The World Of Avatar Continues To Astound With Avatar: Fire And Ash

The latest entry in filmmaker James Cameron’s sci-fi saga, Avatar, is out now in theaters and the question is does Avatar: Fire and Ash deliver the astounding cinematic thrills? Yes, it does, though some may want something different at this point.

Avatar: Fire and Ash takes place right after the  previous film, Avatar: The Way of Water, and deals with the aftermath of that film’s events.  For anyone who hasn’t seen these films, they take place on the moon Pandora which is inhabited by tribes of tall, blue-skinned beings called the Na’vi who are deeply in tuned with nature because of their ability to use appendages to form neural links with Pandoran lifeforms. They worship an entity called Eywa who makes up the collective consciousness of Pandora and interconnects with nature. Their existence is threatened by human colonists from a dying Earth who do not hesitated to exploit the moon’s natural resources and treat the Na’vi as inferior creatures. The films focus on Jake Sully (Sam Worthington), a human paraplegic former soldier whose consciousness inhabits the body of an artificially grown Na’vi known as an avatar. Sully rebelled against his fellow humans and eventually starts a family with his partner Neytiri (Zoe Saldaña), but they have to stay on guard from vengeful humans who want to bring Sully to justice. Sully is being hunted by another avatar, Miles Quaritch (Stephen Lang), his former commander who is obsessed with capturing Sully. What is unusual here is that the actual Quaritch was killed in the first film and the Quaritch avatar is inhabited by implanted memories from Quaritch.

At the start of Avatar: Fire and Ash, the Sully Family is deep in mourning over the death of the eldest son (Jamie Flatters) who was killed by human forces in the previous film. One of the members of the family is Miles “Spider” Socorro (Jack Champion), a human teenager who embraces the Na’vi way of life and rejects his father who happens to be Quaritch. Sully fears that Spider cannot remain with the family in their sanctuary and transports Spider to a human colony made up of human scientists who also rebelled against their fellow colonists. As the Sullys are transported by a tribe of Na’vi called Windtraders who use giant aerial jellyfish-like creatures for transportation, the tribe is attacked by a rogue Na’vi tribe called the Mangkwan. This particular tribe has rejected Eywa, embraces violence, and are very hostile to the other Na’vi. Their leader is Varang (Oona Chaplin), who is nihilistically vicious and forms an alliance with Qauritch and the human colonists to hunt Sully in exchange for human weapons.

What complicates matters for the characters is that Quaritch is also obsessed with finding his son and repairing his relationship with him, which is odd since the actual Quaritch died in the first Avatar film. Meanwhile, the Sullys have another adopted child called Kiri (Sigourney Weaver) who is the child of yet another avatar, Grace Augustine.  The identity of Kiri’s father is unknown and Grace cannot answer this because she died in the first film. Kiri has an uncanny ability to connect with Pandora’s life forces and her actions in saving Spider drive the film’s narrative. In Pandora, humans cannot breathe the air and at one point in the film, Spider’s breathing unit breaks down and he starts to suffocate. Kiri is able to save him by implanting a mycelium symbiote into Spider that lets him breathe Pandora’s air.

After the humans learn about this they task Quaritch to hunt down Spider so he could be studied to see how this ability to breath Pandora’s air could be replicated for the rest of humanity. Sully fears this because he knows this event would be disastrous for the Na’vi. Adding to his woes are dealing with the bitter hatred and bigotry Neytiri has towards humans even Spider himself, and with the plight of his remaining son Lo’ak (Britain Dalton), who is wracked with guilt over his brother’s death and tries to measure up to Sully, while forging his own destiny.

As anyone can tell, unlike the earlier films, the plot for Avatar: Fire and Ash is more complex and filled with developed character nuances. A common complaint about the films is that they are essentially simplistic sci-fi versions of Dances With Wolves or Ferngully. Most people did not care, as seen by the huge box office numbers of the films. They came to theaters for the sheer spectacle of the immense and intricate details that James Cameron infused into the films. One of the main reasons that the films tend to take so long to produce is because of the revolutionary special effects, 3D technology and dense worldbuilding that are the Avatar films’ best assets. Just like the other films, Avatar: Fire and Ash has to be seen on large screens not on phones and other digital devices.

With that said as spectacular and jaw dropping the third Avatar film is, one can’t help wish that Cameron did not play it so safe with familiar beats. Sure, the action and the visuals are incomparable and the film gets a lot of credit for developing the characters especially Quaritch who once was a one-note military villain but is now slowly becoming an anti-hero and adopting the Na’vi way. But many of the story beats in the other films are repeated in Avatar: Fire and Ash, just done on a larger scale, such as bondings with the whale-like tulkuns and flying banshees, the final confrontation between the Na’vi, Pandora’s fauna and the human soldiers and whalers or having Sully’s children continually captured and rescued. However, these plot elements were well done, and there are intriguing new developments like the introduction of the villainous Na’vi and Kiri’s connection to Eywa, it’s just that with a runtime of over three hours, more should have been done to develop the overall story. It’s regrettable that with such a rich world to explore, Cameron did not introduce new biomes such as deserts or polar regions. Also, with all the talk about Earth dying, this begs a visit or a look at the planet. The closest we’ve seen of Earth was a deleted scene that originally opened the first Avatar. At least he did introduce antagonistic Na’vi with their own separate worldviews and by the way, Varang is one great villain and her obsession with human weapons added a new angle for the Na’vi. Hopefully, she’ll return in the sequels and that the other lingering storylines get resolved. These include the emotional journeys of Jake, Neytiri (who gets a lot of great material in this film), Kiri, Lo’ak, Spider, and Quaritch.

