Should The Next Star Trek TV Show Be About Kirk?

The powers that be that are in charge of the Star Trek franchise are busy planning a new Star Trek TV show that will feature a young James T. Kirk in his early days as captain of the U.S.S. Enterprise starship. This version of Kirk would be portrayed by Paul Wesley, who appeared frequently in Star Trek: Strange New Worlds and the proposed show would be a sequel to Strange New Worlds called Star Trek: Year One. It’s a great idea since Kirk is still one of the most popular characters in Trek. But should there be another TV show based on Kirk?

Let’s put aside the acting chops of Wesley or the idea of Kirk being recast, which has always been a challenge that producers had to deal with since William Shatner, the original actor to play the role, is ingrained with many fans who have a hard time accepting someone else playing Kirk. Just look at the trouble the production team behind the 2009 Star Trek film went through to cast Chris Pine as Kirk. People have to accept that Shatner will never play the role again, especially since Shatner is in his 90s and the budget to digitally de-age him would be prohibitive for an ongoing TV show.

In Wesley’s defense, he does a good job playing a young Kirk without resorting to Shatner’s unique method of acting that gave lots of fodder for comedians. To get an idea of how Wesley would have aped Shatner, take a look at the season three Star Trek: Strange New Worlds episode “A Space Adventure Hour”. It was one of those by-now obligatory holodeck malfunctioning episodes where Wesley as Kirk played a parody of Shatner’s Kirk. The point is if any actor tried to act like Shatner, he would not be taken seriously, which would doom the show.

Getting back to the idea of a young Kirk TV show. On paper it seems like a natural, do a TV show about a young Kirk settling into his command, making mistakes and learning from them, and seeing how he formed his bond with the famous Enterprise crew. It would be fairly easy to create the show since it would be a sequel to Star Trek: Strange New Worlds and the standing sets and design are already done, so that would save money and time. Plus, many of the actors from Strange New Worlds like Ethan Peck would just transition over to Star Trek: Year One since Peck would be playing Spock, who became first officer of the Enterprise during Kirk’s command. The proposed Star Trek: Year One could also remake some of the more famous first season episodes like “Space Seed” (which would give us a recast of Khan) or “City on the Edge of Forever” but with better production and effects. This is very tantalizing.

The problem is that we saw Kirk’s early adventures in the original TV show. When Star Trek first aired, it featured Kirk when he first commanded the starship Enterprise. The implication with the first season of Star Trek was that the first season took place during the beginning of the ship’s five-year mission. On the other hand, there are signs that there was a time gap during the very first episodes and the later episodes. “Where No Man Has Gone Before” and “The Corbomite Maneuver” had the crew wearing slightly different uniforms than what was shown soon after. In fact, Doctor McCoy was not even around in the pilot episode “Where No Man Has Gone Before”. More importantly, there are implications in the early episodes that the crew of the Enterprise had been on their mission for some time. So, this leaves room for a Star Trek: Year One.

Kirk v Gorn in Arena

There is a headache that the writers of the proposed TV show would have to deal with and that is with continuity. This has plague all the Star Trek TV shows and films as they had to make sure the continuity established in the original Star Trek and later shows and films remained intact. Unfortunately, this did not work out many times and the recent Trek shows received a lot of flack from angry fans, such as with the look of the Klingons, the Gorn and with the early history of Star Trek. For example, Star Trek: Discovery and Star Trek: Strange New Worlds established that there was a Klingon War which was never implicitly mentioned in the original Star Trek, yet it happened close to the era of the original Trek. In the Star Trek episode “Arena” the Gorn looked radically different than the species shown in Star Trek: Strange New Worlds, and in the original show, the Enterprise crew acted as if they never heard of the Gorn, who were an ongoing threat in Star Trek: Strange New Worlds. This is an issue that long-running TV shows and films have to grapple with and Star Trek is not unique to this situation. As long as the basic history is adhered to, then fans should be willing to give the writers a pass.

One way out of this would be to do what the 2009 Star Trek film did and establish that the recent Star Trek shows are set in another reality. The trouble is that it has been shown already that the recent Trek shows are set in the so-called Prime Timeline.

