various shows were about exploring the uniqueness of the alien races and the political intrigue such as the succession of order in the Klingon Empire in “Redemption” or the birth of the Federation in “United”. It is easy to see an older PIcard running around the galaxy trying to forge alliances or hold a fragile peace. Hopefully he won’t be doing it onboard a new version of the Enterprise visiting the same old places. Let’s have new ships and worlds, it’s a large galaxy, after all.

old man picard

If he is not an ambassador, then the other logical career choice is that of a Starfleet admiral. He could follow a similar role as an ambassador with the same political intrigue, but with a more military angle as he brokers peace or wages war from a flagship or Starbase, though it is likely that Picard won’t be a warmongering type.

Of course, being that Patrick Stewart is nearly 20 years older since his last appearance as Picard in Star Trek: Nemesis, it stands to reason that his character will be older, too. And so will be the Prime Star Trek universe. We will learn about new developments in the Prime universe, which is something that many fans have ached for ever since the last TNG film in 2002. This also alleviates the concerns that many fans had about the original Star Trek universe. Ever since the rebooted films came along with Star Trek: Discovery, the impression has been given that the original universe was wiped out from existence. This notion came from a plot point in the first Abrams Star Trek film where Romulans time traveled and altered history. Despite the proclamations from characters and behind-the-scenes people that the alteration did not erase the original timeline, there was an uneasy feeling among many that this was not the case. Now, we can rest easy knowing that the original timeline is alive and well in the new series.

Will this also mean that we may see other characters from the Prime universe? Older versions of Riker, Crusher, Worf and even those from other shows such as Kira, Seven of Nine or the Doctor can appear in the new Star Trek show. Sure it may be too fanboyish, but it will be fun as hell to watch.

The return of Jean-Luc PIcad is certainly welcome news and demonstrates that Star Trek is alive and well. No reboots, no remakes, no reimaginings, but a logical continuation of the original Star Trek timeline. What is open for debate is how good will the new Star Trek show be, but we’ll have to wait and see when it streams, hopefully by 2020. However, no matter what happens with the new show, it will be a thrill to hear the great Sir Patrick Stewart utter at some point, “Make it so!”

Lewis T. Grove

Star Trek Movie Retrospective–Star Trek: Nemesis

“To absent friends. To family”

Captain Jean-Luc Picard’s toast for his deceased friend Data

nemesis posterThere is a superstition among Star Trek fans and others that the odd-numbered Star Trek films are bad and do poorly at the box office, while the opposite applies to the even-numbered films. Star Trek: Nemesis disproved that belief, at least when it came to box office returns. As for its quality, well it’s not a bad film at all. It has its flaws but as the last film to feature the characters from Star Trek: The Next Generation (TNG) it’s actually underrated.

The beginning takes place on the planet Romulus, the heart of the Romulan Empire. The Romulans are an evil offshoot of the peaceful, pointy-eared Vulcans and are bitter enemies with the United Federation of Planets and the Klingon Empire. In the Romulan Senate, a coup d’état occurs where the praetor and the Romulan government are killed by a device that emits an energy field that turns everyone in the Senate into ashes.

ash romulan

Next, the film jumps to Captain Jean-Luc Picard (Patrick Stewart), who is on Earth giving a best man toast. He and his fellow Enterprise-E crewmembers are at the wedding reception of the Enterprise-E’s first officer Will Riker (Jonathan Frakes) and the ship’s counselor weddingDeanna Troi (Marina Sirtis). We learn that Riker has been promoted to captain and is about to take command of his own ship. Deanna will be joining him there while the android officer Data (Brent Spiner) will become the new first officer of the Enterprise-E.

The ship departs for Betazed, Troi’s home planet, so the newlyweds can have a traditional Betazoid wedding. As the senior bridge crew joke about the prospect of appearing naked in the Betazoid wedding as per custom, the Klingon tactical officer Worf (Michael Dorn) gets an alert that the ship picked up a positronic signature from a nearby system. That is the same kind transmitted by androids like Data, which is a rarity. With his and Data’s interest aroused, Picard orders the Enterprise-E to divert to the planet of the signature’s origin.