James Cameron has been coy lately over whether or not there will be more films in the Avatar franchise. About a quarter of the fourth film has already been shot, but he and Disney are waiting for the box office results to determine if Jake Sully and the Na’vis’ story should continue. This story must be allowed to come to its natural conclusion as Avatar: Fire and Ash left many questions and threads unresolved.

Putting aside the nitpicks about Avatar: Fire and Ash it has to be stressed that this is a great film and better than most of what is being released. The film is very engaging and well executed. It is so easy to get involved with the characters’ stories to the point that we care about what happens to them and get uneasy wondering if they will actually die.  As mentioned before, the film has to be seen on large screens in 3D and the story is done well enough to merit going out of one’s way to see this in theaters and marvel at Cameron’s rich vision.

José Soto

Beyond Avatar: The Way Of Water

Despite what many naysayers predicted, Avatar: The Way of Water has proven to be a box office hit, which means that future films will be produced.

At this point, the third Avatar film is already done and will be released in two years. There are reports that the fourth film has been partially filmed, but that could just be effects shots that would be unfinished if the film never comes to be.

Given that director James Cameron envisioned five films to tell his Avatar story, where would the story go? There will be spoilers below for both Avatar films released to date.

One of the best features of Avatar: The Way of Water is that unlike the previous film, it actually opened up the worldbuilding in the franchise and dropped tantalizing hints of where the story will go.

The Kiri Connection

The film introduced many new characters and gave new and interesting developments for established characters. The most interesting new character was Kiri, the adopted daughter of Jake Sully and Neytiri. It was revealed that she is the daughter of Grace Augustine, who was killed in the first Avatar, but there are questions as to who is her father. More importantly, Kiri was shown to have a deep, spiritual connection to Eywa, a life force that is connected to all living creatures on Pandora, the alien moon in Avatar where the characters live. Her connection to Eywa was quite evident as she used it to defend herself against humans hunting her and her siblings, and when she was able to get bioluminescent fish creatures to help find her adopted mother and sister, who were in danger of drowning.

It has been theorized that Kiri does not have a father and is a product of an immaculate conception, which has many echoes of not only the Star Wars prequels but Christian religion. Another theory has it that Kiri is actually the personification of Eywa, who has taken physical form to better understand Pandora and the Na’vi. In either case, Kiri is being set up to be a conduit or a savior of the moon against the human invaders, and this will be the needed advantage the Na’vi people will need against the humans.

In our history, whenever a technologically advanced culture first encountered a native culture that was not as technologically advanced, the results were grim for the native culture, as it was overwhelmed. The Na’vi face a similar fate in the overall story of Avatar, and the Eywa connection will probably be the only way they could fight back against the humans. We’ve seen this already in Avatar, when out of nowhere armies of native animals viciously attacked human forces trying to destroy a Na’vi stronghold, and we saw it again to a lesser extent in the sequel when Kiri used her connection to Eywa to protect her.

Not only is Kiri the key to saving Pandora, but possibly Earth itself. It was mentioned in Avatar: The Way of Water that Earth was dying, which was why humans showed up in greater numbers to begin colonizing the moon. The title of the third film is for now, Avatar: The Seed Bearer, this could be referring to Kiri. If she turns out to be a manifestation of Eywa, she could provide the means to somehow saving Earth from ecological devastation.

James Cameron has said that at some point in either the fourth or fifth planned film, part of the story will take place on Earth. This is where Kiri and Earth’s salvation could come into play.

Other Points of Views

The director elaborated that Neytiri will visit Earth and be exposed to other aspects of humanity. She will learn that not all humans are evil. This is a bit odd given her romantic relationship with Jake Sully, who was once human, and that he has close ties with sympathetic humans on Pandora, who have aided the Na’vi. Then again the fact that her son was killed by humans could have hardened her against humans. A clue for this development was when she grabbed Quaritch’s human son Spider and threatened to kill him. For a moment in that scene, it really looked like she meant to do it, given her earlier rampage against human soldiers who killed her son.

On Earth, Neytiri will probably find human allies who are ready to join the struggle against human invaders on Pandora. It is possible the franchise could conclude with epic battles taking place on Pandora and even on Earth as Na’vi and human allies fight the invading humans who are bent on world conquest. One of those possible allies could be Quaritch himself.