The most pressing problem for a so-called Star Trek: Year One has to do with whether or not there is any demand for it. Not everyone is thrilled with Wesley’s performance or the fact that the character has hijacked Star Trek: Strange New Worlds by appearing in practically every other episode. This was supposed to be a show about Christopher Pike not Kirk and we already have an idea of how the early years of Kirk went. Do we need to see it play out? Why not create a new Star Trek adventure with new characters? There are many time periods that have never been covered that are ripe for presenting like the time period between the original Trek and Star Trek: The Next Generation. In fact, a TV show about a young Picard sounds more interesting. Ever since Star Trek: Picard concluded, fans have been begging for a Star Trek: Legacies show featuring the crew of the Enterprise-G with Picard’s son, but it seems like the powers that be are hellbent on ignoring fans and plowing ahead with a young Kirk show. This is a sign that the current showrunners do not truly understand Star Trek. Over the decades, the franchise has proven repeatedly that it was rich enough to provide new characters and situations set in the franchise. It allowed Trek to reinvent itself and not rely on Kirk and his crew to generate interest.

To date it’s not known if Star Trek: Year One will get the green light. A lot depends on studio politics and budgets since modern Trek shows are very expensive. If the show goes through, we’ll have to give it the benefit of the doubt that it will be a worthy addition to the legacy of Star Trek.

Star Trek: Strange New Worlds Has A Soaring Second Season

Yes, yes, those who have seen the second season finale of Star Trek: Strange New Worlds must be going insane and for good reason. The episode “Hegemony” ends in a cliffhanger! What’s worse is the fact that the production of the third season of the TV show has come to a complete halt because of the ongoing writers and actors strike. So it’s anyone’s guess as to when we’ll get to see the conclusion of the second season finale. However, “Hegemony” is the final proof that the second season of Star Trek: Strange New Worlds has been a soaring triumph.

It was critical for Star Trek: Strange New Worlds to have a successful second season to keep up the praise it received with its inaugural season and to measure up with the triumphant final season of Star Trek: Picard. After all, Star Trek: Strange New Worlds streamed mere weeks after Star Trek: Picard concluded and it had to at least be competent unlike Star Trek: Discovery. Thankfully, the second season was able to pull it off and deliver exceptionally well executed standalone episodes. Not every episode was a homerun but they were fantastic, and even pushed the creative envelope. The two episodes that best exemplify this were “Subspace Rhapsody” and “Those Old Scientists”.

“Subspace Rhapsody” had the audacity to be a musical and it was actually entertaining and provided interesting character insights, such as Uhura’s (Celia Rose) loneliness, La’an’s (Christina Chong) willingness to face her emotions, and Spock (Ethan Peck) and Christine Chapel’s (Jess Bush) doomed relationship.

Meanwhile, “Those Old Scientists” demonstrated that unlike the uneven comedic attempts in the first season, Star Trek: Strange New Worlds was able to deliver very humorous episodes. At the same time, the episode was a truly great crossover with the animated Star Trek: Lower Decks as Brad Boimler (Jack Quaid) and Mariner Beckett (Tawny Newsome) made their live-action debuts. They also served as representatives of fans by the way they kept gushing over the OG Star Trek characters.

The best episodes in the season however, were “Under the Cloak of War”, “Tomorrow and Tomorrow and Tomorrow” and the previously mentioned “Hegemony”. The episodes were your more traditional Star Trek yarns, but they were exceptional.

“Under the Cloak of War” offered a sobering look at the impact the Klingon War had with Dr. M’Benga (Babs Olusanmokun) and Christine Chapel as they had to interact with a notorious Klingon general (Robert Wisdom) who defected to the Federation. While the two dealt with their emotions in the present day, intense flashbacks of their time during the Klingon War were vivid and evoked Star Trek: Deep Space Nine’s Dominion episodes.

“Tomorrow and Tomorrow and Tomorrow” was an above average Star Trek time travel episode as La’an, along with an alternate version of James T. Kirk (Paul Wesley), wind up in Toronto during the mid-21st century. What made the episode stand out was the chemistry between the two and La’an’s dilemma as she faced her ancestral history (she is a descendant of the infamous Khan Noonien Singh).

 “Hegemony” brought back the Gorn, the reptilian enemy race of the the Federation, and they were as deadly and frightening as ever. Captain Christopher Pike (Anson Mount) had to find a way to evacuate colonists off a world that has been claimed by the Gorn. The mood of the episode was chilling and foreboding as it had elements of Alien, and as a bonus we get to meet the new version of the future miracle worker, Montgomery Scott (Martin Quinn). The actor perfectly captured the essence of Scotty without seeming like a parody.  But as mentioned at the start of this review, the episode ends on a cliffhanger. Nuts! Come on you mega-rich studio execs, find a way to properly compensate the writers and actors who are the backbone of your products!