Picard, Data and Worf arrive on the desert planet. These scenes on the world looked otherworldly thanks to the harsh, washed out lighting from the planet’s sun. They find scattered pieces of an android who is a replica of Data and take him back to the ship.

He is assembled and activated. This android is B-4 and is a prototype android created by Data’s “father”. B-4 has no memory of how he wound up on the planet and in fact seems a bit slow. Data decides to download his own memory into B-4 in the hope that his added memories and information will help B-4 grow and become more productive.

janeway

As this is going on Picard receives a message from Admiral Janeway (Kate Mulgrew reprising her role from Star Trek: Voyager) and is ordered to go to Romulus because the new praetor has requested a Federation envoy. Both are surprised that the praetor is a Reman.

remanThe Remans are slave caste members of the Romulan Empire. It’s never explained if they are in fact of the same race as Romulans because they look so drastically different. They seem more like the vampiric Nosferatu with their bat-like ears, fangs and pale skin. The coup d’état at the beginning of Star Trek: Nemesis was orchestrated by Shinzon (Tom Hardy) in order to liberate the Remans and seize control of the empire.

The Enterprise-E arrives on Romulus and after a long wait, this huge, hideously designed war craft de-cloaks in front of them. It’s the Scimitar, a ship secretly built by the Remans but looking more like a demented Lego toy. Picard and his senior staff are invited to beam aboard to meet Shinzon.

meeting shinzonOnce on the Scimitar, Picard and his Away Team are shocked when they discover that the new praetor is actually a young, bald human with a striking resemblance to Picard. Shinzon is gracious if a bit off–he is obsessed with Deanna, having never seen a human before, even though she is half Betazoid. He tells Picard that he wants to open peace negotiations with the Federation and offers a sample of his blood to Picard and the others.

Back on the Enterprise-E, the ship’s doctor Beverly Crusher (Gates McFadden) examines the blood sample and confirms Picard’s suspicions: Shinzon is Picard’s clone.

The next day over dinner, Praetor Shinzon explains to Picard what happened. Years ago, the Romulans took a sample of the captain’s DNA and cloned him in order to have the clone replace Picard and infiltrate Starfleet. This plan was eventually abandoned, as was Shinzon who was exiled to the Remans’ homeworld to work in the dilithium mines. A Reman (Ron Perlman), who is now Shinzon’s viceroy, took pity on young Shinzon and took him under his care.

Shinzon again proposes peace with Picard. The captain politely turns him down saying that trust must be earned but leaves the door open for more dialogue.

At the same time, B-4 receives a mysterious signal and begins working on a nearby computer to access information. The crew learn of this subterfuge and takes action.

Meanwhile, Shinzon, with the viceroy’s help, forms a telepathic bond with Deanna and tries to mentally rape her through her husband when they’re in bed. Shinzon is interrupted when he gets word picard shinzonthat B-4 is ready. The android is beamed aboard the Scimitar and downloads confidential Starfleet information. After this is done, Shinzon forcibly beams over Picard in order to have a medical procedure done.

Before this can happen, B-4 turns out to be Data, who gave Shinzon the wrong information, and frees Picard. Then the two escape from the Scimitar.

Continue reading

Star Trek Movie Retrospective–Star Trek: Insurrection

“How many people does it take admiral, before it becomes wrong? Hmmm? A thousand? Fifty thousand? A million?”