When Quaritch was first introduced in Avatar, he was a one-note villain who only saw the Na’vi as savages or pests to be eliminated. He was killed at the end of the film. In the sequel he was resurrected in a way when an avatar body (a clone grown out human and Na’vi DNA) was created in his image and implanted with his memories. Throughout Avatar: The Way of Water Quaritch is out hunting Jake Sully, but in a Na’vi body. This allowed him to better blend in and survive the deadly environment of Pandora. In the film, Quaritch makes great efforts to adopt the Na’vi way of life to better understand his prey. This could eventually make him sympathetic to the Na’vi even though Cameron said he would be the villain in the next two films. We saw him soften from his tough-as-nails militaristic demeanor in Avatar: The Way of Water. He forms a fragile bond with the son of the original Quaritch to the point that he gives in to Neytiri when she threatens his son.

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A Breathtaking Return To Pandora With Avatar: The Way Of Water

Never bet against filmmaker James Cameron, or yes, it was well worth the wait for Avatar: The Way of Water.

Some like to rant about the visionary director and his reported massive ego, as well as his previous film Avatar. Others openly derided the long wait for its sequel, Avatar: The Way of Water, with claims that the sequel was unwanted or that it would not be on par with Cameron’s earlier works. But James Cameron demonstrated again with Avatar: The Way of Water why he is one of our best filmmakers.

Avatar: The Way of Water takes place about a decade and a half after the events of the first Avatar film. Former human marine Jake Sully (Sam Worthington) has fully integrated into his second life as a chief of a Na’vi tribe on the habitable moon Pandora. He lives a quiet life with Neytiri (Zoe Saldana) and their four children until the humans that he helped drive off the moon in the last film have returned.

Instead of coming to mine the moon for minerals, humans have arrived en masse to turn Pandora into a new home for humans fleeing a dying Earth. Among the returning humans is Quaritch (Stephan Lang), who was actually killed in the last film, but his DNA was used to clone a new hybrid Avatar body, which was also imprinted with his memories. This was done so he could blend in with the Na’vi people and move freely on Pandora. His mission is to hunt down Sully, who is leading a successful guerilla campaign against the human colonists.

Sully soon realizes that his family is imperiled so he steps down as chief of his tribe and leaves his forest home with his family. Their travels lead them to an island tribe of Na’vi along the seashore, who grant them shelter under the provision the Sullys adapt to their aquatic lifestyle. The film’s narrative shifts to the Sully children as they struggle to learn the culture of their new home, particularly Lo’ak (Britain Dalton), who suffers from middle-child syndrome, and Kiri (Sigourney Weaver), the Sullys’ adopted daughter, who has a mystical connection with Eywa, Pandora’s life force that is connected to all of Pandora’s living creatures.

Meanwhile, as Jake and his family adapt to their new home, Quaritch becomes obsessed with hunting down his foe with the unwilling help of his prisoner Spider (Jack Champion), a teenage human who has adopted the Na’vi way of life.

As these stories go, the paths of Jake and Quaritch soon collide with an epic Cameron-style flourish. Certainly, James Cameron is in his watery element when it comes to framing the film’s spectacular confrontations in the final act. Combine the action scenes on the sea with awe-inspiring underwater cinematography, and it becomes clear that the director was born for aquatic filming!

To say that Avatar: The Way of Water is epic or breathtaking is a serious understatement. The film’s visuals simply overwhelm our visual senses as Pandora comes to crystalline life. At times it is so easy to get so involved and engrossed with what the big screen unfurls. It was like watching a National Geographic nature special, but with alien flora and fauna. The film’s visual effects were so revolutionary that I had to remind myself at times that these were imaginary animals and characters. Clearly, the effects set a new bar that will be impossible to overcome for a long time and help explain why it took so long for this film to be made. Seriously, just give the film the Oscar for best visual effects at this point without bothering to list other! On a final note, yes, Avatar: The Way of Water must be seen on a big screen, in 3D if possible, as a home viewing will lessen the visual experience.

As breathtaking as the return to Pandora was, the experience would have felt empty if not for the film’s story. There are some themes and story beats that are familiar like the adaptation to new cultures, or its pro-environmental messages. However, there are interesting twists and turns that keep the overall story fresh. Admittedly, some plot developments are predictable, yet the characters are much more engaging than in the previous film. For example, Quaritch has more depth than the two-dimensional villain he was in the first Avatar, being that he is in a unique situation that he is no longer human. Meanwhile, Jake Sully struggles between his roles as a warrior and a father to his children, while dealing with the human threat. But there are some characters that do get lost in the vast story and wind up in the background without leaving much of an impression.

The film also sets up intriguing arcs that will be resolved in future films such as with Kiri and her spiritual connection to Eywa. Then there are many questions about how the Na’vi will survive, let along be able to stop human colonization. The outcome may be dire for the Pandora natives given our own real-life history of when indigenous people first encountered invading forces with superior technology.

These questions alone made me enthusiastic for James Cameron’s upcoming sequels: Avatar: The Seed Bearer, Avatar: The Tulkin Rider, and Avatar: The Quest for Eywa.  Some reports have it that the fifth film will take place on Earth, as the Na’vi will visit the planet. Hopefully, all planned films won’t take so long to be released. Remember that Avatar: The Way of Water was delayed many times, so with some luck, the sequels will be released during this decade as planned, and they will deliver the same jaw-dropping experience as Avatar: The Way of Water.

José Soto