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Star Trek: Discovery Concludes With Its Fifth Season

Star Trek fans have either been mourning or celebrating the recent announcement that the Paramount + streaming series, Star Trek: Discovery, will end when its upcoming fifth season concludes.

Ever since Star Trek: Discovery was first announced back in 2016 and debuted on CBS All Access the series was mired in controversey and alienated many fans. Instead of there being a mutual celebration that Star Trek finally returned to TV, fandom was bitterly divided over the TV show.

Even though Star Trek has always been forward thinking, progressive and pushed social envelopes, Star Trek: Discovery is overtly and even aggressive with its progressiveness. It has a Black woman as the main character, it features a homosexual couple and even a non-binary character. This made many fans uncomfortable, especially those who are more socially conservative, and they were quick to deride the show.

However, while it may be easy for these fans to dismiss Star Trek: Discovery for its so-called “wokeness”, the show had many problems that did not have to do with the racial or sexual nature of its characters.

Basically, Star Trek: Discovery departed too far from what worked with Star Trek, which was presenting engaging characters, well-written and provocative storylines, and an interesting premise. It did have its moments, especially in its second season, and it ushered in a new era for Star Trek, but from its pilot episode “The Vulcan Hello” it was apparent it had its faults.

To start, by setting the show just a few short years before the original Star Trek it wrecked the complex Trek continuity that is cherished by fans. Being that it was a modern show with access to the best special effects technology available, the look of the show was vastly different from the primitive production design of the original Star Trek. Of course, we viewers were supposed to ignore that but it was a nagging stickler for continuity’s sake.

There was little attempt to at least try to copy the look of the orginal Star Trek, as with the distinctive gold, blue and red uniforms, the Klingons received an ugly redesign that no one asked for, and the starship Discovery had technology that was so advanced compared to what we saw in other Star Trek shows and films. For example, why didn’t the ships in the other Star Trek shows have this revolutionary spore drive that allowed the Discovery to travel anywhere in the galaxy? It seemed as if the showrunners had little regard for what worked before and for what fans wanted. A full-scale war with Klingons that no one talked about in the other shows? Klingons that eat humans? The showrunners even botched the Mirror Universe and let their actors chew the scenes to the point that it was comical but not in a good way. The show departed from previous Treks in that it was no longer episodic and followed a season-long arc (the Klingon War with a visit to the Mirror Universe). While this echoed what modern TV shows do, when Star Trek: Discovery tried it the execution was poor. Becoming an arc-oriented TV show somehow robbed it of a key premise of Star Trek, which was exploring new worlds and civilizations.

Seeing the negative reactions to Star Trek: Discovery, the showrunners hastily tried to course correct for the remainder of the show’s run with mixed results. In the second season, Captain Christopher Pike and Spock were added to the cast and they were the best things on the show thanks to the acting chops of Anson Mount and Ethan Peck. The stories revolving around them captivated viewers and were the highlights of the second season, but frankly this took time away from the regular characters. This was another issue with the show in that the recurring and guest characters were more interesting or had more screen time than the regular cast. Aside from Michael Burnham (Sonequa Martin-Green), Saru (Doug Jones), Paul Stemets (Anthony Rapp), and Sylivia Tilly (Mary Wiseman), we barely knew anything about the bridge crew. We see them all the time saying “Aye sir” and spouting technobabble, but most viewers would be hard-pressed to even know their names. Instead, lots of bandwidth was spent on Pike, Spock, Georgiou (Michelle Yeoh) and most recently with the intergalactic courier Cleveland Booker (David Ajala). The show is supposed to be about the starship Discovery and its crew.

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Khristmas Klingon Style

klingon khristmasOne of the stranger gift requests I received for this Christmas is the new Star Trek book A Very Klingon Khristmas by Paul Ruditis. It’s obviously a parody about the holiday season done Klingon style. Sure, there are many absurd Klingon parodies floating around pop culture out there, but this is one of the more better made ones. BTW, the honor for the most bizarre, yet hysterical spoof is the Klingon video parody of Psy’s famous dance song “Gangnam Style”.

Getting back to A Very Klingon Khristmas, the book looks at the holiday from a Klingon point of view. The holiday being celebrated tongue-in-cheek style is the birth of the mighty Klingon warrior Kahless. In the Klingon holiday, Santa Claus has retractable claws and leaves tribbles in the stockings of the naughty kids, and so on. But, what really sells the book are the Norman Rockwell-like paintings (by Patrick Faricy) that capture the festive, family mood of Christmas with a Klingon spin.

klingon carolers

It’s a cute and fun book for Star Trek fans that isn’t too pricy, (less than $20) though the hardcover is only 32 pages long. That’s something to consider if you’re doing some last minute shopping and need to get something for a Star Trek fan. Look at it this way, A Very Klingon Khristmas will last longer in a fan’s memories than another Star Trek calendar.