Captain Jean-Luc Picard questioning Admiral Dougherty’s attitude about forcibly relocating 600 Ba’ku villagers

ins posterThe ninth Star Trek film, Star Trek: Insurrection, isn’t well regarded by fans and even the people who made it. However, it does have some merit. In fact, as our contributor GEO would say, here’s what’s great about Star Trek: Insurrection:

Still looking? Don’t bother. There isn’t anything great about the film.

dataIt opens in a quaint pastoral Mediterranean-looking village on an unnamed planet. The townspeople are a simple and content lot who tend to their fields, bake bread and live a quiet existence. But they’re monitored unnoticed by Starfleet personnel and mummified-looking aliens in a duck blind. They’re also tracking an invisible person who turns out to be the android Lt. Commander Data (Brent Spiner) who has gone rogue. Other cloaked officers try to stop him from reaching the village, but the android reaches it. The villagers become aware of them, especially after Data removes his invisible suit and shoots at the invisible monitoring station, making it visible to everyone.

uniform

Meanwhile, Captain Jean-Luc Picard (Patrick Stewart) is hosting a reception onboard his ship, the Enterprise-E, for new members of the United Federation of Planets. He runs into his old Klingon friend Lt. Commander Worf (Michael Dorn) who apparently dropped by the ship to visit. Worf at this time was a regular character in the show Star Trek: Deep Space Nine (DS9) but it’s never really explained what he was doing on the Enterprise-E.

sona ship enterprisePicard gets an urgent message from Admiral Dougherty (Anthony Zerbe) who is requesting Data’s schematics and informs him of the android’s behavior. He adds that Data took hostage the Starfleet observers along with the Son’a, the aliens working with the observers. The captain offers to send his ship over to help but Dougherty discourages this since the planet they’re on is in a perilous region of space nicknamed the Briar Patch.  It got that name from its volatile gases in the system’s nebula that creates anomalies like poor communication.

His interest piqued, Picard has the Enterprise-E go to the planet anyway. When they arrive, Dougherty is with the Son’a leader Ru’afo (F. Murray Abraham) on the Son’a’s command ship, which was just attacked scout shipby Data in a scout ship. Picard and Worf quickly leave their ship in a shuttlecraft and are in turn attacked by Data’s ship near the ringed planet. Both vessels enter the planet’s atmosphere during a cat-and-mouse chase. Over the radio, Picard engages Data to an embarrassingly dumb musical duet based on a Gilbert and Sullivan musical. This distracts the android long enough for Worf to board his ship and deactivate him with a modified tricorder.

Afterwards, the Enterprise-E crew arrive at the village to free the hostages. They’re surprised to find that the so-called prisoners are treated as guests and are free to leave. Picard meets one of the villagers, Anij (Donna Murphy) and a few others. They’re the Ba’ku and despite their primitive appearance are actually a warp-capable society who are up to date on science and technology but choose to live a simpler life.

Back on the Enterprise-E, Chief Engineer Geordi LaForge (Levar Burton) informs Picard that Data’s positronic brain was damaged in a firefight, which is picard data and chickwhy he was acting strangely. Data, now repaired, is activated. The android doesn’t remember much of what happened to him, so him and Picard go back to the planet to investigate. Anij and other Ba’ku, including a young boy named Artim (Michael Welch) who previously encountered Data, join them. They discover a cloaked rectangular ship that is really one large holoship that can recreate any environment inside of it. The ship has a recreated Ba’ku’s village, meaning that the villagers were to be transported there while they slept and fooled into thinking they were still in the village. The mystery just deepens.

Picard and his crew begin experiencing strange reactions to being on the planet, notably that they are getting younger. Worf breaks out in acne, First Officer William Riker (Jonathan Frakes) and Counselor Deanna Troi (Marina Sirtis) rekindle a dormant romance and most dramatically Geordi regains his eyesight. The scene where Geordi looks at a sunrise for the first time in his life was his best moment in all the films thanks to Burton’s quietly emotional acting.

geordi sees

Anij explains to Picard what is going on. The Ba’ku left their ruined planet centuries ago and resettled in the current world. The metaphasic radiation from the rings of the planet rejuvenated them, which explains the Ba’ku’s youthful appearance. Anij and many others are actually centuries old thanks to the rings. The Ba’ku’s world is an actual Fountain of Youth, which is why Starfleet and the sickly Son’a are so interested.

Continue reading