The newest Planet Of The Apes film, Dawn Of The Planet Of The Apes is a direct sequel to the surprisingly great and captivating Rise Of The Planet Of The Apes. That film introduced audiences to the wonder of Caesar (mo-capped by the great Andy Serkis), the first speaking, super intelligent ape and his struggle against humanity. That strife continues with this new film that takes place ten years after the last one. Anyone who saw the last movie knew that in the wake of Caesar’s simian uprising, a genetically engineered virus accidently began to spread throughout humanity and this new movie shows us the aftermath of the pandemic.

Half the human population is gone, but remnants of society are struggling to rebuild. Dawn Of The Planet Of The Apes takes place in a ruined San Francisco, where a colony of humans plan to use a dormant hydroelectric dam to restore power to the broken city. What the humans didn’t realize is that a burgeoning civilization headed by super intelligent apes (consisting of chimps, gorillas and orangutans) occupies the land where the dam is located.

During a scouting trip, a group of humans led by Malcolm (Jason Clarke) encounters the apes. A tense standoff ensues that is ended when Caesar commands the humans to leave the primeval forest. Back in San Francisco, the leader of the colony, Dreyfus (Gary Oldman) wants to take an army and decimate the apes, but Malcolm recognizes Caesar’s intelligence and reason. He manages to buy time from Dreyfus to return to the forest and negotiate for permission to work on the apes’ land and reactivate the dam. Malcolm and his group return and manages to convince Caesar that they are peaceful and so the ape leader allows them to work on the dam, though he is very distrustful towards the humans.

There is a thick tension that hangs throughout this film as audiences wait for the fragile peace to break. But there are moments of quiet contemplation and reverence as Malcolm and the humans connect with Caesar and many of his apes. Of course, while many humans, especially those in the city, strongly dislike the apes, so too, do many apes harbor hostility towards the humans. Leading this contingent is the brutally ugly Koba (Toby Kebbell), who was briefly seen in the last film as a victim of lab experimentation. Koba with his ghastly scars has an unquenchable hatred towards humans and as Caesar’s second-in-command, cannot fathom why the simian leader is so lenient towards the humans. Shockingly enough, this distrust also extends to Caesar’s own son Blue Eyes (Nick Thurston), who provides an intriguing sub plot where he grapples with his own feelings towards humans. This is part of a spiritual tug of war between Caesar and Koba, as the latter ape uses deceit to bring Blue Eyes to his point of view. Continue reading →