So this can be the start of a new kind gift idea. Who knows? Maybe they’ll do other Christmas-themed Star Trek books. Personally, I’d like to read a A Ferengi Christmas Carol. 😀

Annette DeForrester

Star Trek Movie Retrospective–Star Trek IV: The Voyage Home

Dr. Gillian Taylor: “Don’t tell me. You’re from outer space.”

Admiral James T. Kirk: “No I’m from Iowa, I only work in outer space.”

Dinner conversation during a date at an Italian restaurant in San Francisco, circa 1980s

“Well, a double dumbass on you!”

Admiral James T. Kirk to a taxi driver on the streets of San Francisco, same time period

trek 4 poster 2Usually when the fourth film in a franchise comes around the franchise itself starts to show signs of fatigue. Thankfully that wasn’t the case with Star Trek IV: The Voyage Home. Unbelievably, the fourth Star Trek film reaffirmed the Star Trek franchise after its moribund predecessor. A lot of the credit goes to writers Nicholas Meyer, Harve Bennett (who was also the producer), Peter Krikes and Steve Meerson, and primarily, director Leonard Nimoy, who co-stars in the film as Spock. Nimoy found his footing with his second directorial gig and it shows in a big way.

Star Trek IV: The Voyage Home begins with a dedication to the lost crew of the space shuttle Challenger, which was appropriate and sincere being that the tragedy happened earlier in the year that the film premiered. After the credits, the  story begins with a Reliant-class starship encountering a humongous, shiny, black cylindrical alien probe that drains the starship of its power. Before anyone can say V’Ger, the story jumps back to Earth at the council chambers of the United Federation of Planets where audiences are brought up to date with what happened in the previous film. A Klingon ambassador (John Schuck) wants Admiral James T. Kirk’s (William Shatner) head for killing a Klingon crew and stealing their bird-of-prey ship and accuses the Federation of wanting to wage war on the Klingons with the failed Genesis terraforming process.

trek 4 cast

Kirk has violated nine Starfleet regulations, such as disobeying orders and stealing the starship Enterprise . He is on exile with his former crewmembers on the planet Vulcan. They include Dr. Leonard McCoy (DeForest Kelley), Chief Engineer Montgomery “Scottie” Scott (James Doohan), and Commanders Hikaru Sulu (George Takei), Pavel Chekov (Walter Koenig), and Uhura (Nichelle Nichols). After being on Vulcan for three months, they choose to return to Earth and face trial. Spock, who they risked their lives and careers for in Star Trek III: The Search For Spock, is recuperating from his resurrection and regaining his mental acuity. He is still confused about the nature of feelings, but elects to accompany his friends back to Earth.

probeMeanwhile, the alien probe approaches Earth and creates havoc as it drains away the energy of anything that it approaches. Starfleet is effectively crippled and Earth defenseless. The probe also emits a series of ear-piercing inhuman screeches and wails that no one can decipher. The probe arrives in Earth orbit and begins transmitting into the oceans. This creates a severe superstorm that covers the planet and the endangers all life.

Kirk and his crew leave Vulcan with the stolen Klingon ship (rechristened the Bounty) and on their way to Earth pick up a distress call from the Federation President (Robert Ellenstein), who is on Earth, warning away visitors because of the probe. Spock is able to decipher the probe’s transmissions and we learn that it is trying to contact humpback whales. Unfortunately, the species is extinct in the 23rd century, which forces Kirk to take the Bounty and time travel to Earth’s past and find whales to bring back to their time period.

After Kirk informs Starfleet Command of his intentions, the Bounty makes a time travel sceneslingshot maneuver around Earth’s sun. It’s a time travel procedure first done in the classic original episode “The Naked Time” but more ethereal with dream-like sequences showing morphing busts of the crew and whales. After that sequence the ship winds up in the latter half of the 20th century. After picking up whale songs transmitting from the San Francisco area, the ship lands cloaked in Golden Gate Park in the middle of the night. Scotty informs Kirk that in addition to refitting the ship’s interior to accommodate a whale tank, the ship’s dilithium crystals that power the warp core drive are drained and need recharging or else they’re stranded. With that, the now-Bounty crew disembark their ship and head off into the wild frontier of the 20th century.

trek iv cast

Then the fun begins.

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